Authors: Paulette Jiles
T
HE NEXT DAY
they went on toward Spanish Fort. The road wound along the south edge of the river in the great valley of the Red. More than a mile away south was the rise of land and the bluffs. At some distant time the river had been there, tearing away land; over the centuries it moved like a big red snake from one side of its valley to the other. The rain had stopped for now.
The Captain was unhappy about her walking but she would not ride nor would she put on her shoes. She watched the river. She well knew that on the other side was Indian Territory. Her mother was over there, her father, perhaps brothers and sisters and all her kin group, her clan within the tribe, perhaps a young man to whom she might have been promised. The black trunks of the live oak were twisted and wiry as chimney brushes. A good place for an ambush. He wished he had a dog. He should have got a dog from somebody.
She stopped and held up her hand. She was looking ahead.
He twitched the long reins and Fancy stopped. Behind them Pasha pointed his ears ahead and suddenly called out in a long, ringing cry.
Captain Kidd pulled out the revolver and once again checked his loads. All dry. He laid it beside him on the floorboards next to the wagon seat on the left side and covered it with a canvas-wrapped flitch of bacon. He reminded himself that the .38 cartridges were hidden in the flour keg.
After a few moments he heard the sound of about ten horses, and the jingling of bits and saddle gear. Their shod hooves clicked on the stones of the road. A company of U.S. Army mounted infantry rode into view a quarter of a mile down the road.
He jumped down and grabbed the girl by the upper arm. He made the sign for “good” in front of her face. They were on one of the few straight and level stretches between all the thick post oak and the soldiers came toward him and Johanna in a unit of blue and of flashing well-shined leather, appearing out of the trees like ghost soldiers. He turned her to him and made the sign for “friend.” She had turned the color of pastry. Her lips were trembling. He led her to the wagon wheel and lifted her so that she put one bare foot on a spoke and then sprang up into the wagon bed and sank down in a welter of skirts and loose hair. She pulled the thick wool
jorongo
over her head. He came up after her, sat down on the driver's seat, unwrapped the reins from the driver's post.
It's all right, Johanna. Johanna?
He knew she thought he was going to hand her over to the Army. That this was probably an arranged meeting.
The man in front was a lieutenant; his shoulder insignia with the double bars winked in the dim light. Therefore it was a regular patrol trotting up and down the road on the south side of the Red looking for signs of raiders crossing over although with
the flooding it was unlikely. They all carried the squareback Navy Colt five-shot revolvers that looked as big as pork hams in their holsters and the .56 caliber Colt carbines, also standard issue for the wild country.
The lieutenant called for the column to halt and then rode alongside and said, Good day. The ten men behind him kicked their feet out of the stirrups to relieve their knees and some took the opportunity to drink from canteens. At the rear their pack mules brayed at his horses in long demented shrieks like train whistles.
Good day, said the Captain.
The lieutenant looked over the wagon and saw the girl on the floor of the wagon bed just behind the Captain, her expression of stiffened fright, or even terror. She was as close to the Captain's revolver as she could get. She slid out her hand and grasped the butt where it lay hidden under the flitch of bacon, her hand and arm covered in the red wool serape.
The young lady seems very disturbed, said the lieutenant. There was surprise in his voice, suspicion.
She was a captive, said the Captain. I'm returning her to her people in Castroville, Bexar County. He handed over the Agent's papers.
I'd like to have a look at her, said the lieutenant. He read through the papers. The Agent's handwriting was very good, very clear. He read it easily, the girl's description, her approximate height and complexion. Then he raised his head. His shoulder bars winked with drops. The river made an endless thunder to their left. They could see it through the trees.
Yes, I'll try, said the Captain. He settled his hat more firmly
on his head and stepped over the back of the wagon seat and grasped the thick red wool and pulled it from her head.
Johanna, he said. Johanna. He patted her shoulder.
Well damn, said the lieutenant. He was taken aback by the flat, wild look on the girl's face. You'd think she would be happy to be going home.
The Captain stood between Johanna and the lieutenant. He said, They took her at age six. As far as she knows she's a Kiowa.
