The remains of the plane and its passengers were scattered far and wide over the surrounding area. Halfway toward the woods that would shelter them, they came upon the body of a large man in a Versace suit. He had seen this man on the airplane, flying first class. The man’s face had been pounded into mush. His suit had not suffered, and looked as though it was draped on a dummy. “Look,” he said.
“Look,” she said. The lining of the expensive coat was ripped, and a black cellophane package had fallen out of it. She squatted down and took a pinch of the gray powder into the palm of her hand. From out of nowhere, a bright emerald bug landed in her palm and sank into the soft powder. “Is this—?” he asked. “Yes,” she answered, “no doubt about it.” It was heroin.
It was an offer to begin again, in the very same way. And it was just in the nick of time, since they had turned up in a foreign country without any money or livelihood, and with documents they couldn’t use again; since their bodies would be missing at the sight of the crash, they would be put on a watch list. Money, they needed money. She was still sitting on her haunches, and her face turned sharply pink, and then black, as though she’d already had her fix.
She tossed the powder away and rolled up the sleeve of the Versace jacket. “A Rolex,” she said. The Rolex was still ticking—a fat gold watchband, and a watch face encrusted with large diamonds.
What do you know, a watch. This time he’ll start with a watch.
BY
L
UDMILLA
P
ETRUSHEVSKAYA
Prazhskaya
Translated by Keith Gessen and Anna Summers
T
his all happened in a Moscow suburb, in a new development. An engineer who worked at one of the ministries had long been on bad terms with his wife. They had a two-room apartment, with rugs, fine china, a color television, and all of it was in her name, and she would get everything if they divorced. The husband wasn’t from Moscow originally, he was from the impoverished provinces, and he’d come to his wife with the clothes he was wearing and nothing more. They’d been at school together, started seeing each other, then she got pregnant and he had no choice but to marry her—he was even threatened with expulsion from school, which was the sort of thing that could happen at the time.
The truth is, he already had a girlfriend. She was a year ahead of him, they were planning to get married and leave the city together, but the way the situation developed, if he refused to marry the pregnant girl his real girlfriend wouldn’t even receive her diploma—the pregnant girl’s father had put all sorts of pressure on the university, it turned out. So the student-engineer was forced to marry, and not just on paper, not just by signing some forms at city hall, but the whole nine yards. That is to say, for the sake of his beloved’s diploma (and she didn’t resist, by the way, though she shed hot tears and threatened to jump out the window when he was saying goodbye on his way out of the dormitory to the marriage registrar’s; the pregnant girl’s father was picking him up in his luxury car, a Volga), he was forced to go and live in that hateful house and remain in effect under surveillance, for two years, until he graduated. In that time his beloved was sent to work in the Caucasus, married a successful Dagestani, and gave birth to a daughter, who was an epileptic, or so they thought: she regularly turned blue and couldn’t breathe, so that the doctors told the mother she shouldn’t stop breast-feeding, and she didn’t, until the girl was practically old enough to go to school. The girl would eat some cereal and then point to her mother’s breast.
Vasily learned all this later, after college, when he ran into one of his old classmates at a bar. The classmate worked in the chemical industry and had traveled to Dagestan, where he learned everything about their old classmate and her baby girl. It turned out by then that the apparent epilepsy was actually a form of appendicitis. Once they cut out the appendix the girl’s suffering ended. Vasily by this time had forgotten all about his former girlfriend, and one thing he really didn’t want to hear about was children: his own wife had had a miscarriage in her sixth month. She lay in the hospital and their little baby was placed in an incubator, where for a month it lived, if it can be called that; the thing was half a pound, a packet of cottage cheese—it died and they weren’t even allowed to bury it, it didn’t even have a name, they were forced to leave the body at the institute.
Their torture lasted the entire month. His wife’s milk came, she went to the hospital four times a day to get her breasts pumped, but they didn’t necessarily give it to their little packet of cottage cheese; there were other babies, even better connected, and one of them survived despite being born at five and a half months. His wife couldn’t keep an eye on everyone, she wasn’t even allowed into the incubator room, she wasn’t even allowed to look at their little baby, even when it died, and after that she moaned and shook with tears day and night. The father-in-law also tried, gave gifts to the nurses, but they still couldn’t obtain the little corpse. The father-in-law didn’t know that he should bribe the boiler-room lady, she would have gladly avoided doing the dirty deed for a half-liter of vodka—she wasn’t paid extra for getting rid of corpses, about which she, half-drunk, once raised a stink in the payroll department.
