Jack Ryan 10 - Rainbow Six (48 page)

Chavez looked up. There were no tears in his eyes. Perhaps they'd come later, Domingo Chavez thought, his hand still on the child's head. Her hair wasn't very long, and he didn't know that it had grown back after her last chemotherapy protocol. He did know that she was supposed to be alive, and that in watching her death, he had failed to do that which he'd dedicated his life to doing. “Si, ” he told the doctor. “We will kill them. Peter?” He waved at his colleague, and together they accompanied the others to the doctor's office. They walked over slowly. There was no reason to go fast now.

“That'll do,” Malloy thought, surveying the still-wet paint on the side of the Night Hawk. POLICIA, the lettering said. “Ready, Harrison?”

“Yes, sir. Sergeant Nance, time to move.”

“Yessir.” The crew chief hopped in, buckled his safety belt, and watched the pilot go through the startup sequence. “All clear aft,” he said over the intercom, after leaning out to check. “Tail rotor is clear, Colonel.”

“Then I guess it's time to fly.” Malloy applied power and lifted the Night Hawk into the sky. Then he keyed his tactical radio. “Rainbow, this is the Bear, over.”

“Bear, this is Rainbow Six, reading you five by five, over.”

“Bear's in the air, sir, be there in seven minutes.”

“Roger, please orbit the area until we tell you otherwise.”

“Roger that, sir. I'll notify when we commence the orbit. Out.” There was no particular hurry. Malloy dipped the nose and headed into the gathering darkness. The sun was almost down now, and the park lights in the distance were all coming on.

“Who is this?” Chavez asked.

“Francisco de la Cruz,” the man replied. His leg was bandaged, and he looked to be in pain.

“Ah, yes, we saw you on the videotape,” Covington said. He saw the sword and shield in the corner and turned to nod his respect at the seated man. Peter lifted the spatha and hefted it briefly. At close range it would be formidable as hell, not the equal of his MP-10, but probably a very satisfying weapon for all that.

“A child? They kill a child?” de la Cruz asked.

Dr. Weiler was at his file cabinet. “Anna Groot, age ten and a half,” he said, reading over the documents that had preceded the little one. “Metastatic osteosarcoma, terminally ill .... Six weeks left, her doctor says here. Osteo, that is a bad one.” Against the wall, the two Spanish cops lifted the body from the chair and laid it tenderly on the examining table, then covered it with a sheet. One looked close to tears, blocked only by the cold rage that made his hands tremble.

“John must feel pretty shitty about now,” Chavez said.

“He had to do it, Ding. It wasn't the right time to take action-”

“I know that, Peter! But how the fuck do we tell her that?” A pause. “Doc, you have any coffee around here?”

“There.” Weiler pointed.

Chavez walked to the urn and poured some into a foam cup. “Up and down, sandwich 'em?”

Covington nodded. “Yes, I think so.”

Chavez emptied the cup and tossed it into a wastebasket. “Okay, let's get set up.” They left the office without another word and made their way in the shadows back to the underground, thence to the alternate command center.

“Rifle Two-One, anything happening?” Clark was asking when they walked in.

“Negative, Six, nothing except shadows on the windows. They haven't put a guy on the roof yet. That's a little strange.”

“They're pretty confident in their TV coverage,” Noonan thought. He had the blueprints of the castle in front of him. “Okay, we are assuming that our friends are all in here . . . but there's a dozen other rooms on three levels.”

“This is Bear,” a voice said over the speaker Noonan had set up. "I am orbiting now. What do I need to know. over?

“Bear, this is Six,” Clark replied. “The subjects are all in the castle. There's a command-and-control center on the second floor. Best guess, everybody's there right now. Also, be advised the subjects have killed a hostage - a little girl,” John added.

In the helicopter, Malloy's head didn't move at the news. “Roger, okay, Six, we will orbit and observe. Be advised we have all our deployment gear aboard, over.”

“Roger that. Out.” Clark took his hand off the transmit button.

The men were quiet, but their looks were intense. Chavez saw. Too professional for an avert display-nobody was playing with a personal weapon, or anything as Hollywood as that-yet their faces were like stone, only their eyes moving back and forth over the diagrams or dickering back and forth to the TV monitors. It must have been very hard on Homer Johnston, Ding thought. He'd been on the fucker when he shot the kid. Homer had kids. and he could have transported the subject into the next dimension as easily as blinking his eyes .... But no, that would not have been smart, and they were paid to be smart. The men hadn't been ready for even an improvised assault, and anything that smacked of improvisation would only get more children killed. And that wasn't the mission, either. Then a phone rang. Bellow got it, hitting the speaker button.

