Looking for Jake (19 page)

People were eating Christmas™ pudding, slices of turkey. They were even forcing down brussels sprouts, just on principle. Someone gave me a mince pie. “Blessed be,” yelled a radical pagan in my ear, and gave me a leaflet demanding that once we had won back the season, we rename it Solsticemas. He was buffeted away by a group of muscular ballet dancers dressed as sugar-plum fairies and nutcrackers.

I was getting close to the venue where the party was supposed to be, but if anything there were even more people on the streets now. The place was going to be surrounded. How would we get in?

Figures were moving in on the crowd.
Oh shit,
I thought,
the police.
But it wasn't. It was an angry-looking, aggressive bunch, smashing car windscreens as they came. They were dressed as Santa Claus™.

“Fuck,” muttered someone. “It's the Red-and-White Bloc.”

It was obvious that the R&Ws were out for trouble. Everyone else in the crowd tried to draw away from them. “Piss off!” I heard someone shouting, but they paid no attention.

Now I
could
see cops, massing in the side streets. The Red-and-White Bloc were drawing them out, chucking bottles, screaming, “Come on then!” like pissed-up Football™ fans.

I was backing away. I turned, and there it was: the site for the party. Hamleys, the toy store. The armed guards who normally protected it must have run ages ago, faced with this chaos. I looked up and saw horrified faces at the windows.

I should be up there,
I thought.
With you.
They were the partygoers. Kids and their parents, besieged by the demonstration, watching the police approach.

And oh, there was Annie, shouting to me, standing under Hamleys' eaves. I wailed with relief and ran to her.

“What's going on?” she shouted. She looked terrified. The Yule Squads were approaching the provocateurs of the Red-and-White Bloc, banging their truncheons in time on tinsel-garlanded shields.

“Bloody hell,” I whispered. I put my arms protectively around her. “There's going to be trouble,” I said. “Get ready to run.”

But as we stood there, tensing, something astonishing happened. I blinked, and out of nowhere had come a young man in a long white robe. Before anyone could stop him he was between the ranks of the Red-and-White Bloc and the police.

“He's mad!” someone shouted, but all the hundreds and hundreds of people were beginning to hush.

The man was singing.

The police bore down on him, the R&Ws made as if to shove him away, but his voice soared, and both sides hesitated. I had never seen anything so beautiful.

He sang a single note, of unearthly purity. He made it last, for long seconds, and then continued.

“Oh little town of Bethlehem, how still we see thee lie.”

He paused, until we were straining.

“Above thy deep and dreamless sleep, the silent stars go by.”

The R&W Bloc were still. Everyone was still.

“Yet in thy dark streets shineth, the everlasting light
. . .”

And now the
police
were stopping. They were putting their truncheons down. One by one they set aside their shields.

“The hopes and fears of all the years are met in thee tonight.”

More white-clad figures were appearing. They walked calmly to join their friend. With a start, I realised I was shielding my eyes. There was an implacable authority to these astonishing figures who had come from nowhere, these tall, stunning, uncanny young men. The white of their robes seemed impossibly bright. I could not breathe.

Now all of them were singing.
“How silently, how silently, the wondrous gift is giv'n. So God imparts to human hearts the blessings of His Heav'n.”

One by one, the police removed their helmets and listened. I could hear the frantic squawking of their superiors from the earpieces they removed.

“No ear may hear His coming, but in this world of sin . . .”
The singers paused, until I ached to have the melody conclude.
“Where meek souls will receive Him still, the dear Christ enters in.”

The police were smiling and tearful amid a litter of body armour and nightsticks. The first singer raised his hand. He looked down at all the discarded weaponry. He declaimed to the Red-and-White Bloc.

“You should not have tried to fight,” he said, and they looked ashamed. He waited.

“You would have been trounced. Whereas
now,
” he continued, “these idiots have disarmed.
Now's
the time to fight.” And he swivelled, and en masse, he and his fellow singers launched themselves at the police, their robes flapping.

The helpless cops gaped, turned, ran, and the crowd roared, and began to follow them.

