Labyrinths (28 page)

Read Labyrinths Online

Authors: Jorge Luis Borges

Tags: #Science-Fiction

As yet I am ignorant of the ethics of the system I have outlined. I do not know if it even exists. The fifth paragraph of the fourth chapter of the treatise
Sanhedrin
of the Mishnah declares that, for God's Justice, he who kills one man destroys the world; if there is no plurality, he who annihilates all men would be no more guilty than the primitive and solitary Cain, which fact is orthodox, nor more universal in his destruction, which fact may be magical. I understand that this is so. The vociferous catastrophes of a general order ― fires, wars, epidemics ― are one single pain, illusorily multiplied in many mirrors. Thus Bernard Shaw sees it
(Guide to Socialism,
86): "What you can suffer is the maximum that can be suffered on earth. If you die of starvation, you will suffer all the starvation there has been or will be. If ten thousand people die with you, their participation in your lot will not make you be ten thousand times more hungry nor multiply the time of your agony ten thousand times. Do not let yourself be overcome by the horrible sum of human sufferings; such a sum does not exist. Neither poverty nor pain are cumulative." Cf. also
The Problem of Pain,
VII, by C. S. Lewis.

Lucretius
(De rerum natura,
I, 830) attributes to Anaxagoras the doctrine that gold consists of particles of gold, fire of sparks, bone of tiny imperceptible bones; Josiah Royce, perhaps influenced by St. Augustine, judges that time is made of time and that "every
now
within which something happens is therefore
also
a succession"
(The World and the Individual,
II, 139). This proposition is compatible with that of this essay.

2.

All language is of a successive nature; it does not lend itself to a reasoning of the eternal, the intemporal. Those who have followed the foregoing argumentation with displeasure will perhaps prefer this page from the year 1928. I have already mentioned it; it is the narrative entitled "Feeling in Death":

"I want to set down here an experience which I had some nights ago: a trifle too evanescent and ecstatic to be called an adventure, too irrational and sentimental to be called a thought. It consists of a scene and its word: a word already stated by me, but not lived with complete dedication until then. I shall now proceed to give its history, with the accidents of time and place which were its declaration.

"I remember it as follows. The afternoon preceding that night, I was in Barracas: a locality not visited by my habit and whose distance from those I later traversed had already lent a strange flavor to that day. The evening had no destiny at all; since it was clear, I went out to take a walk and to recollect after dinner. I did not want to determine a route for my stroll; I tried to attain a maximum latitude of probabilities in order not to fatigue my expectation with the necessary foresight of any one of them. I managed, to the imperfect degree of possibility, to do what is called walking at random; I accepted, with no other conscious prejudice than that of avoiding the wider avenues or streets, the most obscure invitations of chance. However, a kind of familiar gravitation led me farther on, in the direction of certain neighborhoods, the names of which I have every desire to recall and which dictate reverence to my heart. I do not mean by this my own neighborhood, the precise surroundings of my childhood, but rather its still mysterious environs: an area I have possessed often in words but seldom in reality, immediate and at the same time mythical. The reverse of the familiar, its far side, are for me those penultimate streets, almost as effectively unknown as the hidden foundations of our house or our invisible skeleton. My progress brought me to a corner. I breathed in the night, in a most serene holiday from thought. The view, not at all complex, seemed simplified by my tiredness. It was made unreal by its very typicality. The street was one of low houses and though its first meaning was one of poverty, its second was certainly one of contentment. It was as humble and enchanting as anything could be. None of the houses dared open itself to the street; the fig tree darkened over the corner; the little arched doorways ― higher than the taut outlines of the walls ― seemed wrought from the same infinite substance of the night. The sidewalk formed an escarpment over the street; the street was of elemental earth, the earth of an as yet unconquered America. Farther down, the alleyway, already open to the pampa, crumbled into the Maldonado. Above the turbid and chaotic earth, a rose-colored wall seemed not to house the moonlight, but rather to effuse an intimate light of its own. There can be no better way of naming tenderness than that soft rose color.

"I kept looking at this simplicity. I thought, surely out loud: This is the same as thirty years ago. . . I conjectured the date: a recent time in other countries but now quite remote in this changeable part of the world. Perhaps a bird was singing and for it I felt a tiny affection, the same size as the bird; but the most certain thing was that in this now vertiginous silence there was no other sound than the intemporal one of the crickets. The easy thought 'I am in the eighteen-nineties' ceased to be a few approximate words and was deepened into a reality. I felt dead, I felt as an abstract spectator of the world; an indefinite fear imbued with science, which is the best clarity of metaphysics. I did not think that I had returned upstream on the supposed waters of Time; rather I suspected that I was the possessor of a reticent or absent sense of the inconceivable word
eternity.
Only later was I able to define that imagination.

