TEXT ILLUSTRATIONS
TEXT ILLUSTRATIONS
TEXT ILLUSTRATIONS
1. Shifting the huge granite rock for the pedestal of The Bronze Horseman. Engraving af
1. Shifting the huge granite rock for the pedestal of The Bronze Horseman. Engraving af
1. Shifting the huge granite rock for the pedestal of The Bronze Horseman. Engraving af
The Bronze Horseman.
2. Seventeenth-century Muscovite costumes. Engraving from Adam Olearius, Travels to Mu
2. Seventeenth-century Muscovite costumes. Engraving from Adam Olearius, Travels to Mu
2. Seventeenth-century Muscovite costumes. Engraving from Adam Olearius, Travels to Mu
Travels to Muscovy and Persia
3. The Sheremetev theatre at Ostankino. Photograph copyright © William C. Brumfield.
3. The Sheremetev theatre at Ostankino. Photograph copyright © William C. Brumfield.
3. The Sheremetev theatre at Ostankino. Photograph copyright © William C. Brumfield.
4. Gerard de la Barthe: A Cure Bath in Moscow, 1790. Pushkin Museum, Moscow (photo: AKG Lon
4. Gerard de la Barthe: A Cure Bath in Moscow, 1790. Pushkin Museum, Moscow (photo: AKG Lon
4. Gerard de la Barthe: A Cure Bath in Moscow, 1790. Pushkin Museum, Moscow (photo: AKG Lon
Cure Bath in Moscow,
5. The ‘peasant prince’: Sergei Volkonsky in Irkutsk. Daguerreotype by A. Lavignon, 1845
5. The ‘peasant prince’: Sergei Volkonsky in Irkutsk. Daguerreotype by A. Lavignon, 1845
5. The ‘peasant prince’: Sergei Volkonsky in Irkutsk. Daguerreotype by A. Lavignon, 1845
6. Alexei Venetsianov: Cleaning Beetroot, 1820. Copyright © 2002, State Russian Museum
6. Alexei Venetsianov: Cleaning Beetroot, 1820. Copyright © 2002, State Russian Museum
6. Alexei Venetsianov: Cleaning Beetroot, 1820. Copyright © 2002, State Russian Museum
Cleaning Beetroot,
7. A wet nurse in traditional Russian dress. Early-twentieth-century photograph. Privat
7. A wet nurse in traditional Russian dress. Early-twentieth-century photograph. Privat
7. A wet nurse in traditional Russian dress. Early-twentieth-century photograph. Privat
The Russian Empire: A Portrait in Photographs
8. Monument to the millennium of Russia in the square in front of St Sophia’s Cathedral, N
8. Monument to the millennium of Russia in the square in front of St Sophia’s Cathedral, N
8. Monument to the millennium of Russia in the square in front of St Sophia’s Cathedral, N
9. Maria Volkonsky and her son Misha. Daguerreotype, 1862. Reproduced from Christine Su
9. Maria Volkonsky and her son Misha. Daguerreotype, 1862. Reproduced from Christine Su
9. Maria Volkonsky and her son Misha. Daguerreotype, 1862. Reproduced from Christine Su
The Princess of Siberia: The Story of Maria Volkonsky and the Decembrist Exiles
10. Etienne-Maurice Falconet: The Bronze Horseman. Monument to Peter the Great, 1782 (p
10. Etienne-Maurice Falconet: The Bronze Horseman. Monument to Peter the Great, 1782 (p
10. Etienne-Maurice Falconet: The Bronze Horseman. Monument to Peter the Great, 1782 (p
The Bronze Horseman.
11. Viktor Gartman: design tor the Kiev city gate (photo: Novosti/ Bridgeman Art Library,
11. Viktor Gartman: design tor the Kiev city gate (photo: Novosti/ Bridgeman Art Library,
11. Viktor Gartman: design tor the Kiev city gate (photo: Novosti/ Bridgeman Art Library,
12. Vladimir Shervud: Russian Museum, Red Square, Moscow. Photograph, early 1900s (photo
12. Vladimir Shervud: Russian Museum, Red Square, Moscow. Photograph, early 1900s (photo
12. Vladimir Shervud: Russian Museum, Red Square, Moscow. Photograph, early 1900s (photo
13. Ilia Repin: sketches for The Volga Barge Haulers, 1870. National Gallery, Prague
13. Ilia Repin: sketches for The Volga Barge Haulers, 1870. National Gallery, Prague
13. Ilia Repin: sketches for The Volga Barge Haulers, 1870. National Gallery, Prague
The Volga Barge Haulers,
14. Tolstoy’s estate at Yasnaya Polyana. Late-nineteenth-century photograph
14. Tolstoy’s estate at Yasnaya Polyana. Late-nineteenth-century photograph
