Nail Biter (25 page)

Read Nail Biter Online

Authors: Sarah Graves

Tags: #Women detectives, #Mystery & Detective, #White; Ellie (Fictitious character), #Eastport, #General, #Eastport (Me.), #Women Sleuths, #Female friendship, #Tiptree; Jacobia (Fictitious character), #Fiction, #Maine, #Dwellings

“But Ellie, who's paying for all this?” In the cottage's large main room youngish women in flowered smocks took appointments on the phone, showed clients to the dressing rooms, and generally behaved charmingly while displaying skin so perfect it might have been scrubbed with soft brushes.

Which around here maybe it had. As lovely aromas floated from an unseen kitchen I sipped my cold wine, savoring the fruity wallop. “Because,” I added guiltily, “it must cost a . . .”

Fortune. And of course I'd be paying for it; who else? No way I would let Ellie cover it.

Another thump of guilt hit me, and not only about the money. “Ellie, what am I doing here? There's a kid out there somewhere and Mac Rickert's got her.”

She eyed me across the table. “Okay. I understand that. But which is better? Trying to do anything about it the way you felt before, or now? Or anyway, after we eat,” she added as a woman in a white apron arrived bearing plates of food.

On mine was a toasted whole wheat roll stuffed with chicken salad, avocado slices, and lettuce. Beside it were potato wedges crispy with broiled butter, coleslaw redolent of buttermilk and celery seed plus fresh dill weed, and a chunk of goat cheese with olive oil glistening iridescently on it, stuck on a toothpick.

I regarded it all for a moment. “Now,” I decided, answering Ellie's question and addressing the feast with an energy that I would've thought impossible a few hours earlier.

“Wade's paying,” Ellie said later as we were eating dessert: chocolate mousse, real whipped cream, and a candied violet on top.

“He said was there anything I could do in a few hours that would really take care of you, and I said yes but it was kind of expensive, and he said go for it,” she went on.

I sipped my coffee: Jamaican Blue Mountain.

“He also said we'd better find Wanda Cathcart before you got sick over it,” she added. “Or really got hurt.”

Implicit in this comment was Ellie's awareness that I hadn't called
her
last night, either.

That I'd gone out alone. “So,” I asked lightly, changing the subject, “what else have you been doing while I've been having my chassis waxed?”

Because did I mention? Leg waxing. From knee to ankle I was as smooth as a baby's behind, and it felt
fabulous
.

Ellie pulled out a sheaf of notes. “Thinking,” she answered briskly. “And writing it down.”

“About how I blew it.” Another sobering wash of shame flooded me.

She looked up, surprised. “What are you talking about? I meant what I said before. You really did elicit an amazing amount of information, Jacobia. And you accomplished something else very important, as well.”

News to me, but with that we got up. Outside, sunlight slanted through the trees in that poignant, October-afternoon way that meant evening would be here before we knew it.

“First of all,” Ellie said as she put the car in gear and headed us back to the road again, “you got Wanda's pills to her.”

I'd expected to go home but she turned in the other direction, past a small lakeside park with picnic tables, a wooden dock that had already been pulled out of the water for winter, and a boat-launch area.

“So that's one worry taken care of,” she said. “And we know two more important things, too, on account of you.”

Oh, goody. “What?” I asked, feeling that at this point it was probably a fine idea to let her summarize them; I didn't have a clue.

“First, that he didn't mean to kill you. He
tossed
that life jacket at you, he must have. You were just too busy to notice.”

“Then why did he dump me in the water in the first place?”

“To be sure of getting away,” she replied simply. “Because if he just let you off on shore, you might get to a house with a phone and call the Coast Guard.”

Instead, by the time I'd made it to the house, it was already too late.

 

 

We came to a fork
in the road; she chose the right-hand turn, passing a small white church with a bell-tower steeple and a neatly mowed graveyard out back. About a quarter of a mile down the road a small sign said
Passage East Gallery.

Seeing it, Ellie nodded minutely to herself, then dropped the bombshell. “
And
he didn't kill Gene Dibble,” she finished. “Despite what he said.”

We turned between a pair of enormous copper beech trees, their trunks swooping gracefully up to form an entry to a pine- needle-carpeted parking area surrounded by evergreens.

