Read Museums and Women Online

Authors: John Updike

Museums and Women (4 page)

For fear is the mood. People are bringing the shutters down from their attics and putting them back on their windows. Fences are appearing where children used to stray freely from back yard to back yard, through loose hedges of
forsythia and box. Locksmiths are working overtime. Once we parked our cars with the keys dangling from the dashboard, and a dog could sleep undisturbed in the middle of the street. No more. Fear reigns, and impatience. The downtown seems to be tightening like a fist, a glistening clot of apoplectic signs and sunstruck, stalled automobiles. And the hillies are slowly withdrawing upward, and clustering around the beeries, and accepting them as leaders. They are getting ready for our attack.

The Day of the Dying Rabbit

T
HE SHUTTER CLICKS
, and what is captured is mostly accident—that happy foreground diagonal, that telling expression forever pinned in mid-flight. Margaret and I didn’t exactly intend to have six children. At first, we were trying until we got a boy. Then, after Jimmy arrived, it was half our trying to give him a brother so he wouldn’t turn queer under all those sisters, and half our missing, the both of us, the way new babies are. You know how they are—delicate as film, wrapped in bunting instead of lead foil, but coiled with that same miraculous brimming whatever-it-is:
susceptibility
, let’s say. That wobbly hot head. Those navy-blue eyes with the pupils set at f/2. The wrists hinged on silk and the soles of the feet as tender as the eyelids: film that fine-grained would show a doghouse roof from five miles up.

Also, I’m a photographer by trade, and one trick of the trade is a lot of takes. In fact, all six kids have turned out pretty well, now that we’ve got the baby’s feet to stop looking at each other and Deirdre fitted out with glasses. Having so many
works smoothly enough in the city, where I go off to the studio and they go off to school, but on vacations things tend to jam. We rent the same five-room shack every August. When the cat dragged in as a love-present this mauled rabbit it had caught, it was minutes before I could get close enough even to
see
.

Henrietta—she’s the second youngest, the last girl—screamed. There are screams like flashbulbs—just that cold. This one brought Linda out from her murder mystery and Cora up from her Beatles magazine, and they crowded into the corridor that goes with the bedrooms the landlord added to the shack to make it more rentable and that isn’t wide enough for two pairs of shoulders. Off this corridor into the outdoors is a salt-pimpled aluminum screen door with a misadjusted pneumatic attachment that snaps like lightning the first two-thirds of its arc and then closes the last third slow as a clock, ticking. That’s how the cat got in. It wasn’t our cat exactly, just a tattered calico stray the children had been feeding salami scraps to out in the field between our yard and the freshwater pond. Deirdre had been helping Margaret with the dishes, and they piled into the corridor just ahead of me, in time to hear Linda let crash with a collection of those four-letter words that come out of her face more and more. The more pop out, the more angelic her face grows. She is thirteen, and in a few years I suppose it will be liquor and drugs, going in. I don’t know where she gets the words, or how to stop them coming. Her cheeks are trimming down, her nose bones edging up, her mouth getting witty in the corners, and her eyes gathering depth; and I don’t know how to stop that coming, either. Faces, when you look at them through a lens, are passageways for angels, sometimes whole clouds of them. Jimmy told me the other day—he’s been reading books of
records, mostly sports—about a man so fat he had been buried in a piano case for a casket, and he asked me what a casket was, and I told him, and a dozen angels overlapped in his face as he mentally matched up casket with fatness, and piano, and earth; and got the picture. Click.

After Linda’s swearing, there was the sound of a slap and a second’s silence while it developed who had been hit: Henrietta. Her crying clawed the corridor walls, and down among our legs the cat reconsidered its offer to negotiate and streaked back out the screen door, those last ticking inches, leaving the rabbit with us. Now I could see it: a half-grown rabbit huddled like a fur doorstop in the doorway to the bigger girls’ room. No one dared touch it. We froze around it in a circle. Henrietta was still sobbing, and Cora’s transistor was keeping the beat with static, like a heart stuffed with steel wool. Then God came down the hall from the smaller children’s room.

