"I was going out!"
"Yes, precisely. You were going out, and thus dressed, which I found a great relief-sneer if you like. I didn't begin, of course, by asking myself why you were dressed, but why the others weren't; and the answers were harmless and straightforward enough. They'd been up late the previous night. Furthermore, they expected to be examined by Crane, who would make them disrobe in any event, so there was no reason for them to dress until he'd left.
"Crane and I had arrived together just a few minutes earlier, yet you were fully dressed, which was why I noticed you and asked you to bring something to cover poor Orpine's body. The obvious inference is that you had been examined already; and if so, you must certainly have been first It seemed possible that Crane had begun at the far end of the corridor, but he didn't-this room is only halfway to the old manteion at the back of the house. Why did he take you first?"
"I don't know," Chenille said. "I didn't even know I was. I was waiting for him, and he came in. If nothing's wrong, it only takes a second or two."
"He sells you rust, doesn't he?"
Surprised, Chenille laughed.
"I see I'm wrong-so much for logic. But Crane has rust; be mentioned it to me this morning as something that he could have given me to make me feel better. Orchid and a friend who knows you have both told me you use it, and neither has reason to lie. Furthermore, your behavior when you encountered Orpine confirms it."
Chenille appeared about to speak, and Silk waited for her to do so while silence collected in the stuffy room. At last she said, "I'll level with you, Patera. If I give you the lily word, will you believe me?"
"If you tell me the truth? Yes, certainly."
"All right. Crane doesn't sell me, or anybody, rust. Blood would have his tripes if he did. If you want it, you're supposed to buy it from Orchid. But some girls buy it outside sometimes. I do myself, once in a while. Don't tell them."
"I won't," Silk assured her.
"Only you're dead right, Crane's got it, and sometimes he gives me some, like today We're friends, you know what I mean? I've done him a few favors and I don't charge him. So he looks at me first, and sometimes he gives me a little present."
"Thank you," Silk said. "And thank you for calling me Patera. I noticed and appreciated that, believe me. Do you want to tell me about Orpine now?"
Chenille shook her head stubbornly.
"Very well, then. You said that Orpine had never been possessed, but that was mendacious -she was possessed at the time of her death, in fact." The moment had come, Silk felt, to stretch the truth in a good cause. "Did you really think that I, an anointed augur, could view her body and not realize that? When Crane had gone you took some of the rust he'd given you, dressed, and left your room by that other door, stepping out onto the gallery, which you call the gangway." Silk paused, inviting contradiction.
"I don't know where you had your dagger, but last year we found that one of the girls at our school had a dagger strapped to her thigh. At any rate, while you were coming down those wooden steps, you came face-to-face with Orpine, possessed. If you hadn't taken the rust Crane gave you, you would probably have screamed and fled; but rust makes people bold and violent. That was how I hurt my ankle last night, as it happens; I encountered a woman who used rust.
"In spite of the rust, Orpine's appearance must have horrified you; you realized you were confronting the devil all of you have come to fear, and your only thought was to kill her. You drew your dagger and stabbed her once, just below the ribs with the blade angled up."
"She said I was beautiful," Chenille whispered. "She tried to touch me, to stroke my face. It wasn't Orpine- I might have knifed Orpine, but not for that. I backed away.
She kept coming, and I knifed her. I knifed the devil, and then it was Orpine lying there dead."
Silk nodded. "I understand."
"You figured out my dagger, didn't you? I didn't think of it until it was too late."
"The picture representing your name, you mean. Yes, I did. I had been thinking about Orpine's name ever since I'd heard it. There's no point in going into that here, but I had. Crane gave you the dagger, isn't that right? You said a moment ago that he occasionally makes you a present. Your dagger must have been one of them."
"You think he gave it to me to get me into trouble," Chenille said. "It wasn't like that at all."
"What was it like?"
"One of the other girls had one. She has, most of us have-do you really care about all this?"
"Yes," Silk told her. "I do."
"So she went out that night She was going to meet him someplace to eat, I guess, only a couple of culls jumped her and tried to pull her down. She plucked, and cut them both. That's what she says. Then she beat the hoof, only she'd got blood on her.