14. Tolstoy’s estate at Yasnaya Polyana. Late-nineteenth-century photograph
15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s. Courtes
15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s. Courtes
15. Elena Polenova: ‘Cat and Owl’ carved door, Abramtsevo workshop, early 1890s. Courtes
16. Church at Abramtsevo. Designed by Viktor Vasnetsov, 1881-2. Photograph copyright © Wi
16. Church at Abramtsevo. Designed by Viktor Vasnetsov, 1881-2. Photograph copyright © Wi
16. Church at Abramtsevo. Designed by Viktor Vasnetsov, 1881-2. Photograph copyright © Wi
17. Gusli player. Reproduced from Chloe Oblensky, The Russian Empire: A Portrait in Pho
17. Gusli player. Reproduced from Chloe Oblensky, The Russian Empire: A Portrait in Pho
17. Gusli player. Reproduced from Chloe Oblensky, The Russian Empire: A Portrait in Pho
Gusli
The Russian Empire: A Portrait in Photographs
18. Nikolai Roerich: costumes for the Adolescents in the first production of The Rite of
18. Nikolai Roerich: costumes for the Adolescents in the first production of The Rite of
18. Nikolai Roerich: costumes for the Adolescents in the first production of The Rite of
The Rite of Spring,
19. Stravinsky transcribes a folk song sung by a peasant gusli player on the porch of the Stra
19. Stravinsky transcribes a folk song sung by a peasant gusli player on the porch of the Stra
19. Stravinsky transcribes a folk song sung by a peasant gusli player on the porch of the Stra
gusli
20. Hermits at a monastery in northern Russia (photo: Popperfoto, Northampton)
20. Hermits at a monastery in northern Russia (photo: Popperfoto, Northampton)
20. Hermits at a monastery in northern Russia (photo: Popperfoto, Northampton)
21. Group of Komi people in typical clothing. Photograph, c. 1912, by S. I. Sergei. Repro
21. Group of Komi people in typical clothing. Photograph, c. 1912, by S. I. Sergei. Repro
21. Group of Komi people in typical clothing. Photograph, c. 1912, by S. I. Sergei. Repro
c.
Folk Art of the Russian Federation from the Ethnographical Museum of the Peoples of th
22. Vasily Kandinsky: sketches of buildings in the Komi region. From the Vologda Diary, 1
22. Vasily Kandinsky: sketches of buildings in the Komi region. From the Vologda Diary, 1
22. Vasily Kandinsky: sketches of buildings in the Komi region. From the Vologda Diary, 1
23. Masked Buriat shaman with drum, drumstick and horse-sticks. Photograph by Toumanoff, e
23. Masked Buriat shaman with drum, drumstick and horse-sticks. Photograph by Toumanoff, e
23. Masked Buriat shaman with drum, drumstick and horse-sticks. Photograph by Toumanoff, e
24. Watercolour copy of a lost self-portrait with Circassian sword and cloak by Mikhail
24. Watercolour copy of a lost self-portrait with Circassian sword and cloak by Mikhail
24. Watercolour copy of a lost self-portrait with Circassian sword and cloak by Mikhail
25. Vladimir Stasov: study of the Russian letter ‘B’ from a fourteenth-century manuscrip
25. Vladimir Stasov: study of the Russian letter ‘B’ from a fourteenth-century manuscrip
25. Vladimir Stasov: study of the Russian letter ‘B’ from a fourteenth-century manuscrip
Russkii naroodnyi ornament,
26. Vladimir Stasov: title page of Rimsky-Korsakov’s opera score Sadko, 1897. Photograph
26. Vladimir Stasov: title page of Rimsky-Korsakov’s opera score Sadko, 1897. Photograph
26. Vladimir Stasov: title page of Rimsky-Korsakov’s opera score Sadko, 1897. Photograph
.
Sadko,
27. Akhmatova and Punin in the courtyard of the Fountain House, 1927. Copyright © Museu
27. Akhmatova and Punin in the courtyard of the Fountain House, 1927. Copyright © Museu
27. Akhmatova and Punin in the courtyard of the Fountain House, 1927. Copyright © Museu
28. Liubov Popova: stage design for Meyerhold’s 1922 production of the Magnanimous Cuc
28. Liubov Popova: stage design for Meyerhold’s 1922 production of the Magnanimous Cuc
28. Liubov Popova: stage design for Meyerhold’s 1922 production of the Magnanimous Cuc
Magnanimous Cuckold.