Godfrey is the baby, the second boy. We were getting harder up for names, which was one reason we decided to call it quits vis-à-vis procreation. Another was, the club feet seemed a warning. He was slow to walk after they took the casts off, and at age four he marches along with an unstoppable sort of deliberate dignity, on these undeformed but somehow distinctly rectangular big feet. He pushed his way through our legs and without hesitation squatted and picked up the rabbit. Cora, the most squeamish of the children—the others are always putting worms down her back—squealed, and God twitched and flipped the bunny back to the floor; it hit neck first, and lay there looking bent. Linda punched Cora, and Henrietta jabbed God, but still none of the rest of us was willing to touch the rabbit, which might be dead this time, so we let God try again. We needed Jimmy. He and Deirdre have the natural touch—middle children tend to. But
all month he’s been out of the shack, out of our way, playing catch with himself, rowing in the pond, brooding on what it means to be a boy. He’s ten. I’ve missed him. A father is like a dog—he needs a boy for a friend.

This time in God’s arms, the rabbit made a sudden motion that felt ticklish, and got dropped again, but the sign of life was reassuring, and Deirdre pushed through at last, and all evening there we were, paying sick calls on this shoebox, whispering, while Deirdre and Henrietta alternately dribbled milk in a dropper, and God kept trying to turn it into a Steiff stuffed animal, and Cora kept screwing up her nerve to look the bunny in its left eye, which had been a little chewed, so it looked like isinglass. Jimmy came in from the pond after dark and stood at the foot of Deirdre’s bed, watching her try to nurse the rabbit back to health with a dropper of stale milk. She was crooning and crying. No fuss; just the tears. The rabbit was lying panting on its right side, the bad eye up. Linda was on the next bed, reading her mystery, above it all. God was asleep. Jimmy’s nostrils pinched in, and he turned his back on the whole business. He had got the picture. The rabbit was going to die. At the back of my brain I felt tired, damp, and cold.

What was it in the next twenty-four hours that slowly flooded me, that makes me want to get the day on some kind of film? I don’t know exactly, so I must put everything in, however underexposed.

Linda and Cora were still awake when headlights boomed in the driveway—we’re a city block from the nearest house, and a half-mile from the road—and the Pingrees came by. Ian works for an ad agency I’ve photographed some nudes shampooing in the shower for, and on vacation he lives in boatneck
shirts and cherry-red Bermudas and blue sunglasses, and grows a salt-and-pepper beard—a Verichrome fathead, and nearsighted at that. But his wife, Jenny, is nifty. Low forehead, like a fox. Freckles. Thick red sun-dulled hair ironed flat down her back. Hips. And an angle about her legs, the way they’re put together, slightly bowed but with the something big and bland and smooth and unimpeachable about the thighs that you usually find only in the fenders of new cars. Though she’s very serious and liberal and agitated these days, I could look at her forever, she’s such fun for the eyes. Which isn’t the same as being photogenic. The few shots I’ve taken of her show a staring woman with baby fat, whereas some skinny snit who isn’t even a name to me comes over in the magazines as my personal version of Eros. The camera does lie, all the time. It has to.

Margaret doesn’t mind the Pingrees, which isn’t the same as liking them, but in recent years she doesn’t much admit to liking anybody; so it was midnight when they left, all of us giddy with drink and talk under the stars, which seem so presiding and reproachful when you’re drunk, shouting goodbye in the driveway, and agreeing on tennis tomorrow. I remembered the rabbit. Deirdre, Linda, and Cora were asleep, Linda with the light still on and the mystery rising and falling on her chest, Cora floating above her, in the upper bunk bed. The rabbit was in the shoebox under a protective lean- to of cook-out grills, in case the cat came back. We moved a grill aside and lit a match, expecting the rabbit to be dead. Photograph by sulphur-glow: undertakers at work. But though the rabbit wasn’t hopping, the whiskers were moving, back and forth no more than a millimeter or two at the tips, but enough to signify breathing—life, hope, what else? Eternal solicitude brooding above us, also holding a match, and burning Its fingers.
Our detection of life, magnified by liquor, emboldened us to make love for the first time in, oh, days beyond counting. She’s always tired, and says the Pill depresses her, and a kind of arms race of avoidance has grown up around her complaints. Moonlight muted by window screens. Her eyeless eyesockets beneath me, looking up. To the shack smells of mist and cedar and salt we added musk. Margaret slipped into sleep quick as a fish afterward, but for an uncertain length of time—the hours after midnight lose their numbers, if you don’t remind them with a luminous dial—I lay there, the thought of the rabbit swollen huge and oppressive, blanketing all of us, a clenching of the nerves snatching me back from sleep by a whisker, the breathing and rustling all around me precarious, the rumbling and swaying of a ship that at any moment, the next or then the next, might hit an iceberg.

