Lackey, Mercedes & Flint, Eric & Freer, Dave - [Heirs of Alexandria 01] (55 page)

Lucrezia Brunelli�

�her brother, Ricardo�

�a sour-faced, fanatic-eyed man in a cassock with three crosses emblazoned on it�

An abbot of the Servants? But who? I don't recognize him�

A woman in the habit of a nun of the Servants.

Whose eyes were�lifeless. Then something looked out of them.

At him. And saw him. And
knew him!

And last, before he could react to that flicker of malevolent recognition, the darkened canal, with something swimming below the surface.

He bent nearer, closer to the water, trying to make out what it was.

It was coming out.

It sent one clawed hand, then another, to fasten into the stones of the canalside. Then it heaved itself up out of the water faster than a striking adder, and it turned, and it
looked
at him!

He screamed, and involuntarily thrashed at the water, breaking the spell. Just in time.

One moment more, and it would have been through the water-mirror, meant only for scrying, and at his throat, feeding on his life.

And his soul.

Reflexively, Luciano called up all of his defenses until he lay, panting, within a cocoon of power. Oh, anyone looking would See him now�but it didn't matter. Not after that.
They
knew he was out here, and it wouldn't take long for them to find him. How many undines would die protecting him?

For a very long time he couldn't think, he could only sit and shiver with fear that turned his bowels to water. As the moon climbed higher in the sky, he sat, and shook, and even wept unashamedly.

Not to me! This can't come to me! I'm too old, too tired�

But on his shoulders rested the Winged Mantle. He felt it, though it was invisible. There was no one else. Marco was untrained and unaware and could not take the Mantle in any case until Chiano was dead. The Mantle had come to
him
on the death of his predecessor�irony of ironies, it had been a little Hypatian priest-mage, out of a bastard branch of one of the four Old Families, and not one of the Strega.

No, Chiano was the bearer, for the good of Venice. If there had been anyone in all of Venice fit to wear it, it would have gone to him, or her, the moment his body hit the water, senseless, and he would have died. Extraordinary measures had been taken to ensure that he did not. Marco no doubt had the Mark, even then, but he hadn't the training, had no one to train him, and in any case was too young for the weight. The weight of the Mantle, even, much less the Crown.

His denial turned to a plea. Please�not now. Please, not to me.

But the answer was still the same. There was no other.

The night had never seemed so dark....

Then, the shadow of a wing brushed him, and a quiet filled him. He made his mind very still, then, and waited.

There is no other, my child, said a voice as deep as the seas, as vast as the night sky. But I will be with you. Your soul will survive.

His soul... not his body, perhaps, but his soul.

It was enough; enough for him to find a small scrap of courage left, to drag together the rags of his sense of self, and to find a little more courage, a little more heart. And finally, what was left of his dignity.

He dismissed his protections with a word, and walked back to what had been his home, and would not be for much longer. Sophia looked up as he rejoined her on their combined rafts. Her eyes widened a little, as if he somehow looked different, now.

Perhaps he did.

For a moment he gazed out over the water towards the city, towards his fate.

"It's time, Sophia," he said at last. "It's time to go back."

Sophia smiled at him, shifting the wrinkles. And shook her head. "It's time you went back, Chiano. But this is my place, now," she said with finality.

After he lowered his pack onto the cot which would henceforth serve him as a bed, Eneko Lopez heaved a sigh of relief. "Thank God," he murmured, as his eyes made a quick survey of his new living quarters. The survey was very brief, for the simple reason that there was very little to survey in the first place. The room was tiny, as small as any cell he had inhabited in his years as a monk. Except for the cot and a small chest at the foot of it which would serve to store his few belongings, the only other item of furniture was a writing table in front of the room's one small window and a chair. Other than that, the room was bare except for a crucifix hanging on the wall above the cot.

"I'll miss the library," he murmured. "But nothing else."

His two companions smiled. Diego motioned with his head toward the open window. "The smell from the canals is bad at times, here in the Ghetto."

"Not half as bad as the stench in
Casa
Brunelli," growled Pierre. "What did you give as your reason for changing quarters?"

