This information was poured into Lord Peter's ear at considerable length by Mr. Thipps, who seemed to feel that the neighbourhood of anybody so distinguished shed a kind of halo of glory over Queen Caroline Mansions.
"We had him round here himself this morning," he said, "about this horrid business. Inspector Sugg thought one of the young medical gentlemen at the hospital might have brought the corpse round for a joke, as you might say, they always having bodies in the dissecting-room. So Inspector Sugg went round to see Sir Julian this morning to ask if there was a body missing. He was very kind, was Sir Julian, very kind indeed, though he was at work when they got there, in the dissecting-room. He looked up the books to see that all the bodies were accounted for, and then very obligingly came round here to look at this"–he indicated the bath–"and said he was afraid he couldn't help us–there was no corpse missing from the hospital, and this one didn't answer to the description of any they'd had."
"Nor to the description of any of the patients, I hope," suggested Lord Peter casually.
At this grisly hint Mr. Thipps turned pale.
"I didn't hear Inspector Sugg enquire," he said, with some agitation. "What a very horrid thing that would be–God bless my soul, my lord, I never thought of it."
"Well, if they had missed a patient they'd probably have discovered it by now," said Lord Peter. "Let's have a look at this one."
He screwed his monocle into his eye, adding: "I see you're troubled here with the soot blowing in. Beastly nuisance, ain't it? I get it, too–spoils all my books, you know. Here, don't you trouble, if you don't care about lookin' at it."
He took from Mr. Thipps's hesitating hand the sheet which had been flung over the bath, and turned it back.
The body which lay in the bath was that of a tall, stout man of about fifty. The hair, which was thick and black and naturally curly, had been cut and parted by a master hand, and exuded a faint violet perfume, perfectly recognizable in the close air of the bathroom. The features were thick, fleshy and strongly marked, with prominent dark eyes, and a long nose curving down to a heavy chin. The clean-shaven lips were full and sensual, and the dropped jaw showed teeth stained with tobacco. On the dead face the handsome pair of gold pince-nez mocked death with grotesque elegance; the fine gold chain curved over the naked breast. The legs lay stiffly stretched out side by side; the arms reposed close to the body; the fingers were flexed naturally. Lord Peter lifted one arm, and looked at the hand with a little frown.
"Bit of a dandy, your visitor, what?" he murmured. "Parma violet and manicure." He bent again, slipping his hand beneath the head. The absurd eyeglasses slipped off, clattering into the bath, and the noise put the last touch to Mr. Thipps's growing nervousness.
"If you'll excuse me," he murmured, "it makes me feel quite faint, it reely does."
He slipped outside, and he had no sooner done so than Lord Peter, lifting the body quickly and cautiously, turned it over and inspected it with his head on one side, bringing his monocle into play with the air of the late Joseph Chamberlain approving a rare orchid. He then laid the head over his arm, and bringing out the silver matchbox from his pocket, slipped it into the open mouth. Then making the noise usually written "Tut-tut," he laid the body down, picked up the mysterious pince-nez, looked at it, put it on his nose and looked through it, made the same noise again, readjusted the pince-nez upon the nose of the corpse, so as to leave no traces of interference for the irritation of Inspector Sugg; rearranged the body; returned to the window and, leaning out, reached upwards and sideways with his walking-stick, which he had somewhat incongruously brought along with him. Nothing appearing to come of these investigations, he withdrew his head, closed the window, and rejoined Mr. Thipps in the passage.
Mr. Thipps, touched by this sympathetic interest in the younger son of a duke, took the liberty, on their return to the sitting-room, of offering him a cup of tea. Lord Peter, who had strolled over to the window and was admiring the outlook on Battersea Park, was about to accept, when an ambulance came into view at the end of Prince of Wales Road. Its appearance reminded Lord Peter of an important engagement, and with a hurried "By Jove!" he took his leave of Mr. Thipps.
"My mother sent kind regards and all that," he said, shaking hands fervently; "hopes you'll soon be down at Denver again. Good-bye, Mrs. Thipps," he bawled kindly into the ear of the old lady. "Oh, no, my dear sir, please don't trouble to come down."
He was none too soon. As he stepped out of the door and turned towards the station, the ambulance drew up from the other direction, and Inspector Sugg emerged from it, with two constables. The Inspector spoke to the officer on duty at the Mansions, and turned a suspicious gaze on Lord Peter's retreating back.
"Dear old Sugg," said that nobleman, fondly, "dear, dear old bird! How he does hate me, to be sure."
