Read Monster Online

Authors: Walter Dean Myers

Monster (6 page)

 

OSVALDO

 

I was afraid.

 

O'BRIEN

 

Did you tell the Assistant District Attorney who questioned you that you were a member of the Diablos?

 

OSVALDO

 

Yeah, they knew.

 

O'BRIEN

 

You weren't afraid to fight a member of the Diablos to get into the gang. You weren't afraid of cutting a stranger in the face. You weren't afraid of beating up your girlfriend. But you were afraid of Bobo, is that right?

 

OSVALDO

 

Yeah.

 

CU of JUROR shaking her head.

 

DISSOLVE TO: INTERIOR: VISITORS' AREA of DETENTION CENTER. There is a table in the shape of a hexagon. One side leads to a tunnel through which the PRISONERS can enter. They sit on the inside while the VISITORS sit on the outside. We see STEVE sitting among the prisoners. He is wearing his orange prison garb. MR. HARMON, his father, sits on the outside of the table.

 

MR. HARMON

 

How are you doing?

 

STEVE

 

All right. You talk to Miss O'Brien?

 

MR. HARMON

 

She doesn't sound that positive. There's so much garbage going through that courtroom, she thinks that anybody in there is going to have a stink on him.

 

STEVE

 

She said she's going to put me on the stand. Give me a chance to tell my side of the story.

 

MR. HARMON

 

That's good. You need to tell them that…

 

His voice fades away.

 

STEVE

 

I'm just going to tell them the truth, that I didn't do anything wrong.

 

A beat as the father and son try to cope with the tension.

 

STEVE

 

You believe that, don't you?

 

CU of MR. HARMON. There are tears in his eyes. The pain in his face is very evident as he struggles with his emotions.

 

MR. HARMON

 

When you were first born, I would lie up in the bed thinking about scenes of your life. You playing football. You going off to college. I used to think of you going to Morehouse and doing the
same things I did when I was there. I never made the football team, but I thought—I dreamed you would. I even thought about getting mad at you for staying out too late—there you were lying on the bed in those disposable diapers—I wanted the real diapers but your mother insisted on the kind you didn't have to wash, just throw away. I never thought of seeing you—you know—seeing you in a place like this. It just never came to me that you'd ever be in any kind of trouble….

 

MS: STEVE and MR. HARMON. An incredibly difficult moment passes between them. STEVE searches his father's face, looking for the reassurance he has always seen there.

 

STEVE

 

How's Mom doing?

 

MR. HARMON

 

She's struggling. It's hard on all of us. I know it's hard on you.

 

STEVE

 

I'll be okay.

 

STEVE puts his head down and begins to weep. MR. HARMON turns away, then reaches back and touches STEVE's hand. A GUARD crosses quickly and moves the father's hand away from his son.

 

MR. HARMON (choking with emotion)

 

Steve. It's going to be all right, son. It's going to be all right. You're going to be home again and it's going to be all right.

 

The scene blurs and darkens. There is the sound of STEVE's FATHER sobbing.

 

 

Notes:

 

I've never seen my father cry before. He wasn't crying like I thought a man would cry. Everything was just pouring out of him and I hated to see his face. What did I do? What did I
do?
Anybody can walk into a drugstore and look around. Is that what I'm on trial for? I didn't do nothing! I didn't do nothing! But everybody is just messed up with the pain. I didn't fight with Mr. Nesbitt. I didn't take any money from him. Seeing my dad cry like that was just so terrible. What was going on
between us, me being his son and him being my dad, is pushed down and something else is moving up in its place. It's like a man looking down to see his son and seeing a monster instead.

Miss O'Brien said things were going bad for us because she was afraid that the jury wouldn't see a difference between me and all the bad guys taking the stand. I think my dad thinks the same thing.

 

FADE IN: EXTERIOR: STEVE's NEIGHBORHOOD. Camera pans. Homeless men have built a cardboard “village” on rooftops. Then: to edge of roof, where we see a crowd in the street below. As camera zooms in, we pick up a cacophony of sounds. Gradually one sound becomes clearer. The accent is West Indian, and a ground-level camera comes up on two dark, somewhat heavy and middle-aged WOMEN.

 

WOMAN 1

 

I think it's a shame, a terrible shame.

 

WOMAN 2

 

What happened?

 

CUT TO: STEVE; he is holding a basketball and is within earshot of the 2 women.

 

WOMAN 1

 

They stuck up the drugstore and shot the poor man.

 

WOMAN 2

 

Oh, these guns! Is he all right?

 

WOMAN 1

 

Miss Trevor say he dead. They had 2 ambulances.

 

WOMAN 2

 

Two people got shot?

 

WOMAN 1

 

I don't think 2 people got shot, but 2 ambulances came. One came from Harlem Hospital.

 

WOMAN 2

 

It's probably those crack people. They say they'll do anything for that stuff.

 

WOMAN 1

 

Was he married? I didn't see no woman working in the store.

 

WOMAN 2

 

That young Spanish boy? I don't think he married.

 

WOMAN 1

 

No, girl, he ain't the owner. The old
man owned that place. I think he from St. Kitts.

 

WOMAN 2

 

Oh, you know it's a shame. You know it is.

