Edith looked sideways as though embarrassed but she told him.
'Next door in Mrs Tennant's bathroom,' she said.
He whipped out and along that passage. He looked in the next open door. Against deep blue tiles Kate with her doll's face and tow hair was rearranging a scarlet bathrobe on the chromium towel horse. Edith had followed. But where he went in she stayed by the door, through which she watched as though reluctant.
He slipped up behind Kate, put his palms over her eyes.
'Guess baby,' he said, still whispering.
She gave a great screech beneath her breath, so discreetly she hardly made a sound.
'Why Charley you did give me a start'
'I don't know,' he said, 'but I can't seem to bring it off these days. See here,' he went on, hands still over her eyes, 'where's there a kind of box in the wall with clockwork inside to do with that weather-vane?'
She stood quiet, seemed almost to press her face into his palms. But she let out a giggle at the question.
'Oh my,' she said, 'what next?'
'Come on,' he said murmuring yet, 'give us a kiss,' as he turned
her. And while he heartily kissed Kate's mouth her right eye winked at Edith under one of his outstanding ears.
Charley straightened himself at last, passed a forefinger over his lips. At once Edith said as though she could hear somebody. 'It's this way Mr Raunce.'
He came smoothly out, automatic. She led him along. Neither looked back. Soon she stopped at a panel with a button. She opened it. He put his head forward to peer. He saw two shafts which met to be joined by three gear wheels interlocked. And caught between those teeth, held by the leg was a live mouse.
At this Edith let a shriek with the full force of her lungs. A silence of horror fell.
Then even over the rustle of Kate hurrying up a paper-thin scream came as if in answer from between the wheels. And as Raunce looked for the person Edith said she had heard and except for Kate not a soul appeared, not one, Edith fainted slap into his arms.
After a moment Miss Burch came bustling towards them. 'What's this?' she asked, 'and what trick have you played on that poor girl now? Let go of her this instant goodness gracious whoever heard,' she said to Raunce and taking Edith, stretched her rather rough on the floor.
That same afternoon after dinner Miss Burch paid a call on Mrs Welch, slipping from the servants' hall out through the vast scullery straight into her kitchen.
'Come right in,' Mrs Welch welcomed from where she was seated concentrating over the opened notebook. 'Jane,' she called, 'Miss Burch will have a cup of tea.'
'Why thanking you,' Miss Burch said, 'and is this Albert?'
'Yes this is Albert,' Mrs Welch replied. 'Get up when you're spoken of,' she added and the boy stood He had been crying. 'Come to think of it,' she went on, 'run out now and don't get in the way of my girls at their work nor into any more trouble my word.'
'Trouble,' Miss Burch remarked once they were alone as she stirred with a teaspoon, 'trouble. This morning's just been one long worry an' what it's going to come to I don't know.' There was no reply. Miss Burch watched steam from off her tea.
'I don't know I'm sure,' she continued eventually, 'but it's him or
me that's the long and short of the whole matter. We can't go on like it and that's a fact,' she said.
'A large big bird like that,' Mrs Welch insisted, 'and with a powerful wallop in each wing. Why 'e might've got killed the little terror.'
'Killed?' Miss Burch asked, giving way. 'I hope he's not gone and had an accident on his very first day at the Castle?'
'Children is all little 'Itlers these days,' Mrs Welch answered. 'D'you know what 'e done. Up and throttled one of them peacocks with 'is bare hands not 'alf an hour after he got in. Yes that's what,' she said.
'Oh dear,' Miss Burch said, 'one of the peacocks?'
'I got'm covered up in the larder,' Mrs Welch went on. 'I'll choose my time to bury'm away at dusk. He might've been killed easy. I 'adn't turned my back not above two minutes to get on with their luncheon when I heard a kind of squawking. I ran to that window and there 'e was with one in 'is two fists. Oh I screamed out but 'e 'ad it about finished the little storm trooper. There wasn't nothing left to do but 'ide the dead body away from that mad Irish Conor.'
'Yes he's taken up with the things that man,' Miss Burch agreed.
'As to that I've only to pluck it,' Mrs Welch said, 'and 'e won't never distinguish the bird from a chicken they're that ignorant the savages. Mrs Tennant can't miss just the one out of above two hundred. But I won't deny it give me a start.'