“Yes?” the doctor said.

“We regret the incident with the child, but she was soon to die anyway. Now, when will our friends be released?”

“Paris hasn't gotten back to us yet,” Bellow replied.

“Then, I regret to say, there will be another incident shortly.”

“Look, Mr. One, I cannot force Paris to do anything. We are talking, negotiating with government officials, and they take time to reach decisions. Governments never move fast, do they?”

“Then I will help them. Tell Paris that unless the aircraft bringing our friends is ready for us to board it in one hour, we will kill a hostage, and then another every hour
until our demands are met,” the voice said, entirely without emotional emphasis.

“That is unreasonable. Listen to me: even if they brought all of them out of their prisons now, it would take at least two hours to get them here. Your wishes cannot make an airplane fly faster, can they?”

That generated a thoughtful pause. “Yes, that is true. Very well, we will commence the shooting of hostages in three hours from now . . . no, I will start the countdown on the hour. That gives you an additional twelve minutes. I will be generous. Do you understand?”

“Yes, you say that you will kill another child at twenty-two hundred hours, and another one every hour after that.”

“Correct. Make sure that Paris understands.” And the line went dead.

“Well?” Clark asked.

“John, you don't need me here for this. It's pretty damned clear that they'll do it. They killed the first one to show us who's the boss. They plan to succeed, and they don't care what it takes for them to do so. The concession he just made may be the last one we're going to get.”

“What is that?” Esteban asked. He walked to the window to see. “Helicopter!”

“Oh?” Rene went there also. The windows were so small that he had to move the Basque aside. “Yes, I see the police have them. Large one,” he added with a shrug. “This is not a surprise.” But “Jose, get up to the roof with a radio, and keep us informed.”

One of the other Basques nodded and headed for the fire stairwell. The elevator would have worked fine, but he didn't want to be inconvenienced by another power shutoff.

“Command, Rifle Two-One,” Johnston called a minute later.

“Rifle Two-One, this is Six.”

“I got a guy on the castle roof, one man, armed with what looks like a Uzi, and he's got a brick, too. Just one, nobody else is joining up at this time.”

“Roger that, Rifle Two-One.”

“This isn't the guy who whacked the kid,” the sergeant added.

“Okay, good, thank you.”

“Rifle Three has him, too . . . just walked aver to my side. He's circulating around . . . yeah, looking over the edge, looking down.”

“John?” It was Major Covington.

“Yes, Peter?”

“We're not showing them enough.”

“What do you mean?”

“Give them something to look at. Policemen, an inner perimeter. If they don't see something, they're going to wonder what's going on that they cannot see.”

“Good idea,” Noonan said.

Clark liked it. “Colonel?”

“Yes,” Nuncio replied. He leaned over the table. “I propose two men, here, two more here . . . here . . . here.”

“Yes, sir, please make that happen right away.”

“Rene,” Andre called from in front of a TV screen. He pointed. “Look.”

There were two Guardia cops moving slowly and trying to be covert as they approached up Strada Espana to a place fifty meters from the castle. Rene nodded and picked up his radio. “Three!”

“Yes, One.”

“Police approaching the castle. Keep an eye on them.”

“I will do that, One,” Esteban promised.

“Okay, they're using radios,” Noonan said, checking his scanner. “Citizen-band walkie-talkies, regular commercial ones, set on channel sixteen. Pure vanilla.”

“No names, just numbers?” Chavez asked.

“So far. Our point of contact calls himself One, and this guy is Three. Okay, does that tell us anything?”

“Radio games,” Dr. Bellow said. “Right out of the playbook. They're trying to keep their identities secret from us, but that's also in the playbook.” The two photoID pictures had long since been sent to France for identification, but both the police and intelligence agencies had come up dry.

“Okay, will the French deal?”

A shake of the head. “I don't think so. The Minister, when I told him about the Dutch girl, he just grunted and said Carlos stays in the jug no matter what - and he expects us to resolve the situation successfully, and if we can't, his country has a team of his own to send down.”

“So, we've gotta have a plan in place and ready to goby twentytwo hundred.”

