Authors: David Foster Wallace
So but like e.g. Gately puzzled for quite some time about why these AA meetings where nobody kept order seemed so orderly. No interrupting, fist-icuffery, no heckled invectives, no poisonous gossip or beefs over the tray's last Oreo. Where was the hard-ass Sergeant at Arms who enforced these principles they guaranteed would save your ass? Pat Montesian and Eugenio Martinez and Ferocious Francis the Crocodile wouldn't answer Gately's questions about where's the enforcement. They just all smiled coy smiles and said to Keep Coming, an apothegm Gately found just as trite as 'Easy Does It!' 'Live and Let Live!’
How do trite things get to be trite? Why is the truth usually not just un-but anti-interesting? Because every one of the seminal little mini-epiphanies you have in early AA is always polyesterishly banal, Gately admits to residents. He'll tell how, as a resident, right after that one Harvard Square industrial-grunge post-punk, this guy whose name was Bernard but insisted on being called Plasmatron-7, right after old Plasmatron-7 drank nine bottles of NyQuil in the men's upstairs head and pitched forward face-first into his instant spuds at supper and got discharged on the spot, and got fireman-carried by Calvin Thrust right out to Comm. Ave.'s Green Line T-stop, and Gately got moved up from the newest guys' 5-Man room to take Plas-matron-7's old bunk in the less-new guys' 3-Man room, Gately had an epi-phanic AA-related nocturnal dream he'll be the first to admit was banally trite.
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In the dream Gately and row after row of totally average and non-unique U.S. citizens were kneeling on their knees on polyester cushions in a crummy low-rent church basement. The basement was your average low-rent church basement except for this dream-church's basement walls were of like this weird thin clean clear glass. Everybody was kneeling on these cheap but comfortable cushions, and it was weird because nobody seemed to have any clear idea why they were all on their knees, and there was like no tier-boss or sergeant-at-arms-type figure around coercing them into kneeling, and yet there was this sense of some compelling unspoken reason why they were all kneeling. It was one of those dream things where it didn't make sense but did. And but then some lady over to Gately's left got off her knees and all of a sudden stood up, just like to stretch, and the minute she stood up she was all of a sudden yanked backward with terrible force and sucked out through one of the clear glass walls of the basement, and Gately had winced to get ready for the sound of serious glass, but the glass wall didn't shatter so much as just let the cartwheeling lady sort of melt right through, and healed back over where she'd melted through, and she was gone. Her cushion and then Gately notices a couple other polyester cushions in some of the rows here and there were empty. And it was then, as he was looking around, that Gately in his dream looked slowly up overhead at the ceiling's exposed pipes and could now all of a sudden see, rotating slow and silent through the basement a meter above the different-shaped and -colored heads of the kneeling assembly, he could see a long plain hooked stick, like the crook of a giant shepherd, like the hook that appears from stage-left and drags bad acts out of tomato-range, moving slowly above them in French-curled circles, almost demurely, as if quietly scanning; and when a mild-faced guy in a cardigan happened to stand up and was hooked by the hooked stick and pulled ass-over-teakettle out through the soundless glass membrane Gately turned his big head as far as he could without leaving the cushion and could see, now, just outside the wall's clean pane, trolling with the big stick, an extraordinarily snappily dressed and authoritative figure manipulating the giant shepherd's crook with one hand and coolly examining the nails of his other hand from behind a mask that was simply the plain yellow smily-face circle that accompanied invitations to have a nice day. The figure was so impressive and trustworthy and casually self-assured as to be both soothing and compelling. The authoritative figure radiated good cheer and abundant charm and limitless patience. It manipulated the big stick in the coolly purposeful way of the sort of angler who you know isn't going to throw back anything he catches. The slow silent stick with the hook he held was what kept them all kneeling below the baroque little circumferences of its movement overhead.
