Authors: David Jay Brown,Rebecca McClen Novick
DJB: What if you don't have children?
Terence: Well, then you flow backward into the past, into your parents, and their parents, and their parents, and eventually all life, and back into the primal protozoa. No, it's a hard thing to face, but from the long-term point of view of nature, you have no relevance for the future whatsoever, unless you procreate. It's very interesting that in the celebration of the Eleusinian Mysteries, when they took the sacrament, what the god said was, "Procreate, procreate." It is uncanny the way history is determined by who sleeps with whom, who gets born, what lines are drawn forward, what tendencies are accelerated. Most people experience what they call magic only in the dimension of mate-seeking, and this is where even the dullest people have astonishing coincidences, and unbelievable things go on --it's almost as though hidden strings were being pulled. There's an esoteric tradition that the genes, the matings, are where it's all being run from. It is how I think a super extraterrestrial would intervene. It wouldn't intervene at all, it would make us who it wanted us to be by controlling synchronicity and coincidence around mate choosing.
RMN: Rupert Sheldrake has recently refined the theory of the morphogenetic field--a non-material organizing collective memory field which affects all biological systems. This field can be envisioned as a hyper-spatial information reservoir which brims and spills over into a much larger region of influence when critical mass is reached--a point referred to as morphic resonance. Do you think this morphic resonance could be regarded as a possible explanation for the phenomena of spirits and other metaphysical entities, and can the method of evoking beings from the spirit world be simply a case of cracking the morphic code?
Terence: That sounds right. It's something like that. If what you're trying to get at is do I think morphogenetic fields are a good thing, or do they exist, yes I think some kind of theory like that is clearly becoming necessary, and that the next great step to be taken in the intellectual conquest of nature, if you will, is a theory about how, out of the class of possible things, some things actually happen.
RMN: Do you think it could be related to the phenomena of spirits?
Terence: Spirits are the presence of the past, specifically expressed. When you go to ruins like Angkor Wat, or Tikal, the presence is there. You have to be pretty dull to not see how it was, where the market stalls were, the people and their animals, and the trade goods. It's quite weird. We're only conventionally bound in the present by our linguistic assumptions, but if we can still our linguistic machinery, the mind spreads out into time, and behaves in very unconventional ways.
DJB: How do you view the increasing waves of designer psychedelics and brain enhancement machines in the context of Rupert Sheldrake's theory of morphogenetic fields?
Terence: Well, I'm hopeful, but somewhat suspicious. I think drugs should come from the natural world, and be use-tested by shamanically oriented cultures. Then they have a very deep morphogenetic field, because they've been used thousands and thousands of years in magical contexts. A drug produced in the laboratory and suddenly distributed worldwide simply amplifies the global noise present in the historical crisis. And then there's the very practical consideration that one cannot predict the long term effects of a drug produced in a laboratory. Something like peyote, or morning glories, or mushrooms have been used for vast stretches of time without detrimental social consequences. We know that. As far as the technological question is concerned, brain machines and all, I wish them luck. I'm willing to test anything that somebody will send me, but I'm skeptical. I think it's somehow like the speech-operated typewriter. It will recede ahead of us. The problems will be found to have been far more complex than first supposed.
DJB: Don't you think it's true that the designer psychedelics and the brain machines don't have much of a morphic field yet, so in a sense one is carving a new morphic field with their use, so it's up for grabs, and there would consequently be more possibilities for new things to happen, unlike the psychoactive substances which you speak of that have ancient morphic fields, and are much more entrenched in predictability and pattern, and therefore not as free for new types of expression?
Terence: Possibly, although I don't know how you grab the morphic field of a new designer drug. For instance, I'll speak to my own experience, which is ketamine. My impression of ketamine was it's like a brand new skyscraper, all the walls, all the floors are carpeted in white, all the drinking fountains work, the elevators run smoothly, the fluorescent lights recede endlessly in all directions down the hallways. It's just that there's nobody there. There's no office machinery, there's no hurrying secretaries, there's no telephones, it's just this immense, empty structure waiting. Well, I can't move into a sixty-story office building, I have only enough stuff to fill a few small rooms, so it gives me a slightly spooked-out feeling to enter into these empty morphic fields. If you take mushrooms, you know, you're climbing on board a starship manned by every shaman who ever did it in front of you, and this is quite a crew, and they've really pulled some stunts over the millennia, and it's all there, the tapes to be played, but the designer things should be very cautiously dealt with.
DJB: It's interesting that John Lilly had very different experiences with ketamine. Do you think that there's any relationship between the self-transforming machine elves that you've encountered on your shamanic voyages and the solid state entities that John Lilly has contacted in his interdimensional travels?
Terence: I don't think there is much congruence. The solid state entities that he contacted seem to make him quite upset. The elf machine entities that I encounter are the embodiment of merriment and humor. I have had a thought about this recently which I will tell you. One of the science fiction fantasies that haunts the collective unconscious is expressed in the phrase "a world run by machines"; in the 1950s this was first articulated in the notion, "perhaps the future will be a terrible place where the world is run by machines." Well now, let's think about machines for a moment. They are extremely impartial, very predictable, not subject to moral suasion, value neutral, and very long lived in their functioning. Now let's think about what machines are made of, in the light of Sheldrake's morphogenetic field theory. Machines are made of metal, glass, gold, silicon, plastic; they are made of what the earth is made of. Now wouldn't it be strange if biology is a way for earth to alchemically transform itself into a self-reflecting thing. In which case then, what we're headed for inevitably, what we are in fact creating is a world run by machines. And once these machines are in place, they can be expected to manage our economies, languages, social aspirations, and so forth, in such a way that we stop killing each other, stop starving each other, stop destroying land, and so forth. Actually the fear of being ruled by machines is the male ego's fear of relinquishing control of the planet to the maternal matrix of Gaia.
