Leonardo's Lost Princess (26 page)

Index

acconciatura alla spagnuola

Adoration of the Magi
(Leonardo da Vinci)

age, of portrait.
See also
carbon dating

Altman, Richard

American Leonardo, The
(Brewer)

Ames-Lewis, Francis

anatomical drawings (Leonardo da Vinci)

authentic representation in

Kemp on

mathematical precision of

Annesley, Noël

Antico

Antiques Trade Gazette (ATG)

Armand Hammer Foundation

Art and Auction

art authentication

Biro on

Clifford on

Geddo on

Gregori on

Kemp on (
See also
Kemp, Martin)

museum curators and

Pedretti on

Strinati on

Turner on

Vezzosi on (
See also
Vezzosi, Alessandro)

See also
carbon dating; connoisseurship; fingerprint authentication; multispectral digital imaging; provenance

art collecting, about

Artes
(University of Pavia)

Art Forger’s Handbook, The
(Hebborn)

art forgery

by Hebborn

by Landis

Mona Lisa

Portrait of a Woman Called La Bella Ferronnière

problem of

Turner on

by van Meegeren

Artful Tales: The Unlikely and Implausible Journal of an Art Dealer
(Day)

Art Law
(Bresler)

ArtNet

ARTNews

auction houses, staffing of.
See also
Christie’s; Sotheby’s

Bambach, Carmen C.

Baptism of Christ, The
(Verrocchio)

Bartolommeo, Fra

Battle of Anghiari, The
(Leonardo da Vinci)

beauty

Leonardo da Vinci on

perception and

“Becoming an Art Connoisseur” (Hoving)

Being Bernard Berenson
(Secrest)

Bell, Joshua

Bella Principessa, La
(Leonardo da Vinci)

age of

costume and iconography

dimensions of

financial value of

hairstyle features of

identity of subject

media used for

multispectral digital imaging examination (
See also
Lumiere Technology)

naming of

needle holes in

provenance of

publicity about

“Report on
Portrait of a Young Woman in Profile
” (Turner)

sale of, in 1998

sale of, in 2007

security for

technique

vellum canvas of

See also
art authentication; Leonardo da Vinci

Bella Principessa: The Story of the New Masterpiece by Leonardo, La
(Kemp, Cotte)

Belle Ferronnière, La
(Leonardo da Vinci)

hairstyle of subject

Leonardo attribution of

Portrait of a Woman Called La Belle Ferronnière
and

proportional system used for

Bellincioni, Bernardo

Bellotto, Bernardo

Benton, Thomas Hart

Berenson, Bernard

on art connoisseurship

Hahn and

Marchigs and

Biblioteca Nazionale (Naples, Italy)

Bibliothèque Nationale (Paris)

bifurcation

Birago, Giovanni Pietro

Birkbeck College, University of London

Biro, Geza

Biro, Joanne

Biro, Laszlo

Biro, Peter Paul

biographical information

on Leonardo authorship

New Yorker
article and

on Pollock authorship

on Turner authorship

See also
fingerprint authentication

Black, William Harman

Boltraffio

Borne, Fran¸ois

Boy Bitten by a Lizard
(Caravaggio)

Bresler, Judith

Brewer, John

British Library (London)

British Museum (London)

Chapman and

Jones and

Study of a Winged Figure; Allegory with Fortune

Turner and

Warrior with Helmet and Breastplate

Brotherhood of St. Luke

Brown, Dan

Brueghel

Bugiardini, Giuliano

Burlington

Cappuzzo, Gianmarco

on Lumiere Technology

Vezzosi and

Caravaggio

Boy Bitten by a Lizard

Gregori on

Saint Matthew painting

carbon dating

carbon-14 isotope technique

need for

reliability of

Carpaccio, Vittore

Castello Sforzesco

Castiglione, Baldassare

Caterina (mother of Leonardo da Vinci)

Center of Interdisciplinary Science for Art, Architecture, and Anthropology

chalk

Chapman, Hugo

Charles VIII (King of France)

Chaudron, Yves

Chichester Canal
(Turner)

Christ and His Disciples at Emmaus
(forgery)

Christie’s

Borne and

Dickenson and

January art auctions

Marchig v. Christie’s

New Yorker
article and

1998 sale of
La Bella Principessa
(Leonardo da Vinci) sold by, in 1998

reaction to publicity

Clifford, Timothy

on first impression of
La Bella Principessa
(Leonardo da Vinci)

La Bella Principessa
(Leonardo da Vinci) examined by

on media publicity

CNN

coazzone

Gregori on

identifying portrait subject by

Cobden, Sandra

Codex
(Leonardo da Vinci)

color

colorimetric print

detected by multispectral digital imaging

flesh tones

materials used

See also
media (used for fine art); multispectral digital imaging

Condé Nast

connoisseurship

Ganz on

methodology

New Yorker
article on

Pollock authentication and

proving authenticity and

Turner on

Cooper, Anderson

Cooper Hewitt Museum (New York)

Corradis, Bernardina de

Correggio, Niccolò da

Corrigan, Caroline

La Bella Principessa
(Leonardo da Vinci) reviewed by

on restoration

Cosimo, Piero di

costume

Cotte, Pascal

biographical information

Cappuzzo and

on identity of portrait’s subject

La Bella Principessa: The Story of the New Masterpiece by Leonardo

La Bella Principessa
(Leonardo da Vinci) examined by

Lady with an Ermine
(Leonardo da Vinci) examined by

Lumiere Technology established by

Mona Lisa
examined by

on provenance

publicity about
La Bella Principessa
(Leonardo da Vinci) and

craquelure

spectral digital imaging used to detect

van Meegeren and

CRISATEL project

Crivelli, Lucrezia

Czartoryski, Prince (Poland)