She turned to me. “And how do we know this?” she inquired in a bright, professorial manner.

Got me. I felt my face screwing up in a way that should've had a dunce cap on top of it, whereupon she patiently supplied the information herself.

“The gun, Jacobia. Think about the gun that killed Dibble.”

“It was a .38,” I said. “The medical examiner . . .”

Then I stopped. Not a .22 like Wade's. “But Rickert said—”

“Exactly,” Ellie responded, pleased.

Ahead spread a grassy field lined on one side by a bed of daylilies, groomed and mulched for the coming winter. A small log house with a screen porch stood at the end of the lily bed, its narrow brick walkway laid out neatly in the jack-on-jack pattern.

“Mac was lying about killing Dibble, Jake. I don't know why, maybe he just wanted you to think he's dangerous. An ego thing, you know?” She thought a moment. “Or . . . maybe he wants to take all the suspicion off somebody else, someone we don't know about yet?”

We got out. I still didn't know what we were doing here. A crow's harsh call sounded once somewhere very nearby.

“What we do know is, he admitted to doing murder but if he doesn't know what kind of gun it was—”

“Then he didn't,” I finished for her as she led me along the path. “But if he didn't kill Dibble, then Wanda couldn't have
seen
him do it, could she? So why take her?”

But I thought I knew the answer to that.
Because he wanted to, that's why
.
Because he'd seen her and
wanted
her
.

A wisp of smoke curled prettily from the granite chimney and now I could see the things artfully arranged inside the porch.

“Don't know,” Ellie replied. “And neither do you,” she added emphatically. “But I've been thinking about
where
he might've taken her, too,” she finished.

She opened the screen door to where the gentle warmth of a woodstove radiated a welcome; it was only two-thirty but the afternoon's gathering clouds added to the chilly gloom, the last leaves in the maples flaming redly against the fading sky.

“And?” I demanded, but Ellie was already examining the lovely objects in the screen porch: bentwood chairs and matching footstools with crazy-quilt cushions in jewel tones, bunches of dried flowers poignant with the sense of summer gone by, and a birdhouse made to resemble an old-fashioned general store, with tiny shingles and real glass panes in its miniature double-hung windows.

“And I'll tell you all about it when we're done here,” Ellie decreed firmly. “Go on into the main room.”

I obeyed, wondering a little impatiently about what further restorative measures she could have arranged. Whatever they were, they surely couldn't hold a candle to what I'd already enjoyed or make me feel more fully repaired.

Or so I thought.

 

 

An hour later,
equipped with several pairs of new earrings apiece and feeling the pleasant sensation of well-being that can only be produced by really good retail therapy, we did go home.

“The thing is this,” Ellie picked up the conversation again as we drove. “Mac's probably got the girl off-island. Because now we know he's moving around by boat.”

So the roadblock on the causeway wouldn't have bothered him. But if that was true Wanda could be anywhere; there were a thousand places Mac could reach with that little boat of his.

“Still,” Ellie added encouragingly, “that doesn't widen the territory as much as you might think. Because it's deer season, remember?”

Speeding down the hill we'd climbed earlier was a good deal more exciting than going up, especially as Ellie seemed to think I needed a thrill ride on top of everything else.

“Ellie,” I began when she didn't put the brakes on. But she was already talking again.

“Deer season means people in the woods. And he wouldn't want that. He wants privacy. So where would
you
go?”

I thought a minute, long enough for my heart to climb back down out of my throat as we reached the foot of the hill. Then:

“Tall Island,” I said, remembering. “It's a preserve, no hunting at all, not even bowhunting. George said there are poachers, but . . .”

She nodded, turning left onto Route 1 toward home. “Uh-huh. Tall Island's so wild, and pretty big, too, so a fellow like Mac wouldn't have too much trouble avoiding a few poachers.”

She thought a moment. “In fact, poachers would probably want to avoid him. Worried he might be a game warden hunting for
them
. And Tall Island's a difficult water access.”

I hadn't known that part. And after what I'd been through, I wasn't interested in any water access at all. But what Ellie said next made sense as well.

“He could've gotten Wanda to Joey's boat when the storm was so bad.” She shot past two cars and an eighteen-wheeler with what felt to me like suicidal glee.

