Jasper Fforde_Thursday Next_05 (13 page)

“Spot-on-time-tastic,” murmured Isambard, consulting a large gold pocketwatch. “We might make the deadule after all.”

“Mr. Buñuel?” murmured a disembodied voice that sounded as though it came from everywhere at once.

“Yes, Horace?”

“Sorry to trouble you, sir,” came the voice again, “but Mrs. Bennet and Lady Catherine de Bourgh have locked antlers in the living room and are threatening to kill each other. What do you want to do?”

“No time to lose!” exclaimed Buñuel, reaching into his pocket. “I’ll have five guineas on Mrs. Bennet.”

Thursday5 and I walked out of the maintenance facility and back to the busy corridors of the Well of Lost Plots. I called TransGenre Taxis and was told that my cab was “stuck in a traffic jam in Mrs. Beeton’s” but would “be with you shortly,” so we walked toward the elevators. Buñuel had a point about the extra conduiting—but equally it could be just another of the bizarre accounting anomalies that abound at the council—they once refused to allocate funds for maintenance on
Captain Corelli’s Mandolin,
despite an almost unprecedented burst of popularity. By the time they agreed to some remedial construction work, it was too late—the first few chapters suffered permanent damage. On the other side of the coin, they had no problem issuing the Danvers with new black uniforms and designer dark glasses so they “looked nice on parade.”

“Is it true you have a chair at the Council of Genres?” asked Thursday5 with a sense of wholly unwarranted awe in her voice.

“And a table, too. As an Outlander I don’t have the strictures of the narrative to dictate my actions, so I’m quite good at forward planning and—Hang on a moment.”

Recalling Landen’s writer’s block, I ducked into a bric-a-brac store full of plot devices, props, backstories and handy snatches of verbal banter for that oh-so-important exchange. I made my way past packing cases full of plot twists and false resolutions and walked up to the counter.

“Hello, Murray.”

“Thursday!” replied the own er of the store, a retired gag-and-groan man who had worked the Comedy genre for years before giving it all up to run a used-plot shop. “What can I do you for?”

“A plot device,” I said somewhat vaguely. “Something exciting that will change a story from the mundane to the fantastic in a paragraph.”

“Bud get?”

“Depends on what you’ve got.”

“Hmm,” said the shop keep er, thinking hard and staring at the wall of small drawers behind him, which made it look a little like an apothecary’s shop. On each drawer there was a painted label denoting some exciting and improbable plot-turning device. “Tincture of breathlessness,” said one, and “Paternal root,”

read another.

“How about a
Suddenly a shot rang out
? That’s always a safe bet for mysteries or to get you out of a scrape when you don’t know what to do next.”

“I think I can afford something better than that. Got anything a bit more…complex?”

Murray looked at the labels on the drawers again. “I’ve got a
And that, said Mr. Wimple, was when
we discovered…the truth.
”

“Too vague.”

“Perhaps, but it’s cheap. Okay. How about a
Mysterious stranger arriving during a thunderstorm?

We’ve got a special on this week. Take the stranger and you can have a corrupt local chief of police and an escaped homicidal lunatic at no extra charge.”

But I was still undecided.

“I was thinking of something more character-than plot-led.”

“I hope you’ve got deep pockets,” said the shop keep er ominously and with a trace of annoyance, as the line behind me was becoming longer by the second.

“How about the arrival of a distant and
extremely
eccentric ex-military uncle upsetting the delicate balance of the ordered house hold?”

“That sounds like just the thing. How much?”

“He was pulled out complete and unused a few days ago. Took a lot of skill to pluck him out of the narrative without damage, and with all ancillary props and walk-ons—”

“Yes, okay, okay, I get the picture—
How much?
”

“To you, a thousand guineas.”

“I get the uncle fully realized for that, yes?”

“He’s over there.”

I turned to see a slender and very jovial-looking gentleman sitting on a packing case on the other side of the shop. He was dressed in a suit of outrageously loud green and yellow checks and was resting his gloves on the top of a cane. He inclined his head in greeting when he saw us looking at him and smiled impishly.

“Perfect. I get a full backstory as well, yes?”

“It’s all here,” said Murray, placing on the counter a glass jar that seemed to be full of swirling colored mist.

“Then it’s a deal.”