Morning. The rabbit took some milk, and his isinglass eye slightly widened. The children triumphantly crowed. Jubilant sun-sparkle on the sea beyond the sand beyond the pond. We rowed across, six in the rowboat and two in the kayak. The tides had been high in the night, delivering debris dropped between here and Portugal. Jimmy walked far down the beach, collecting lightbulbs jettisoned from ships—they are sealed vacuums and will float forever, if you let them. I had put the 135mm telephoto on the Nikon and loaded in a roll of Plus-X and took some shots of the children (Cora’s face, horrified and ecstatic, caught in the translucent wall of a breaker about to submerge her; Godfrey, his close-cut blond hair shiny as a helmet, a Tritonesque strand of kelp slung across his shoulders) but most of grass and sand and shadows, close-up, using the ultraviolet filter, trying to get, what may be ungettable, the way the shadow edges stagger from grain to grain on the sand, and the way some bent-over grass blades draw circles around themselves.

Jimmy brought the bulbs back and arranged them in order of size, and before I could get to him had methodically smashed two. All I could see was bleeding feet but I didn’t mean to grab him so hard. The marks of my hand were still red on his arm a half hour later. Our fight depressed Henrietta; like a seismograph, she feels all violence as hers. God said he was hungry and Deirdre began to worry about the rabbit: there is this puffy look children’s faces get that I associate with guilt but that can also signal grief. Deirdre and Jimmy took the kayak, to be there first, and Linda, who maybe thinks the exercise will improve her bosom, rowed the rest of us to our dock. We walked to the house, heads down. Our path is full of poison ivy, our scorched lawn full of flat thistles. In our absence, the rabbit, still lying on its side, had created a tidy little heap of pelletlike feces. The children were ecstatic; they had a dirty joke and a miracle all in one. The rabbit’s recovery was assured. But the eye looked cloudier to me, and the arc of the whisker tips even more fractional.

Lunch: soup and sandwiches. In the sky, the clouding over from the west that often arrives around noon. The level of light moved down, and the hands of the year swept forward a month. It was autumn, every blade of grass shining. August has this tinny, shifty quality, the only month without a holiday to pin it down. Our tennis date was at two. You can picture for yourself Jenny Pingree in tennis whites: those rounded guileless thighs, and the bobbing, flying hair tied behind with a kerchief of blue gauze, and that humorless, utterly intent clumsiness—especially when catching the balls tossed to her as server—that we love in children, trained animals, and women who are normally graceful. She and I, thanks to my predatory net play, took Ian and Margaret, 6–3, and the next set was called at 4–4, when our hour on the court ran out. A moral triumph for Margaret, who played like the swinger of
fifteen years ago, and passed me in the alley half a dozen times. Dazzling with sweat, she took the car and went shopping with the four children who had come along to the courts; Linda had stayed in the shack with another book, and Jimmy had walked to a neighboring house, where there was a boy his age. The Pingrees dropped me off at our mailbox. Since they were going back to the city Sunday, we had agreed on a beach picnic tonight. The mail consisted of forwarded bills, pencil-printed letters to the children from their friends on other islands or beside lakes, and
Life
. While walking down our dirt road, I flicked through an overgorgeous photographic essay on Afghanistan. Hurrying blurred women in peacock-colored saris, mud palaces, rose dust, silver rivers high in the Hindu Kush. An entire valley—misted, forested earth—filled the center page spread. The
lenses
those people have! Nothing expensive on earth is as selfless as a beautiful lens.

Other books

State We're In by Parks, Adele
The Reluctant Duke by Carole Mortimer
The Strawberry Sisters by Candy Harper
A Husband in Time by Maggie Shayne
03 - Three Odd Balls by Cindy Blackburn
Blizzard: Colorado, 1886 by Kathleen Duey and Karen A. Bale
The Fahrenheit Twins by Michel Faber
Breakthrough by Michael Grumley