"I simply told Ricardo Brunelli that my work in the Ghetto had progressed to the point where I needed to live there. Which is true enough, as far as it goes."

"You should have�"

"Oh, Pierre�do stop!" snapped Eneko. "We have enough problems on our hands without offending the Brunellis unnecessarily. Any more than I have already by spurning that infernal Lucrezia's constant advances."

Pierre, as usual, was stubborn. " 'Infernal' is right," he growled.

"Pierre...
please.
You admit yourself that you've never been able to detect any sense of a witch about her."

"You're making too much of that," retorted Pierre. "My talent has definite limits, Eneko. What I said was that I could not detect any
demonic possession
in the woman. That's what a 'witch' is, after all. That does not mean she can't be as vile as any of Satan's minions."

"That the woman is evil I don't doubt for an instant," replied Eneko, shrugging. "But we have not a shred of evidence to think she is in any way connected to the events in Venice which brought us here. And, given the position of the Brunellis, I can see no logical reason why she would be."

"You yourself have said 'evil needs no reason,' " pointed out Pierre.

Eneko sighed. "Savoy mule! Let there be an end to it, Pierre, at least for now. We must concentrate on the matter at hand."

"On that," interjected Diego, "there is news. Perhaps, I should say."

At Lopez's cocked eyebrow, Diego elaborated. "I have discovered the identity of that boy you asked about. The local healer who also works for Caesare Aldanto. His name�so it is said, at least�is 'Marco Felluci.' And he doesn't simply work for Aldanto, he lives with him. He and another boy named Benito. Along with Aldanto's woman, a canaler by the name of Maria Garavelli."

Lopez's eyes widened a bit. "Are the two boys related? Brothers, perhaps?"

Diego shook his head. "Not according to the information I've been able to collect. The other's last name is Oro. And I've seen him, once. He doesn't resemble Marco in the least. The only similarity between the two boys is that, according to rumor, they are both orphans."

Lopez studied him for a moment. "But... you are, I suspect, wondering the same thing that I am."

Diego nodded. "It seems odd, yes. For Aldanto to take two boys under his wing... and he just spent a large sum rescuing the boy Marco."

"From what?"

Pierre chuckled. "From an absurd romantic complication." He proceeded to give Lopez a quick sketch of what he and Diego had learned from local canalers about what had quickly become a rather famous little episode.

Eneko smiled. "Love poems, eh?" Slowly, he sat down on the chair. "It
is
odd. Why should a mercenary like Aldanto go to such lengths to shelter two waifs? Two orphans�presumably penniless. One of whom, at least, does not seem to have the temperament one would expect from a prot�g� of Aldanto. Healing poor children�for no payment�love poems. Even leaving aside that angel face."

"And the names," added Diego. Eneko nodded. "Yes. Marco and Benito are common names, of course. Still..."

"One moment," said Diego. He left the room and returned shortly with a scarf in his hand. "I obtained this from the little girl whom we saw the boy treat that time. She was reluctant to part with it, but..."

Lopez couldn't refrain from wincing. Another coin gone, from the few they had in their possession. But he did not utter any protest. Like Diego, he thought the money well spent.

"Yes," he said forcefully. "With that scarf, we can discover the boy's past. As much, at least, as that scarf was a part of it."

Pierre, unlike his two companions, was not well versed in sacred magic. "Unreliable..." he murmured. "Possibly even risky."

Diego shook his head. "Not in the least, Pierre. This is not like scrying, which another mage could detect and distort. Nor is it as difficult�almost impossible, really�as foretelling the future. The past is done, immutable. What Eneko proposes is simply an aspect of�" Diego, who had a bit of the pedant in him, began what was clearly going to be a long-winded description of the principles of contagion as applied to sacred magic. But Eneko cut him short.

"Enough!" he chuckled. "Pierre wants to hear it less than I do." To Pierre: "It can be done. Trust me. Will you join us in prayer?" He cast his eyes about their new home. "Since I am going to be living here, working here�" He raised his eyebrow significantly. "�and worshipping here, it should be cleansed first. And Diego, you may pretend ignorance, but you know very well how to ritually cleanse a dwelling."