We shook hands, and I gave him my BookWorld ChargeCard. I was just standing there in that blank sort of way you do while waiting for a shop keep er to complete a transaction, when the hair on the back of my neck suddenly rose. It was a sixth sense, if you like—something you acquire in the BookWorld, where jeopardy is sometimes never more than a line away. I surreptitiously slipped my hand into my bag and clasped the butt of my pistol. I looked cautiously from the corner of my eye at the customer to my left. It was a freelance imaginator buying powdered kabuki—no problem there. I looked to the right and perceived a tall figure dressed in a trench coat with a fedora pulled down to hide his face. I tensed as the faint odor of bovine reached my nostrils. It was the Minotaur, the half-man, half-bull son of Queen Pasiphaë of Crete. He’d killed one Jurisfiction agent and tried the same with me several times, so consequently he had an “erase on sight” order across sixteen genres—there were few these days who would dare harbor him. I stayed calm and turned toward Thursday5, who was looking at a pair of toucans that were a job lot from a scrapped bird-identification handbook. I caught her eye and showed her three fingers, which was a prearranged signal of imminent danger, then gave an almost imperceptible nod in the Minotaur’s direction. Thursday5 looked bewildered, I gave up and turned slowly back.

“Soon be done!” muttered Murray, filling out the credit form. I stole a look toward the Minotaur again. I could have erased him there and then, but it was always possible that this wasn’t the Minotaur we were hunting. After all, there were thousands of Minotaurs dotted around the BookWorld, and they all looked pretty much alike. Admittedly, not many wore trench coats and fedoras, but I wasn’t going to dispatch anyone without being sure.

“Would you like that frying pan wrapped, Mr. Johnson?” asked the lady serving the Minotaur. I required nothing more. He’d been using the “Mr. Johnson” pseudonym for many years—and the frying pan? Well, we’d darted him once with SlapStick as a tracking device, and it seemed to have crept into his modus operandi of assassination. Steamrollers, banana skins, falling pianos—he’d used them all. In the pantheon of SlapStick, the close-quarters hand weapon of choice was…a frying pan. Without waiting another second, I drew my pistol. The Minotaur, with a speed out of all proportion to his bulk, flipped the frying pan to his other hand and swiped it in my direction, catching the pistol and sending it clattering to the other side of the room. We paused and stared at each other. The frying pan had a two-foot handle, and he brandished it at me in a threatening manner. He removed his hat, and as the other customers realized who he was, there was a cry of fear and a mass exodus from the shop. He had the body of a man but the head of a bull, which had a kind of
humanness
about it that was truly disturbing. His yellow eyes gleamed at me with malevolence, and his horns, I noticed, had been sharpened to wickedly fine points.

“We can talk about this,” I said in a quiet tone, wondering if Thursday5 had the wits to try to distract him.

“No talk,” said the Minotaur in a basso profundo. “My job is to kill you, and yours…is to
die.
”

I tried to stall him. “Let’s talk for a minute about job descriptions.”

But the Minotaur wasn’t in the talking vein. He took a pace forward and made another swipe at me with the frying pan. I took a step backward but even so felt the breeze of the pan as it just missed my head. I grabbed the object nearest to hand, which was a golf club, and tried to hit him with it, but he was faster, and the wooden shaft of the club was reduced to splinters and sawdust with the ferocity of his blow. He gave out another deep, hearty laugh and took a further step toward me.

“I say,” came a voice that sounded like crumpets and tea at four o’clock sharp. “You, sir—with the horns.”

The Minotaur looked to where the voice had come from but still kept me within his vision. The interloper, of course, was the eccentric relative I’d just purchased for Landen’s book. He had left his packing case and stood facing the beast armed with nothing more than his walking stick.

“Now, run along, there’s a good chap,” he said, as though he were talking to a child. The Minotaur curled a lip and breathed a threatening,
“Begone!”

“Look here,” replied the character in the green and yellow checks. “I’m not sure I care for the tone of your voice.”

The Minotaur was suddenly a whirling mass of demonic destruction. He swung the frying pan toward the gentleman in an arc that could never have missed. But he
did
miss. There was a flash of silver, a blur of green and yellow, and the frying pan clattered to the floor—with the Minotaur’s hand still clutching it. The Minotaur looked at the frying pan, at the severed hand, then at his stump. He grimaced, gave out a deafening yell that shattered the windows of the shop and then evaporated into nothing as he jumped off and away.