I see. Well, I hope you'll apprise her of the facts. He leaned to one side to see around the Captain and stared at her appraisingly and then bent from his saddle to hand the papers back to the Captain. He said, You're the man who reads the news.
Yes, I am.
I was there at Fort Belknap when you read.
Glad to hear it.
I don't suppose you have your loyalty oath papers to show me.
No, I don't.
Since you are on a sort of official business you will need them. If you voluntarily aided the Confederate Army in any way you will need a certified copy of your loyalty oath.
I did not.
Were your boys in the conflict?
I don't have any.
Are you armed?
All I have is a twenty-gauge shotgun.
Let me see it.
Captain Kidd drew out the old shotgun and worked the bolt and caught the shell as it flew out. Bird shot. He stood in the wagon bed and handed it over. Johanna had in some way fed her
thin body almost completely under the wagon seat and again drew up the thick red wool Mexican blanket over her head. She drew the revolver close to her and stared at the wagon floorboards and listened to every nuance, every tone in the men's voices. It was clear that the Captain was not going to let them have her. The Army man was a man with a hard voice but now his voice dropped and became more conversational.
How is it charged? the lieutenant said.
Number Seven bird shot.
Can't do much with that. I suppose it's all right. The lieutenant handed it back. You don't carry a rifle or a handgun?
Well hell no, said the Captain. He slid the shotgun back into the wagon bed. I might run into some Comanches and they'd take it away from me. He brought out his tobacco and filled his pipe. They might shoot me with it, he said. He struck a match.
There was no point in saying anything about the gaudy and corrupt Reconstruction government running Texas, the mindless law against carrying handguns, even up here on the frontier.
Johanna listened as the Captain's voice developed an edge. He was being insulting to the soldiers. Her eyes brightened.
Yes, very funny, said the lieutenant. He ran his eyes over everything in the wagon bed; the provisions and blankets, the little iron stove, the portfolio of newspapers, a sack of cornmeal, the sack of dimes and other coins, his shot box with the paper hulls and bird shot, a small keg of flour. He glanced at a flitch of bacon beside the wagon seat on the left side. The lieutenant regarded the flour keg and said, What's in that?
Flour.
Very well. I suspect they'll rescind that law here before long. I know people need sidearms to defend themselves.
Surely not, said the Captain.
The lieutenant ignored this. And you are going where?
Weatherford, Dallas, then south to Castroville and San Antonio.
Very well. A long way. Good day, sir. I wish you a safe trip.
SONS OF BITCHES
, he said. You can come out now, Johanna. You can reappear like the flowers in May. They aren't going to slap you in leg irons and throw you into a cell. He smoked his pipe as he flicked the reins. The pipe had been carved from kaolin into the shape of a man's head and in the damp air the smoke hung unmoving so that they traveled on away from it and left it behind them hanging in the air. Johanna?
From behind him he heard, Kep-dun.
Don't stick a knife in my back. Don't let me hear the dreaded click of a cocked revolver hammer. Let us flounder on through life here as best we might.
Kep-dun!
She sprang lightly over the back of the driver's seat and sat down beside him. She held the revolver in one hand between her knees. She made several signs of which he only understood one, which was “good” and the other “let loose” or “free.” Something like that. She smiled for the first time. There was no sign for “thank you.” There was no word in Kiowa for “thank you.” People should know that the one was grateful, because you know you have done something good, something
commendable and there is no need to belabor the point. Kiowa is a tonal language and it sings up and down the complex verbs, and that by itself should be enough to express gratitude at being saved from the men in blue coats with the big long Army revolvers like hog's legs on their thighs, with their coats and pants all exactly the same, which was in itself unnatural. He had faced them down and saved her. She tilted her head to one side to regard him with a bright look on her small round face.
Yes, let loose, he said. Free. He carefully took the .38 from her hand, clicked on the safety, and returned it to the left side of the seat and put the flitch over it again.
She knew how to take the safety off,
he thought. He smiled back at her in a rather stiff grimace.
