Murder at the National Cathedral

“ENTERTAINING …

Truman has always been a stickler for authenticity. Accordingly, she does well here with her close descriptions of her imposing setting and with the details of the religious business conducted there.”

The New York Times Book Review

“All the bodies and blood, sex and surprise, intrigue and excitement Truman has given readers in the past are here again, this time melodramatically illuminated against a Gothic backdrop of stone and stained glass.”

The Washington Post Book World

“Truman writes with a deft hand and a wry sense of humor. Her knowledge of Washington and the National Cathedral delivers a satisfying you-are-there feeling and the mood, while still churchy, is eerie. Mac and Annabel Smith make an enjoyable husband and wife mystery team. Let’s hope there’s more sleuthing to come their way and ours in the future.”

Mostly Murder

“EXCITING …

Let’s just hope that Truman decides to use Annabel and Mac in more mysteries.”

The Indianapolis News

“An excellent story, in keeping with Ms. Truman’s reputation as a top-notch storyteller.”

The Chattanooga Times

“An irresistible plot, an aura of utter authenticity about Washington people and places.”

The Raleigh News & Observer

“What is most fascinating about this and her other novels is the possibility, because of Truman’s insider knowledge of Washington, that much of this fiction is really true.”

Grand Rapids Press

“Truman writes convincingly about both the landmarks and the political moving and shaking that goes on in their back corridors and closed rooms.”

Winston-Salem Journal

“WELL PLOTTED, WELL WRITTEN AND SUSPENSEFUL.”

Midwest Review of Books

“Another excellent whodunit by an author who knows both the Washington scene and whose characters are totally believable and interesting.”

Abilene-Reporter News

“Truman spins a good tale.”

San Antonio Express News

“Once again, Truman ushers the reader into a little-known sector of our nation’s capital, showing that even the religious world has its share of infighting and political backstabbing. Her fans will be delighted by this latest effort.”

The News & Courier
[Charleston, SC]

“The tangled plot involves secret service agents, a playboy priest, jealous husband and a worldwide peace organization that may not be peaceful.… Will keep the reader turning pages.”

The Sunday Oklahoman

Murder at the National Cathedral
is a work of fiction. The characters in it have been invented by the author, and any resemblance to actual persons, living or dead, is purely coincidental. The story is also fictitious, and no such crime as described has taken place at the National Cathedral. The National Cathedral had no participation in the creation of this book.

A Fawcett Book
Published by The Random House Publishing Group
Copyright © 1990 by Margaret Truman

All rights reserved.

Published in the United States by Fawcett Books, an imprint of The Random House Publishing Group, a division of Random House, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto.

F
AWCETT
is a registered trademark and the Fawcett colophon is a trademark of Random House, Inc.

Excerpt from the hymn on
this page
is from
Hymnal 1940
, published by the Plimpton Press. Copyright 1940 by the Church Pension Fund.

ISBN 978-0-449-21939-3
eBook ISBN: 978-0-8041-5283-9

This edition published by arrangement with Random House, Inc.

www.ballantinebooks.com

v3.1

To Wesley Truman Daniel with love from Gammy

Contents
 

“This church is intended for national purposes … and assigned to the special use of no particular Sect or denomination, but equally open to all.”

Pierre L’Enfant 1791 Plan for the City of Washington

“…  a national house of prayer for all people.”

The Congress of the United States—1893

“Here let us stand, close by the cathedral. Here let us wait. Are we drawn by danger? Is it the knowledge of safety, that draws our feet

Towards the cathedral? What danger can be …?”

T. S. Eliot
Murder in the Cathedral

“Someone has been murdered in the cathedral.”

The Right Reverend George St. James, bishop of Washington

1

The National Cathedral, Washington, D.C.—A Very Hot Morning in August

“Dearly beloved, we have come together in the presence of God to witness and bless the joining together of this man and woman in Holy Matrimony.”

Mackensie Smith, contented professor of law at George Washington University, formerly discontented but preeminent Washington, D.C., criminal lawyer, told himself to focus on what was about to happen. He’d been thinking moments before about what an ambivalent structure a cathedral was, even this relatively new addition to the world’s cathedral population. So much majesty and awe—so much stone—so much bloodshed in the older ones over centuries. How inspiring these Gothic monuments to the simple act of believing in something greater and good, and how dangerous, as with all religion, when in the hands of creatures who get carried away and misuse the potent metaphor of faith.