 

LS: STEVE makes his way through crowd. He does not have the basketball. He is walking, then trots as the camera pulls back. He is running as camera looks from high angle, and we can no longer distinguish STEVE. We hear VO of women as above.

 

WOMAN 1

 

I'd move away from here, but there's no place to go. I wouldn't live in California.

 

WOMAN 2

 

California is a lot worse than Harlem.

 

WOMAN 1

 

But they say the weather is nice.

 

Camera pans down the street, past playing kids and stores to a basketball that lies in the gutter.

 

CUT TO: Television news; the shot is grainy, the reception poor as if it is in the home of a ghetto resident.

 

VO (NEWSCASTER)

 

In New York's Harlem, yet another holdup has ended in a grisly scene of murder. Alguinaldo Nesbitt, a native of St. Kitts, was found shot and killed in his drugstore.

 

CUT TO: Television shot of front of drugstore. Small children are gathered around trying to get a peek inside.

 

CU: NEWSCASTER. He is a handsome, light-skinned Black who speaks with a precise television-newscaster accent.

 

NEWSCASTER

 

Late yesterday afternoon 2 armed and masked bandits rushed into this neighborhood drugstore behind me. They first demanded money and, when the store owner, 55-year-old Alguinaldo Nesbitt was slow in handing over the money, viciously ended his life. Residents of
the neighborhood are in absolute dismay.
(To NEIGHBORHOOD RESIDENT)
Sir, can you tell me just how shocked you are by this tragedy?

 

CUT TO: NEIGHBORHOOD RESIDENT.

 

NEIGHBORHOOD RESIDENT

 

I ain't shocked. People getting killed and everything and it ain't right but I ain't shocked none. They killed a little girl just about 2 months ago and she was just sitting on her stoop.

 

CUT TO: STEVE's APARTMENT. We see him sitting and watching the news program. We see his brother pick up the remote and change the program. We watch 30 seconds of a
Road Runner
cartoon.

 

CUT TO: CU of STEVE. He is staring straight ahead, mouth open, in absolute shock as the reflected colors from the cartoon move across his face.

 

DISSOLVE TO: TWO WEEKS LATER; INTERIOR: STEVE's KITCHEN. Door opens. MRS. HARMON
enters with a bag of groceries. She puts it down.

 

MRS. HARMON

 

Mrs. Lucas said they got those guys that killed the drugstore owner.
(She turns on the television.)
You have anything to eat?

 

STEVE

 

I had some cereal. See if you can find the news. You think it's on the news?

 

MRS. HARMON is putting away the groceries when an image of the front of the drugstore appears on the screen. She sits down, obviously pleased that the culprits have been caught.

 

FEMALE NEWSCASTER

 

An arrest has been made in the robbery and murder in an uptown drugstore. The police announced today the arrest of Richard Evans, known in the community as Bobo. Mayor Rudy Giuliani says that he is determined to stop crime in all areas of the city.

 

CUT TO: PRESS CONFERENCE with MAYOR GIULIANI and POLICE BRASS.

 

MAYOR GIULIANI

 

The idea that we're just trying to stop crime in white or middle-class areas is nonsense. Everyone living in the city deserves the same protection.

 

CUT TO: EXTERIOR: MS of a sullen BOBO handcuffed and being led to police van. He glowers at camera. Prisoner he is handcuffed to winks at camera.

 

CUT TO: INTERIOR: STEVE's BEDROOM. He is lying on his bed, eyes open but not seeing anything. We hear first the doorbell ring and then his mother calling him, but he doesn't react.

 

CUT TO: MRS. HARMON, who wipes her hands on a towel and heads toward door. She stops and looks through peephole. CU on her face. There is a worried look as she opens the door.

 

MRS. HARMON

 

(Calls to him.)
Steven?

 

STEVE

 

Yeah?
(He comes out and sees DETECTIVES WILLIAMS and KARYL.)

 

WILLIAMS

 

We need you to come down to the precinct with us. Just a few questions.

 

STEVE

 

Me? About what?

 

WILLIAMS

 

Some clown said you were involved with that drugstore stickup just before Christmas. You know the one I mean?

 

STEVE

 

Yeah, but what do I have to do with it?

 

WILLIAMS (as they handcuff Steve)

 

You know Bobo Evans?

 

MRS. HARMON (mildly panicked)

 

Why are you handcuffing my son if you just want to ask him a few questions? I don't understand.

 

WILLIAMS

 

Ma'am, it's just routine. Don't worry about it.

 

MRS. HARMON

 

What do you mean don't worry about it, when you're handcuffing my son?
(There is panic in her eyes as she looks at STEVE, who looks away.)
What do you
mean
don't worry about it? I'm coming with you! You're not just snatching my son off like he's some kind of criminal. Wait till I get my coat. Just wait a minute! Just wait a minute!

 

CUT TO: JERRY standing in doorway, holding comics. He looks from MOTHER to STEVE. He reaches out toward his brother as the detectives hustle the handcuffed teenager out the door.

 

CUT TO: MS of STEVE sitting in back of patrol car.

 

CUT TO: Two OLD MEN in front of John-John's Bar-B-Q looking at the scene as the car drives off.

 

CUT TO: LS of block engaged in normal activity.
THEN: MRS. HARMON rushes from house, looks desperately around, and moves quickly down the street. She gets almost to the corner, then stops, realizing she doesn't know where STEVE is being taken.

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