Authors: Cassandra Clare
Tags: #Teen & Young Adult, #Literature & Fiction, #Action & Adventure, #Fantasy, #Social & Family Issues, #Science Fiction & Fantasy, #Paranormal & Urban
“If I had my medication . . . ,” Arthur said faintly. “But I ran out while you were gone.”
“I have it.” From his pocket, Julian produced the vial. “You should have asked Malcolm for more.”
“I didn’t remember.” Arthur slid his glasses back onto his nose, watching as Julian tipped the contents of the vial into the glass of water on the desk. “How to find him . . . who to trust.”
“You can trust me,” Julian said, almost choking on the words, and held the glass out to his uncle. “Here. You know how the Fair Folk are. They feed on human unease and take advantage of it. This will help keep you calm, even if they try their tricks.”
“Yes.” Arthur looked at the glass, half with hunger and half fear. The contents of it would affect him for an hour, maybe less. Afterward he would have a blinding, crippling headache that might keep him in bed for days. Julian hardly ever gave it to him: The aftereffect was rarely worth it, but it would be worth it now. It had to be.
Uncle Arthur hesitated. Slowly he lifted the glass to his mouth, tipped the water in. Slowly he swallowed.
The effect was instant. Suddenly everything about Arthur seemed to sharpen, to become crisp, clear, precise, like a sketch that had been refined into a careful drawing. He rose to his feet and reached for the jacket that hung on a peg by his desk. “Help me find some clothes to change into, Julian,” he said. “We must make a decent appearance in the Sanctuary.”
* * *
Every Institute had a Sanctuary.
It had always been that way. The Institute was a mixture of city hall and residence, a place where Shadowhunters and Downworlders alike came to meet with the Institute’s head. The head was the local representative of the Clave. In all of Southern California, there was no more important Shadowhunter than the head of the Los Angeles Institute. And the safest place to meet him was the Sanctuary, where vampires did not need to fear hallowed ground, and Downworlders were protected by oaths.
The Sanctuary had two sets of doors. One led outside and could be entered by anyone, who would find themselves inside the massive stone-bound room. The other set of doors connected the inside of the Institute to the Sanctuary. Like the front doors of the Institute, the inner doors of the Sanctuary yielded only to those with Shadowhunter blood.
Emma paused on the landing of the stairs to look out the window for the Fair Folk delegation. She had seen their horses, riderless, waiting near the front steps. If the Fair Folk delegation had experience with Shadowhunters, and they likely did, then they were already inside the Sanctuary.
The inner doors to the Sanctuary were at the end of a corridor that led off the Institute’s main entryway. They were made of copper metal that had long since gone green with verdigris, and runes of protection and welcome wound their way around the framework of the doors like vines.
Emma could hear voices from the other side of the doors: unfamiliar voices, one clear like water, one sharp like a twig snapping underfoot. She tightened her hold on Cortana and pushed through the entrance.
The Sanctuary itself was built in the shape of a crescent moon, facing the mountains—the shadowy canyons, the silver-green
brush scattered across the landscape. The mountains blocked the sun, but the room was bright, thanks to a pendant chandelier hanging from the ceiling. Light bounced off the cut glass and illuminated the checkerboard floor: alternating squares of darker and lighter wood. If you climbed to the chandelier and looked down, they revealed themselves as the shape of the Angelic Power rune.
Not that Emma would admit she’d done that. Though one did get an excellent view of the massive stone chair of the Institute’s head from that angle.
In the center of the room were the faeries. There were only two of them, the one in white robes and the one in black armor. Nowhere could she see the brown rider. Neither of their faces was visible. She could see the fingertips of long, pale hands extending beyond their sleeves but couldn’t tell if they were male or female.
Emma could sense a wild, unwieldy power rolling off them, the breathy edge of otherworldliness. A feeling like the cool damp of wet earth brushed her skin, carrying the scent of roots and leaves and jacaranda blossoms.
The faerie in black laughed and drew his hood down. Emma started. Skin the color of dark green leaves, clawed hands, yellow owl’s eyes. He wore a cloak, woven with the pattern of a rowan tree.
It was the faerie she had seen at the Sepulchre the other night.
“We meet again, fair one,” he said, and his mouth, which was like a slit in the bark of a tree, grinned. “I am Iarlath of the Unseelie Court. My companion in white is Kieran of the Hunt. Kieran, lower your hood.”