“We are the Gay Men's Radical Singing Caucus!” the lead singer yelled in his exquisite tenor. “Proud to be fighting for a People's Christmas!”

He and his comrades began to chant: “
We're here! We're Choir! Get used to it!
”

“It's a Christmas miracle!” said Annie. I just hugged her until she muttered, “Alright Dad, easy.”

Behind me the crowd were shouting, taking over the streets.

“That's the trouble with the Red-and-White Bloc,” muttered Annie. “Bloody ‘strategy of tension' my arse. Bunch of anarchist adventurists.”

“Yeah,” said a boy next to her. “Anyway, half of them are police agents. It's the first principle, isn't it? Whoever's arguing fiercest for violence is the cop.”

I was gaping, my head swinging between the two of them as if I were a moron watching tennis.

“
What
.
.
.
?
” I said finally.

“Come on, Dad,” said Annie. She kissed me on the cheek. “You'd never have let me go otherwise. I had to get you to walk here or we'd have been too early. Trapped like them.” She pointed at the still-staring prizewinners in Hamleys' top floors. “And then I had to run off or you'd never have let me join in. Come on.” She took my hand. “Now that we've bust through the police lines, we can reroute the march past Downing Street.”

“Well then it's the perfect opportunity to get
out
of here . . .”

“Dad,” she said. She looked at me sternly. “I couldn't believe it when you won that prize. I never thought I'd have a chance to be down this way today.”

“Someone grabbed you,” I said.

“That was Marwan.” She indicated the young man who had spoken. “Dad, this is Marwan. Marwan, this is my dad.”

Marwan smiled and shook my hand politely, shifting his placard. M
USLIMS FOR
C
HRISTMAS,
it said. He saw me reading it.

“It's not that much of a big deal for me,” he said, “but we all remember how this lot came out for us when Umma Plc tried to privatise Eid. That meant a lot, you know. Anyway . . .” He looked away shyly. “I know it's important to Annie.” She gazed at him.
Ah,
I thought.

“Marwan's handfulofflowers, Dad,” she was saying to me. “Off the internet.”

“Look, I have to tell you I'm pretty annoyed about all this,” I said. We were getting close to Downing Street now. Marwan had said good-bye at Trafalgar Square, so it was just the two of us again, along with ten thousand others. “I bought you, I, I've lost a lot of, there's a big present in that party . . .”

“To be honest with you, Dad, I don't really need a new console.”

“How did you know . . .?” I said, but she was continuing.

“The one I've got is fine: I mostly use it for strategy games anyway, and they're not so power-hungry. Besides, I've got all the pinkopatches in my machine. It would be a pain in the arse to transfer them, and downloading them again is too risky.”

“What patches?”

“Stuff like Red3.6. It converts a bunch of games. Turns SimuCityState into RedOctober. Stuff like that. I'm already up to level 4. The end-of-level baddy's a Czar. As soon as I can work out how to get past him I'll have got to Dual Power.”

I gave up even trying to follow.

At the entrance to the Prime Minister's residence was a huge Christmas Tree™, in white and silver. Everyone began to jeer as we approached. The army were guarding it, so people made sure the booing was good-humoured. Someone threw Christmas Pudding™, but everyone sorted him out sharpish.

“
That's not what Christmas looks like,
” we all shouted as we went past.
“This is what Christmas looks like.”

As the skies darkened, the crowd were beginning to thin a bit, before the police could regroup. We went through a contingent all in red bandanas, and joined in with their singing.
“Deck the halls with boughs of holly, tra la la la laaa, la la la la. 'Tis the Season for the Internationale, tra la la la laaaa
. . .”

“Still,” I said. “I'm a bit sorry you didn't get to see the party.”

“Dad,” said Annie, and shook me. “This was the
best Christmas ever.
Ever. OK? And it was so lovely to have it with you.”

She looked at me sideways.

“Have you guessed yet?” she said. “What your present is?”

She was staring at me, very seriously, very intensely. It made me quite emotional.