In short, Vasily lived in this family of strangers, alone, his wife aggravated him terribly with all her crying, and he felt sorry for himself too, a child would have been just the thing, there would have been at least one person close to him in this world. But he kept quiet about his wish for a child, that’s just how he was. His wife practically burst out of her skin to get pregnant again but Vasily was very careful, he guarded his sperm like the apple of his eye.
Shortly after the wedding, the wife’s parents bought an apartment for their daughter and registered it in her name. Should anything happen, Vasily would get nothing—the property was an officially notarized loan to the wife from her parents, and that was that. The wife’s parents had covered all the bases; the only thing they didn’t understand was that they couldn’t keep winding the coil, one day it would spring back with all the pressure they’d put on it.
Finally Vasily’s wife got pregnant—in the end her desire for a baby, to wipe out the memory of their little packet of cottage cheese, was just too strong, and in cases like that, no matter how hard you try, the woman will think of something. She’ll get you drunk, or drug you, or do it with someone else. And sometimes the husband himself loses control. In short, they had a daughter (that other one, the first, would have been a son); they called her Alyonoshka, their little sunshine, and she grew up before him, all black hair and brown eyes, his very own daughter entirely, because her mother, Tamara, was as white as a moth. Vasily loved his little girl. Even on the night of the murder, on a snowy New Year’s Eve, when his wife was almost dead and the girl started crying, he came to her and sang her back to sleep, then returned to the bathroom and finished the hammering, smashed all the bones in her face and cut off her fingers so no one could identify her.
It should be said that Vasily had a big plastic bag at the ready, the kind used for storing furs, but how he got rid of all the blood, no one knows. Maybe he placed Tamara under a cold shower, but somehow or other there was no trace of blood. He wrapped her in a tablecloth—he later explained all this to the police—then stuffed her in the bag and threw it off the balcony into the blizzard (the snowstorm lasted all night). Vasily put his wife’s fingers in his overcoat—he’d somehow managed to remove them without making a lot of noise, apparently he just cut them right off. He took his daughter’s sled, tiptoed quietly downstairs, loaded the body on the sled, and took it over to the construction site next door, where because of the holiday no one was working. He hid the body in the snow at the site, down in the foundation pit, and stuck the fingers into a pipe, then began waiting for spring, to see if he’d be arrested.
He called the police to report that his wife had gone missing. Of course no one believed him. His father- and mother-in-law told the police all about his life with their daughter, and his coworkers informed them that Vasily was having an affair with an awful witch who kept him on a short leash and squeezed him for money but refused to marry him, because if he left his wife he’d be back in his single suit of clothes and he was thirty-two years old. Even the car that his father-in-law had arranged for him was registered as a loan to his wife. They’d surrounded him from all sides; nothing in the world belonged to him.
But now at least, after his wife’s death, he’d have four months of peace until the snow melted—and it was also possible that her body had been buried deep beneath the cement of the new building. Not long after the murder he’d strolled over to the construction site to see if he could find his burial plot, and he couldn’t; there were building materials everywhere, and everything was covered in snow.
The wife’s parents took their granddaughter to live with them, while Vasily was questioned on multiple occasions by a female police investigator. He kept insisting that he and his wife had gotten along poorly, that they’d had a bad fight on New Year’s Eve, that she had dressed and gone to her parents’, but that he had forbidden her from waking up their little girl.
At long last the snow melted. Nothing happened; the body of his wife was not found.
But one day in early June, Vasily showed up at the police station to tell the investigator that he’d murdered his wife. The investigator demanded that he prove it, at which point he led her and a team of investigators to the construction site, where workers had almost finished erecting the new buildling. The investigators couldn’t find the body, however, and there was no proof of the murder: no one had seen a body or a bag flying from the window on that busy New Year’s Eve, nor had they seen a sled, nor anything else Vasily described. He was not taken into custody. People did start saying that his conscience was getting the best of him, which is why he’d confessed, and why he’d abandoned his awful mistress—that is to say, he had changed.
Awhile later, Vasily called his father- and mother-in-law and told them that there was a finger with red nail polish sticking out of the faucet. His father-in-law responded that if Vasily had put Tamara’s fingers into a pipe, as he claimed, and this turned out to be part of the plumbing for the new building, then in the month since the building had been finished the finger would have dissolved, or swelled up, and it certainly couldn’t have traveled all the way through the water filter, and in any case what does the water system in the new building have to do with their building, which was built long ago? That’s what the father-in-law said to him, to calm him down, but this just made Vasily more anxious. Naturally, when the wife’s parents came over, they found nothing. Vasily said he was afraid to go into the bathroom; that the finger had probably disappeared down the drain.
