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Authors: David Gemmell

Morningstar

SPHERE OF MAGIC

“Let the sentence be carried out!” the Angostin called. The men took hold of Megan and, unresisting, she was led to the pyre and forced to clamber high upon the piled wood before her hands were unbound and lashed to the stake.

It was then that I saw the floating sphere gliding effortlessly over the heads of the spectators. Sometimes it hovered over individuals before moving on. Perfectly round and swirling, like smoke encased in glass, the Search-spell moved on.

Suddenly the Search-spell found its prey, and a shaft of white light flashed into the evening air, hanging for several heartbeats above the head of Jarek Mace. In sudden fear the mob melted away from him and the white light became golden, bathing him. Already handsome, he appeared at once godlike, his fringed buckskin shirt of molten gold, his skin of burnished bronze. And he smiled as he executed an elaborate and perfect bow.

“It’s the Morningstar!” the Angostin bellowed. “Take him!”

By David Gemmell
Published by Ballantine Books
:

LION OF MACEDON

DARK PRINCE

ECHOES OF THE GREAT SONG

KNIGHTS OF DARK RENOWN

MORNINGSTAR

DARK MOON

IRONHAND’S DAUGHTER

THE HAWK ETERNAL

The Drenai Saga

LEGEND

THE KING BEYOND THE GATE

QUEST FOR LOST HEROES

WAYLANDER

IN THE REALM OF THE WOLF

THE FIRST CHRONICLES OF
       DRUSS THE LEGEND

THE LEGEND OF DEATHWALKER

WINTER WARRIORS

HERO IN THE SHADOWS

WHITE WOLF

THE SWORDS OF NIGHT AND DAY

The Stones of Power Cycle

GHOST KING

LAST SWORD OF POWER

WOLF IN SHADOW

THE LAST GUARDIAN

BLOODSTONE

The Rigante

SWORD IN THE STORM

MIDNIGHT FALCON

RAVENHEART

STORMRIDER

Troy

LORD OF THE SILVER BOW

SHIELD OF THUNDER

FALL OF KINGS

A Del Rey® Book
Published by The Random House Publishing Group
Copyright © 1992 by David A. Gemmell

All rights reserved.

Published in the United States by Del Rey Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York. Originally published in Great Britain by Random House Group in 1992.

Del Rey is a registered trademark and the Del Rey colophon is a trademark of Random House, Inc.

www.delreybooks.com

Library of Congress Catalog Card Number: 93–90187

eISBN: 978-0-307-79752-0

v3.1

D
EDICATION

Morningstar
is dedicated with great affection to a man
who can’t stand heroic fantasy and who will never read
this novel. But despite his aversion to this kind of
fiction he has actively supported my work—and the work
of other British writers—for many years.
Roger Peyton and his staff at Andromeda Bookshop
in Birmingham helped me get my first American sale
and ensured Gemmell books were on display long before
they were available even in my own hometown.
Fortunes are made when the big stores back an author.
But Andromeda is where the dreams begin.
My thanks to Rog, his partner Rod Milner,
and all the guys in Brum.

ACKNOWLEDGMENTS

My thanks also to my editor Oliver Johnson, copy editor Jean Maund, proofreader and researcher Stella Graham, and test readers Val Gemmell, Tom Taylor, and Edith Graham.

Special thanks to Vikki Lee France for continuing support and encouragement.

Contents
Prologue

Y
OU KNOW ME
, then? I thought so. It is rare for travelers to journey to the high lands at the start of winter. What are you—a scholar, a historian, both? I know you are no magicker, and you appear to be weaponless. Ah, a storyteller! Well, there is honor in that.

I have been a storyteller for sixty-eight years. Aye, and a magicker of some talent. Not great talent, mind you. But I could work the Dragon’s Egg. Not many could do that right. Have you seen it? Well, perhaps it is not as popular as once it was. But I could make the dragon break clear of the egg without the shell turning to dust. First the head would come clear, then one tiny, beautiful wing. At last he would ease himself from the shell and then devour it with tongues of fire. It required great concentration, but I could never get the scales right; they would shimmer and fade.

I cannot do it now, of course. The power is almost gone from me.

So, what stories can I give you?

The Morningstar? Everything is known of him—his courage, his battles, his rescues. There are no new stories.