"I write it now as follows: That pure representation of homogeneous objects ― the night in serenity, a limpid little wall, the provincial scent of the honeysuckle, the elemental earth ― is not merely identical to the one present on that corner so many years ago; it is, without resemblances or repetitions, the very same. Time, if we can intuitively grasp such an identity, is a delusion: the difference and inseparability of one moment belonging to its apparent past from another belonging to its apparent present is sufficient to disintegrate it.

"It is evident that the number of such human moments is not infinite. The elemental ones ― those of physical suffering and physical pleasure, those of the coming of sleep, those of the hearing of a piece of music, those of great intensity or great lassitude ― are even more impersonal. Aforehand I derive this conclusion: life is too poor not to be immortal as well. But we do not even have the certainty of our poverty, since time, which is easily refutable in sense experience, is not so in the intellectual, from whose essence the concept of succession seems inseparable. Thus shall remain as an emotional anecdote the half-glimpsed idea and as the confessed irresolution of this page the true moment of ecstasy and possible suggestion of eternity with which that night was not parsimonious for me."

B

Of the many doctrines registered by the history of philosophy, perhaps idealism is the oldest and most widespread. This observation was made by Carlyle
(Novalis,
1829); to the philosophers he alleges it is fitting to add, with no hope of completing the infinite census, the Platonists, for whom the only reality is that of the archetype (Norris, Judas Abrabanel, Gemistus, Plotinus), the theologians, for whom all that is not the divinity is contingent (Malebranche, Johannes Eckhart), the monists, who make the universe an idle adjective of the Absolute (Bradley, Hegel, Parmenides). . . Idealism is as ancient as metaphysical restlessness itself; its most acute apologist, George Berkeley, flourished in the eighteenth century; contrary to what Schopenhauer declares
(Welt als Wille und Vorstellung,
II, i), his merit cannot be the intuition of that doctrine but rather the arguments he conceived in order to reason it; Hume applied them to the mind; my purpose is to apply them to time. But first I shall recapitulate the diverse stages of this dialectic.

Berkeley denied the existence of matter. This does not mean, one should note, that he denied the existence of colors, odors, tastes, sounds and tactile sensations; what he denied was that, aside from these perceptions, which make up the external world, there was anything invisible, intangible, called matter. He denied that there were pains that no one feels, colors that no one sees, forms that no one touches. He reasoned that to add a matter to our perceptions is to add an inconceivable, superfluous world to the world. He believed in the world of appearances woven by our senses, but understood that the material world (that of Toland, say) is an illusory duplication. He observed
(Principles of Human Knowledge,
3): "That neither our thoughts, nor passions, nor ideas formed by the imagination, exist without the mind, is what everybody will allow. And it seems no less evident that the various sensations or ideas imprinted on the sense, however blended or combined together (that is, whatever objects they compose) cannot exist otherwise than in a mind perceiving them. . . The table I write on, I say, exists, that is, I see and feel it; and if I were out of my study I should say it existed, meaning thereby that if I was in my study I might perceive it, or that some other spirit actually does perceive it. . . For as to what is said of the absolute existence of unthinking things without any relation to their being perceived, that seems perfectly unintelligible. Their
esse
is
percipi,
nor is it possible they should have any existence, out of the minds or thinking things which perceive them." In paragraph twenty-three he added, forestalling objections: "But say you, surely there is nothing easier than to imagine trees, for instance, in a park or books existing in a closet, and no body by to perceive them. I answer, you may so, there is no difficulty in it: but what is all this, I beseech you, more than framing in your mind certain ideas which you call
books
and
trees
and at the same time omitting to frame the idea of any one that may perceive them? But do not you your self perceive or think of them all the while? This therefore is nothing to the purpose: it only shows you have the power of imagining or forming ideas in your mind; but it doth not shrew that you can conceive it possible, the objects of your thought may exist without the mind. . ." In another paragraph, number six, he had already declared: "Some truths there are so near and obvious to the mind, that a man need only open his eyes to see them. Such I take this important one to be, to wit, that all the choir of heaven and furniture of the earth, in a word all those bodies which compose the mighty frame of the world, have not any substance without a mind, that their being is to be perceived or known; that consequently so long as they are not actually perceived by me, or do not exist in any mind or that of any other created spirit, they must either have no existence at all, or else subsist in the mind of some eternal spirit. . ." (The God of Berkeley is a ubiquitous spectator whose function is that of lending coherence to the world.)

The doctrine I have just expounded has been interpreted in perverse ways. Herbert Spencer thought he had refuted it
(Principles of Psychology,
VIII, 6), reasoning that if there is nothing outside consciousness, consciousness must be infinite in time and space. The first is certain if we understand that all time is time perceived by someone, but erroneous if we infer that this time must necessarily embrace an infinite number of centuries; the second is illicit, since Berkeley
(Principles of Human Knowledge,
116;
Siris,
266) repeatedly denied the existence of an absolute space. Even more indecipherable is the error into which Schopenhauer falls
(Welt als Wille und Vorstellung,
II, i) when he shows that for the idealists the world is a phenomenon of the brain; Berkeley, however, had written
(Dialogues between Hylas and Philonous,
II): "The brain therefore you speak of, being a sensible thing, exists only in the mind. Now, I would fain know whether you think it reasonable to suppose, that one idea or thing existing in the mind, occasions all other ideas. And if you think so, pray how do you account for the origin of this primary idea or brain itself?" The brain, in fact, is no less a part of the external world than is the constellation of the Centaur.

