Maya Angelou (10 page)

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Authors: I know why the caged bird sings

Tags: #Authors; American - Homes and haunts - Arkansas, #Social Science, #Afro-American women authors, #African American Studies, #Arkansas - Social life and customs, #Arkansas, #Angelou; Maya - Homes and haunts - Arkansas, #Authors; American, #African American authors, #Cultural Heritage, #Entertainers, #Ethnic Studies, #American, #Authors; American - 20th century, #African American, #African American families - Arkansas, #African American families, #African American women authors, #General, #Literary Criticism, #Angelou; Maya - Childhood and youth, #Biography & Autobiography, #Arkansas - Intellectual life - 20th century, #Entertainers - United States

CHAPTER 17

Weekdays
revolved on a sameness wheel. They turned into themselves so steadily and inevitably that each seemed to be the original of yesterday's rough draft. Saturdays, however, always broke the mold and dared to be different.

Farmers trekked into town with their children and wives streaming around them. Their board-stiff khaki pants and shirts revealed the painstaking care of a dutiful daughter or wife. They often stopped at the Store to get change for bills so they could give out jangling coins to their children, who shook with their eagerness to get to town. The young kids openly resented their parents' dawdling in the Store and Uncle Willie would call them in and spread among them bits of sweet peanut patties that had been broken in shipping. They gobbled down the candies and were out again, kicking up the powdery dust in the road and worrying if there was going to be time to get to town after all.

Bailey played mumbledypeg with the older boys around the chinaberry tree, and Momma and Uncle Willie listened to the farmers' latest news of the country. I thought of myself as hanging in the Store, a mote imprisoned on a shaft of sunlight. Pushed and pulled by the slightest shift of air, but never falling free into the tempting darkness.

In the warm months, morning began with a quick wash in unheated well water. The suds were dashed on a plot of ground beside the kitchen door. It was called the bait garden (Bailey raised worms). After prayers, breakfast in summer was usually dry cereal and fresh milk. Then to our chores (which on Saturday included weekday jobs)—scrubbing the floors, raking the yards, polishing our shoes for Sunday (Uncle Willie's had to be shined with a biscuit) and attending to the customers who came breathlessly, also in their Saturday hurry.

Looking through the years, I marvel that Saturday was my favorite day in the week. What pleasures could have been squeezed between the fan folds of unending tasks? Children's talent to endure stems from their ignorance of alternatives.

After our retreat from St. Louis, Momma gave us a weekly allowance. Since she seldom dealt with money, other than to take it in and to tithe to the church, I supposed that the weekly ten cents was to tell us that even she realized that a change had come over us, and that our new unfamiliarity caused her to treat us with a strangeness.

I usually gave my money to Bailey, who went to the movies nearly every Saturday. He brought back Street and Smith cowboy books for me.

One Saturday Bailey was late coming back from the Rye-al-toh. Momma had begun heating water for the Saturday-night baths, and all the evening chores were done. Uncle Willie sat in the twilight on the front porch mumbling or maybe singing, and smoking a ready-made. It was quite late. Mothers had called in their children from the group games, and fading sounds of "Yah... Yah... you didn't catch me" still hung and floated into the Store.

Uncle Willie said, "Sister, better light the light." On Saturdays we used the electric lights so that last-minute Sunday shoppers could look down the hill and see if the Store was open. Momma hadn't told me to turn them on because she didn't want to believe that night had fallen hard and Bailey was still out in the ungodly dark.

Her apprehension was evident in the hurried movements around the kitchen and in her lonely fearing eyes. The Black woman in the South who raises sons, grandsons and nephews had her heartstrings tied to a hanging noose. Any break from routine may herald for them unbearable news. For this reason, Southern Blacks until the present generation could be counted among America's arch conservatives.

Like most self-pitying people, I had very little pity for my relatives' anxiety. If something indeed had happened to Bailey, Uncle Willie would always have Momma, and Momma had the Store. Then, after all, we weren't their children. But I would be the major loser if Bailey turned up dead. For he was all I claimed, if not all I had.

The bath water was steaming on the cooking stove, but Momma was scrubbing the kitchen table for the umpteenth time.

"Momma," Uncle Willie called and she jumped. "Momma." I waited in the bright lights of the Store, jealous that someone had come along and told these strangers something about my brother and I would be the last to know.

"Momma, why don't you and Sister walk down to meet him?"

To my knowledge Bailey's name hadn't been mentioned for hours, but we all knew whom he meant.

Of course. Why didn't that occur to me? I wanted to be gone. Momma said, "Wait a minute, little lady. Go get your sweater, and bring me my shawl."

