John Golden: Freelance Debugger (4 page)

This time, I opened my eyes and found that it didn't make much difference. There was a faint hint of gray, greasy light coming from somewhere, but not enough to do more than make out the vague, tangled shadows of strange-looking shapes all around me.

“Sarah?” I said.


Ready and waiting.” Her voice came out of thin air beside my head.


A little light, if you please.”

I held out a hand. A moment later, my palm was suffused with a golden glow, which gradually spread down my arm and outlined my b
ody in a gentle, radiant halo.

It isn't magic, exactly.
As I'd told Delphi, a fairy burrow is a kind of extended metaphor, a story telling and retelling itself through the medium of bits and pieces of computing time. From the outside, with a connection to the underlying system, Sarah can push or pull it in certain ways. Not too hard, because the burrow had a lot of ontological inertia—that's what makes it so difficult to get rid of in the first place—but enough to help me out. Some debuggers run elaborate set-up routines through their external systems, wrapping themselves up like a knight in plate armor. With Sarah's speed and expertise, I can use a more ad-hoc approach
[33]
.


[33]
Translation: I can work sloppy, because she'll always pull my bacon out of the fire when I need her.—

With a little more light, I could see that I was in a cramped, enclosed space. The ceiling was only a few inches above my head, and it seemed to be made of packed earth, with thousands of tiny root-tendrils poking through and dangling cilia-like where they brushed against my scalp whenever I moved. Larger roots hung down here and there like organic stalactites, or made it all the way to the floor in thick brown columns. More roots erupted from the walls, gnarled loops and knobby protrusions, and the ground was b
umpy and treacherous with them.

The burrow seemed to extend for some distance horizontally, broken by occasional enormous rocks protruding through the earth and places where the roots grew so thickly they formed a barrier.
I moved cautiously in the most open direction, hunched over to give myself a little more clearance.

There's no point in trying to be stealthy in a burrow.
The act of entering it sends a ripple through its fabric that the inhabitants can't help but notice. I cupped my hands to my mouth and said, “Hello? Anybody home?”

For a moment, there was no response, though I fancied I could see something moving at the edge of my circle
of light. Small figures scuttled here and there, hiding in the shifting shadows. I frowned.


Come on.” This wasn't normal behavior. Most fairies are, above all else, insatiably curious. “I don't want to play hide and seek.”

Three red lights came on in the shadow of a boulder, just ahead of me.
I stopped, and became aware of a low growl that echoed throughout the cavern and resonated unpleasantly in the pit of my stomach. Small clumps of earth fell from the ceiling in a soft rain.


Uh,” I managed, backing up a step. “Right
[34]
.”


[34]
Ever the action hero.—

The thing took a long stride forward, into the light. It was about the size of a large dog, but looked more feline than anything else, although in any case the resemblance was only passing. It had three multi-jointed legs on either flank, and its big, heavy paws sprouted inch-long claws that looked more like an eagle's talons. Its face was nightmarish, a pug-snouted consisting mainly of a wide mouth with entirely too many dagger-sized fangs.

Three eyes, glowing a dull red, made a triangle on its brow. It was covered in dark brown fur, with white stripes slashing its side, and I could see something gleaming on the end of its tail as it slashed back and forth.


Sarah, a shield, please,” I said, not making any sudden movements. The thing flowed closer, six legs working together with uncanny grace. “Hurry.”

I felt the burrow twist, and then there was a shield strapped to my left arm.
It was a classic kite shield, shaped like a teardrop and nearly as tall as I was, a bit unwieldy but welcome nonetheless.

The precise shape and function
of the things Sarah sends to me is always a bit of a surprise, because she has to shape them to fit into the overarching structure of the burrow.

Most of the time it ends up being spears, shields, armor, and the like, because a lot of the older fairies prefer to operate in a swords-and-sorcery context
[35]
.


[35]
Though this is changing, slowly but surely. In a couple of decades you may be more likely to pop inside a burrow and find urban sprawl instead of Ye Olde Knights and Castles.—

Three-Eyes halted its advance at the unexpected intrusion, but only briefly.
It tensed, and I brought the shield up in front of me just before it sprang. Its six legs sent it into me like a defensive lineman slamming into an offending quarterback, and the force of it bowled me over. I ended up on my back, with the shield supporting the spitting, snarling weight of the thing. I pushed up with both hands, lifting the shield and the monster away from me as it tried for my face with its claws, and felt a burning pain in my thigh where one of its hind paws found purchase. It bit the edge of the shield, sending wood chips flying.

“Weapon!”
I gasped. “Sarah, weapon! Now, please!”

“Working on it,” Sarah snapped.
“Sword in the dirt on your right.”

Some kind of laser blaster had probably been too much to hope
for
[36]
.


[36]
You try coding up a disintegrator ray and pushing it into a completely foreign metaphorical environment on a moment's notice, smart guy.—

I tu
cked my legs under the shield and shoved, tossing Three-Eyes a couple of yards. It slammed up against a protruding rock, but righted itself almost immediately. I pawed in the dirt beside me, found the hilt of a heavy longsword, and just managed to regain my feet as the creature jumped again.

This time I was better braced, and met it halfway with the shield. I'd intended to bounce it to the floor, but it grabbed hold of the shield and clung to the wood with its four lower limbs while trying to take my head off with its forepaws.

I ducked, jerking the shield up, and stabbed blindly around the side of it with the sword.

The point met flesh, and Three-Eyes let go, dropping to the ground at my feet. It was still scrabbling, so I brought the sword around in an awkward arc and delivered a solid chop to its midse
ction.

