Authors: David Foster Wallace
This now was the closest large Steeply had come, to stand over Marathe to look down, looming. The rising astral body Venus lit his left side of the face to the color of pallid cheese. 'Get real. The Entertainment isn't candy or beer. Look at Boston just now. You can't compare this kind of insidious enslaving process to your little cases of sugar and soup.’
Marathe smiled bleakly into the chiaroscuro flesh of this round and hairless U.S.A. face. 'Perhaps the facts are true, after the first watching: that then there seems to be no choice. But to decide to be this pleasurably entertained in the first place. This is still a choice, no? Sacred to the viewing self, and free? No? Yes?’
During that last pre-Subsidized year, after each tournament's perfunctory final, at the little post-final award-presentations and dance, Eric Clipperton would attend unarmed and eat maybe a little shaved turkey from the buffet and mutter out of the side of his slot-like mouth to Mario Incandenza, and would stand there expressionless and receive his outsized first-place trophy amid witheringly slight and scattered applause, and would melt into the crowd soon after and dematerialize back to wherever he lived and trained and target-practiced. Clipperton by this time must have had a whole mantel plus bookcase's worth of tall U.S.T.A. trophies, each U.S.T.A. trophy a marbled plastic base with a tall metal boy on top arched in mid-serve, looking rather like a wedding-cake groom with a very good outside slider. Clipper-ton must have been just broke out in brass and plastic, but he had no official ranking whatsoever: since his Clock 9 mm. and public intentions were instantly legendary, he was regarded by the U.S.T.A. as never having had a legitimate victory, or even a legit match, in sanctioned play. People on the jr. tour sometimes asked tiny Mario if that's why Eric Clipperton always seemed so terrifically glum and withdrawn and made such a big deal out of materializing and dematerializing at tournaments, that the very tactic that let him win in the first place kept the wins, and in a way Clipperton himself, from being treated as real.
All this until the erection of O.N.A.N. and the inception, in Clipperton's eighteenth summer, of Subsidized Time, the adverted Year of the Whopper, when the U.S.T.A. became the O.N.A.N.T.A, and some Mexican systems analyst — who barely spoke English and had never once even fondled a ball and knew from exactly zilch except for crunching raw results-data — this guy stepped in as manager of the O.N.A.N.T.A. computer and ranking center in Forest Lawn NNY, and didn't know enough not to treat Clipperton's string of six major junior-tournament championships that spring as sanctioned and real. And when the first biweekly issue of the trilingual North American Junior Tennis that's replaced American Junior Tennis comes out, there's one E. R. Clipperton, Home Town 'Ind.,' ranked #1 in Boys' Continental 18-and-Unders; and competitive eyebrows ascend at all latitudes; and but everyone at E.T.A., from Schtitt on down, is highly amused, and some of them wonder whether maybe now Eric Clipperton will put down his psychic cuirass and take his unarmed competitive chances with the rest of them, now that he's got what he's surely been burning over and holding himself hostage for all along, a real and sanctioned #1; and the Continental Jr. Clay-Courts are coming up the following week, in Indianapolis IN, and little Michael Pemulis of Allston takes his PowerBook and odds-software and makes a killing on vig in the frenzy of locker-room wagering over whether Clipperton'll even bother to materialize at Indy now that he's extorted himself to the sanctioned top he must have craved so terribly, or whether he'll retire from the tour now and lie around masturbating over the Clock in one hand and the latest issue of NAJT in the other.