It was darker in the road than I'd thought it would be. Momma swung the flashlight's arc over the path and weeds and scary tree trunks. The night suddenly became enemy territory, and I knew that if my brother was lost in this land he was forever lost. He was eleven and very smart, that I granted, but after all he was so small. The Bluebeards and tigers and Rippers could eat him up before he could scream for help.

Momma told me to take the light and she reached for my hand. Her voice came from a high hill above me and in the dark my hand was enclosed in hers. I loved her with a rush. She said nothing—no "Don't worry" or "Don't get tenderhearted." Just the gentle pressure of her rough hand conveyed her own concern and assurance to me.

We passed houses which I knew well by daylight but couldn't recollect in the swarthy gloom.

"Evening, Miz Jenkins." Walking and pulling me along.

"Sister Henderson? Anything wrong?" That was from an outline blacker than the night.

"No, ma'am. Not a thing. Bless the Lord." By the time she finished speaking we had left the worried neighbors far behind.

Mr. Willie Williams' Do Drop Inn was bright with furry red lights in the distance and the pond's fishy smell enveloped us. Momma's hand tightened and let go, and I saw the small figure plodding along, tired and old-mannish. Hands in his pockets and head bent, he walked like a man trudging up the hill behind a coffin.

"Bailey." It jumped out as Momma said, "Ju," and I started to run, but her hand caught mine again and became a vise. I pulled, but she yanked me back to her side. "We'll walk, just like we been walking, young lady." There was no chance to warn Bailey that he was dangerously late, that everybody had been worried and that he should create a good lie or, better, a great one.

Momma said, "Bailey, Junior," and he looked up without surprise. "You know it's night and you just now getting home?"

"Yes, ma'am." He was empty. Where was his alibi?

"What you been doing?"

"Nothing."

"That's all you got to say?" "Yes, ma'am."

"All right, young man. We'll see when you get home."

She had turned me loose, so I made a grab for Bailey's hand, but he snatched it away. I said, "Hey, Bail," hoping to remind him that I was his sister and his only friend, but he grumbled something like "Leave me alone."

Momma didn't turn on the flashlight on the way back, nor did she answer the questioning Good evenings that floated around us as we passed the darkened houses.

I was confused and frightened. He was going to get a whipping and maybe he had done something terrible. If he couldn't talk to me it must have been serious. But there was no air of spent revelry about him. He just seemed sad. I didn't know what to think.

Uncle Willie said, "Getting too big for your britches, huh? You can't come home. You want to worry your grandmother to death?" Bailey was so far away he was beyond fear. Uncle Willie had a leather belt in his good hand but Bailey didn't notice or didn't care. "I'm going to whip you this time." Our uncle had only whipped us once before and then only with a peach-tree switch, so maybe now he was going to kill my brother. I screamed and grabbed for the belt, but Momma caught me. "Now, don't get uppity, miss, 'less you want some of the same thing. He got a lesson coming to him. You come on and get your bath."

From the kitchen I heard the belt fall down, dry and raspy on naked skin. Uncle Willie was gasping for breath, but Bailey made no sound. I was too afraid to splash water or even to cry and take a chance of drowning out Bailey's pleas for help, but the pleas never came and the whipping was finally over.

I lay awake an eternity, waiting for a sign, a whimper or a whisper, from the next room that he was still alive. Just before I fell exhausted into sleep, I heard Bailey: "Now I lay me down to sleep, I pray the Lord my soul to keep, if I should die before I wake, I pray the Lord my soul to take."

My last memory of that night was the question, Why is he saying the baby prayer? We had been saying the "Our Father, which art in heaven" for years.

For days the Store was a strange country, and we were all newly arrived immigrants. Bailey didn't talk, smile or apologize. His eyes were so vacant, it seemed his soul had flown away, and at meals I tried to give him the best pieces of meat and the largest portion of dessert, but he turned them down. Then one evening at the pig pen he said without warning, "I saw Mother Dear."

If he said it, it was bound to be the truth. He wouldn't lie to me. I don't think I asked him where or when.

"In the movies." He laid his head on the wooden railing. "It wasn't really her. It was a woman named Kay Francis. She's a white movie star who looks just like Mother Dear."

There was no difficulty believing that a white movie star looked like our mother and that Bailey had seen her. He told

me that the movies were changed each week, but when another picture came to Stamps staring Kay Francis he would tell me and we'd go together. He even promised to sit with me.

He had stayed late on the previous Saturday to see the film over again. I understood, and understood too why he couldn't tell Momma or Uncle Willie. She was our mother and belonged to us. She was never mentioned to anyone because we simply didn't have enough of her to share.