"So I wanted to get one for when I go out, but I don't blow much about them, so I asked Crane where I could get a good one, where they wouldn't cheat me. He said he didn't know either, but he'd find out from Musk, because Musk knows all about knives and the rest of it, so next time he brought me that one. He'd got it specially made for me, or anyhow the picture put on."
"I see."
"Do you know, Patera, I'd never even seen chenille, not to know it was my flower anyway, till he brought me a bouquet for my room last spring? And I love it-that's 'When I did my hair this color. He said sometimes they call it burning cattail. We laugh about it, so when I asked he gave me the dagger. Bucks buy dells things like that pretty often, to show they trust her not to do anything."
"Is Doctor Crane the friend you mentioned?"
"No. That's somebody younger. Don't make me tell you who, unless you want to get me hurt." Chenille fell silent, tight-lipped. "That's abram. This's going to hurt me a lot more, isn't it? But if I don't tell, he might help me if he can.
"Then I won't ask you again," Silk said. "And I'm not going to tell Orchid or Blood, unless I must to save someone else. If the Guard were investigating, I suppose I'd have to tell the officer in charge, but I believe it might be a far worse injustice to turn you over to Blood than to permit you to go unpunished. Since that's the case, I'll let you go unpunished, or almost unpunished, if you'll do as I ask. Orpine's service will take place at eleven tomorrow, at my manteion on Sun Street Orchid's going to demand that all of you to attend it, and doubtless many of you will. I want you to be among those who do."
Chenille nodded. "Yeah. Sure, Patera."
"And while the service is in progress, I want you to pray for Orpine and Orchid, as well as for yourself. Will you do that as well?"
"To Hierax? All right, Patera, if you'll tell me what to say."
Silk gripped Blood's walking stick, flexing it absently between his hands. "Hierax is indeed the god of death and the Caldé of the dead, and as such is the most appropriate object of worship at any such service. It will be Scylsday, however, and thus our sacrifice cannot be his alone."
"Uh-huh. That's about the only prayer I know-what they call her short litany. Will that be all right?"
Silk laid aside the stick and leaned toward Chenille, his decision made. "There is one more god to whom I wish you to pray-a very powerful one who may be able to help you, as well as Orchid and poor Orpine. He is called the Outsider. Do you know anything about him?"
She shook her head. "Except for Pas and Echidna, and the days and months, I don't even know their names."
"Then you must open your heart to him tomorrow," Silk told her, "praying as you've never prayed before. Praise him for his kindness toward me, and tell him how badly you-how badly all of us in this quarter need his help. If you do that, and your prayers are heartfelt and truthful, it won't matter what you say."
"The Outsider. All right"
"Now I'm going to shrive you, removing your guilt in the matter of Orpine's death and any other wrongs that you have done. Kneel here. You don't have to look at me."
HALF THE ABANDONED manteion had been converted into a small theater. "The old Window's still back there," Chenille explained, pointing. "It's the back of the stage, sort of, only we always keep a drop in front of it. There's four or five drops, I think. Anyhow, we go in back of the Window to towel off and powder, and there's a lot of hoses on the floor and hanging down back there."
Silk was momentarily puzzled until he realized that the "hoses" were in actuality sacred cables. "I understand," he said, "but what you describe could be dangerous. Has anyone been hurt?"
"A dell fell off the stage and broke her arm once, but she was pretty full."
"The powers of Pas must indeed have departed from this place. And no wonder. Very well." He put his bag and the triptych on seats. "Thank you, Chenille. You may go out now if you wish, although I would prefer that you remain to take part in the exorcism."
"If you want me I'll stay, Patera. All right if I grab something to eat?"
"Certainly."
He watched her go, then shut the door to the courtyard behind her. Her mention of food had reminded him not only that he had given the cheese he had intended for his lunch to the bird, but of his fried tomatoes. No doubt Chenille would go to the pastry shop across the street. He shrugged and opened his bag, resolved to divert his mind from food.