'There you are,' Miss Burch said, 'but listen to this. I was upstairs in the Long Gallery this morning to get on with my work when I heard a screech, why I thought one of the girls had come by some terrible accident, or had their necks broke with one of the sashcords going which are a proper deathtrap along the Passage out of the Gallery. Well what d'you think? I'll give you three guesses.'
'You heard me 'oller out very likely,' Mrs Welch replied, watching the door yet that Albert had shut behind him.
'It was Edith, and that Raunce had been after her,' Miss Burch said, 'that man who makes this place a deathly menace.'
'Excuse me a moment,' Mrs Welch remarked and got up. She moved painful across the kitchen dragging her feet. Opening the door between she looked into her scullery. Albert was seated over a cup of tea while Mary and Jane went on with their work.
'You stay there quiet,' she said to him. 'You've been trouble enough this morning my oath,' she said, 'without your plotting something fresh.' Her voice was thick with love. She shut the door.
'Oh these long spaces,' she exclaimed as she came back.
'This place won't ever be the same, not since Mr Eldon left us,' Miss Burch began again. 'I said it over his open grave and I don't care who hears me this minute. With Raunce let loose without check about the house there's no saying what we'll come to. And there's the trouble of his morning tea. He will insist on one of my girls fetching it. They won't even tell me which one of them it is but I keep watch. She's Edith though I told Mrs Tennant different by being mistaken at the time. What I say is who's to answer for it when he gets up to his games with her in the bedroom. Tormenting a girl till she faints will be child's play Mrs Welch.'
'It's the food,' Mrs Welch answered, 'though I do speak as shouldn't seein' as I occupy meself with the kitchen. They're starving over there my sister says in her letter she sent. If it wasn't for that I'd go tomorrer, I would straight. He's that thin.'
'Nothing'll be like it was,' Miss Burch repeated. 'I said so at the time.'
Mrs Welch had the last word. 'Not but what Albert makes a difference being a refugee like the Belgians we had in the last war,' she said. 'Yes 'e'll be a tie,' she ended, 'and he'll take feedin'.'
But not more than half an hour after Miss Burch had left there fell another blow. Mrs Welch went into the larder for a last look before going to her room. While fixing a cheese cloth in front to hide the plucked peacock she chanced to regard the great jar where she kept her waterglass. With arms upraised in the gesture of a woman hanging out smalls she watched that jar with pursed lips. She called Albert.
'Ever set eyes on that before?' she asked.
'No'm I ain't,' he replied in the manner of Raunce's lad.
'Ever been in this larder in your puff?'
'No'm.'
'You wouldn't tell me an untruth would yer?'
'Oh no'm.'
'Because what I 'ave to say to you is this: it's 'ighly dangerous that stuff is. A sup of that and it would be your lot d'you hear me?'
'Yes'm.'
'So you never seen it before?'
'No'm.'
'And you've not even been in this place? Is that right?'
'Yes'm.'
'All right then and I don't want to hear any more. But if you so much as breathes a word of what 'as just passed I'll tan the 'ide clean off your back you little poulterer you h'understand?'
'Yes'm.' He turned, ran out.
Then high shrieking giggles came faint with distance from without. Mrs Welch moved over to perforated iron which formed a wall of the larder, advanced one eye to a hole and grimly watched.
The back premises of this grey Castle were on a vast scale. What she saw afar was Kate and Edith with their backs to her in purple uniforms and caps the colour of a priest's cassock. They seemed to be waiting outside O'Conor's lamp room. This was two tall Gothic windows and a pointed iron-studded door in a long wall of other similar doors and windows topped by battlements above which was set back another wall with a greater number of windows which in its turn was terraced into the last storey that was almost all blind Gothic windows under a steep roof of slate. Mrs Welch after seeming to linger over the great shaft of golden sun which lighted these girls through parted cloud let a great gust of sigh and turned away saying,
'Well if Aggie Burch can't hold 'em in leash it's none of my business, the pair of two-legged mice, the thieves,' she added.
But as Edith reached for O'Conor's latch Kate screamed at her,
'And what if there's a mouse?' Then Edie, hands to the side over a swelling heart, gave back, 'Oh love you can't say that to me,' and leant against the door post. 'That you can't say love,' she said, dizzy once more all of a sudden.