“Unless you want to see them kill another hostage, yes,” Bellow said. “They're denying me my ability to guide their behavior. They know how the game is played.”

“Professionals?”

Bellow shrugged. “Might as well be. They know what I'm going to try, and if they know it ahead of time, then they know how to maneuver clear.”

“No way to mitigate their behavior?” Clark asked, wanting it clear.

“I can try, but probably not. The ideological ones, the ones who have a clear idea of what they want-well, they're hard to reason with. They have no ethical base to play with, no morality in the usual sense, nothing I can use against them. No conscience.”

“Yeah, we saw that, I guess. Okay.” John stood up straight and turned to look at his two team leaders. “You got two hours to plan it, and one more to set it up. We go at twenty-two hundred hours.”

“We need to know more about what's happening inside,” Covington told Clark.

“Noonan, what can you do?”

The FBI agent looked down at the blueprints, then over at the TV monitors. “I need to change,” he said, heading over to his equipment case and pulling out the green-on-green night gear. The best news he'd seen so far was that the castle windows made for two blind spots. Better yet, they could control the lights that bled energy into both of them. He walked over to the park engineer next. “Can you switch off these lights along here?”

“Sure. When?”

“When the guy on the roof is looking the other way. And I need somebody to back me up,” Noonan added.

“I can do that,” First Sergeant Vega said, stepping forward.

The children were whining. It had started two hours earlier and only gotten worse. They wanted food - something adults would probably not have asked for, since adults would be far too frightened to eat, but children were different somehow. They also needed to use the restroom quite a bit, and fortunately there were two bathrooms adjacent to the control room, and Rene's people didn't stop them from going - the restrooms had no windows or phones or anything to make escape or communication possible, and it wasn't worth the aggravation to have the children soiling their pants. The children didn't talk directly to any of his people, but the whining was real and growing. Well-behaved kids, else it would be worse, Rene told himself, with an ironic smile. He looked at the wall clock.

“Three, this is One.”

“Yes, One,” came the reply.

“What do you see?”

“Eight policemen, four pairs, watching us, but doing nothing but watching.”

“Good.” And he set the radio down.

“Log that,” Noonan said. He'd checked the wall clock. It was about fifteen minutes since the last radio conversation. He was in his night costume now, the two-shade greens they'd used in Vienna. His Beretta .45 automatic. with suppressor, was in a special, large shoulder holster over his body armor, and he had a backpack slung over one shoulder. “Vega, ready to take a little walk?”

“You betcha,” Oso replied, glad at last to be doing something on a deployment. As much as he liked being responsible for the team's heavy machine gun, he'd never
gotten to use it, and, he thought, probably never would. The biggest man on the team, his hobby was pumping iron, and he had a chest about the dimensions of a halfkeg of beer. Vega followed Noonan out the door, then outside.

“Ladder?” the first sergeant asked.

“Tool and paint shop fifty yards from where we're going. I asked. They have what we need.”

“Fair 'nuff,” Oso replied.

It was a fast walk, dodging through a few open areas visible to the fixed cameras, and the shop they headed for had no sign on it at all. Noonan slipped the ground-bolted door and walked in. None of the doors, remarkably enough, were locked. Vega pulled a thirtyfoot extension ladder off its wall brackets. “This ought to do.”

“Yeah.” They went outside. Movement would now be trickier. “Noonan to command.”

“Six here.”

“Start doing the cameras, John.”

In the command center, Clark pointed to the park engineer. There was danger here, but not much, they hoped. The castle command center, like this one, had only eight TV monitors, which were hard-wired into over forty cameras. You could have the computer simply flip through them in an automatic sequence, or select cameras for special use. With a mouse-click, one camera was disabled. If the terrorists were using the automatic sequence, as seemed likely, they probably would not notice that one camera's take was missing during the flip-through. They had to get through the visual coverage of two of them, and the park engineer was ready to flip them off' and on as needed. The moment a hand appeared in camera twentythree's field of view, the engineer flipped it off.

Other books

By The Sea, Book Two: Amanda by Stockenberg, Antoinette
The Quilt by T. Davis Bunn
He Touches Me by Cynthia Sax
Rasputin's Revenge by John Lescroart
The Redeemed by Jonas Saul
Postmark Bayou Chene by Gwen Roland
The Heike Story by Eiji Yoshikawa