I thought of everything that had happened that day, and of my reactions. Everything I'd been through and seen—been a
part
of. I realised how different I felt now than I had that morning. It was an astonishing revelation.

“Yes . . .” I said, hesitantly. “Yes, I think I have. Thank you, my love.”

“What?” she said. “You've guessed? Shit.”

She was holding out a little wrapped package. It was a tie.

JACK

N
ow that things have gone the way they have, everyone's got a story. Everyone'll tell you how they or their friend, which you can see in the way they say it they want you to think means them, knew Jack. Maybe even how they helped him, how they were part of his schemes. Mostly though of course they know that's too much and it'll just be how they or their friend was there one time and saw him running over the roofs, money flying from his swag-bags, militia trying and failing to track him down below. That sort of thing.
My mate saw Jack Half-a-Prayer once,
they'll say,
just for a moment.
As if they're being modest.

It's supposed to be respect. They reckon they're showing their respect, with everything that's happened. They ain't, of course. They're like dogs on his corpse and they disgust me.

I tell you that so you know where I'm coming from. Because I know how what I'm about to say might sound. I want you to know where I'm coming from when I tell you that I
did
know Jack. I did.

I worked with him.

I was lowly, don't get me wrong, but I was part of the whole thing. And please don't think I'm talking myself up, but I swear to you I ain't being arrogant. I'm nothing important, but the work I did, in a little way, was crucial to him. That's all I'm saying. So. So you can understand that I was pretty interested when I heard we'd got our hands on the man who sold Jack out. That would be one way of putting it. That would be mild. I made it my business to meet him, let's put it that way.

I remember the first time I heard what Jack was up to, after he escaped. He was daring enough that he got noticed.
Did you hear about that Remade done that robbery?
someone said to me in a pub. I was careful, couldn't show any reaction.

I'd felt something when I met Jack, you know? I respected him. He wasn't boastful, but he had a fire in him. Even so, I couldn't be sure he'd come to anything.

That first job, he got away with hundreds of nobles and gave it away on the streets. He scored himself the love of the Dog Fenn poor that way. That was what had people all excited, told them he was something else than your average gangster. He weren't the first to do that, but he was one of few.

What got me wasn't so much what he did with the money as where he stole it from. It was a government office. Where they store taxes.

Everyone knows what the security on those places is like. And I knew that there was no way he'd have done something like that without it being a
screw you.
He was making a point, and my good bloody gods but I admired that.

It was then, in that pub, when I realised what he'd done, how he must have made that night-raid work, how he must have climbed and crept and fought his way in, with his new body, how he must have been able to vanish, weighed down with specie, that I realised he was something. That was when I knew that Jack Half-a-Prayer was no ordinary Remade, and no ordinary renegade.

Not many people see the Remade like I do, or like Jack did.

You know it's true. To most of you they're to be ignored or used. If you really
notice
them you wish you hadn't. It wasn't like that for Jack, and not just because he
was
Remade. I bet—I know—that Jack used to notice them, see them clear, before anything was done to him. And that's the same for me.

People walk along and see nothing but trash, Remade trash with bodies all wrong, shat out by the punishment factories. Well, I don't want to be too sentimental about it but I've no doubts at all that Jack'd have seen this
woman—
whose hands yes were gone and been replaced with little birds' wings—and he'd have seen an
old man,
not the sexless thing he'd been made into, and a young lad with eyes gone and in their place an array of dark glass and pipework and lights and the boy stumbling trying to see in ways he weren't born to but still a boy. Jack'd see people changed with engines in steam, and oily gears, and the parts of animals, and their innards or their skin altered with hexes, and all those things, but he'd have seen
them
under the punishment.

People get broken when they get Remade. I've seen it so many times. Suddenly, take a wrong turn by the law and it ain't just the physical punishment, it ain't just the new limbs or metal or the change in the body, it's that they wake up and they're
Remade,
the same as they spat on or ignored for years. They know they're nothing.

Jack, when it was done to him, never thought he was nothing. He'd never thought any of them were.

