Jump The Line (Toein' The Line Book 1) (51 page)


Or trying to get to Megalo Don before we do
,”
SAC Smith says
,“
so she can flush him out and save her brother
.

The SAC is one damn perceptive man.  His remark sends cold chills up my spine.
 “
Do me a favor, sir, will you?  Do
n’
t just call Alaina.  Go find her
.

I nod my thanks and then give him Levi
n’
s campus address.  Like I said, the SA
C’
s perceptive.
 “
Sh
e’
s more than Megal
o’
s next victim to you, is
n’
t she
?”
he asks.


Much more
,”
I admit.
 “
Can you also run by Doctor Verbot
e’
s?  I doubt sh
e’
ll show up, but she works there.  She might check in
.

“I’
ll do what I can, Detective Hawks.  Call me if you learn anything. 
I’
ll do likewise
.
” 

Syncing mine and SAC Smit
h’
s watches, and making sure h
e’
s got my cell number, I go find my Buick and set my GPS for Goshen.

Chapter 45

              Before I finish my check-in at the Goshen flea bag, Wes calls.


Buddy, ho
w’
d you put up with her
?


Who
?
”  


Your rook, DeeDee Laws.  She dumped me, Hawks.  Did
n’
t say a word.  Just disappeared.  Did she do that shit with you
?

Thumbing through the anemic phone book on the bed stand, thinking about We
s
’ problem, I locate one B. Colby.
 “
No
,”
I say.
 “I’
m not getting in the middle of your tiff with DeeDee.  You and I both know the reason sh
e’
s gone MIA
.

She wants the Megalo Don collar, and thinks sh
e’
s better off going after him on her own, without Wes. 
I’
ve seen rookies like this before: gung ho, to their detriment.


I came out of the meeting.  I could
n’
t fucking find her.  Been looking all over for her.  You got any idea where she might be?  Captai
n’
s all over my ass
.

Shaking my head, I try to imagine where DeeDee coul
d’
ve gone.
 “
Sorry, Tiger, but she was supposed to go with you to interview Squea
l
—”


Yeah, yeah, I know, but trust me, sh
e’
s
not
sweating him.  I called Cinci PD and checked.  She has
n’
t been there.  They cut him loose already.  Nothing to hold him on
.

Shit.
  For a heartbeat, I second guess myself.  Should I have fought to keep DeeDee from shooting herself in the foot in the meeting?  What if
I’
m wrong, coming to Goshen instead of checking out Jane Do
e’
s mouth at the morgue?  Ther
e’
s always the possibility Squeal knows more than h
e’
s telling NPD.  H
e’
s a friend of Robin Colb
y’
s.  That connection is starting to unnerve me.  I
t’
s possible Robin put the Jane Do
e’
s shoulder in Alain
a’
s freezer, possible Squea
l’
s his accomplice, and trying to save his ass by ratting out Robin, an unwitting partner.

Is it possible
I’
m wrong?

Nah, Squeal ca
n’
t be Megalo Don, either.  I shake my head.  Wondering where DeeDee is, I offer Wes my best advice.
 “
Sorry, Tiger, but
I’
ve no idea.  Sh
e’
s damn well not with me
.


Probably got her nose shoved up the captai
n’
s ass
,”
Wes growls.

I’
m tempted to agree, but I ca
n’
t cut DeeDee loose, not just yet.  Sh
e’
s got potential.
 “
No, sh
e’
s not with him
,”
I say, certain sh
e’
s heading straight to Stoke Farre
l’
s off-campus apartment, a fact I share with Wes.
 “
She wants the collar so bad she can taste it
.


Like sh
e’
s got a snowbal
l’
s chance
,”
Wes says.
 “
Bitch
.


Be patient, Tig.  Sh
e’
s a rookie, but sh
e’
s also NPD.  She deserves the chance to earn our respect.  W
e’
ve all made our mistakes
,”
I add.  Thinking how true this is in my case, I boot up my laptop and use Google Earth to locate B. Colb
y’
s address from the phone book.


You got spare time while you look for your partner
?”
I ask Wes, locating the Colby manse on Google maps.


I thought about going home and doing Delila
h
—”


Tig, I need you to do me another favor
,”
I interrupt.  Some of his lunch hour delights with Delilah are more information than I need at the moment.


The
y’
re adding up, Hawks.  At some point, you better be willing to repay. . .
.


Sure, Tig.  Brews at any watering hole you want.  You pick
.

I tell him what I need, and do
n’
t even bother denying it when Wes says
,“
Damn, bro, you got it bad for Alaina Colby, do
n’
t you
?


Just get to Stoke Farre
l’
s.  I sent SAC Smith over, but I need you to go back him up.  While yo
u’
re visiting Stoke, see if Alain
a’
s there
.


What if she is?  What do I do with her if I find her
?

Good question. 