We had to wait nearly two months before Kay Francis returned to Stamps. Bailey's mood had lightened considerably, but he lived in a state of expectation and it made him more nervous than he was usually. When he told me that the movie would be shown, we went into our best behavior and were the exemplary children that Grandmother deserved and wished to think us.

It was a gay light comedy, and Kay Francis wore long-sleeved white silk shirts with big cufflinks. Her bedroom was all satin and flowers in vases, and her maid, who was Black, went around saying "Lawsy, missy" all the time. There was a Negro chauffeur too, who rolled his eyes and scratched his head, and I wondered how on earth an idiot like that could be trusted with her beautiful cars.

The whitefolks downstairs laughed every few minutes, throwing the discarded snicker up to the Negroes in the buzzards' roost. The sound would jag around in our air for an indecisive second before the balcony's occupants accepted it and sent their own guffaws to riot with it against the walls of the theater.

I laughed, too, but not at the hateful jokes made on my people. I laughed because, except that she was white, the big movie star looked just like my mother. Except that she lived in a big mansion with a thousand servants, she lived just like my mother. And it was funny to think of the whitefolks' not knowing that the woman they were adoring could be my mother's twin, except that she was white and my mother was prettier. Much prettier.

The movie star made me happy. It was extraordinary good fortune to be able to save up one's money and go see one's mother whenever one wanted to. I bounced out of the theater as if I'd been given an unexpected present. But Bailey was cast down again. (I had to beg him not to stay for the next show.) On the way home he stopped at the railroad track and waited for the night freight train. Just before it reached the crossing, he tore out and ran across the tracks.

I was left on the other side in hysteria. Maybe the giant wheels were grinding his bones into a bloody mush. Maybe he tried to catch a boxcar and got flung into the pond and drowned. Or even worse, maybe he caught the train and was forever gone.

When the train passed he pushed himself away from the pole where he had been leaning, berated me for making all that noise and said, "Let's go home."

One year later he did catch a freight, but because of his youth and the inscrutable ways of fate, he didn't find California and his Mother Dear—he got stranded in Baton Rouge, Louisiana, for two weeks.

CHAPTER 18

Another
day was over. In the soft dark the cotton truck spilled the pickers out and roared out of the yard with a sound like a giant's fart. The workers stepped around in circles for a few seconds as if they had found themselves unexpectedly in an unfamiliar place. Their minds sagged.

In the Store the men's faces were the most painful to watch, but I seemed to have no choice. When they tried to smile to carry off their tiredness as if it was nothing, the body did nothing to help the mind's attempt at disguise. Their shoulders drooped even as they laughed, and when they put their hands on their hips in a show of jauntiness, the palms slipped the thighs as if the pants were waxed.

"Evening, Sister Henderson. Well, back where we started, huh?"

"Yes, sir, Brother Stewart. Back where you started, bless the Lord." Momma could not take the smallest achievement for granted. People whose history and future were threatened each day by extinction considered that it was only by divine intervention that they were able to live at all. I find it interesting that the meanest life, the poorest existence, is attributed to God's will, but as human beings become more affluent, as their living standard and style begin to ascend the material scale, God descends the scale of responsibility at a commensurate speed.

"That's just who get the credit. Yes, ma'am. The blessed Lord." Their overalls and shirts seemed to be torn on purpose and the cotton lint and dust in their hair gave them the appearance of people who had turned gray in the past few hours.

The women's feet had swollen to fill the discarded men's shoes they wore, and they washed their arms at the well to dislodge dirt and splinters that had accrued to them as part of the day's pickings.

I thought them all hateful to have allowed themselves to be worked like oxen, and even more shameful to try to pretend that things were not as bad as they were. When they leaned too hard on the partly glass candy counter, I wanted to tell them shortly to stand up and "assume the posture of a man," but Momma would have beaten me if I'd opened my mouth. She ignored the creaks of the counter under their weight and moved around filling their orders and keeping up a conversation. "Going to put your dinner on, Sister Williams?" Bailey and I helped Momma, while Uncle Willie sat on the porch and heard the day's account.

"Praise the Lord, no, ma'am. Got enough left over from last night to do us. We going home and get cleaned up to go to the revival meeting."

Go to church in that cloud of weariness? Not go home and lay those tortured bones in a feather bed? The idea came to me that my people may be a race of masochists and that not only was it our fate to live the poorest, roughest life but that we liked it like that.

"I know what you mean, Sister Williams. Got to feed the soul just like you feed the body. I'm taking the children, too, the Lord willing. Good Book say, 'Raise a child in the way he should go and he will not depart from it.' "

"That's what it say. Sure is what it say."