And as proof, he showed his parents-in-law a flake of red nail polish that he’d found on the floor. But this didn’t prove anything, the parents said: so he found some red nail polish, big deal, many women had probably visited their home. And so Vasily still lives by himself, like an outcast, and still finds strands of hair and other evidence of his crime, and collects it all, as he gradually builds the case against himself.
BY
A
NDREI
K
HUSNUTDINOV
Babushkinskaya
Translated by Marian Schwartz
H
e still had the deluxe paid for at the Izmailovo Delta, but he’d decided not to show his face there anymore and in fact to forget all about hotels for the next week or two. They were sure to have searched the registration databases. He circled around on the subway for an hour or so and got out at Babushkinskaya. At the kiosks by the underground crossing, people offered rooms for anyone who needed a cheap place to stay by the day, no papers required. Another half an hour later, armed with an address, he skirted snowbound Rayevsky Cemetery to a twelve-story apartment house on Olonetsky Lane. It was a dank December night. The low sky was blanketed with a floury haze, and it was snowing lightly.
He was met at the lobby door by an old woman who looked like she’d stepped out of a prewar photograph. Wearing a patched pea coat, big felt boots that forced her stance so wide that he was reminded of a hockey goalkeeper, and a fluffy scarf tied at her nape, she took his money and counted it, then asked for his passport. Confidently turning the book back to the right page, she ordered him to stand in the light. Not betraying any irritation, he moved toward the lit window and removed his cap. The old woman studied his face in the picture long and hard. There was obviously something she didn’t like about it. She sniffed her fleshy nose, squinted farsightedly, and bit her lower lip. Feeling his ears and crown starting to freeze, Veltsev put his cap back on, fished in his pockets for cigarettes, and watched the old woman examining his visas, not his photograph. He was about to ask her if she was out of her mind, when the old woman forestalled him by returning his passport and motioning for him to follow her into the building.
The lobby walls bore traces of a recent fire. The new doors of the first-floor apartments presented a striking contrast to all the other surfaces, which were either coated in smoke or peeling. With something that looked like a pass key used by a train conductor, the old woman opened a door right off the lobby and looked around before letting Veltsev move ahead of her. He walked in. At one time a fire had had the run of her front hall too. You could tell from the new layer of linoleum on the floor, the new wallpaper, the new paint on the ceiling, and the obvious, albeit blurred line where everything fresh and new jutted into the apartment.
“This is the deal. Don’t shit on the floor or piss in the bath. Or smoke in bed,” the old woman half-whispered from the door in parting. “Relax. Telephone’s in the kitchen. If you need anything, I’m Baba Agafia.” Before Veltsev knew what was happening she’d closed the door. The key turned twice in the lock.
He took a step back and, remembering something he wanted to ask, fumbled blindly at the door. There was no handle on the inside—just a loose bolt. In the keyhole he could see a trihedral rod, exactly like the ones in passenger train locks. Veltsev went into the kitchen to call to the old woman through the window, but when he jerked back the curtain he went limp. The grated window, silently ablaze with holiday lights, looked out on the backyard and cemetery wall, which was ringed by garages. Judging from the floor plan, the window of the sole bedroom opened in the same direction. There was no real need to check this, yet Veltsev squeezed between the rug-covered bed and the bureau and peeked behind the brocade curtain. It wasn’t that the view thus revealed astounded him—a big photograph of a tropical waterfall had been pasted onto a piece of plywood blocking the view—but this would probably have been the last thing he’d have expected to see behind the curtain.
Looking around, he sat down on the bed and wiggled his ass. The innards responded with the muffled crack of a spring. The room was saturated with tobacco smoke. A little toy man hung on the cord of the cheapo chandelier, which had three different-colored shades.
Unbuttoning his coat and wearily propping his elbows on his legs, he stared vacantly at the floor. In principle, it probably wasn’t such a bad thing that he was locked in. He hadn’t been able to take the loneliness in the first hours and days after completing his other contracts, and after resting up, he’d probably have headed out to find himself some excitement. Especially since yesterday’s bloodbath on Tverskaya hadn’t even been a contract but—no getting around it—an act of extreme violence by him, Arkasha Veltsev, his own idea, his own justice, and his own insanity: six corpses, two of whom were—if you don’t get bogged down in details about how the scene of the crime was a nightclub closed to mere mortals—“innocent bystanders.”
