Read Just Give Me a Cool Drink of Water 'fore I Diiie Online
Authors: Maya Angelou
I have waited
toes curled, hat rolled
heart and genitals
in hand
on the back porches
of forever
in the kitchens and fields
of rejections
on the cold marble steps
of America's White Out-House
in the drop seats of buses
and the open flies of war
No more
the dream that you
will cease haunting me
down in fetid swamps of fear
and will turn to embrace your own
humanity
which I AM
No more
The hope that
the razored insults
which mercury slide over your tongue
will be forgotten
and you will learn the words of love
Mother Brother Father Sister Lover Friend
My hopes
dying slowly
rose petals falling
beneath an autumn red moon
will not adorn your unmarked graves
My dreams
lying quietly
a dark pool under the trees
will not carry your name
to a forgetful shore
And what a pity
What a pity
That pity has folded in upon itself
an old man's mouth
whose teeth are gone
and I have no pity.
My guilt is “slavery's chains,” too long
the clang of iron falls down the years.
This brother's sold. This sister's gone
is bitter wax, lining my ears.
My guilt made music with the tears.
My crime is “heroes, dead and gone”
dead Vesey, Turner, Gabriel,
dead Malcolm, Marcus, Martin King.
They fought too hard, they loved too well.
My crime is I'm alive to tell.
My sin is “hanging from a tree”
I do not scream, it makes me proud.
I take to dying like a man.
I do it to impress the crowd.
My sin lies in not screaming loud.
He went to being called a Colored man
after answering to “hey nigger,”
Now that's a big jump,
anyway you figger,
  Hey, Baby, Watch my smoke.
From colored man to Negro
With the N in caps,
was like saying Japanese
instead of saying Japs.
  I mean, during the war.
The next big step
was a change for true,
From Negro in caps
to being a Jew.
  Now, Sing Yiddish Mama.
Light, Yellow, Brown
and Dark brown skin,
were o.k. colors to
describe him then,
  He was a Bouquet of Roses.
He changed his seasons
like an almanac,
Now you'll get hurt
if you don't call him “Black.”
  Nigguh, I ain't playin' this time.
I don't ask the Foreign Legion
Or anyone to win my freedom
Or to fight my battle better than I can,
Though there's one thing that I cry for
I believe enough to die for
That is every man's responsibility to man.
I'm afraid they'll have to prove first
that they'll watch the Black man move first
Then follow him with faith to kingdom come,
This rocky road is not paved for us,
So, I'll believe in Liberal's aid for us
When I see a white man load a Black man's gun.
Their hair, pomaded, faces jaded
bones protruding, hip-wise,
The models strutted, backed and butted,
Then stuck their mouths out, lip-wise.
They'd nasty manners, held like banners,
while they looked down their nose-wise,
I'd see 'em in hell, before they'd sell
me one thing they're wearing, clothes-wise.
The Black Bourgeois, who all say “yah”
When yeah is what they're meaning
Should look around, both up and down
before they set out preening.
“Indeed” they swear, “that's what I'll wear
When I go country-clubbing,”
I'd remind them please, look at those knees
you got a Miss Ann's scrubbing.
Your Momma took to shouting
Your Poppa's gone to war,
Your sister's in the streets
Your brother's in the bar,
The thirteens. Right On.
Your cousin's taking smack
Your Uncle's in the joint,
Your buddy's in the gutter
Shooting for his point
The thirteens. Right on.
And you, you make me sorry
You out here by yourself,
I'd call you something dirty,
But there just ain't nothing left,
cept
The thirteens. Right On.
Your Momma kissed the chauffeur,
Your Poppa balled the cook,
Your sister did the dirty,
in the middle of the book,
The thirteens. Right On.
Your daughter wears a jock strap,
Your son he wears a bra
Your brother jonesed your cousin
in the back seat of the car.
The thirteens. Right On.
Your money thinks you're something
But if I'd learned to curse,
I'd tell you what your name is
But there just ain't nothing worse
than
The thirteens. Right On.
One foot down, then hop! It's hot.
  Good things for the ones that's got.
Another jump, now to the left.
  Everybody for hisself.
In the air, now both feet down.
  Since you black, don't stick around.
Food is gone, the rent is due,
  Curse and cry and then jump two.
All the people out of work,
  Hold for three, then twist and jerk.
Cross the line, they count you out.
  That's what hopping's all about.
Both feet flat, the game is done.
They think I lost. I think I won.
And Still I Rise
Gather Together in My Name
The Heart of a Woman
I Know Why the Caged Bird Sings
Oh Pray My Wings Are Gonna Fit Me Well
Singin' and Swingin' and Gettin' Merry Like Christmas
Shaker, Why Don't You Sing?
All God's Children Need Traveling Shoes
I Shall Not Be Moved
On the Pulse of Morning
Wouldn't Take Nothing for My Journey Now
The Complete Collected Poems of Maya Angelou
Phenomenal Woman
A Brave and Startling Truth
Maya Angelou, author of the best-selling
I Know Why the Caged Bird Sings
,
Gather Together in My Name
, and
The Heart of a Woman
, has also written five collections of poetry:
Just Give Me a Cool Drink of Water 'fore I Diiie
;
Oh Pray My Wings Are Gonna Fit Me Well
;
And Still I Rise
;
Shaker, Why Don't You Sing
?; and
I Shall Not Be Moved
; as well as
On the Pulse of Morning
, which was read by her at the inauguration of President William Jefferson Clinton on January 20, 1993. In theater, she produced, directed, and starred in
Cabaret for Freedom
in collaboration with Godfrey Cambridge at New York's Village Gate, starred in Genet's
The Blacks
at the St. Mark's Playhouse, and adapted Sophocles '
Ajax
, which premiered at the Mark Taper Forum in Los Angeles in 1974. She wrote the original screenplay and musical score for the film
Georgia, Georgia
and wrote and produced a ten-part TV series on African traditions in American life. In the sixties, at the request of Dr. Martin Luther King, Jr., she became the northern coordinator for the Southern Christian Leadership Conference, and in 1975 she received the
Ladies' Home Journal
Woman of the Year Award in communications. She has received numerous honorary degrees and was appointed by President Jimmy Carter to the National Commission on the Observance of International Women's Year and by President Gerald R. Ford to the American Revolution Bicentennial Advisory Council. She is on the board of trustees of the American Film Institute. One of the few female members of the Directors Guild, Angelou is the author of the television screenplays
I Know Why the Caged Bird Sings
and
The Sisters
. Most recently, she wrote the lyrics for the musical
King: Drum Major for Love
and was both host and writer for the series of documentaries
Maya Angelou's America: A Journey of the Heart
, along with Guy Johnson. Angelou is currently Reynolds Professor at Wake Forest University, Winston-Salem, North Carolina.