The
cloth tent had been set on the flatlands in the middle of a field near the railroad tracks. The earth was carpeted with a silky layer of dried grass and cotton stalks. Collapsible chairs were poked into the still-soft ground and a large wooden cross was hung from the center beam at the rear of the tent. Electric lights had been strung from behind the pulpit to the entrance flap and continued outside on poles made of rough two-by-fours.

Approached in the dark the swaying bulbs looked lonely and purposeless. Not as if they were there to provide light or anything meaningful. And the tent, that blurry bright three-dimensional A, was so foreign to the cotton field, that it might just get up and fly away before my eyes.

People, suddenly visible in the lamplight, streamed toward the temporary church. The adults' voices relayed the serious intent of their mission. Greetings were exchanged, hushed.

"Evening, sister, how you?"

"Bless the Lord, just trying to make it in."

Their minds were concentrated on the coming meeting, soul to soul, with God. This was no time to indulge in human concerns or personal questions.

"The good Lord give me another day, and I'm thankful." Nothing personal in that. The credit was God's, and there was no illusion about the Central Position's shifting or becoming less than Itself.

Teenagers enjoyed revivals as much as adults. They used the night outside meetings to play at courting. The impermanence of a collapsible church added to the frivolity, and their eyes flashed and winked and the girls giggled little silver drops in the dusk while the boys postured and swaggered and pretended not to notice. The nearly grown girls wore skirts as tight as the custom allowed and the young men slicked their hair down with Moroline Hairdressing and water.

To small children, though, the idea of praising God in a tent was confusing, to say the least. It seemed somehow blasphemous. The lights hanging slack overhead, the soft ground underneath and the canvas wall that faintly blew in and out, like cheeks puffed with air, made for the feeling of a country fair. The nudgings and jerks and winks of the bigger children surely didn't belong in a church. But the tension of the elders—their expectation, which weighted like a thick blanket over the crowd—was the most perplexing of all.

Would the gentle Jesus care to enter into that transitory setting? The altar wobbled and threatened to overturn and the collection table sat at a rakish angle. One leg had yielded itself to the loose dirt. Would God the Father allow His only Son to mix with this crowd of cotton pickers and maids, washerwomen and handymen? I knew He sent His spirit on Sundays to the church, but after all that was a church and the people had had all day Saturday to shuffle off the cloak of work and the skin of despair.

Everyone attended the revival meetings. Members of the hoity-toity Mount Zion Baptist Church mingled with the intellectual members of the African Methodist Episcopal and African Methodist Episcopal Zion, and the plain working people of the Christian Methodist Episcopal. These gatherings provided the one time in the year when all of those good village people associated with the followers of the Church of God in Christ. The latter were looked upon with some suspicion because they were so loud and raucous in their services. Their explanation that "the Good Book say, 'Make a joyful noise unto the Lord, and be exceedingly glad' " did not in the least minimize the condescension of their fellow Christians. Their church was far from the others, but they could be heard on Sunday, a half mile away, singing and dancing until they sometimes fell down in a dead faint. Members of the other churches wondered if the Holy Rollers were going to heaven after all their shouting. The suggestion was that they were having their heaven right here on earth. This was their annual revival.

Mrs. Duncan, a little woman with a bird face, started the service. "I know I'm a witness for my Lord ... I know I'm a witness for my Lord, I know I'm a witness..."

Her voice, a skinny finger, stabbed high up in the air and the church responded. From somewhere down front came the jangling sound of a tambourine. Two beats on "know," two beats on "I'm a" and two beats on the end of "witness."

Other voices joined the near shriek of Mrs. Duncan. They crowded around and tenderized the tone. Handclaps snapped in the roof and solidified the beat. When the song reached its peak in sound and passion, a tall, thin man who had been kneeling behind the altar all the while stood up and sang with the audience for a few bars. He stretched out his long arms and grasped the platform. It took some time for the singers to come off their level of exaltation, but the minister stood resolute until the song unwound like a child's playtoy and lay quieted in the aisles.

"Amen." He looked at the audience.

"Yes, sir, amen." Nearly everyone seconded him.

"I say, Let the church say 'Amen.' "

Everyone said, "Amen."

"Thank the Lord. Thank the Lord."

"That's right, thank the Lord. Yes, Lord. Amen."

"We will have prayer, led by Brother Bishop."

Another tall, brown-skinned man wearing square glasses walked up to the altar from the front row. The minister knelt at the right and Brother Bishop at the left.

"Our Father"—he was singing—"You who took my feet out the mire and clay—"

The church moaned, "Amen."