The other faerie lifted two slender hands, each of them tipped by nearly translucent, square nails. He took hold of the edges of his hood and thrust it back with an imperious, almost rebellious gesture.
Emma suppressed a gasp. He was beautiful. Not like Julian was beautiful, or Cristina—in human ways—but like the cutting edge of Cortana. He looked young, no more than sixteen or seventeen,
though she guessed he was older than that. Dark hair with a faint blue sheen framed a sculpted face. His light tunic and trousers were faded and worn; they had been elegant once, but now the sleeves and hems were slightly too short on a lithe and graceful body. His wide-spaced eyes were two-colored: the left black and the right a deep silver. He wore the battered white gauntlets that proclaimed him a prince of Faerie, but his eyes—his eyes said that he was part of the Wild Hunt.
“Is this because of the other night?” Emma said, looking from Iarlath to Kieran. “At the Sepulchre?”
“In part,” said Iarlath. His voice sounded like boughs creaking in the wind. Like the dark depths of fairy-tale forests, where only monsters lived. Emma wondered that she hadn’t noticed it at the bar.
“Is this the girl?” Kieran’s voice was very different: It sounded like waves sliding up the shore. Like warm water under pale light. It was seductive, with an edge of cold. He looked at Emma as if she were a new kind of flower, one he wasn’t sure he liked. “She’s pretty,” he said. “I didn’t think she’d be pretty. You didn’t mention it.”
Iarlath shrugged. “You’ve always been partial to blondes,” he said.
“Okay, seriously?” Emma snapped her fingers. “I am
right here.
And I was not aware I was being invited to a game of ‘Who’s the Hottest?’”
“I wasn’t aware you were invited at all,” said Kieran. His speech had a casual edge, as if he was used to talking to humans.
“Rude,” said Emma. “This is my house. And what are you doing here, anyway? Did you show up to tell me that he”—she pointed at Iarlath—“isn’t responsible for the murder at the Sepulchre? Because that seems like going way out of your way just to say you didn’t do it.”
“Of course I didn’t do it,” Iarlath snapped. “Don’t be ridiculous.”
Under any other circumstances, Emma would have dismissed the comment. Faeries, though, couldn’t lie. Not full-blooded faeries,
anyway. Half faeries, like Mark and Helen, could tell untruths, but they were rare.
Emma crossed her arms over her chest. “Repeat after me: ‘I did not murder the victim you speak of, Emma Carstairs,’” she said. “So I know it’s true.”
Iarlath’s yellow eyes fixed on Emma with dislike. “I did not murder the victim you speak of, Emma Carstairs.”
“Then why are you here?” Emma demanded. “Oh, is this one of those missed-connections things? We met the other night, you felt a spark? Sorry, but I don’t date trees.”
“I am not a tree.” Iarlath looked angry, his bark peeling slightly.
“Emma,” said a warning voice from the doorway.
To Emma’s surprise, it was Arthur Blackthorn. He stood at the entrance to the Sanctuary wearing a somber dark suit, his hair neatly combed back. The sight gave Emma a jolt; it was a long time since she remembered him wearing anything but a ragged robe or old, coffee-stained jeans.
Standing beside him was Julian, his brown hair rumpled. She searched his face for signs of anger but saw none—he looked like someone who’d run a marathon, actually, and was holding himself back from crumpling with exhaustion and relief.
“My apologies for the behavior of my ward,” said Arthur, striding into the room. “Though it is not forbidden to squabble in the Sanctuary, it is against the spirit of the place.” He sank down in the massive stone chair under the chandelier. “I am Arthur Blackthorn. This is my nephew Julian Blackthorn.” Julian, who had come to stand beside Arthur’s seat, inclined his head as Kieran and Iarlath introduced themselves. “Now, pray tell us why you are here.”
The faerie convoy exchanged glances. “What,” said Kieran, “no words about the Cold Peace or about how this visit breaks your Law?”
“My uncle does not administrate the Cold Peace,” said Julian.
“And it is not what we wish to discuss. You know the rules as well as we do; if you’ve chosen to break them, it must be for an important reason. If you don’t wish to share the information, my uncle will have to ask you to leave.”
Kieran looked haughty. “Very well,” he said. “We have come to ask a favor.”
“A
favor
?” Emma said in amazement. The wording of the Cold Peace was clear: Shadowhunters were not to give aid to either the Seelie or the Unseelie Court. The representatives of the Courts had never appeared to sign the Nephilim’s treaty; they had scorned it, and this was their punishment.