There was no blood.
Fairies don't bleed, as a rule, and they don't feel pain. They don't even die in the same sense that humans do. You can cut one to pieces, and it'll vanish, but the odds are that it will turn up again somewhere else eventually. Some debuggers like to say that we're only banishing them back to their home dimension, or into our collective unconscious, depending on which theory you believe.

All I know is that it makes it easier to put a sword through s
omething that looks like a four year-old's drawing of a neon-colored pony if you're pretty sure the thing doesn't mind
[37]
.


[37]
That was a really weird case. See
John Golden and the Hundred Duck-Sized Horses
(And One Horse-Sized Duck)

In this case, a thick black smoke gushed from
Three-Eyes' wounds, and after a little bit more scrabbling it burst apart into an evil-smelling cloud and a handful of black ash. I dropped the shield, keeping the sword in one hand in case anything else wanted to leap out at me, and checked my leg. It was bleeding, but not too badly, so I left it alone for the moment.

During my brief self-diagnosis, the shadowy figures I'd seen milling about beyond the reach of t
he light began to creep closer.

They turned out to be
pixies
[38]
, about as high as my knee, with skin tones ranging from blue to reddish-purple.


[38]
Pixie refers to a generally humanoid fairy that is considerably smaller than human-sized. One of the problems with the common descriptions of fairies is that there is one set of categories to classify them based on behavior (grazer, gremlin, genie, puppeteer, etc) and another set based on their appearance (pixie, elf, ogre, and so on) so that any individual may fall into more than one overlapping classification. I have proposed a scheme to remedy this, using twenty-nine easily quantifiable variables, which takes both physical form and behavior into account and assigns each species a unique identifier to prevent the possibility of confusion. Unfortunately, the resulting GUIDs are somewhat cumbersome to pronounce (these 'pixies', for example, would be labeled 34B67A55) and so my system has not seen widespread adoption.—

They had green hair, which spread out from their heads like dandelion puffs.
They wore baggy dark green robes that came down to their knees. Their wide, curious eyes were focused on the smear of ash where Three-Eyes had been.

“Cat gone,” one of them said, pointing. The others all nodded solemnly and repeated his assessment.
“Cat gone. Cat gone black dust human sharp.” The leader looked up at me. His teeth were tiny and pointed. “Human sharp I?”

“Not yet,” I said. Talking to fairies takes practice, patience, and a fair bit of guesswork. Some of the more powerful breeds can fake a human mentality long enough to hold a conversation, but these were obviously not such advanced specimens. “I need
you to answer some questions.”

“Questions,” the leader said, and the others repeated it like a chorus.
“Questions.”

“How did you get here? How d
id you get inside this burrow?”

For it was increasingly obvious that this was the crucial question. Three-Eyes had been dangerous, but hadn't looked very intelligent. It was the sort of thing you'd expect to find wandering the
Wildernet, not infesting a highly secure system. And pixies like this, in my experience, didn't have either the desire or the wherewithal to drill through direwalls and dodge antifae just to get a chance to gnaw on a few processors.

“Walked,” the pixie said, looking at his companions for confirmation. He pointed across the chamber. “There here walked.”

“I know you walked over here,” I said
[39]
. “But how did you get into the burrow?” I waved my arm to encompass the whole cave.


[39]
This is one part of John's job I could never do. I would be strangling the pestilential things within thirty seconds, but he seems to have a knack for getting useful information out of them. Perhaps they operate on similar mental levels.—

The pixie pondered that.
Now that I had a moment to look around, I could see that the root system that permeated the place was not in very good shape. Big chunks of it had been torn out and smashed to a pulp, and the knotted roots protruding from the walls looked very much like they'd been gnawed on. Indeed, as I watched, a couple of pixies drifted away from the crowd of about a dozen that had gathered around me and settled in to have a good chew on the nearest barky extrusion.

Since the burrow was a metaphorical space, the roots obviously represented the inner workings of Delphi's machines and the network that connected them.
The pixies trying their best to destroy it. Indeed, the reason the burrow had come into being in this particular configuration was so that they could engage in this sabotage. A fairy's burrow grows around it as it settles into a system, and its dominant metaphor adapts to the creature's needs.

What I couldn't figure out was why they were doing it. Some fairies can certainly be mindlessly destructive, but pixies usually have a rudimentary sense of cause and effect. And yet here they were busily attempting to bring down the v
ery system they were living in.


Leave darkroom,” the pixie leader/spokesperson said, finally. “Came egg darkroom. Many I. Eater cat threads. Leave darkroom eater anger.”


You came to this 'darkroom' as eggs?” I said. I wasn't really expecting a response, but the pixie nodded. I hoped we were actually communicating; pixies love to copy human behavior, even when they don't understand it, which has caused many an overoptimistic debugger to assume he was getting his point across. “Someone brought you there? A human?”

That was a long shot.
A human wouldn't have been able to enter the burrow, so they probably wouldn't have noticed him.


Eater,” the pixie said. “Eater egg darkroom. Leave darkroom. Many I. Makeplace here.”

'
Makeplace' meant the burrow, the growth of which was a kind of natural construction or secretion of the pixies, like termites burrowing into a house. I pursed my lips for a moment then said, “Why are you trying to destroy it?”


Smash makeplace smash darkroom. Smash eater.” The pixie smiled. With his sharp teeth, it was not a reassuring expression. “Smash, smash, smash.”

Other books

The Toff on Fire by John Creasey
Frozen Enemies by Zac Harrison
Killing Pretty by Richard Kadrey
House of the Hanged by Mark Mills
The Governess Club: Louisa by Ellie Macdonald
Strangers When We Meet by Marisa Carroll
The Dark Ability by Holmberg, D.K.