The truth, you say? Now, that is novel. Perhaps unique. Why would you be interested in the truth? Of what use is that to a storyteller? Your listeners will not want the truth. They never do, and they never did. They want heroes, boy. Men of wonder, handsome and tall, men of honor. The Highlanders of legend. They would sweep the truth from the table and stamp it beneath their feet like a beetle. Truth has an ugly face, you see.

There are few still living who remember the Morningstar.
Some are blind, some senile. Whisper his name in their ears and you will see them smile, watch the strength flow back into their limbs. That is real magick.

No, you don’t want the truth. And neither do I.

Do you like my house? It was built a half century ago. I wanted to be able to see the sun rise over the eastern lakes, to watch the new pines grow on the flanks of the mountains. Mostly I wanted a home surrounded by trees—oak, beech, and elm. It is a simple house. At least by your standards, for you are a nobleman. How do I know? Your boots alone would cost two years’ wages for a workingman. But this house is comfortable. I have three servants, and a local farmer supplies all my food. He charges me nothing, for his grandfather marched with the Morningstar and his father once sat on the great man’s knee.

Each year at the harvest feast I sing for my supper. I stand at the head of the farmer’s table, and I speak of the old days. Do I tell the truth? After a fashion. What I tell them is a history they all know. It is comfortable; it fills them with pride. There is no harm in that.

But the truth? Like a poisoned dagger, boy.

Yet still you want to hear it …

No, I will not speak of those days. You may stay here the night and join me for breakfast in the morning. Then you will go.

Do not be disappointed. I am favoring you with a kindness, though you cannot understand it. You see, the world knows the Morningstar. He lives in the hearts and souls of his people.

You know the song-prayer:

He is the light reborn
that shadows fear; when
night descends on us
,
he will be near
.

Do I believe that? Of course. I wrote it.

Midnight. A time for memories. My visitor is abed, his disappointment shrouded by sleep and the dreams of the young. There is a log fire behind me, filling the room with warmth and a golden glow. Shadows flicker by the rafters like old ghosts.

It is an effort, but I push open the window, dislodging the
snow from the sill. The cold, skeletal fingers of winter reach in, whispering against my shirt. I shiver and stare out over the bleak glens to the ice-covered lakes and the mountains beyond.

Steep snow-covered peaks are silhouetted against the moon-bright sky, and I can just make out the trees in their winter coats of fallen cloud. And there is a mist—a Highland mist—stretching into the distance, covering the ice-filled gulleys and the silent glens.

On, the Highlands. The people have forgotten now that I ever was Angostin. After sixty-eight years they treat me as if I were born into the old nobility. And I, for my part, have learned all their customs: the dance of the swords, the blessing of the oak, the slashed palm of brotherhood. At the celebrations I always wear the war cloak of the Raubert clan given to me by Raul himself ten years ago.

I wonder sometimes what my family would think of me, were any left alive to see me now. There are no sword dances among the Angostins. So serious are my southern kin, excelling only in battle and in the building of monstrous fortresses of gray stone. A dour people are the Angostins, with an uneasy dislike of song and laughter.

Somewhere a wolf howls. I cannot see him from here.

The truth. How could I begin to tell it? Yet there is a need in me to speak of it, to release it into the air. There is a deep armchair by the fire, covered in soft leather, filled with horsehair. It is a comfortable chair, and I have spent many a long hour in its depths, my head resting on its curved cushions. It is empty now. But I will use the remnants of my power to fashion a listener. I will create a ghost of the future. He shall hear the true tale of the Morningstar.

I do not wave my hands or speak the words of power. That is for firelit evenings in taverns, entertaining the gullible. They like to see a magicker perform. But this is no performance, so I will merely concentrate.

There he sits, sculpted in light, crafted from magick, silent and waiting. I have given him an intelligent face with keen gray eyes, like the nobleman in the guest room upstairs. And he is young, for it is the young who shape all tomorrows and only the old and the weary who twist our todays—stunting them, holding them back, making them safe. There he sits, waiting, ghostly and transparent. Once I could have dressed him in purple, and
any who saw him would marvel at his appearance. Now he shifts and fades. But that, I suppose, is how a ghost should look.

Where shall I begin, spirit? What would you like to hear?

Naturally he does not answer, but I know what he would be thinking were he able to think.

Begin at the beginning, storyteller. Where else but Ziraccu?

1

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