“This is a mouse trap. And I’m the cheese.”
Mechanically, Veltsev reached for the gun in his underarm holster and turned to face the voice. In a partition behind the door, her legs gathered up into a shabby armchair, sat a girl of eighteen or twenty wearing a flowered Uzbek robe and a skullcap tilted over one ear. Her thickly painted mouth and eyebrows made her look older. She was trying to hide her smile, tickled she’d been able to hide her presence so simply all this time, and she rolled an unlit cigarette in her fingers. Veltsev dropped his arm and straightened his coat hem.
“Who are you?”
Lighting up, the girl released a stream of smoke upward.
“Lana,” she answered in a tone that said she was surprised someone might not know. “I’m telling you—a free offer.”
Veltsev pulled off his cap and scratched his head. “That’s why the old woman locked the door. I didn’t say that—”
“Remember the tale of Buratino?” the girl interrupted him. “The one with the cauldron? The cauldron’s over there. Freedom’s here.”
“What cauldron’s that?”
“What do you picture when you feel like a vacation?”
“Nothing.”
“That’s not true. You picture something.” Squinting dreamily, Lana pushed her skullcap forward and threw her head back with a jutting chin. “Palm trees. The ocean. Cocktails down the hatch. Slut city. Happy now?” She nodded at the window. “We’re not doing so well with sluts, of course. It’s potluck, as they say. But freedom—up the wazoo. What’s your name?”
“Listen,” Veltsev sighed, “I just needed a place to crash.”
“Ah-hah,” Lana answered vaguely. “Just crashing.” Tapping her ash into the saucer under her chair, she played with the cigarette as if she were finishing telling herself something.
“A place to sleep,” Veltsev corrected himself.
“Yesterday”—she smiled—“this old guy, you know what he asked me to do?”
“What?”
“Piss on his privates.”
“And?”
“And nothing. I sprayed his balls and that was it. To each his own, as they say.”
Veltsev glanced at his watch. “What else do they ask for?”
Lana scratched her sweet knee, which was poking out from under her robe, with her elbow. “Marriage!” She aimed her cigarette at him. “Haven’t you heard that prostitutes make the most faithful wives?”
Veltsev lay down. The little man hanging from the chandelier bobbed in front of his face.
“I heard something else.”
“What?”
“That wives are faithful prostitutes.”
Lana burst out laughing. “Are you married or something?”
“No.”
“A virgin?”
He ran the back of his head over the brush-stiff pile of rug. “Listen, lay off.”
Lana lowered her voice: “But I am.”
“What?”
“Well, a virgin.”
Veltsev sighed. “Naturally.”
“No, honestly!” The chair creaked under Lana. “Don’t believe me? Last month I got sewn back up. I got engaged to an Uzbek, a cotton trader, while he was waiting for the train with his shipment. He fell in love, he said, over the moon. He promised me a car. Only according to our custom, he says, you have to get the bed bloody the first night. To be blunt, he gave me a hundred bucks for plastic surgery.”
“So you mean you want to get back at it?” Veltsev picked at the rug with his finger.
“No, why?” Lana seemed genuinely surprised.
“What do you mean, why?” Veltsev didn’t understand.
Lana didn’t say anything.
“Sorry.”
“Basically, my Sharfik didn’t wait around for his train. My nice new fiancé got iced. They fished him out over there, from the Yauza, past the cemetery.”
“I’m sorry.”
“That’s all right.” She took a long drag. “Everyone’s got their own craziness. Sharfik wanted to move his loot here because he got into some shit. But that’s like jumping from a train after flies. Can you imagine? You throw away everything you have—every last thing—and get out at the first stop.”
“And?” Veltsev propped himself up on one elbow.
“And, well, that’s it, all done.” Lana crushed her cigarette butt in the saucer, lowered her legs from the chair, went out into the front hall, and came back with a photograph, which she tossed down next to him on the bed.
In the crumpled glossy snapshot Veltsev saw a smiling Southern face with a unibrow. The photo had been taken with a flash, close-up, practically point-blank. The face had come out fuzzy, overlit; but above and behind him the little man hanging from the chandelier was etched down to the last detail. On the back of the photo, carefully, like a monogram, a capital
III
had been written with a felt-tip pen. Veltsev spun the photo in his fingers, tossed it aside, sat down on the edge of the bed, and ran his fist across his forehead.
“What’s up with you?” Lana asked.
Slowly, not quite realizing what he was doing, he got out his wallet, opened it, and looked at its velvety layered insides.
