Musicophilia: Tales of Music and the Brain (41 page)

Read Musicophilia: Tales of Music and the Brain Online

Authors: Oliver W. Sacks

Tags: #General, #Science, #Neuropsychology, #Neurology, #Psychology, #Psychological aspects, #Life Sciences, #Creative Ability, #Music - Psychological aspects, #Medical, #Music - Physiological aspects, #Anatomy & Physiology, #Appreciation, #Instruction & Study, #Music, #Physiological aspects

Patel,

Aniruddh D., John R. Iversen, and Jason C. Rosenberg. 2006. Comparing the rhythm and melody of speech and music: The case of British English and French.
Journal of the Acoustical Society of America
119 (5): 3034–47.

Paulescu,

E., J. Harrison, S. Baron-Cohen, J. D. G. Watson, L. Goldstein, J. Heather, R. S. J. Frackowiak, and C. D. Frith. 1995. The physiology of coloured hearing: A PET activation study of colour-word synesthesia.
Brain
118: 661–76.

Penfield,

W., and P. Perot. 1963. The brain’s record of visual and auditory experience: A final summary and discussion.
Brain
86: 595–696.

Peretz,

Isabelle, and I. Gagnon. 1999. Dissociation between recognition and emotional judgement for melodies.
Neurocase
5: 21–30.

Piccirilli,

Massimo, Tiziana Sciarma, and Simona Luzzi. 2000. Modularity of music: evidence from a case of pure amusia.
Journal of Neurology, Neurosurgery, and Psychiatry
69: 541–45.

Pinker,

Steven. 1997
. How the Mind Works.
New York: W. W. Norton.

Poskanzer,

David C., Arthur E. Brown, and Henry Miller. 1962. Musicogenic epilepsy caused only by a discrete frequency band of church bells.
Brain
85: 77–92.

Proust,

Marcel. 1913/1949.
Remembrance of Things Past.
Translated by C. K. Scott Moncrieff. London: Chatto and Windus.

Ramachandran,

V. S. 2004.
A Brief Tour of Human Consciousness.
New York: Pi Press.

Ramachandran,

V. S., and E. M. Hubbard. 2001. Psychophysical investigations into the neural basis of synaesthesia.
Proceedings of the Royal Society of Lon don, B
268: 979–83.

— — — .

2001. Synaesthesia: A window into perception, thought and language.
Journal of Consciousness Studies
8 (12): 3–34.

— — — .

2003. The phenomenology of synaesthesia.
Journal of Consciousness Studies
10 (8): 49–57.

Rangell,

Leo. 2006. Music in the head: Living at the brain-mind border.
Huffing ton Post,
September 12. http://www.huffingtonpost.com/dr-leo-rangell/.

Révész,

Geza. 1925/1970.
The Psychology of a Musical Prodigy.
Freeport, NY: Greenwood Press.

Rizzolatti,

Giacomo, Luciano Fadiga, Leonardo Fogassi, and Vittorio Gallese. 2002. From mirror neurons to imitation: Facts and speculations. In
The Imitative Mind,
ed. Andrew N. Meltzoff and Wolfgang Prinz (pp. 247–66). Cam bridge: Cambridge University Press.

Rohrer,

J. D., S. J. Smith, and J. D. Warren. 2006. Craving for music after treatment of partial epilepsy.
Epilepsia
47 (5): 939–40.

Rorem,

Ned. 2006.
Facing the Night: A Diary (1999–2005) and Musical Writings.
New York: Shoemaker & Hoard.

Ross,

E. D., P. B. Jossman, B. Bell, T. Sabin, and N. Geschwind. 1975. Musical hallucinations in deafness.
Journal of the American Medical Association
231 (6): 620–22.

Rouget,

Gilbert. 1985.
Music and Trance.
Chicago: University of Chicago Press.

Russell,

S. M., and J. G. Golfinos. 2003. Amusia following resection of a Heschl gyrus glioma.
Journal of Neurosurgery
98: 1109–12.

Sacks,

Oliver. 1973.
Awakenings.
London: Duckworth.

— — — .

1984.
A Leg to Stand On.
New York: Summit Books.

— — — .

1985.
The Man Who Mistook His Wife for a Hat.
New York: Summit Books.

— — — .

1992. The last hippie.
New York Review of Books
vol. 39, no. 6 (March 26): 53–62.

— — — .

1992. Tourette’s syndrome and creativity.
British Medical Journal
305: 1515–16.

— — — .

1995.
An Anthropologist on Mars: Seven Paradoxical Tales.
New York: Alfred A. Knopf.

— — — .

1997.
The Island of the Colorblind.
New York: Alfred A. Knopf.

— — — .

1998. Music and the brain. In
Clinical Applications of Music in Neuro logic Rehabilitation,
ed. Concetta M. Tomaino (pp. 1–18). St. Louis: MMB Music.

— — — .