Diego groaned. "I'll get a broom."

"A prayer of intention, first," Pierre said, with a laugh of his own.

The ritual cleansing didn't take long; to be honest, although the room was physically filthy, there wasn't much in the way of negativity to chase from it, and nothing at all of evil. The smells might be dreadful, but the spiritual atmosphere was clean. There was a practicality to a ritual cleansing�following the principle of "as above, so below," you
cleaned;
you cleaned everything, floor to ceiling, in order to set a barrier of protection permanently in place, but you cleaned with intention, prayer, and the magic to flush away the "dirt" you couldn't see along with what you could. Diego was very good at floors.

One of the reasons Eneko had chosen this particular room was because of a peculiarity of alignment: the four corners were exactly pointing to the four cardinal directions. By nailing a bit of wood into each corner to serve as a shelf for the tiny statues of the Archangels Michael, Gabriel, Raphael, and Uriel he had brought, he recreated, in miniature, a ritual chapel. Like Hagia Sophia on the other side of town, like the ritual chapels of Hypatians everywhere, by the time he and Pierre finished blessing it, setting up the boundary-spells, blessing it again, this was sacred ground, protected from evil.

"Ah!" Eneko said, stretching his arms and shaking out his hands when they were done. "I much prefer
this
sort of comfort to anything
Casa
Brunelli offered."

"I can't say as I blame you," Pierre replied. Diego just shrugged and picked up the scarf, which they had left lying on the cot.

"If you're going to do this, you might as well get it over with," he said, holding it out to Eneko gingerly, as if it was a viper.

Eneko just smiled and dug a flat bowl out of his belongings, while Pierre went out to find a water-seller. He returned with a cask of potable water which he set up in the corner beneath the statue of Gabriel and tapped. "Strange that in a city
on
the water, you can't drink any of it," he remarked.

"No stranger than being on a ship, surrounded by water," Diego countered. "For that matter, would
you
drink water from the Loire in Orleans?"

"Ah... no. Here you are, Eneko." Pierre had filled the flat bowl with clean water and put it on the floor where the two of them knelt on either side of it. Eneko murmured a blessing over it, and Pierre blessed salt and cast it over the top of the water. Then, holding an end of the scarf each, the two mages bent over the bowl, while Diego peered at it from his perch on the cot.

While Pierre readied the bowl to reflect the images that came to it, Eneko used a thread of power to "talk" to the scarf.
Show us where you have been
, was the gist of his spell, and in a moment, a mist passed over the face of the water, and images appeared there, looking exactly like reflections.

Except these reflections were of nothing that was in the room.

The scarf itself was not very old, which was just as well; Eneko hurried past the silkworm, the weavers, the dandy (prone to getting recklessly drunk in foolish places) who had owned it, until he came to the moment that Benito Oro plucked it from the drunk's neck.

"Ah�" said Diego, with interest. Now they settled down to watch in earnest.

When the work was finished, the magic dispelled, and the blessed water scattered around the room, Eneko chuckled again. "The Marco boy may be an innocent, but his young companion Benito is certainly not. Which, unfortunately, leaves us knowing not much more than we did before. Since the scarf was stolen only a few days before Marco gave it to the child."

He rose to his feet. "Still, there is enough here to warrant further effort. Diego, I need to make a trip. It will use up most of what we have, until we get another disbursement of funds from the Grand Metropolitan. But well worth it, perhaps."

Pierre had risen to his feet also. "It will do us good to live on alms for a while, anyway."

Diego, still seated on the cot, cast a questioning look upward. "A trip? Where? And to do what?"

When Lopez told him, Diego sighed. "And what makes you think the old man will allow you the privilege? He's ferocious on that subject, by all accounts."

Lopez handed him the scarf. "I will give him this. Then tell him how the younger boy acquired it and what the older one did with it. If our suspicion�say better, surmise�is correct, he will allow me to see the portrait."

"If there is one," demurred Pierre. "He may have burned whatever existed."

"Oh, I doubt that," said Lopez softly. "It is one thing for a man to disown his daughter and cast her out. It is another thing entirely to burn his own memories."