“What’s up with you?” Lana repeated, coming closer.
Veltsev put his wallet away and stared at the floor again. The photograph had reminded him of something important that he’d lost sight of and burned the pit of his stomach, but nothing more specific, so that the next instant he couldn’t even say what exactly had made itself felt—a thing, a memory, a presentiment … ?
Lana picked up the photo, blew on it, and stuck it in the glass of the sideboard.
“Want some tea?” she asked, standing in the door. “Or maybe …”
Veltsev lay down again. “You do your thing there for now.
Turn off the light. I have to … just …”
“Crash, I know,” Lana finished for him, slapped the light switch, and shut herself up in the kitchen.
Collapsing on one elbow, Veltsev lit up and stretched out again. He held the cigarette in an outstretched hand, so the ashes would fall on the floor, and with the other fiddled with his lighter. Soon, he heard an amused muffled voice from the kitchen; Lana was talking on the phone. Veltsev tried to remember the girl’s clumsily made-up face, but instead he envisioned her sweet knee poking out from her robe.
A long time ago, about three years before, he’d come across an article on the Internet which tried to prove that a man’s disposition toward murder and women had their source in the same neurosis—which one exactly, Veltsev never did figure out, though he read the article twice. He was grateful to the author not for his murky verbiage but for the fact that a connection between his inclination for murder and his attraction to women had at least been given some kind of acknowledgment. That is, what he had previously considered something unique to him and had thought of as shameful, like a wet dream, had instantly stopped being either unique or unseemly. After his first contract, he languished a full day, sleepless, and then confessed at the Rozhdestvensky monastery. This act had no consequences for his soul’s salvation, but it had plenty of material results. On the way back from the monastery Veltsev fell asleep at the wheel and rolled his car. His first wife was a medical student who happened to be starting her residency that day at the Sklif. More in the dorm than the Sklif ER, she got Veltsev back on his feet. The next morning it was as if he’d woken up in a new world, and just one week later—with a light heart and even, really, a sense of selfless beneficence—he shot the drunk from Tula who’d been pestering her. He and Oksana got on like a house on fire for two and a half years, and Veltsev called what he brought home as his supposed pay as a personnel inspector for a private security agency their “family income.” Sex (not with any woman, of course, but with the one he considered
his
) was better than any confession at washing away his sins. When he was with
his
woman, he was restored body and soul, and he saw every embrace as the birth of a wonderful new life, a hundred times better than his own and a thousand times better than the ones he took away. For this reason he thought
Bonnie and Clyde
farfetched. Sexual attraction could not be any great help for heroes in a fight, unless they were homosexuals. And the only justification for a film like
Natural Born Killers
was that toward the end the bloodthirsty characters turned into loving parents, reborn in their children. He imagined himself and Oksana as loving parents just like that—until the Lord God started bothering her with telephone calls (on the basis of her rich ER practice probably). God always called in Veltsev’s presence. He talked a lot, didn’t answer questions, and before hanging up started wheezing into the receiver. “It’s awful,” his wife admitted guiltily. “I can hear perfectly but can’t make heads or tails of it.” In the six months that passed between the first call and that memorable (for Veltsev) night when the Lord decided to speak through Oksana and she was carted off with seizures to the Kanatchikovaya psych ward, she was able to get the full gist of only two divine revelations: “Everything will be jaga-jaga” and “Boys bloody in the eyes.”
His second marriage, the marriage of Veltsev and Dasha, who did not love him, lasted longer, strangely enough, nearly four years, but fell apart overnight—flew apart in sprays of blood yesterday, at dawn, when, tipped off by an anonymous text message, Veltsev shot the traitor, her lover and his “employer,” Mityai, both of Mityai’s gorillas, Repa and Jack, and the couple sitting on the far side of the screen behind their table. Veltsev had had a bad feeling about this in the fall when he came back from a business trip to St. Petersburg. Dasha, previously willful and hot-tempered, had suddenly softened and become compliant and pleasant. The change in her behavior could have been considered a good sign had it not been simultaneously a sign of infidelity, which destroyed the only thing that tied Veltsev to his wife—the all-renewing and all-forgiving quality of their intimacy. It was amazing, but up until yesterday’s disaster he had laid the blame for the fact that he had ceased to perceive Dasha as
his
woman not on her but on himself, and had even contemplated, cravenly, divorce. More than twenty-four hours had passed since the slaughter at the club, and he still couldn’t shake the feeling that he’d started to breathe an empty air that was ripping him up inside, like a deepwater fish tossed on shore.