One of Ennet House's live-in Staffers' rotating P.M. jobs is to be awake and on-call in the front office all night for Dream Duty — people in early recovery from Substances often get hit with real horror-show dreams, or else traumatically seductive Substance-dreams, and sometimes trite but important epiphanic dreams, and the Staffer on Dream Duty is required to be up doing paperwork or sit-ups or staring out the broad bay window in the front office downstairs, ready to make coffee and listen to the residents' dreams and offer the odd practical upbeat Boston-AA-type insight into possible implications for the dreamer's progress in recovery — but Gately had no need to clomp downstairs for a Staffer's feedback on this one, since it was so powerfully, tritely obvious. It had come clear to Gately that Boston AA had the planet's most remorselessly hard-ass and efficient sergeant at arms. Gately lay there, overhanging all four sides of his bunk, his broad square forehead beaded with revelation: Boston AA's Sergeant at Arms stood outside the orderly meeting halls, in that much-invoked Out There where exciting clubs full of good cheer throbbed gaily below lit signs with neon bottles endlessly pouring. AA's patient enforcer was always and everywhere Out There: it stood casually checking its cuticles in the astringent fluorescence of pharmacies that took forged Talwin scrips for a hefty surcharge, in the onionlight through paper shades in the furnished rooms of strung-out nurses who financed their own cages' maintenance with stolen pharmaceutical samples, in the isopropyl reek of the storefront offices of stooped old chain-smoking MD's whose scrip-pads were always out and who needed only to hear 'pain' and see cash. In the home of a snot-strangled Canadian VIP and the office of an implacable Revere A.D.A. whose wife has opted for dentures at thirty-five. AA's disciplinarian looked damn good and smelled even better and dressed to impress and his blank black-on-yellow smile never faltered as he sincerely urged you to have a nice day. Just one more last nice day. Just one.
And that was the first night that cynical Gately willingly took the basic suggestion to get down on his big knees by his undersized spring-shot Ennet House bunk and Ask For Help from something he still didn't believe in, ask for his own sick Spider-bit will to be taken from him and fumigated and squished.
But and plus in Boston AA there is, unfortunately, dogma, too, it turns out; and some of it is both dated and smug. And there's an off-putting jargon in the Fellowship, a psychobabbly dialect that's damn near impossible to follow at first, says Ken Erdedy, the college-boy ad exec semi-new at Ennet House, complaining to Gately at the White Flag meeting's raffle-break, Boston AA meetings are unusually long, an hour and a half instead of the national hour, but here they also have this formal break at about 45 minutes where everybody can grab a sandwich or Oreo and a sixth cup of coffee and stand around and chat, and bond, where people can pull their sponsors aside and confide some trite insight or emotional snafu that the sponsor can swiftly, privately validate but also place in the larger imperative context of the primary need not to absorb a Substance today, just today, no matter what happens. While everybody's bonding and interfacing in a bizarre system of catchphrases, there's also the raffle, another Boston idiosyncrasy: the newest of the White Flag newcomers trying to Get Active In Group Service wobble around with rattan baskets and packs of tickets, one for a buck and three for a fin, and the winner eventually gets announced from the podium and everyone hisses and shouts 'Fix!' and laughs, and the winner wins a Big Book or an As Bill Sees It or a Came To Believe, which if he's got some sober time in and already owns all the AA literature from winning previous raffles he'll stand up and publicly offer it to any newcomer who wants it, which means any newcomer with enough humble desperation to come up to him and ask for it and risk being given a phone number to carry around in his wallet.
At the White Flag raffle-break Gately usually stands around chainsmoking with the Ennet House residents, so that he's casually available to answer questions and empathize with complaints. He usually waits til after the meeting to do his own complaining to Ferocious Francis, with whom Gately now shares the important duty of 'breaking down the hall,' sweeping floors and emptying ashtrays and wiping down the long cafeteria tables, which F.F.G.'s function is limited because he's on oxygen and his function consists mostly of standing there sucking oxygen and holding an unlit cigar while Gately breaks down the hall. Gately rather likes Ken Erdedy, who came into the House about a month ago from some cushy Belmont rehab. Erdedy's an upscale guy, what Gately's mother would have called a yuppie, an account executive at Viney and Veals Advertising downtown his Intake form said, and though he's about Gately's age he's so softly good-looking in that soft mannequinish way Harvard and Tufts schoolboys have, and looks so smooth and groomed all the time even in jeans and a plain cotton sweater, that Gately thinks of him as much younger, totally ungrizzled, and refers to him mentally as 'kid.' Erdedy's in the House mainly for 'marijuana addiction,' which Gately has a hard time Identifying with anybody getting in enough trouble with weed to leave his job and condo to bunk in a room full of tattooed guys who smoke in their sleep, and to work like pumping gas (Erdedy just started his nine-month humility job at the Merit station down by North Harvard St. in Allston) for 32 minimum-wage hours a week. Or to have his leg be joggling like that all the time from tensions of Withdrawal: from fucking grass? But it's not Gately's place to say what's bad enough to make somebody Come In and what isn't, not for anybody else but himself, and the shapely but big-time-troubled new girl Kate Gompert — who mostly just stays in her bed in the new women's 5-Woman room when she isn't at meetings, and is on a Suicidality Contract with Pat, and isn't getting the usual pressure to get a humility job, and gets to get some sort of scrip-meds out of the meds locker every morning — Kate Gompert's counselor Danielle S. reported at the last Staff Meeting that Kate had finally opened up and told her she'd mostly Come In for weed, too, and not the lightweight prescription tranqs she'd listed on her Intake form. Gately used to treat weed like tobacco. He wasn't like some other narcotics addicts who smoked weed when they couldn't get anything else; he always smoked weed and could always get something else and simply smoked weed while he did whatever else he could get. Gately doesn't miss weed much. The shocker-type AA Miracle is he doesn't much miss the Demerol, either, today.