DJB: It's interesting the way you anticipate each question. The recent development of fractal images seems to imply that visions and hallucinations can be broken down into a precise mathematical code. With this in mind, do you think the abilities of the human imagination can be replicated in a super computer?
Terence: Yes. Saying that the components of hallucinations can be broken down and duplicated by mathematical code isn't taking anything away from them. Reality can be taken apart and reduplicated with this same mathematical code, that's what makes the fractal idea so powerful. One can type in half a page of code, and on the screen get river systems, mountain ranges, deserts, ferns, coral reefs, all being generated out of half a page of computer coding. This seems to imply that we are finally discovering really powerful mathematical rules that stand behind visual appearances. And yes, I think supercomputers, computer graphics and simulated environments, this is very promising stuff. When the world's being run by machines, we'll be at the movies. Oh boy.
RMN: It seems that human language is evolving at a much slower rate than is the ability of human consciousness to navigate more complex and more profound levels of reality. How do you see language developing and evolving so as to become a more sensitive transceiving device for sharing conscious experience?
Terence: Actually, consciousness can't evolve any faster than language. The rate at which language evolves determines how fast consciousness evolves, otherwise you're just lost in what Wittgenstein called the unspeakable. You can feel it, but you can't speak of it, so it's an entirely private reality. Have you noticed how we have very few words for emotions? I love you, I hate you, and then basically we run a dial between those. I love you a lot, I hate you a lot.
RMN: How do you feel? Fine.
Terence: Yes, how do you feel, fine, and yet we have thousands and thousands of words about rugs, and widgets, and this and that, so we need to create a much richer language of emotion. There are times--and this would be a great study for somebody to do--there have been periods in English when there were emotions which don't exist anymore, because the words have been lost. This is getting very close to this business of how reality is made by language. Can we recover a lost emotion, by creating a word for it? There are colors which don't exist any more because the words have been lost. I'm thinking of the word "jacinth." This is a certain kind of orange. Once you know the word "jacinth," you always can recognize it, but if you don't have it, all you can say is it's a little darker orange than something else. We've never tried to consciously evolve our language, we've just let it evolve, but now we have this level of awareness, and this level of cultural need where we really must plan where the new words should be generated. There are areas where words should be gotten rid of that empower political wrong thinking. The propagandists for the fascists already understand this, they understand that if you make something unsayable, you've made it unthinkable. So it doesn't plague you anymore. So planned evolution of language is the way to speed it toward expressing the frontier of consciousness.
DJB: I've thought at times that what you view as a symbiosis forming between humans and psychoactive plants may in fact be the plants taking over control of our lives and commanding us to do their bidding. Have you any thoughts on this?
Terence: Well, symbiosis is not parasitism, symbiosis is a situation of mutual benefit to both parties, so we have to presume that the plants are getting as much out of this as we are. What we're getting is information from another spiritual level. Their point of view, in other words, is what they're giving us. What we're giving them is care, and feeding, and propagation, and survival, so they give us their elevated higher dimensional point of view. We in turn respond by making the way easier for them in the physical world. And this seems a reasonable trade-off. Obviously they have difficulty in the physical world, plants don't move around much. You talk about Tao, a plant has the Tao. It doesn't even chop wood and carry water.
RMN: Future predictions are often based upon the study of previous patterns and trends which are then extended like the contours of a map to extrapolate the shape of things to come. The future can also be seen as an ongoing dynamic creative interaction between the past and the present--the current interpretation of past events actively serves to formulate these future patterns and trends. Have you been able to reconcile these two perspectives so that humanity is able to learn from its experiences without being bound by the habits of history?
Terence: The two are antithetical. You must not be bound by the habits of history if you want to learn from your experience. It was Ludwig von Bertallanfy, the inventor of general systems theory, who made the famous statement that "people are not machines, but in all situations where they are given the opportunity, they will act like machines," so you have to keep disturbing them, 'cause they always settle down into a routine. So, historical patterns are largely cyclical, but not entirely; there is ultimately a highest level of the pattern which does not repeat, and that's the part which is responsible for the advance into true novelty.
RMN: The part that doesn't repeat. Hmm. The positive futurists tend to fall into two groups. Some visualize the future as becoming progressively brighter every day and that global illumination will occur as a result of this progression; others envision a period of actual devolution, a dark age, through which human consciousness must pass before more advanced stages are reached. Which scenario do you see as being the most likely to emerge, and why do you hold this view?
Terence: I guess I'm a soft Dark Ager. I think there will be a mild dark age, I don't think it will be anything like the dark ages which lasted a thousand years, I think it will last more like five years, and will be a time of economic retraction, religious fundamentalism, retreat into closed communities by certain segments of the society, feudal warfare among minor states, and this sort of thing. But I think it will give way in the late Nineties to the actual global future that we're all yearning for, and then there will be basically a fifteen-year period where all these things are drawn together with progressively greater and greater sophistication, much in the way that modern science and philosophy have grown with greater and greater sophistication in a single direction since the Renaissance, and that sometime around the end of 2012 all of this will be boiled down into a kind of alchemical distillation of the historical experience that will be a doorway into the life of the imagination.