"You who saved my soul. One day. Look, sweet Jesus. Look down, on these your suffering children—"

The church begged, "Look down, Lord."

"Build us up where we're torn down... Bless the sick and the afflicted..."

It was the usual prayer. Only his voice gave it something new. After every two words he gasped and dragged the air over his vocal chords, making a sound like an inverted grunt. "You who"—grunt—"saved my"—gasp—"soul one" —inhalation—"day"—humph.

Then the congregation, led again by Mrs. Duncan, flew into "Precious Lord, take my hand, lead me on, let me stand." It was sung at a faster clip than the usual one in the C.M.E. Church, but at that tempo it worked. There was a joy about the tune that changed the meaning of its sad lyrics. "When the darkness appears, and the night draweth near and my life is almost gone..." There seemed to be an abandon which suggested that with all those things it should be a time for great rejoicing.

The serious shouters had already made themselves known, and their fans (cardboard advertisements from Texarkana's largest Negro funeral home) and lacy white handkerchiefs waved high in the air. In their dark hands they looked like small kites without the wooden frames.

The tall minister stood again at the altar. He waited for the song and the revelry to die.

He said, "Amen. Glory."

The church skidded off the song slowly. "Amen. Glory."

He still waited, as the last notes remained in the air, staircased on top of each other. "At the river I stand—" "I stand, guide my feet-—" "Guide my feet, take my hand." Sung like the last circle in a round. Then quiet descended.

The Scripture reading was from Matthew, twenty-fifth chapter, thirtieth verse through the forty-sixth.

His text for the sermon was "The least of these."

After reading the verses to the accompaniment of a few Amens he said, "First Corinthians tells me, 'Even if I have the tongue of men and of angels and have not charity, I am as nothing. Even if I give all my clothes to the poor and have not charity, I am as nothing. Even if I give my body to be burned and have not charity it availeth me nothing. Burned, I say, and have not charity, it availeth nothing.' I have to ask myself, what is this thing called Charity? If good deeds are not charity—"

The church gave in quickly. "That's right, Lord." "—if giving my flesh and blood is not charity?" "Yes, Lord."

"I have to ask myself what is this charity they talking so much about."

I had never heard a preacher jump into the muscle of his sermon so quickly. Already the humming pitch had risen in the church, and those who knew had popped their eyes in anticipation of the coming excitement. Momma sat tree-trunk still, but she had balled her handkerchief in her hand and only the corner, which I had embroidered, stuck out.

"As I understand it, charity vaunteth not itself. Is not puffed up." He blew himself up with a deep breath to give us the picture of what Charity was not. "Charity don't go around saying 'I give you food and I give you clothes and by rights you ought to thank me.' "

The congregation knew whom he was talking about and voiced agreement with his analysis. "Tell the truth, Lord."

"Charity don't say, 'Because I give you a job, you got to bend your knee to me.' " The church was rocking with each phrase. "It don't say, 'Because I pays you what you due, you got to call me master.' It don't ask me to humble myself and belittle myself. That ain't what Charity is."

Down front to the right, Mr. and Mrs. Stewart, who only a few hours earlier had crumbled in our front yard, defeated by cotton rows, now sat on the edges of their rickety-rackety chairs. Their faces shone with the delight of their souls. The mean whitefolks was going to get their comeuppance. Wasn't that what the minister said, and wasn't he quoting from the words of God Himself? They had been refreshed with the hope of revenge and the promise of justice.

"Aaagh. Raagh. I said... Charity. Woooooo, a Charity. It don't want nothing for itself. It don't want to be bossman... Waah ... It don't want to be headman... Waah ... It don't want to be foreman... Waah ... It ... I'm talking about Charity ... It don't want... Oh Lord... help me tonight... It don't want to be bowed to and scraped at..."

America's historic bowers and scrapers shifted easily and happily in the makeshift church. Reassured that although they might be the lowest of the low they were at least not uncharitable, and "in that great Gettin' Up Morning, Jesus was going to separate the sheep (them) from the goats (the whitefolks)."

"Charity is simple." The church agreed, vocally.

"Charity is poor." That was us he was talking about.

"Charity is plain." I thought, that's about right. Plain and simple.

"Charity is... Oh, Oh, Oh. Cha-ri-ty. Where are you? Wooo... Charity... Hump."

One chair gave way and the sound of splintering wood split the air in the rear of the church.

"I call you and you don't answer. Woooh, oh Charity."

Another holler went up in front of me, and a large woman flopped over, her arms above her head like a candidate for baptism. The emotional release was contagious. Little screams burst around the room like Fourth of July firecrackers.

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