Czartoryski Museum (Krakow, Poland)

Daily Telegraph
(London)

Da Vinci Code, The
(Brown)

Kemp on

mock trial about

Day, Richard

Decker, Karl

de Gaulle, Charles

Department of European Paintings

Desiderio da Settignano

d’Este, Duchess Beatrice

d’Este, Isabella (Marchioness of Mantua)

detection techniques

carbon dating

chemical comparison

DNA

fingerprints

multispectral digital imaging

X-ray fluorescence spectroscopy

De Vecchi, Pierluigi

Dickenson, Simon

DNA, for art authentication

Dohnányi, Oliver von

Dorment, Richard

“Drawings by Rembrandt and His Pupils: Telling the Difference” (J. Paul Getty Museum)

Dummies.com

Dussler, Leopold

Dutch Rembrandt Society

Duveen, Joseph

Eco, Umberto

Ekserdjian, David

Esterow, Milton

“Expert Opinions and Liabilities” (New York University)

facial features

eyes

Lady with an Ermine
(Leonardo da Vinci)

of
Mona Lisa
(Leonardo da Vinci)

Turner on technique

Fahy, Everett

False Impressions: The Hunt for
Big-Time Art Fakes
(Hoving)

Figaro, Le
(France)

Financial Times

Fine Arts Registry (FAR)

fingerprint authentication

analysis method for

basic types of

Biro on Leonardo da Vinci authorship

Biro’s biographical information and

mathematical analysis used for

multispectral digital imaging of

New Yorker
article on

Pollock example

reliability of

Turner example

“Fingerprint Points to $19,000 Portrait Being Revalued as $100m Work by Leonardo da Vinci”
(ATG)

flesh tones

fingerprint evidence and

Leonardo da Vinci on

multispectral digital imaging used for examination

Florence, fifteenth century characteristics of

foggia alla Francese

frames, auction house customs regarding

Francis (Fran¸ois) I (King of France)

Franks, Theresa

Gallerani, Cecilia

poem about

as subject of
Lady with an Ermine
(Leonardo da Vinci)

See also Lady with an Ermine
(Leonardo da Vinci)

Ganz, Kate

Dorment and

La Bella Principessa
(Leonardo da Vinci) purchase (1998) by

La Bella Principessa
(Leonardo da Vinci) sale by (2007)

Ganz, Sally

Ganz, Victor

Gapper, John

Gates, Bill

Geddo, Cristina

on identity of portrait’s subject

La Bella Principessa
(Leonardo da Vinci) examined by

“Getting to the Truth of Authentication” (Fine Arts Registry)

Getty Conservation Institute

Gherardini, Lisa.
See
Giocondo, Lisa del

Ghirlandaio, Domenico

Giacommetti

Ginevra de’Benci
(Leonardo da Vinci)

Giocondo, Lisa del.
See also Mona Lisa
(Leonardo da Vinci)

Giocondo family

Giovanni del Fora, Gherardo di

Gnignera, Elisabetta

Goering, Hermann

Goguel, Catherine

Gossaert, Jan

Gothenburg exhibition

Gould, David

Grann, David

Gregori, Mina

on
La Bella Principessa
(Leonardo da Vinci) authorship

on
La Bella Principessa
(Leonardo da Vinci) eye feature

on
La Bella Principessa
(Leonardo da Vinci) technique

Vezzosi and

Guardian
(London)

gum arabic

Hahn, Andrée

Hahn, Harry

hair features

coazzone

Turner on

Hals, Franz

Harvard Center for Renaissance Studies

hatching

left-handedness and

media and

restoration and

Turner on

Head and Shoulders of a Woman

Hebborn, Eric

Herner, Richard

Hewitt, Simon

initial
ATG
story by

La Bella Principessa
(Leonardo da Vinci) provenance and

“New Evidence Strengthens Leonardo Claim for Portrait”
(ATG)

Hokusai, Katsushika

Holy Grail

Horne Museum (Florence)

Horton, Teri

Hoving, Thomas

“Becoming an Art Connoisseur,”

Metropolitan Museum of Art (New York) and

New Yorker
article and

on Pollock authentication

Hug, J. Conrad

International Foundation for Art Research

Isabella of Aragon

J. Paul Getty Museum

“Drawings by Rembrandt and His Pupils: Telling the Difference,”

Turner and

Jason & Queen Hippolyte with the Women of Lemnos
(Cosimo)

Jerusalem Museum

Jesus

Adoration of the Magi
(Leonardo da Vinci)

The Baptism of Christ
(Verrocchio)

Christ and His Disciples at Emmaus
(forgery)

The Da Vinci Code
(Brown) portrayal of

The Last Supper
(Leonardo da Vinci)

Shroud of Turin

Jones, Mark

Judas

Julius II, Pope

Kansas City Art Institute

Katz, Daniel

Kemp, Martin

on appreciation of
La Bella Principessa
(Leonardo da Vinci)

Berenson archives and

on fingerprint evidence

on identity of portrait’s subject

La Bella Principessa: The Story of the New Masterpiece by Leonardo

La Bella Principessa
(Leonardo da Vinci) examined by

Leonardo

Marchig v. Christie’s
and

at mock trial of
The Da Vinci Code
(Brown)

National Gallery lecture (2010)

on provenance

on proving authenticity

kermes berry

Koetl, John

Kress Foundation

Kunsthistorisches Museum (Vienna)

Kurosawa, Akira

Lady with an Ermine
(Leonardo da Vinci)

Cecillia Gallerani as subject of

costume and iconography

fingerprint evidence and