Monoculture: How One Story is Changing Everything (16 page)

21. Ian Youngs, “Radiohead Guitarist Ed O’Brien Warns of Money Pressure,”
BBC News
, January 24, 2010.

22. On the rise of the market in the arts, see, for example, Lee Hye-Kyung, “When Arts Met Marketing,”
International Journal of Cultural Policy
11 (2005): 289-305; Paul J. DiMaggio, “The Nonprofit Instrument and the Influence of the Marketplace on Policies in the Arts.” In
The Arts and Public Policy in the United States
. Edited by W. McNeil Lowry, (Englewood Cliffs: Prentice-Hall, 1984).

23. Alberta museums, for example, started to see themselves as competing with West Edmonton Mall — then the world’s largest mall. See Leslie S. Oakes, Barbara Townley, and David J. Cooper’s “Business Planning as Pedagogy: Language and Control in a Changing Institutional Field”
Administrative Science Quarterly
43 (1998): 257-292.

24. Paul J. DiMaggio, “The Nonprofit Instrument and the Influence of the Marketplace on Policies in the Arts.” In
The Arts and Public Policy in the United States
. Edited by W. McNeil Lowry (Englewood Cliffs: Prentice-Hall, 1984).

25. Museum exhibits provided by corporations was reported by Robin Pogrebin in “And Now, An Exhibition From Our Sponsor,”
The New York Times
(August 21, 2009).

26. “Swiffer Named ‘Official Cleaner of The Children’s Museum of Indianapolis’,” Procter & Gamble press release, December 22, 2009, on PR Newswire website; Lee Rosenbaum, blog post on “New Frontiers in Corporate Sponsorship: A Museum’s ‘Official Cleaner,’” CultureGrrl Blog, posted December 23, 2009.

27. “The Children’s Museum of Indianapolis and Mattel Present Barbie™: The Fashion Experience,” The Children’s Museum of Indianapolis press release, November 13, 2009; Lee Rosenbaum, blog post on “New Frontiers in Corporate Sponsorship: A Museum’s ‘Official Cleaner,’” CultureGrrl Blog, posted December 23, 2009.

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29. Quoted in Tom Brown, Stuart Crainer, Des Dearlove and Jorge Nascimento Rodrigues,
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(Prentice Hall Financial Times: London, 2002).

30. See, for example, Maev Kennedy, “Jewellers sponsor Fay Weldon’s latest literary gem,”
The Guardian
, September 4, 2001.

31. Don Thompson,
The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art
(Toronto: Doubleday Canada, 2008); Adrian Dannatt, “Jeff Koons On His Serpentine Show, His Inspirations and How His Studio System Works,”
The Art Newspaper
204 (2009).

32. Don Thompson,
The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art
(Toronto: Doubleday Canada, 2008).

33. Sean O’Hagan, “Damien of the Dead,”
The Observer
, February 19, 2006.

34. Sarah Thornton interviews Takashi Murakami and Marc Jacobs in
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(New York: W.W. Norton, 2008).

35. Oliver Bennett,
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(1996) p. 11, Centre for the Study of Cultural Policy, University of Warwick, Coventry, cited in Lee Hye-Kyung, “When Arts Met Marketing,”
International Journal of Cultural Policy
11 (2005): 289-305.

Additional Sources

The first epigraph is from Stanley Kunitz’s
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(New York: W.W. Norton, 2005).

The second epigraph is from economist Tyler Cowen’s
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(Cambridge: Harvard University Press, 1998).

9. The Monoculture Effect

1. Richard Feynman tells his story about wobbling plates in Frank Barron, Anthea Barron, and Alfonso Montuori’s
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(New York: Tarcher, 1997).

2. Joseph Campbell talks about following your bliss with Bill Moyers in
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(New York: Doubleday, 1988).

3. Václav Havel, “The Power of the Powerless.” In
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4. Ibid.

5. Ibid.

6. Craig McInnis and Malcolm Anderson, “Academic work satisfaction in the wake of institutional reforms in Australia.” In
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7. Ibid.

8. Oscar Wilde,
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9. Abraham Maslow describes higher level human needs and metapathologies in
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Additional Sources

The epigraph is from Karen Armstrong’s memoir
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(New York: Alfred A. Knopf, 2004).

10. Finding Another Way

1. Václav Havel, “The Power of the Powerless,” in
Living in Truth
, ed. Jan Vladislav (London: Faber and Faber, 1989), pp. 36-122.

2. The criteria for parallel structures are derived from Václav Havel’s essay “The Power of the Powerless.” In
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. Edited by Jan Vladislav (London: Faber and Faber, 1989), pp. 36-122.

3. Václav Havel, “The Power of the Powerless.” In
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5. Wendy Parkins and Geoffrey Craig,
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6. Geoff Andrews,
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7. Jean Vanier’s comments about the pleasures of eating together are found in
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8. Ilse Crawford,
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9. Christopher Alexander,
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10. Ibid.

11. William Saunders is quoted in a National Building Museum interview with Michael Mehaffy regarding Christopher Alexander and his impact on the profession on the occasion of Alexander being awarded the 2009 Vincent Scully Prize.

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13. Christopher Alexander,
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14. Ibid.

15. For a detailed explanation of the four components of the Nonviolent Communication method, what a conversation using the method sounds like in practice, and how to use the method in your own life, see Dr. Marshall Rosenberg’s
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16. Marshall Rosenberg,
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17. Ibid. See also, www.NonviolentCommunication.com.

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