A hard November wind is spattering goopy sleet against the broad windows all around the hall. The Provident Nursing Home cafeteria is lit by a checkerboard array of oversized institutional bulbs overhead, a few of which are always low and give off fluttery strobes. The fluttering bulbs are why Pat Montesian and all the other photic-seizure-prone area AAs never go to White Flag, opting for the Freeway Group over in Brookline or the candyass Lake Street meeting up in West Newton on Sunday nights, which Pat M. bizarrely drives all the way up from her home down on the South Shore in Milton to get to, to hear people talk about their analysts and Saabs. There is no way to account for people's taste in AA. The White Flag hall is so brightly lit up all Gately can see out any of the windows is a kind of shiny drooling black against everybody's pale reflection.
Miracle's one of the Boston AA terms Erdedy and the brand-new and very shaky veiled girl resident standing over him complain they find hard to stomach, as in 'We're All Miracles Here' and 'Don't Leave Five Minutes Before The Miracle Happens' and 'To Stay Sober For 24 Hours Is A Miracle.’
Except the brand-new girl, either Joelle V. or Joelle D., who said she'd hit the occasional meeting in the past before her Bottom and had been roundly repelled, and is still pretty much cynical and repelled, she said on the way down to Provident under Gately's direct new-resident supervision, says she finds even the word Miracle preferable to the constant AA talk about 'the Grace of God,' which reminds her of wherever she grew up, where she's indicated places of worship were often aluminum trailers or fiberboard shacks and church-goers played with copperheads in the services to honor something about serpents and tongues.
Gately's also observed how Erdedy's also got that Tufts-Harvard way of speaking without seeming to move his lower jaw.
'It's as if it's its own country or something,' Erdedy complains, legs crossed in maybe a bit of a faggy schoolboy way, looking around at the raffle-break, sitting in Gately's generous shadow. 'The first time I ever talked, over at the St. E's meeting on Wednesday, somebody comes up after the Lord's Prayer and says "Good to hear you, I could really I.D. with that bottom you were sharing about, the isolating, the can't-and-can't, it's the greenest I've felt in months, hearing you." And then gives me this raffle ticket with his phone number that I didn't ask for and says I'm right where I'm supposed to be, which I have to say I found a bit patronizing.’
The best noise Gately produces is his laugh, which booms and reassures, and a certain haunted hardness goes out of his face when he laughs. Like most huge men, Gately has kind of a high hoarse speaking voice; his larynx sounds compressed. 'I still hate that right-where-you're-supposed-to-be thing,' he says, laughing. He likes that Erdedy, sitting, looks right up at him and cocks his head slightly to let Gately know he's got his full attention. Gately doesn't know that this is a requisite for a white-collar job where you have to show you're attending fully to clients who are paying major sums and get to expect an overt display of full attention. Gately is still not yet a good judge of anything about upscale people except where they tend to hide their valuables.
Boston AA, with its emphasis on the Group, is intensely social. The raffle-break goes on and on. An intoxicated street-guy with a venulated nose and missing incisors and electrician's tape wrapped around his shoes is trying to sing 'Volare' up at the empty podium microphone. He is gently, cheerfully induced offstage by a Crocodile with a sandwich and an arm around the shoulders. There's a certain pathos to the Crocodile's kindness, his clean flannel arm around the weatherstained shoulders, which pathos Gately feels and likes being able to feel it, while he says 'But at least the "Good to hear you" I quit minding. It's just what they say when somebody's got done speaking. They can't say like "Good job" or "You spoke well," cause it can't be anybody's place here to judge if anybody else did good or bad or whatnot. You know what I'm saying, Tiny, there?’