I need her to call me
,”
I say.  I need to hear her voice and know sh
e’
s okay, yet
I’
ve no idea how to answer, short of telling Wes to abduct her. 
I’
m the last person Alaina will listen to at this point.  I search my brain.  What can I do to get her to call me? 


Her
e’
s what you do, Tig
,”
I finally say.
 “
Tell her I ca
n’
t pick her up tonight after work becaus
e
—”

I stop.  Hellfire, what am I thinking?  She wo
n’
t go to work.  I do
n’
t know her yet, but I know her well enough to know sh
e’
s out looking for her brother or Angie Mille
r’
s killer.  For a second, I feel sorry for Megalo if she catches him.


Rookie Laws was right.  Yo
u’
re involved with her
,”
Wes says.


Alaina would
n’
t call it that, exactl
y


or I do
n’
t think she woul
d


but le
t’
s just say I do
n’
t want anything happening to her, Tiger, alright?  Can we leave it there?  Until I can unload on your shoulders over a couple of brews
?

Listening as he sorts through what
I’
m telling him about Megalo having Alaina in his sights, I can almost see Wes chewing his toothpick, wading through facts.

“I’
ve got it
,”
I say.
 “
Tell her
I’
m in Goshen, at her mothe
r’
s place looking for her brother, Robin.  Tha
t’
ll piss her off so badly sh
e’
ll call me
.

Wes laughs.
 “
Get back to work you love sick dog
.

I write down Berta Colb
y’
s address and phone number, stashing my laptop on the little round wooden table by the bed.  Then I call the motel operator.
 “
Hey, buddy, I do
n’
t want to be disturbed or have my room cleaned
.


Yeah, whatever
,”
he says.
 “
Custome
r’
s always right
.


You got that straight?  This room is my bunker, ground zero, and
I’
m working a homicide, so hear me when I say I do
n’
t want anything in here disturbed
.

His tone gets respectful fast.
 “
Yes, sir
.

I intend to hunker down and find out everything I can about Stoke Farre
l’
s childhood stint in Goshen.  If
I’
m right,
I’
m going to nail Megal
o’
s ass.

But what if
I’
m wrong? 

Telling myself not to go there again, to stop second guessing myself, I head out.

Ten minutes later, I turn onto a side road off the main highway, drive the mile until I find the railroad tracks, and then take the road that leads to the subdivision where Berta Colby lives.  The are
a’
s mostly rural. 
I’
m still inside the Goshen city limits, but cornfields on either side of the road whiz by, the gray monotony of last yea
r’
s crops broken by tracts of modular housing. 

The yards are small lots, but the
y’
re lined with mature trees.  I
t’
s not suburbia, but
I’
m guessing the setting provides healthy outdoor living for kids growing up here.  I can see Alaina as a girl, playing ball, a tom boy. 

Leaving this section and driving, I start seeing trailers with cars up on blocks and pit bulls tied in the yards, muddied from April thaws.  The farther I drive, the grimmer the neighborhood gets, giving me a clearer picture of Alain
a’
s childhood.  It was
n’
t idyllic, but whatever about this grim bare place shaped her, made her who she is today,
I’
m good with that. 
I’
ve watched my mother work with inner city youth, the ones wh
o’
ll eventually get to perform in the refurbished Hawk
s
’ Opera House, so I understand.  Alain
a’
s had it rough growing up.  Her mothe
r’
s and her brothe
r’
s rap sheets point to a home environment that woul
d’
ve traumatized most young girls, much less one as sensitive and gifted as Alaina.

I pull into the driveway, avoiding potholes, and get out and look around.

Someon
e’
s home.  I see hands pulling aside the curtain at the trailer window, a face peering out and then quickly disappearing. 

Stepping carefully past the big pit bull lunging against the bounds of a tractor chain, I head for the traile
r’
s front steps.  If that dog gets loose,
I’
ll have no choice but to shoot him.  Tha
t’
ll rack me up another black mark with the Colbys.

* * *

              Alaina always says
,“
Stoke, your apartmen
t’
s the Ritz
.

What a joke. 
I’
d laugh, but
I’
m busy watching the leggy blonde babe play keystone cop.  I laugh at my own jokes.  Why not? 
I’
m good at them.  They say mockery is the highest form of flattery.

              Although I do
n’
t feel much like flattering the bitch scouring my apartment.

              I put my eye to the peephole and zoom in for a better view, for yet another good laugh.  Wha
t’
s she thinking? 

Shhh.  Do
n’
t want the mean o
l
’ perp to know
I’
m here.

I’
m close enough I can reach out and touch her, stupid thing, and she does
n’
t even know.  In the silence, in the dark, behind a soundproof door she does
n’
t want to open, I watch her put her hands on the wall.  I put mine in the same spot on my side and laugh.  Then I gaze at her image on the cheap surveillance camera I installed. 

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