“By gad, what a to-do,” exclaimed the gentleman as he calmly cleaned his sword-stick and returned it to his sheath. “Anyone know who he was?”

“The Minotaur.”

“Was he, by George?” exclaimed the gentleman in surprise. “Would have expected a better fight than that. Are you quite well?”

“Yes,” I answered, “thanks to you. That was a nifty piece of sword-work.”

“My dear girl, think nothing of it,” he replied with the ghost of a smile. “I was captain of the fencing team at Rugby.”

He was a handsome man in his mid-forties, and everything he did and said was liberally iced with a heavy coating of stiff British reserve. I couldn’t imagine what book he had come from or even why he’d been offered up as salvage.

“Thursday Next,” I said, putting out my hand.

“The plea sure is all mine, Ms. Next,” he replied. “Wing Commander Cornelius Scampton-Tappett at your ser vice.”

The customers were slowly coming back to peer into the store, but Murray was already placing Closed signs on the doors.

“So,” said Scampton-Tappett, “now that you’ve bought me, what would you have me do?”

“Oh…yes…right.”

I dug a calling card from my pocket, wrote down the title of Landen’s latest novel—
Bananas for
Edward
—and handed it to him.

“Do what you can, would you? And if you need anything, you can contact me over at Jurisfiction.”

Scampton-Tappett raised an eyebrow, told me he would do the very best he could, tucked the jar containing his backstory under his arm and vanished. I breathed a sigh of relief and glanced around. Thursday5 was regarding me with such a sense of abject loss and failure on her face that I thought at first she’d been hurt.

“Are you all right?”

She nodded and looked down. I followed her gaze. Lying at her feet was my pistol.

“Is that where it ended up after it was knocked from my grasp?”

She nodded miserably, her eyes brimming with tears of self-anger. I sighed. She and I both knew that this was the end of the road when it came to her cadetship. If Scampton-Tappett hadn’t intervened, I might well be dead—and she’d done nothing to prevent it.

“You don’t have to say it,” she said. “I’m manifestly not cut out for this work and never shall be. I’d try to apologize, but I can’t think of words that could adequately express my shame.”

She took a deep breath, pulled the bow out of her hair, put it in her mouth and then gathered up her hair in a ponytail again before retying it. It was just the way I did it, and I suddenly felt a pang of guilt. After all, she only acted in her morbidly peaceable way because that’s how she was
written,
as an antidote to the rest of the Thursday series. The thing was, the sex-and-violence nature of the first four books had been my fault, too. I’d sold the character rights in order to fund Acme Carpets.

“I’d best be getting back to my book now,” she said, and turned to go.

“Did I say you could leave?” I asked in my stoniest voice.

“Well, that is to say…no.”

“Then until I
say
you can go, you stay with me. I’m still undecided as to your fate, and until that happens—Lord help me—you’ll stay as my cadet.”

We returned to Jurisfiction, and Thursday5 went and did some Pilates in the corner, much to the consternation of Mrs. Dashwood, who happened to be passing. I reported the Minotaur’s appearance and the state of the Austen refit to Bradshaw, who told me to have the Minotaur’s details and current whereabouts texted to all agents. After returning to my desk, dealing with some paperwork and being consulted on a number of matters, I drew out Thursday5’s assessment form, filled it in and then checked the “Failed” box on the last page before I signed it. I folded it twice, slid it into the envelope and wavered for a moment before eventually placing it in the top drawer of my desk. I looked at my watch. It was time to go home. I walked over to Thursday5, who had her eyes closed and was standing on one leg. “Same time tomorrow?”

She opened her eyes and stared into mine. I got the same feeling when staring into the mirror at home. The touchy-feely New Age stuff was all immaterial. She was me, but me as I
might
have been if I’d never joined the police, army, SpecOps or Jurisfiction. Perhaps I wouldn’t have been any happier if I’d connected with the side of me that was her, but I’d be a lot more relaxed and a good deal healthier.

“Do you mean it?” she asked.

“Wouldn’t say it if I didn’t. But remember one thing: It’s coffee and a bacon roll.”