29. Alexander Rodchenko: ‘To Her and Me’, illustration from Mayakovsky’s Pro eto, 1923. Pr
29. Alexander Rodchenko: ‘To Her and Me’, illustration from Mayakovsky’s Pro eto, 1923. Pr
29. Alexander Rodchenko: ‘To Her and Me’, illustration from Mayakovsky’s Pro eto, 1923. Pr
Pro eto,
30. ‘The Russian house inside the Italian cathedral’. Final shot from Andrei Tarkovsky’s
30. ‘The Russian house inside the Italian cathedral’. Final shot from Andrei Tarkovsky’s
30. ‘The Russian house inside the Italian cathedral’. Final shot from Andrei Tarkovsky’s
Nostalgia,
31. Sergei Efron and Marina Tsvetaeva, 1911. Courtesy Viktoria Schweitzer
31. Sergei Efron and Marina Tsvetaeva, 1911. Courtesy Viktoria Schweitzer
31. Sergei Efron and Marina Tsvetaeva, 1911. Courtesy Viktoria Schweitzer
COLOUR PLATE SECTION 1
COLOUR PLATE SECTION 1
COLOUR PLATE SECTION 1
COLOUR PLATE SECTION 1
COLOUR PLATE SECTION 1
1. Nikolai Argunov: Portrait ofPraskovya Sheremeteva, 1802. Copyright © 2002, State
1. Nikolai Argunov: Portrait ofPraskovya Sheremeteva, 1802. Copyright © 2002, State
1. Nikolai Argunov: Portrait ofPraskovya Sheremeteva, 1802. Copyright © 2002, State
Portrait ofPraskovya Sheremeteva,
2. Vasily Tropinin: Portrait of Pushkin, 1827. Pushkin Museum, Moscow (photo: AKG Londo
2. Vasily Tropinin: Portrait of Pushkin, 1827. Pushkin Museum, Moscow (photo: AKG Londo
2. Vasily Tropinin: Portrait of Pushkin, 1827. Pushkin Museum, Moscow (photo: AKG Londo
Portrait of Pushkin,
3. Alexei Venetsianov: Morning of the Lady of the Manor, 1823. Copyright © 2002, State Russ
3. Alexei Venetsianov: Morning of the Lady of the Manor, 1823. Copyright © 2002, State Russ
3. Alexei Venetsianov: Morning of the Lady of the Manor, 1823. Copyright © 2002, State Russ
Morning of the Lady of the Manor,
4. Alexei Venetsianov: In the Ploughed Field: Spring, 1827. State Tretyakov Gallery, Mos
4. Alexei Venetsianov: In the Ploughed Field: Spring, 1827. State Tretyakov Gallery, Mos
4. Alexei Venetsianov: In the Ploughed Field: Spring, 1827. State Tretyakov Gallery, Mos
In the Ploughed Field: Spring,
5. Vasily Perov: Hunters at Rest, 1871. State Tretyakov Gallery, Moscow (photo: Bridgeman
5. Vasily Perov: Hunters at Rest, 1871. State Tretyakov Gallery, Moscow (photo: Bridgeman
5. Vasily Perov: Hunters at Rest, 1871. State Tretyakov Gallery, Moscow (photo: Bridgeman
Hunters at Rest,
6. Interior of the Terem Palace, the Kremlin, Moscow, restored by Fedor Solntsev (photo
6. Interior of the Terem Palace, the Kremlin, Moscow, restored by Fedor Solntsev (photo
6. Interior of the Terem Palace, the Kremlin, Moscow, restored by Fedor Solntsev (photo
7. Vasily Surikov: The Boyar’s Wife Morozova, 1 884. State Tretyakov Gallery, Moscow (p
7. Vasily Surikov: The Boyar’s Wife Morozova, 1 884. State Tretyakov Gallery, Moscow (p
7. Vasily Surikov: The Boyar’s Wife Morozova, 1 884. State Tretyakov Gallery, Moscow (p
The Boyar’s Wife Morozova,
8. Imperial Presentation Kovsh by Mikhail Perkin for Faberge, 1906. Copyright © Photot
8. Imperial Presentation Kovsh by Mikhail Perkin for Faberge, 1906. Copyright © Photot
8. Imperial Presentation Kovsh by Mikhail Perkin for Faberge, 1906. Copyright © Photot
9. Siren vase by Sergei Vashkov for Faberge, 1908. Copyright © 2002, State Historical Mu
9. Siren vase by Sergei Vashkov for Faberge, 1908. Copyright © 2002, State Historical Mu
9. Siren vase by Sergei Vashkov for Faberge, 1908. Copyright © 2002, State Historical Mu
10. Ilia Repin: Portrait of Vladimir Stasov, 1873. Copyright © 2002, State Tretyakov Gal
10. Ilia Repin: Portrait of Vladimir Stasov, 1873. Copyright © 2002, State Tretyakov Gal
10. Ilia Repin: Portrait of Vladimir Stasov, 1873. Copyright © 2002, State Tretyakov Gal
Portrait of Vladimir Stasov,
11. Ilia Repin: The Volga Barge Haulers, 1873. Copyright © 2002, State Russian Museum, St
11. Ilia Repin: The Volga Barge Haulers, 1873. Copyright © 2002, State Russian Museum, St
11. Ilia Repin: The Volga Barge Haulers, 1873. Copyright © 2002, State Russian Museum, St
The Volga Barge Haulers,
12. Ivan Kramskoi: The Peasant Ignatiy Pirogov, 1874. Copyright © 2002, Kiev Museum of Rus
12. Ivan Kramskoi: The Peasant Ignatiy Pirogov, 1874. Copyright © 2002, Kiev Museum of Rus
12. Ivan Kramskoi: The Peasant Ignatiy Pirogov, 1874. Copyright © 2002, Kiev Museum of Rus
The Peasant Ignatiy Pirogov,
13. Leon Bakst: Portrait of Diaghilev with His Nanny, 1906. Copyright © 2002, State Russi
13. Leon Bakst: Portrait of Diaghilev with His Nanny, 1906. Copyright © 2002, State Russi
13. Leon Bakst: Portrait of Diaghilev with His Nanny, 1906. Copyright © 2002, State Russi