She wrestled with the yards of unfamiliar skirts and settled herself and smiled a small, slight smile at the sepia-toned, dripping world of the Red River valley. It was more a lift of the powdery blond eyebrows than a smile. She said something in Kiowa in a happy tone.
My name is Ay-ti-Podle, the Cicada, whose song means there is fruit ripening nearby.
She gestured back toward the big bay saddle horse and tossed her hair back. It was as if she wanted to include Pasha in this newfound happiness.
Ah, Cho-henna, he said. He turned and looked down at her. If the officer had reached for her he had no doubt she would have cocked the revolver and shot him point-blank.
He said, Your relatives are going to be so happy to get back their sweet precious lamb.
Kep-dun! she said, brightly, and patted his bony hand.
Cho-henna, he said.
SPANISH FORT WAS
a mile from the river inside a great bend. The Red River was the boundary between Indian Territory and that which was not Indian Territory. They had passed through a tangled country of short, sharp hills with knobs of stone on top of them that stood like monuments, like curtain walls. As they went on toward Spanish Fort they passed them by at walking speed and stared at them as if watching distant castles. A storm rolled up out of the northern March sky, out of the plains.
They came to the town of Spanish Fort in the late afternoon. It was also known as Red River Station and with its two names it was busy. There had been at one time some sort of defensive works here, perhaps Spanish, perhaps not, but they were long gone. The Captain held the reins taut and dodged other vehicles. Johanna at first sat in the back, far inside the bulk of the Mexican-made
jorongo;
she clutched it tight around her so that she was the shape of a lime kiln in bright red and black.
The Captain's excursion wagon made sharp noises as the shafts turned on the fifth wheel beneath his feet. They locked wheels briefly with a freight wagon and it took the driver and the Captain and several bystanders to get them backed and free. Pasha sat back on his halter rope but didn't break it. By this time the Captain was red mud to the knees. Red mud crusted the laces on his old lace-up boots. The streets were filled with layers of wood smoke as supper was now in preparation in the houses and establishments of the town.
He turned his head to look up at second stories and at the people in the second stories doing what he could not tell other than arguing and slamming the windows shut against the wind. Horse soldiers rode by in twos. The wind came running at them
from the northwest at full charge and blew off people's hats and tore at clotheslines. Town noises bit at the Captain's nerves and so what must it be like for her? He turned to pat her on the back, thudding gently on the thick red wool. She glanced up at him with fright on her face.
There was a great barn on the far edge of town that served as a place to park but it was full of every imaginable four-wheeled conveyance. Not far away was the U.S. Cavalry encampment, so he drove into a tight grove of bur oaks beyond the edge of the town. There he put up the overhead canopy and then one of the side curtains, and the other side curtain he stretched out as an awning over the tailgate. He belled Fancy and then hobbled both her and Pasha and set them loose to graze. He stood for a moment to watch Pasha, with his thick, curved neck and large eyes. He was both smooth and calm. He remembered seeing the horse in a lot of twenty to be sold in Dallas. He had instantly turned away because if the dealer had seen the look on his face the price would have gone up a hundred dollars.
Finally the Captain went to heave out the flour keg. He took out the box of .38 shells and put it under the seat.
Everything good, he said to Johanna. He beat the flour from his hands. Here, my dear, do something. Try to get this stove going.
Yes, Kep-dun, yes yes.
She darted under the oaks, still barefoot, to gather firewood. Lightning cracked overhead with a noise like artillery while its blinding neurons of fire ran to every quarter of the sky. Spanish Fort was busy with freight wagons and supply establishments,
with longhorn herds milling outside the town waiting to cross and anxious men conferring under canvas as to when the flood would subside. Trying to figure out how to get them over the Red before they ate up all the grass on this side of the river and starved.