There was this one time. A foundry in Smog Bend, and there was a man there, some middling supervisor—this was years after Jack got free, and I only heard all this—who was causing trouble. Informing on guilders trying to recruit. There was gangs following organisers home, and scaring them so they'd not come back, or maybe retiring them permanently.

I'm not clear on the details. But the point is what Jack done.

One day the workers troop in and they take their places by the gears, but there's no klaxon. And they're waiting, but nothing happens. Now they're getting wary, they're getting very antsy. They know it's that overseer who's due in that day, so they're nervous, they ain't talking much, but they go looking. And there at the foot of the steps up to the office, there's an arrow put together out of tools. On the floor, pointing up.

So they creep up. And on the landing there's another. And there's a whole gang of men now, and they're following these arrows, soldered to the banisters, up on the walkway, trooping round the factory, until pretty much the whole workforce is up there, and they come to the end of the gangway, and there dangling is that supervisor.

He's unconscious. His mouth's all scabbed. It's sewn up, with wire.

People know right then and there what's happened, but when the man wakes up and gets unstitched he starts raving, describing the man who done this to him, and then it's certain.

That man was lucky he didn't get killed, is my thinking. There was no more trouble there for a while, I hear. That changed things. I think they called that one Jack's Whispering Stitch. It's things like that make you see why people respected Jack Half-a-Prayer. Loved him.

This is the greatest city in the world. You hear that all the time, because it's true. But it's sort of an untrue truth, for a lot of us.

I don't know where you live. If it's Dog Fenn, then knowing that Parliament's a building like nothing else, or that we've riches in the coffers that would make the rest of the world jealous, or that the scholars of New Crobuzon could outthink the bloody gods—knowing all of that doesn't do so much. You still live in Dog Fenn, or Badside, or what have you.

But when Jack ran, the city was the greatest for Badside too.

You could see it—I could see it—in the way people walked, after Jack'd done something. I don't know how it was uptown in The Crow—I expect the well-dressed there sneered, or made a show of not caring—but where the houses lean in to each other, where the bricks shed pointing, in the shadow of the glass cactus ghetto, people walked tall. Jack was everyone's: men and women, cactus-people, khepri and vod. The wyrmen made up songs about him. The same people that would spit in the face of a Remade beggar cheered this fReemade. In Salacus Fields they'd toast Jack by name.

I wouldn't do that, of course—not that I didn't want to, but you can imagine, in the business I'm in, I have to be careful. I'm involved, so of course I can't be seen to be. In my head, though, I'd raise a glass with them.
To Jack,
I'd think.

In the short time I worked with Jack I never used his given name, nor he mine. It's in the nature of the work, obviously, that you don't use real names. But then, what could be more his name than Jack? Remaking is the ruin of most, but it was the making of him.

It's hard to make sense of Remaking, of its logic. Sometimes the magisters pass down sentences that you can understand. One man kills another with a blade, take his killing arm and replace it, suture a motorknife in its place, tube him up with the boiler to run it. The lesson's obvious. Or those who are made heavy engines for industry, man-cranes and woman-cabs and boy-machines. It's easy to see why the city would want them.

But I can't explain to you the woman given a ruff of peacock feathers, or the young lad with iron spiderlimbs out his back, or those with too many eyes or engines that make them burn from the inside out, or legs made wooden toys or replaced with the arms of apes so they walk with mad monkey grace. The Remakings that make them stronger, or weaker, or more or less vulnerable, Remakings almost unnoticed, and those that make them impossible to understand.

Sometimes you'll see a xenian Remade, but it's rare. It's hard to work with cactacae vegetable flesh, or the physiognomy of vodyanoi, I'm told, and there are other reasons for the other races, so for the most part magisters'll sentence them to other things. For the most part, it's humans who are Remade, for cruelty or expediency, or opaque logics.

There ain't no one the city hates so much as the renegades, the fReemade. Turning your Remaking on the Remakers, that ain't how it's supposed to be.