Berkeley denied that there was an object behind our sense impressions; David Hume, that there was a subject behind the perception of changes. The former had denied the existence of matter, the latter denied the existence of spirit; the former had not wanted us to add to the succession of impressions the metaphysical notion of matter, the latter did not want us to add to the succession of mental states the metaphysical notion of self. So logical is this extension of Berkeley's arguments that Berkeley himself had already foreseen it, as Alexander Campbell Fraser notes, and even tried to reject it by means of the Cartesian
ergo sum.
"If your principles are valid, you your self are nothing more than a system of fluctuating ideas, unsustained by any substance, since it is as absurd to speak of a spiritual substance as it is of a material substance," reasons Hylas, anticipating David Hume in the third and last of the
Dialogues.
Hume corroborates
(Treatise of Human Nature,
I, 4, 6): "We are a bundle or collection of different perceptions, which succeed each other with an inconceivable rapidity. . . The mind is a kind of theatre, where several perceptions successively make their appearance; pass, re-pass, glide away, and mingle in an infinite variety of postures and situations. . . The comparison of the theatre must not mislead us. They are the successive perceptions only, that constitute the mind; nor have we the most distant notion of the place, where these scenes are represented, or of the materials, of which it is compos'd."

Once the idealist argument is admitted, I see that it is possible ― perhaps inevitable ― to go further. For Berkeley, time is "the succession of ideas in my mind, which flows uniformly, and is participated by all beings"
(Principles of Human Knowledge,
98); for Hume, "a succession of indivisible moments"
(Treatise of Human Nature,
I, 2, 2). However, once matter and spirit ― which are continuities ― are negated, once space too is negated, I do not know with what right we retain that continuity which is time. Outside each perception (real or conjectural) matter does not exist; outside each mental state spirit does not exist; neither does time exist outside each present moment. Let us take a moment of maximum simplicity: for example, that of Chuang Tzu's dream (Herbert Allen Giles:
Chuang Tzu,
1889). Chuang Tzu, some twenty-four centuries ago, dreamt he was a butterfly and did not know, when he awoke, if he was a man who had dreamt he was a butterfly or a butterfly who now dreamt he was a man. Let us not consider the awakening; let us consider the moment of the dream itself, or one of its moments. "I dreamt I was a butterfly flying through the air and knowing nothing of Chuang Tzu," reads the ancient text. We shall never know if Chuang Tzu saw a garden over which he seemed to fly or a moving yellow triangle which no doubt was he, but we do know that the image was subjective, though furnished by his memory. The doctrine of psycho-physical parallelism would judge that the image must have been accompanied by some change in the dreamer's nervous system; according to Berkeley, the body of Chuang Tzu did not exist at that moment, save as a perception in the mind of God. Hume simplifies even more what happened. According to him, the spirit of Chuang Tzu did not exist at that moment; only the colors of the dream and the certainty of being a butterfly existed. They existed as a momentary term in the "bundle or collection of perceptions" which, some four centuries before Christ, was the mind of Chuang Tzu; they existed as a term
n
in an infinite temporal series, between
n-
1 and
n
+1. There is no other reality, for idealism, than that of mental processes; adding an objective butterfly to the butterfly which is perceived seems a vain duplication; adding a self to these processes seems no less exorbitant. Idealism judges that there was a dreaming, a perceiving, but not a dreamer or even a dream; it judges that speaking of objects and subjects is pure mythology. Now if each psychic state is self-sufficient, if linking it to a circumstance or to a self is an illicit and idle addition, with what right shall we then ascribe to it a place in time? Chuang Tzu dreamt that he was a butterfly and during that dream he was not Chuang Tzu, but a butterfly. How, with space and self abolished, shall we link those moments to his waking moments and to the feudal period of Chinese history? This does not mean that we shall never know, even in an approximate fashion, the date of that dream; it means that the chronological fixing of an event, of an event in the universe, is alien and external to it. In China the dream of Chuang Tzu is proverbial; let us imagine that of its almost infinite readers, one dreams that he is a butterfly and then dreams that he is Chuang Tzu. Let us imagine that, by a not impossible stroke of chance, this dream reproduces point for point the master's. Once this identity is postulated, it is fitting to ask: Are not these moments which coincide one and the same? Is not one repeated term sufficient to break down and confuse the history of the world, to denounce that there is no such history?

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