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And so everyone's taken aback when Eric Clipperton of all people suddenly appears at the E.T.A. front gate's portcullis on a rainy warm late A.M. two days before the Clays, wearing a flap-frayed trench-type coat and toe-abraded sneakers and a five-day growth of armpitty adolescent beard, but without any sticks or anything in the way of competitive gear, not even his Clock 17's custom-made wooden case, and he makes the cold-eyed part-time portcullis attendant from the halfway place down the hill just about lean on the intercom-buzzer, pleading for entry and counsel — he's in a terrible way, is the portcullis attendant's intercom diagnosis — and rules about nonenrolled jr. players being on academies' grounds are strict and complex, and but little Mario Incandenza sways down the steep path to the portcullis in the warm rain and interfaces with Clipperton through the bars and has the attendant hold the intercom-button down for him and personally requests that Clipperton be admitted under a special nonplay codicil to the regulations, saying the kid is truly in desperate psychic straits, Mario speaking first to Lateral Alice Moore and then to this prorector Cantrell and then to the Headmaster himself as Clipperton stares wordlessly up at the little wrought-iron racquet-heads that serve as spikes at the top of the portcullis and fencing around E.T.A., his expression so blackly haunted that even the hard-boiled attendant told some of the people back at the halfway place later that the spectral trench-coated figure had given him sobriety's worst fantods, so far; and J. O. Incandenza finally lets Clipperton in over CantrelPs and then Schtitt's vehement objections when it's established that Clipperton wants only a few private minutes to obtain the counsel of Incandenza Sr. himself—of whom I think we can presume Mario's spoken glowingly to Clipperton — and Incandenza, while not quite strictly sober, is lucid, and has a very low melting-point of compassion for traumas connected with early success; and so up goes the portcullis, and the Clipperton and the two Incandenzas go at high noon up to an unused top-floor room in Subdorm C of East House, the structure nearest the front gate, for some sort of psycho-existential CPR-session or something — Mario has never spoken of what he got to sit in on, not even at night to Hal when Hal's trying to go to sleep. But it's a matter of record that at some point first E.T.A. counselor Dolores Rusk was beeped by Himself at her Winchester home and then her beep was canceled and Lateral Alice Moore was beeped and asked with due speed to get Lyle up from the weight room/sauna and over to East House ASAP, and that at some point while Lyle was delotusing from the dispenser and making his way with sideways Lateral Alice to this emergency-type huddle, at some point in this interval — in front of Dr. James O. Incandenza and a Mario whose tiny borrowed head-clamped Bolex h328 Incandenza required Clipperton to consent to having digitally record the whole crisis-conversation, to protect E.T.A. from the O.N.A.N.T.A.'s Kafkaesque rules on unregistered recipients of any sort of counsel at U.S. academies — at some point, w/ Lyle in transit, Clipperton pulls out of various pockets in his wet complicated coat an elaborately altered copy of NAJT's biweekly ranking report, a sepia'd snapshot of some whey-faced Midwestern couple's wedding, and the hideous blunt-barreled Clock 179 mm. semiautomatic, which even as both Incandenzas reach for the sky Clipperton places to his right — not left — temple, as in with his good right stick-hand, closes his eyes and scrunches up his face and blows his legitimated brains out for real and all time, eradicates his map and then some; and there's just an ungodly subsequent mess in there, and the Incandenzas respectively stagger and totter from the room all green-gilled and red-mist-stained, and — because reports of Lyle's appearance outside the weight room upright and walking across the grounds have spread and caused enormous excitement and student-snapshots — it's because it was just as Lyle and L. A. Moore hit the upstairs hallway that they reeled out of the room in a miasma of cordite and ghastly mist that they're preserved in various snapshots as resembling miners of some sort of really grisly coal.
People in the competitive jr. tennis community somehow regarded it as healthy that Mario Incandenza's perfectly even smile never faltered even through tears at Clipperton's funeral. The funeral was poorly attended. It turned out Eric Clipperton had hailed from Crawfordsville, Indiana, where his Ma was a late-stage Valium addict and his ex-soybean-farmer Pa, blinded in the infamous hailstorms of B.S. '94, now spent all day every day playing with one of those little wooden paddles with a red rubber ball attached by elastic string, paddle-ball, with an understandable lack of success; and the tranquilized and sightless Clippertons had had no clue about where Eric had even disappeared off to most weekends, and bought his explanation that all the tall trophies came from an after-school job as a freelance tennis-trophy designer, the parents apparently being not exactly the two brightest bulbs in the great U.S. parental light-show. They held the interment under a threat of rain in Veedersburg IN, where there's a budget cemetery, and Himself skipped Indianapolis and took Mario to the first of his life's two funerals so far; and it was probably moving that Incandenza acceded to Mario's request that nothing get filmed or documented, at the funeral, for Himself's jr.-tennis documentary. Mario probably told Lyle all about everything, back down in the weight room, but he sure never told Hal or the Moms; and Himself was already in and out of rehabs and hardly a credible source on much of anything by this point. But Incandenza did let Mario insist that no one else get to clean up the scene in Subdorm C after Enfield's Finest had come and peered around and drawn a chalk ectoplasm around Clipperton's sprawled form and written things down in little spiral notebooks which they kept checking against one another with maddening care, and then EMTs had zipped Clipperton up in a huge rubber bag and taken him down and out on a wheeled stretcher with retractable legs they had to retract on all the stairs. Lyle was long gone by this time. It took the bradykinetic Mario all night and two bottles of Ajax Plus to clean the room with his tiny contractured arms and square feet; the 18's girls in the rooms on either side could hear him falling around in there and picking himself up, again and again; and the finally spotless room in question had been locked ever since, with its tasteless sign — except G. Schtitt holds a special key, and when an E.T.A. jr. whinges too loudly about some tennis-connected vicissitude or hardship or something, he's invited to go chill for a bit in the Clip-perton Suite, to maybe meditate on some of the other ways to succeed besides votaried self-transcendence and gut-sucking-in and hard daily slogging toward a distant goal you can then maybe, if you get there, live with.