Sometimes, you know, I'll admit it's frustrating, to have to keep all my thoughts to myself. Especially during the day, while I'm in at work. Don't get me wrong, I like my colleagues, some of them, they're good lads, and for all I know some would even agree with the way I look at things, but you just can't risk it. You have to know when to keep secrets.

So I stay well out of it. I don't talk politics, I just do what I'm told, stay well out of any discussions.

When you see, when you see how people looked up after Jack had struck, though, my gods. How could anyone not be for that? People needed him, they needed that, that release. That hope.

I couldn't believe it when I heard my crew'd got hold of the man who got Jack caught. I had to keep myself under control at work, not let anyone see I was excited. I was waiting to get my hands on the rat.

For a lot of people, the most exciting, the best thing he ever done was an escape. Not his first escape—that I can't help thinking would have been some tawdry affair. Impressive for all that but a desperate bloody crawl, his new Remaking still atwitch, all grimy, all stained by the grease of his shackles, and stonedust, lying in some haul of rubbish where the dogs couldn't smell him, till he was strong enough to run. That, I think, would have been as messy as any other birth. No, the escape I'm talking about was the one they call Jack's Steeplechase.

Even now people can't decide whether it was deliberate or not, whether he let it out to the militia that he'd be there, that he'd be stealing weapons from one of their caches, in the city centre, in Perdido Street Station, just so they'd come for him and he could show he could get away from them. Me I don't think he'd be so cocky. I think he just got caught, but being who he was, being what he was, he made the best of it.

He ran for a more than an hour. You can go a long way in that time, over the roofs of New Crobuzon. Within fifteen minutes news had spread and I don't know how, I don't know how it is that the news of him running moved faster than he did himself, but that's the way of these things. Soon enough, as Jack Half-a-Prayer tore into view over some street, he'd find people waiting, and as far as they dared, cheering.

No I never saw it but you hear about it, all the time. People could see him on the roofs, waving his Remaking so people would know it was him. Behind him squads of militia. Falling, chasing, falling, more emerging from attics, from stairways, from all over, wearing their masks, pointing weapons, and firing them, and Jack leaping over chimneypots and launching himself from dormers, leaving them behind. Some people said he was laughing.

Bright daylight—militia visible in uniform. That's a thing in itself. He went by the Ribs, they say, even scrambled up the bones, though of course I don't believe that. But wherever he went, I see him sure-footed on the slates, a famous outlaw man by then, and behind him a wake of clodhopping militia, and streaks in the sky as they fire. Bullets, chakris from rivebows, spasms of black energy, ripples from the thaumaturges. Jack avoided them all. When he shot back, with the weapons he'd just taken, experimental things, he took men down.

Airships came for him, and informer wyrmen: the skies were all fussy with them. But after an hour of that chase, Jack Half-a-Prayer was gone. Bloody magnificent.

The man who sold out Half-a-Prayer was nothing. You wonder, don't you, who could bring down the greatest bandit New Crobuzon's ever seen. A nonentity. A no one.

It was just luck, that was all. That was what took Jack Half-a-Prayer. He weren't outsmarted, he didn't get sloppy, he didn't try to go too far, nothing like that. He got unlucky. Some pissant little punk who knows someone who knows someone who knows one of Jack's informers, some young turd doing a job, whispered messages in pubs, passing on a package, I don't sodding know, some nothing at all, who puts it together, and not because he's smart but because he gets lucky, where Jack's hiding. I truly don't know. But I've seen him, and he's nothing.

I didn't know why he gave up Half-a-Prayer. I wondered if he thought he'd be rewarded. Turned out he'd have said nothing if they hadn't hauled him in. He'd been caught for his own little crimes—his own paltry, petty, pathetic misdemeanours—and he thought if he delivered Jack, the government would look after him, forgive him and keep him safe. Idiot man.

He thought the government would keep him out of our hands.

Most of what Jack did weren't so obviously dramatic, of course. It was the smaller, savager stuff that had them out for him.

It ain't that they were happy about the big swaggering thievery, the showings-off. But that ain't what made Jack a thorn they had to pluck.