There seemed to be a kitchen in the house, however, if Blood had not yet eaten, it was quite possible that he would invite him to lunch when the exorcism had been concluded. How long had it been since he had sat beneath the fig tree, watching Maytera Rose consume fresh rolls? Several hours, surely, but he had failed to share his breakfast with her, he was justly punished.
"I will not eat," he muttered to himself as he unpacked the glass lamps and the little flask of oil, "until someone invites me to a meal; then and only then shall I be free of this vow. Strong Sphigx, hardship is yours! Hear me now." Perhaps Orchid would wish to speak to him again about the arrangements for tomorrow; judging from her appearance (and thus, as he reminded himself, very possibly unfairly) Orchid ate often and well. She might easily fancy a bowl of grapes or a platter of peach fritters…
Largely to take his mind off food, he called, "Are you here, Mucor? Can you hear me?" There was no reply.
"I know it was you, you see. You've been following me, as you said you would last night I recognized your face in Teasel's father's face this morning. Was it you that drank her blood? This afternoon I saw your face again, in poor Orpine's."
He waited but there was no whisper at his ear, no voice except his own echoing from the bare shiprock walls. "Say something!"
A gravid silence filled the deserted manteion.
"That woman screaming in this house last night while I was outside in the floater-it was too apposite for mere chance. The devil was there because I was, and you're that devil, Mucor. I don't understand how you do the things you do, but I know it's you that do them."
He had packed the glass lamps in rags. As he unwrapped one, he caught sight of what might almost have been Mucor's death's-head grin. Carrying a lamp in each hand, he limped to the stage to look more closely at the painted canvas-it was presumably what Chenille had called a drop-behind it.
The scene was a crude mockery of Campion's celebrated painting of Pas enthroned. As depicted here, Pas had two erections as well as two heads; he nursed one in each hand. Before him, worshipful humanity engaged in every perversion that Silk had ever heard of, and several that were entirely new to him. In the original painting, two of Pas's taluses, mighty machines of a peculiarly lovely butter yellow, were still at work upon the whorl, planting a sacred goldenshower in back of Pas's throne. Here the taluses were furnished with obscene war rams, while Pas's blossom-freighted holy tree had been replaced by a gigantic phallus. Overhead the vast, dim faces of the spiritual Pas leered and slavered.
After carefully setting the blue lamps on the edge of the stage, Silk extracted Hyacinth's azoth from beneath his tunic. He wanted to slash the hateful thing before him to ribbons, but to do so would certainly destroy whatever might remain of the Window behind it. He pressed the demon, and with one surgical stroke slit the top of the painted canvas from side to side. The detestable painting vanished with a thump, in a cloud of dust.
Blood came in while he was setting up his triptych in front of the blank, dark face of the Window. Votive lamps burned again before that abandoned Window now, their bright flames stabbing upward from the blue glass as straight as swords; thuribles lifted slender pale columns of sweet smoke from the four corners of the stage.
"What did you do that for?" Blood demanded.
Silk glanced up. "Do what?"
"Destroy the scenery." Blood mounted the three steps at one side of the stage. "Don't you know what that stuff costs?"
"No," Silk told him. "And I don't care. You're going to make a profit of thirteen thousand cards on my manteion. You can use a fraction of it to replace what I've destroyed, if you choose. I don't advise it."
Blood kicked the pile of canvas. "None of the others did anything like this."
"Nor were their exorcisms effective. Mine will be-or so I have reason to believe." With the triptych centered between the lamps to his satisfaction, Silk turned to face Blood. "You are afflicted by devils, or one devil at least. I won't bother to explain just who that devil is now, but do you know how a place or a person-any person-falls into the power of devils?"
"Pah! I don't believe in them, Patera. No more than I do in your gods."
"Are you serious?" Silk bent to retrieve the walking stick Blood had given him. "You said something of the sort yesterday morning, but you have a fine effigy of Scylla in front of your villa. I saw it."
"It was there when I acquired the property. But if it hadn't been, I might have put up something like that anyway, I admit. I'm a loyal son of Viron, Patera, and I like to show it." Blood stooped to examine the triptych. "Where's Pas?"
Silk pointed.
"That whirlwind? I thought he was an old man with two heads."