But in a born-and-bred downeast Maine native, that was normal driving. “It's a few miles from Quoddy Village,” she admitted, “but they could have walked it.”

I hadn't wanted to. But then, I hadn't been fleeing a murder scene with a young girl in tow, one I wanted to hide
pronto
.

“Once the weather settled the next day, he just waited until dark, got her into his own boat, and took her . . . well, wherever he took her,” Ellie continued.

She slowed for the long curve of the Route 190 turnoff, then whizzed down it. “And he
was
wearing high boots turned down low, like you said. Correct? You're sure?”

Leave it to her to pick up on a tiny point of description. But fashion details weren't tops on my list of interests at the moment. “Yes, but what difference does that—”

“It means I'm right,” she said decisively. “It's somewhere he has to wade ashore, like Tall Island. The way the rocks are there, from a boat you can't get onto the beach without waders.”

The boots, she meant. “And what do you want to bet Joey's ferrying supplies to him?”

She wasn't just quick on the uptake
and
detail-oriented. She was brilliant. “So if we followed Joey . . .”

“Yep.” She accelerated onto the causeway. “Betcha we'd find Mac. But there's one other thing we need to think about, too.”

I was following her line of thought more easily now, due to the fact that I felt like a new woman. Eight hours earlier I wouldn't have been able to follow a four-lane highway, and if I'd tried I would've gotten flattened on it.

But where her thinking led wasn't a comfortable location at all. Because as she'd realized, if Mac Rickert hadn't shot Eugene Dibble then somebody else had.

And if Rickert hadn't kidnapped Wanda—if instead she'd gone with him even semi-willingly, as he'd implied—then one possible reason was that Wanda knew the identity of Gene Dibble's murderer.

And that it wasn't Mac. “If Wanda saw who did it . . .” I began.

“And she realized whoever it was
knew
she knew . . .” Ellie put in.

“Maybe
that's
why she ran,” I finished.

Maybe. But one thing was for sure: Before we got Wanda out of a fire, we needed to be sure we weren't dropping her right back into a frying pan, instead.

That is, right back into the grasp of a killer.

 

 

Autumn dusk was
gathering and the other cars had their headlights on when Ellie dropped me off in front of my house.

In the front yard the backhoe stood idle and the trucks of the town men and water company workers had departed. But a trench six feet deep flanked by two big piles of fresh dirt stood open like a grave from the pavement all the way to my foundation.

A tarp nailed to the clapboards said the old stones had also been breached. Translation: They'd had to dig into the cellar to reach the water pipe.

Phooey. On the other hand apparently George Valentine hadn't thought supervising the pipe project
and
caring for Leonora was enough work for him, so he'd started on the porch steps. As a result the risers for the steps were installed, nailed to a pair of six-by-sixes that he'd fastened to the house with railroad spikes.

Or anyway they resembled railroad spikes. George had gotten out the circular saw, too, and cut the step treads as well as planks for the larger porch area. Now the whole yard smelled of newly cut, fresh-milled lumber, and the wood itself glowed under the porch light.

Pleased, I went inside. No one around, but a note from Bella said the dogs had been walked and all three animals fed.

Better and better: alone, choreless, and fully energized by the pampering I'd received. It went a long way toward balancing the hope and terror I felt at the thought of what Ellie and I had outlined for the evening.

We'd finalized our plan while driving the rest of the way into town. And right now there was really only a single tool that could express how I felt about it: a nail gun.

There was a message from Bob Arnold on my answering machine: Call him. But when I tried I got the canned spiel again, telling me to hang on for the dispatcher or dial 911; otherwise, he'd get back to callers when he could.

Which at this point I wasn't even sure I wanted him to. So I hung up and got the nail gun from the third-floor workroom, where I'd used it on scrap lumber just to practice operating the thing.

In fact it was the only way I'd ever used a nail gun, since if you don't plant your feet very solidly and brace yourself when you fire it, your next try will be from a seated position; also, the noise it makes is . . . impressive.

But I didn't want to think too hard about what Ellie had talked me into doing, and anyway I had to occupy the rest of the afternoon somehow. Thus I grabbed the gun and some packets of nails—you load it like an automatic weapon, with clips full of nails, not individual ones—and I got the hearing protectors and safety glasses, too, and took them all out to the front porch.

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