“Perhaps you are confused,” Arthur said coldly. “You might have heard of my niece and nephew; you might think that because our relatives Mark and Helen have faerie blood you will find a kinder hearing here than you would at some other Institute. But my niece was sent away because of the Cold Peace, and my nephew was stolen from us.”
Kieran’s lip curled up at the corner. “Your niece’s exile was a Shadowhunter decree, not a faerie one,” he said. “As for your nephew—”
Arthur took a shaking breath. His hands were gripping the armrests of his chair. “The hand of the Consul was forced by the betrayal of the Seelie Queen. Unseelie warriors fought beside hers. No faerie hand is free of blood. We are not well disposed toward faeries here.”
“The Cold Peace wasn’t what took Mark away from us,” said Julian, his cheeks burning with color. “That was you. The Wild Hunt. We can see by your eyes that you ride with Gwyn, don’t deny it.”
“Oh,” said Kieran with a slight smirk on his lips. “I would not deny that.”
Emma wondered if anyone else heard Julian’s intake of breath. “So you know my brother.”
The smirk never left Kieran’s face. “Of course I do.”
Julian looked as if he were barely holding himself back.
“What do you know about Mark?”
“What is this pretense of surprise?” demanded Iarlath. “It is foolishness. We mentioned Mark of the Hunt in the letter we sent.”
Emma saw the look on Julian’s face, a flicker of shock. She stepped forward quickly, not wanting him to be the one to have to ask. “What letter?”
“It was written on a leaf,” Arthur said. “A leaf that crumbled.” He was sweating; he took the handkerchief from his breast pocket and mopped at his forehead. “There were words on it about killings. About Mark. I didn’t believe it was real. I was—”
Julian stepped forward, half-blocking his uncle from view. “Killings?”
Kieran looked at Julian, and his bicolored eyes darkened. Emma felt the uncomfortable sensation that Kieran thought he knew something about her
parabatai
, something she didn’t know herself. “You know of the murders,” he said. “Emma Carstairs found one of the bodies. We know you are aware there have been others.”
“Why do you care?” said Julian. “Faeries do not normally involve themselves in the bloodshed of the human world.”
“We do if the blood being shed is faerie blood,” said Kieran. He looked around at their surprised faces. “As you know, the killer has been murdering and mutilating faeries, too. That is why Iarlath was at the Sepulchre. That is why Emma Carstairs encountered him. You were hunting the same prey.”
Iarlath reached into his cloak and drew out a handful of glittering mica. He tossed it into the air, where the particles hung and separated, coalescing into three-dimensional images. Images of bodies, faerie bodies—human-looking gentry faeries, all dead. All had skin carved with the spiky dark markings that had adorned the body Emma had found in the alley.
Emma found herself unconsciously leaning forward, trying to get a better view of the illusion. “What are these? Magic photographs?”
“Memories, preserved with magic,” said Iarlath.
“Illusions,” said Julian. “Illusions can lie.”
Iarlath turned his hand to the side, and the images changed. Emma was suddenly looking at the dead man she’d found in the alley three nights ago. It was an exact image, down to the twisted look of horror on his face. “Does this lie?”
Emma stared at Iarlath. “So you saw him. You must have come across him before I did. I wondered.”
Iarlath closed his hand, and the glittering pieces of mica fell to the floor like drops of rain, the illusion vanishing. “I did. He was already dead. I could not have helped him. I left him for you to find.”
Emma said nothing. It was quite evident from the picture that Iarlath was telling the truth.
And faeries didn’t lie.
“Shadowhunters have been killed too, we know,” Kieran said.
“Shadowhunters are often killed,” said Uncle Arthur. “There is no safe place.”
“Not so,” said Kieran. “There is protection where there are protectors.”
“My parents,” Emma said, ignoring Julian, who was shaking his head at her, as if to say,
Don’t tell them, don’t share, don’t give them anything
. She knew he was likely right—it was in the nature of faeries to take your secrets and turn them against you. But if there was the chance, the smallest chance that they knew something . . . “Their bodies were found with those same markings on them, five years ago. When the Shadowhunters tried to move them, they crumbled to ashes. The only reason we know about the markings was because the Nephilim took photos first.”
Kieran glanced at her with shimmering eyes. Neither looked quite human: The black eye was too dark, the silver too metallic. And yet the overall effect was haunting, inhumanly beautiful. “We know about your parents,” he said. “We know of their deaths. We know of the demon language with which their bodies were inscribed.”