2003. The mind’s eye.
New Yorker
(July 28): 48–59.

— — — .

2004. Speed.
New Yorker
(August 23): 60–69.

— — — .

2006. Stereo Sue.
New Yorker
(June 19): 64–73.

— — — .

2006. The power of music.
Brain
129: 2528–32.

Saffran,

Jenny R., and Gregory J. Griepentrog. 2001. Absolute pitch in infant auditory learning: Evidence for developmental reorganization.
Developmental Psychology
37 (1): 74–85.

Schellenberg,

E. Glenn. 2003. Does exposure to music have beneficial side effects? In
The Cognitive Neuroscience of Music,
ed. Isabelle Peretz and Robert J. Zatorre (pp. 430–48). Oxford: Oxford University Press.

Schlaug,

G., L. Jäncke, Y. Huang, and H. Steinmetz. 1995. In vivo evidence of structural brain asymmetry in musicians.
Science
267: 699–701.

Schlaug,

Gottfried, Lutz Jäncke, Yanxiong Huang, Jochen F. Staiger, and Helmuth Steinmetz. 1995. Increased corpus callosum size in musicians.
Neuropsycholo gia
33 (8): 1047–55.

Schlaug,

Gottfried, Andrea Norton, Elif Ozdemir, and Nancy Helm-Estabrooks. 2006. Long-term behavioral and brain effects of melodic intonation therapy in patients with Broca’s aphasia.
Neuroimage
31 (suppl. 1): 37.

Schopenhauer,

Arthur. 1819/1969.
The World as Will and Representation
(esp.vol. 1, chapter 52). Translated by E. J. Payne. New York: Dover.

Scoville,

W. B., and Brenda Milner. 1957. Loss of recent memory after bilateral hippocampal lesions.
Journal of Neurology, Neurosurgery and Psychiatry
20:11–21.

Sforza,

Teri, with Howard and Sylvia Lenhoff. 2006.
The Strangest Song.
Amherst, NY: Prometheus Books.

Sheehy,

M. P., and C. D. Marsden. 1982. Writer’s cramp— a focal dystonia.
Brain
105: 461–80.

Shenk,

David. 2001.
The Forgetting: Alzheimer’s— Portrait of an Epidemic.
New York: Doubleday.

Simkin,

Benjamin. 1992. Mozart’s scatological disorder.
British Medical Journal
305: 1563–67.

Simner,

J., J. Ward, M. Lanz, A. Jansari, K. Noonan, L. Glover, and D. Oakley. 2005. Non-random associations of graphemes to colours in synaesthetic and normal populations.
Cognitive Neuropsychology
22 (8): 1069–85.

Simner,

Julia, Catherine Mulvenna, Noam Sagiv, Elias Tsakanikos, Sarah A. Witherby, Christine Fraser, Kirsten Scott, and Jamie Ward. 2006. Synaesthesia: The prevalence of atypical cross-modal experiences.
Perception
35: 1024–33.

Slonimsky,

Nicolas. 1953.
Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time.
Seattle: University of Washington Press.

Smith,

Daniel B. 2007.
Muses, Madmen, and Prophets: Rethinking the History, Science, and Meaning of Auditory Hallucinations.
New York: Penguin Press.

Smith,

Steven B. 1983.
The Great Mental Calculators: The Psychology, Methods, and Lives of Calculating Prodigies, Past and Present.
New York: Columbia University Press.

Snyder,

Allan W., Elaine Mulcahy, Janet L. Taylor, John Mitchell, Perminder Sachdev, and Simon C. Gandevia. 2003. Savant-like skills exposed in normal people by suppressing the left fronto-temporal lobe.
Journal of Integrative Neuroscience
2 (2): 149–58.

Sotavalta,

Olavi. 1963. The flight sounds of insects. In
Acoustic Behavior of Animals,
ed. R. G. Busnel (pp. 374–89). Amsterdam: Elsevier.

Spencer,

Herbert. 1857/2002. The origin and function of music. In
Music Education: Source Readings from Ancient Greece to Today
, ed. Michael Mark (pp. 47–48). New York: Routledge.

Sparr,

S. A. 2002. Receptive amelodia in a trained musician.
Neurology
59: 1659–60.

Stein,

Alexander. 2004. Music, mourning, and consolation.
Journal of the American Psychoanalytic Association
52 (3): 783–811.

Stern,

Daniel. 2004. “Fabrikant’s Way.” In
A Little Street Music.
Huntsville, TX: Texas Review Press.

Storr,

Anthony. 1989.
Freud.
Oxford: Oxford University Press.

— — — .

1992.
Music and the Mind.
New York: Free Press.

Stravinsky,

Igor. 1947.
Poetics of Music: In the Form of Six Lessons.
Oxford: Oxford University Press.

Styron,

William. 1990.
Darkness Visible: A Memoir of Madness.
New York: Random House.