Those thoughts banished, Smith glanced to his left. The
stunning, mature woman who would become his wife in a matter of minutes turned to him and smiled. Annabel Reed had reason to assume that his thoughts at that tender moment were only of his adoration and love for her. She was largely correct, although her husband-to-be had room in his capacious mind for less romantic contemplations. He was also wishing that the priest conducting this ceremony in the Bethlehem Chapel of the National Cathedral weren’t compelled to be quite so formal. Smith understood, of course, that there was a certain amount of religious boilerplate that had to be indulged. Still, he would have preferred something a little less stiff, perhaps something between an elaborate high mass in the cathedral’s nave, and a last-minute midnight, minimal, bread-and-butter ceremony in an Elkton, Maryland, justice of the peace’s home.

The priest, Paul Singletary, paused after intoning the tender words from the Book of Common Prayer, and smiled at Smith and Reed. The couple had known him for a time; Smith went back six years with him. Mac Smith was a close friend of the cathedral’s bishop. George St. James was out of town that week, which was not the reason Smith hadn’t asked him to officiate. It had more to do with what Smith termed “a reasonable level of modesty.” Asking the bishop to marry them would have smacked of a certain overkill. Just a priest would do fine, thank you, especially one known to them.

Smith again looked at his bride. A tiny drop of perspiration was proceeding on a slow but steady descent down the right side of her lovely aquiline nose. Should he reach over and remove it? An affectionate gesture certainly, but probably not good form, so he didn’t. Outside, the final days of August in the nation’s capital had turned, characteristically, viciously hot and humid. It was cooler here in the chapel below ground-level, but even God’s natural stone air-conditioning was wilting under the meltdown that Washington called summer. Carved figures of King David with his harp
and Ruth with a sheaf of wheat looked down from their niches on the south wall as though they, too, might begin perspiring at any moment. The Bethlehem Chapel, one of four in the cathedral’s substructure, was the first to be completed. Since 1912 it had been the site of many services, and was the church home over the years for the services of various denominations—Polish Catholic, Jewish, Russo-Carpathian, Serbian, Greek Orthodox. A
national
cathedral.

Reverend Singletary looked once again at the Book of Common Prayer. Smith looked into the priest’s eyes. Was he amused at something? He seemed to be, Smith decided. Marriages made later in life always had a different aura from that accompanying the ritual of officially coupling the young for the first time.

Smith was widowed; his wife and only child, a son, had been slaughtered on the Beltway by a drunk driver. Annabel Reed had never married, although, God knows, more than a few attractive and successful men had energetically pursued the idea. That she had decided upon Mac Smith was flattering to him. But not humbling. No false modesty here. Smith was a handsome man by any standard, slightly taller than medium, stocky and strong, hair receding slowly and within acceptable limits, face without undue deficits.

Annabel’s beauty was even less debatable. Playing the whom-do-you-look-like game, which Smith detested (his least-favorite version of it being “Which of us do you think the baby looks like?”), it was inevitable that Rita Hayworth was mentioned. Yet Annabel was more beautiful than any actress, at least in Smith’s eyes. She was, to put it simply, the most beautiful female creature he’d ever seen, not much at acting, for she never put up a false front, and rather nice to boot. By virtue of the ritual being performed here today—all day?—she would be his wife. Let’s get on with it, he thought. Enough.

Though any clergyman could make a determination as to
whether the lawfulness of a proposed marriage was in question, Smith was surprised when Singletary chose to invoke that medieval section of the marriage ceremony. “If any of you can show just cause why they may not lawfully be married, speak now or else …” he said, allowing scant time for the clearing of a questioner’s throat, much less speech, “forever hold your peace.”

There was a silence that Smith hoped was not pregnant. The Bethlehem Chapel seated 192 people; thirty of their close friends, including a few former members of Smith’s law firm who had forgiven him for closing it down following the deaths of his wife and son, were clustered up front.

Mac’s thoughts were on only one person, however—Tony Buffolino, a disgraced and dismissed former Washington MPD vice-squad cop whom Mac had once defended, and who’d become an unlikely friend in the best odd-couple tradition. If anyone pretended to raise an objection to the marriage just for kicks, it would be a character like Buffolino. Mac turned his head slightly, saw Tony, who winked at Mac, started to raise his hand, brought it down, and lowered his head.

Paul Singletary smiled at her as he said, “Annabel, will you have this man to be your husband; to live together in the covenant of marriage? Will you love him, comfort him, honor and keep him, in sickness and in health; and, forsaking all others, be faithful to him as long as you both shall live?”

“Oh yes, I will,” she said with unmistakable cheer in her voice.

Singletary repeated the vow to Smith, who replied, “I will,” in a surprisingly gruff, emotional voice.

Smith looked to the choir loft, where four members of the cathedral’s boys’ choir—the few who preferred music to baseball in August—had gathered to sing. Later in the service they would perform Annabel’s favorite hymn, “Wilderness,”
the choice of which had pleased Father Singletary because of its humanistic, contemporary theme.

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