It was Ennet House's Assistant Director Annie P. who coined the phrase that Don Gately 'sunlights on the side.' Five a.m.s a week, whether he's just getting off all-night Staff duty or not, he has to be on the Inbound Green Line by 0430h. to then catch two more trains to his other job at the Shat-tuck Shelter For Homeless Males down in bombed-out Jamaica Plain. Gately has become, in sobriety, a janitor. He mops down broad cot-strewn floors with anti-fungal delousing solvents. Likewise the walls. He scrubs toilets. The relative cleanliness of the Shattuck's toilets might seem surprising until you head into the shower area, with your equipment and face-mask. Half the guys in the Shattuck are always incontinent. There's human waste in the showers on a daily fucking basis. Stavros lets him attach an industrial hose to a nozzle and spray the worst of the shit away from a distance before Gately has to go in there with his mop and brushes and solvents, and his mask.
Cleaning the Shattuck only takes three hours, since he and his partner got the routine down tight. Gately's partner is also the guy that owns the company that contracts with the Commonwealth for the Shattuck's maintenance, a guy like forty or fifty, Stavros Lobokulas, a troubling guy with a long cigarette-filter and an enormous collection of women's-shoes catalogues he keeps piled behind the seats in the cab of his 4x4.
So at like 0800 usually they're done and by vendor's contract still get to bill for eight hours (Stavros L. only pays Gately for three, but it's sub-table), and Gately heads back to Government Center to take the westbound Greenie back up Commonwealth to Ennet House to put on his black eye-patch mask thing and sleep till !2OOh. and the afternoon shift. Stavros L. himself gets a couple hours off to footwear-browse (Gately very much needs to assume that's all he does with the catalogues, is browse), then has to head over to Pine Street Inn, the biggest and foulest homeless shelter in all of Boston, where Stavros and two other broke and desperate yutzes from another of the halfway houses Stavros cruises for cheap labor will spend four hours cleaning and then bill the state for six.
The inmates at the Shattuck suffer from every kind of physical and psychological and addictive and spiritual difficulty you could ever think of, specializing in ones that are repulsive. There are colostomy bags and projectile vomiting and cirrhotic discharges and missing limbs and misshapen heads and incontinence and Kaposi's Sarcoma and suppurating sores and all different levels of enfeeblement and impulse-control-deficit and damage. Schizophrenia is like the norm. Guys in D.T.s treat the heaters like TVs and leave broad spatter-paintings of coffee over the walls of the barrackses. There are industrial buckets for a.m. puking that they seem to treat like golfers treat the pin on like a golf course, aiming in its vague direction from a distance. There's one sort of blocked off and more hidden corner, over near the bank of little lockers for valuables, that's always got sperm moving slowly down the walls. And way too much sperm for just one or two guys, either. The whole place smells like death no matter what the fuck you do. Gately gets to the shelter at 0459.9h. and just shuts his head off as if his head has a kind of control switch. He screens input with a fucking vengeance the whole time. The barrackses's cots reek of urine and have insect-activity observable. The state employees who supervise the shelter at night are dead-eyed and watch soft-core tapes behind the desk and are all around Gately's size and build, and he's been approached to maybe work there himself, nights, supervising, more than once, and has said Thanks Anyway, and always screws right out of there at O8Olh. and rides the Greenie back up the hill with his Gratitude-battery totally recharged.