Thaut,

Michael H. 2005.
Rhythm, Music, and the Brain: Scientific Foundations and Clinical Applications.
New York: Routledge.

Tolstoy,

Leo. 1890/1986.
The Kreutzer Sonata, and Other Stories.
New York: Penguin Classics.

Tomaino,

Concetta, ed. 1998.
Clinical Applications of Music in Neurologic Rehabilitation.
St. Louis: MMB Music.

Treffert,

Darold. 1986/2006.
Extraordinary People: Understanding Savant Syndrome.
Revised ed. Lincoln, Nebraska: iUniverse. Turnbull, Oliver H., Evangelos Zois, Karen Kaplan-Solms, and Mark Solms. 2006.

The

developing transference in amnesia: Changes in interpersonal relation ship, despite profound episodic-memory loss.
Neuro-Psychoanalysis
8 (2): 199–204.

Twain,

Mark. 1876/1878. “A Literary Nightmare.” Reprinted in
Punch, Brothers, Punch! and Other Stories.
New York: Slote, Woodman and Co.

Uga,

V., M. C. Lemut, C. Zampi, I. Zilli, and P. Salzarulo. 2006. Music in dreams.
Consciousness and Cognition
15: 351–57.

van

Bloss, Nick. 2006.
Busy Body: My Life with Tourette’s Syndrome.
London: Fusion Press.

Vaughan,

Ivan. 1986.
Ivan: Living with Parkinson’s Disease.
London: Macmillan.

von

Arnim, G., and P. Engel. 1964. Mental retardation related to hypercalcaemia.
Developmental Medicine and Child Neurology
6: 366–77.

Wagner,

Christoph. 2005.
Hand und Instrument: Musikphysiologische Grundlagen Praktische Konsequenzen.
Wiesbaden: Breitkopf & Härtel.

Wagner,

Richard. 1911.
My Life
(p. 603). New York: Dodd, Mead & Co.

Warner,

Nick, and Victor Aziz. 2005. Hymns and arias: Musical hallucinations in older people in Wales.
International Journal of Geriatric Psychiatry
20: 658–60.

Warren,

Jason D., Jane E. Warren, Nick C. Fox, and Elizabeth K. Warrington. 2003. Nothing to say, something to sing: primary progressive dynamic aphasia.
Neurocase
9 (2): 140–55.

Waugh,

Evelyn. 1945.
Brideshead Revisited.
London: Chapman and Hall.

— — — .

1957.
The Ordeal of Gilbert Pinfold.
Boston: Little, Brown.

Wearing,

Deborah. 2005.
Forever Today: A Memoir of Love and Amnesia.
Lon don: Doubleday.

Weiskrantz,

Lawrence. 1997.
Consciousness Lost and Found.
Oxford: Oxford University Press.

West,

Rebecca. 1957.
The Fountain Overflows.
London: Macmillan.

White,

E. B. 1933. The supremacy of Uruguay.
New Yorker
(November 25): 18–19.

Wilson,

Barbara A., and Deborah Wearing. 1995. Prisoner of consciousness: A state of just awakening following herpes simplex encephalitis. In
Broken Memories: Case Studies in Memory Impairment,
ed. Ruth Campbell and Martin Conway (pp. 14–30). Oxford: Blackwell.

Wilson,

Barbara A., A. D. Baddeley, and Narinder Kapur. 1995. Dense amnesia in a professional musician following herpes simplex virus encephalitis.
Journal of Clinical and Experimental Neuropsychology
17 (5): 668–81.

Wilson,

Edward O. 1994.
Naturalist.
Washington, D.C.: Island Press.

Wilson,

Frank R. 1988. Teaching hands, treating hands.
Piano Quarterly
141: 34–41.

— — — .

1989. Acquisition and loss of skilled movement in musicians.
Seminars in Neurology
9 (2): 146–51.

— — — .

2000. Current controversies on the origin, diagnosis and management of focal dystonia. In
Medical Problems of the Instrumentalist Musician,
ed. Raoul Tubiana and Peter C. Amadio (pp. 311–27). London: Martin Dunitz.

Wittgenstein,

Ludwig. 1969.
On Certainty.
Oxford: Basil Blackwell.

Young,

Robyn L., Michael C. Ridding, and Tracy L. Morrell. 2004. Switching skills by turning off part of the brain.
Neurocase
10 (3): 215–22.

Zatorre,

R. J., and A. R. Halpern. 2005. Mental concerts: Musical imagery and auditory cortex.
Neuron
47: 9–12.

Other books

The Way of the Power by Stuart Jaffe
Code Talker by Chester Nez
Satori by Don Winslow
Indefensible by Pamela Callow
A Field of Poppies by Sharon Sala
Shadow of the Vampire by Meagan Hatfield
Obsidian Mirror by Catherine Fisher
Happy Ever After by Patricia Scanlan
False Flag by Bobby Akart
The Secret of Rover by Rachel Wildavsky