* This is the first Florence edition, 1481, by Niccolo di Lorenzo. Lord Peter's collection of printed Dantes is worth inspection. It includes, besides the famous Aldine 8vo. of 1502, the Naples folio of 1477–"edizione rarissima," according to Colomb. This copy has no history, and Mr. Parker's private belief is that its present owner conveyed it away by stealth from somewhere or other. Lord Peter's own account is that he "picked it up in a little place in the hills," when making a walking-tour through Italy.
** Lord Peter's wits were wool-gathering. The book is in the possession of Earl Spencer. The Brockelbury copy is incomplete, the five last signatures being altogether missing, but is unique in possessing the colophon.
II
"Excellent, Bunter," said Lord Peter, sinking with a sigh into a luxurious armchair. "I couldn't have done better myself. The thought of the Dante makes my mouth water–and the 'Four Sons of Aymon.' And you've saved me £60–that's glorious. What shall we spend it on, Bunter? Think of it–all ours, to do as we like with, for as Harold Skimpole so rightly observes, £60 saved is £60 gained, and I'd reckoned on spending it all. It's your saving, Bunter, and properly speaking, your £60. What do we want? Anything in your department? Would you like anything altered in the flat?"
"Well, my lord, as your lordship is so good"–the man-servant paused, about to pour an old brandy into a liqueur glass.
"Well, out with it, my Bunter, you imperturbable old hypocrite. It's no good talking as if you were announcing dinner–you're spilling the brandy. The voice is Jacob's voice, but the hands are the hands of Esau. What does that blessed darkroom of yours want now?"
"There's a Double Anastigmat with a set of supplementary lenses, my lord," said Bunter, with a note almost of religious fervour. "If it was a case of forgery now–or footprints–I could enlarge them right up on the plate. Or the wide-angled lens would be useful. It's as though the camera had eyes at the back of its head, my lord. Look–I've got it here."
He pulled a catalogue from his pocket, and submitted it, quivering, to his employer's gaze.
Lord Peter perused the description slowly, the corners of his long mouth lifted into a faint smile.
"It's Greek to me," he said, "and £50 seems a ridiculous price for a few bits of glass. I suppose, Bunter, you'd say £750 was a bit out of the way for a dirty old book in a dead language, wouldn't you?"
"It wouldn't be my place to say so, my lord."
"No, Bunter, I pay you £200 a year to keep your thoughts to yourself. Tell me, Bunter, in these democratic days, don't you think that's unfair?"
"No, my lord."
"You don't. D'you mind telling me frankly why you don't think it unfair?"
"Frankly, my lord, your lordship is paid a nobleman's income to take Lady Worthington in to dinner and refrain from exercising your lordship's undoubted powers of repartee."
Lord Peter considered this.
"That's your idea, is it, Bunter? Noblesse oblige–for a consideration. I daresay you're right. Then you're better off than I am, because I'd have to behave myself to Lady Worthington if I hadn't a penny. Bunter, if I sacked you here and now, would you tell me what you think of me?"
"No, my lord."
"You'd have a perfect right to, my Bunter, and if I sacked you on top of drinking the kind of coffee you make, I'd deserve everything you could say of me. You're a demon for coffee, Bunter–I don't want to know how you do it, because I believe it to be witchcraft, and I don't want to burn eternally. You can buy your cross-eyed lens."
"Thank you, my lord."
"Have you finished in the dining-room?"
"Not quite, my lord."
"Well, come back when you have. I have many things to tell you. Hullo! who's that?"
The doorbell had rung sharply.
"Unless it's anybody interestin' I'm not at home."
"Very good, my lord."
Lord Peter's library was one of the most delightful bachelor rooms in London. Its scheme was black and primrose; its walls were lined with rare editions, and its chairs and Chesterfield sofa suggested the embraces of the houris. In one corner stood a black baby grand, a wood fire leaped on a wide old-fashioned hearth, and the Sèvres vases on the chimneypiece were filled with ruddy and gold chrysanthemums. To the eyes of the young man who was ushered in from the raw November fog it seemed not only rare and unattainable, but friendly and familiar, like a colourful and gilded paradise in a medieval painting.
"Mr. Parker, my lord."
Lord Peter jumped up with genuine eagerness.
"My dear man, I'm delighted to see you. What a beastly foggy night, ain't it? Bunter, some more of that admirable coffee and another glass and the cigars. Parker, I hope you're full of crime–nothing less than arson or murder will do for us to-night. 'On such a night as this–' Bunter and I were just sitting down to carouse. I've got a Dante, and a Caxton folio that is practically unique, at Sir Ralph Brocklebury's sale. Bunter, who did the bargaining, is going to have a lens which does all kinds of wonderful things with its eyes shut, and