'Aw come on I only meant it for a game.'
'Oh Kate.'
'You're soft that's what it is dear.'
'Not after what come to pass this very morning you didn't ought.'
'Why see who's brought 'erself to have a peek at him,' Kate said of a moulting peacock which head sideways was gazing up with one black white-rimmed eye. 'Get off,' she cried, 'I don't like none of you.'
'Quiet dear. It's likely his favourite.'
'Why what d'you know,' said Kate, 'she's not taken up with us at all at all, it's the buzzard above she's fixed on, would you believe.'
'A buzzard?'
'And if I said I didn't care.'
'No Kate you mustn't, don't strike her I said. You can't tell what might happen if he came to learn.'
'Oh Paddy,' Kate said, 'I'll bet he's well away after that dinner he ate. He'll never stir. But I shan't if you wouldn't rather.'
'She's his special I know,' Edith went on. 'I can't distinguish one from the other but there's something tells me. And who's to say if he is asleep in the dark?'
'You go on in to oblige me then,' Kate said.
'Not me I shan't. I couldn't.'
'Well I will at that.'
'Nor you won't either,' Edith said. 'You've made me frighted.'
'I will then,' Kate answered, raising the heavy latch. 'But love I'll never cause a sound even the smallest,' she said low. Edith plastered her mouth over with the palm of a hand.
'No,' she said muffled, 'no,' as O'Conor's life was opened, as Kate let the sun in and Edith bent to look.
What they saw was a saddleroom which dated back to the time when there had been guests out hunting from Kinalty. It was a place from which light was almost excluded now by cobwebs across its two windows and into which, with the door ajar, the shafted sun lay in a lengthened arch of blazing sovereigns Over a corn bin on which he had packed last autumn's ferns lay Paddy snoring between these windows, a web strung from one' lock of hair back onto the sill above and which rose and fell as he breathed. Caught in the reflection of spring sunlight this cobweb looked to be made of gold as did those others which by working long minutes spiders had drawn from spar to spar of the fern bedding on which his head rested. It might have been almost that O'Conor's dreams were held by hairs of gold binding his head beneath a vaulted roof on which the floor of cobbles reflected an old king's molten treasure from the bog.
'He won't wake now, only for tea,' Kate said. 'Because after he's had his he feeds the birds.'
'Oh Kate isn't he a sight and all.'
'Well come on we can't stand looking. What's next?'
'If I make a crown out of them ferns in the corner,' Edith said, 'will you fetch something he can hold?'
'You aim to make him a bishop? Well if I 'ad my way I'd strip those rags off to give that pelt of his a good rub over.'
'Don't talk so. You couldn't.'
'Who's doing all the talking?' O'Conor gave a loud snore. Both girls began to giggle.
'Oh do be quiet dear,' Edith said picking a handful of ferns and starting to twist them. Then they were arrested by movement in the sunset of that sidewall which reflected glare from the floor in its glass.
For most of one side of this room was taken up by a vast glass-fronted cupboard in which had once been kept the bits, the halters and bridles, and the martingales. At some time O'Conor had cut away wooden partitioning at the back to make a window into the next chamber, given over nowadays to his peacocks. This was where these birds sheltered in winter, nested in spring, and where they died of natural causes at the end. As though stuffed in a dusty case they showed themselves from time to time as one after another across the heavy days they came up to look at him. Now, through a veil of light reflected over this plate glass from beneath, Edith could dimly see, not hear, a number of peacocks driven into view by some disturbance on their side and hardly to be recognized in this sovereign light. For their eyes had changed to rubies, their plumage to orange as they bowed and scraped at each other against the equal danger. Then again they were gone with a beat of wings and in their room stood Charley Raunce, the skin of his pale face altered by refraction to red morocco leather.
The girls stood transfixed as if by arrows between the Irishman dead motionless asleep and the other intent and quiet behind a division. Then dropping everything they turned, they also fled.
Miss Swift was deaf and could not always hear her charges' words as along with Evelyn and Moira and Mrs Welch's Albert she came that afternoon to the dovecote round by the back. She groaned while she settled herself in the shady seat and the doves rose in a white cloud on softly clapping wings.
'What's troublin' 'er?' Albert asked.