C
APTAIN KIDD LEFT
her feeding sticks into the toylike cast-iron stove and walked back into town grasping his hat brim. He found the man who took care of the Masonic Lodge and arranged to rent it that night. Then he walked about town to put up his bills. If he did not have the girl to care for he would not have to stay at the wagon, he could rent a room with a kerosene lamp and curtains and take a bath and he could eat in a restaurant. God above knew what she would do if presented with a dinner on a plate. In the light mist he tacked up each notice with four tacks. He had learned long ago that anything less left his advertisements prey to the wind and they invariably ended up in the hands of people who needed the paper to write grocery lists on, or for other purposes.
He came upon a fiddler he knew. Simon Boudlin sat behind the glass window of a storefront that was both a ladies' millinery and a meat market. Simon sat in the window with his chin on his fist and his fiddle under one arm as if he were a display. He was watching the world go by. He was a short man but he carried himself as if he were six feet tall; he had straight, broad,
and perfectly square shoulders and slim hips. His thick hair was a halo of unruly brown burrs, and he was freckled as a guinea egg. Simon lifted his fiddle bow by the frog and tapped on the glass. Captain Kidd saw him and went in.
Simon.
Captain.
Are you playing tonight? Because I am reading.
Where?
At the Masonic Lodge.
The Captain joined Simon in the window on another chair and laid his tack hammer and the sheaf of advertisements on the floor. He wiped off his old field hat with his sleeve.
No, it's all right, said Simon. I have already played. No competition. He smiled. He had two teeth broken out of his jaw on the left side but you couldn't see it unless he smiled and then deep parentheses formed on either side of his mouth. He worked sometimes for the wheelwright and a wheel had come off the lathe where they were boring out the hub box and struck him in the jaw. Why are you here? He was not talkative until he had something to say. He was a careful listener and cocked his head like a titmouse, which he did now. Raindrops slid and sparkled on the glass and beyond it people wavered past with their heads down.
I am on my way to Dallas and then on south, said the Captain. Coming from Wichita Falls.
You got across the Little Wichita, then.
Yes, and I think so did Britt Johnson and his crew. They went straight south. So you have nothing to do?
Simon shook his head. I just played for the Fort Worth
Dancing School master. They had the dancing school in the back, here. He pointed with the bow. The fellow who was supposed to play guitar for them was tuning his guitar there at the church on the piano and he got it an octave too high and busted every one of his strings. Simon bent his head down and laughed. Bang bang bang one after the other, you'd think he would have figured it out. He wiped his hand down his face to stop himself from laughing at the guitar player's misfortunes. Well, well, I did it myself once, long ago. And so! They came and got me out of the wheelwright's to play for them. You see. He plucked a curled shaving from his pants leg.
Well then, listen. Captain Kidd shifted from one foot to another and briefly wondered if Johanna might have already absconded into the woods. He regarded his boots. His pants. Mud to the shins. Several women were buying ground meat, a man churned it out of a big-spouted grinder in a red sludge. On the other side of the store a girl and her friend were trying on hats. From the rear of the store came the light voices of yet more girls and the sound of several young men whose voices were very low and at other times broke and vaulted up the register. They came filing out carrying their dancing slippers. The Captain lifted his hat to them. Listen, he said. He groped around in his head for sentences and phrases and words to explain the situation.
I'm listening, I'm listening, said the fiddler. He lightly tapped the head of the bow on the floor between his feet. Some song was running through his head.
The thing is, I am returning a girl who was a Kiowa captive to her people, down south near San Antonio, and she's in
the wagon there, in that bur oak stand behind the livery barn, cooking dinner in my wagon.
Simon looked out the rainy glass at the vehicles passing by, the men and women hurrying along the raw, new boardwalk.
You jest, he said. That's four hundred miles.
No, I do not.
How old is she?
Ten. But Simon, she is wise in the ways of battle and conflict, it seems to me.
Simon watched a cowboy walk by with his hat slanted against the increasing rain and his boots shining with wet.
The fiddler nodded and said, They are always at war.
Be that as it may. She has lost all acquaintance with the uses and manners of white people and I need somebody to keep watch on her while I do my reading. You and your particular friend Miss Dillon would do me a great favor if you would sit with her while I read. I am afraid if I left her alone she might go bolting off.
Simon nodded slowly like a walking beam. He thought about it.
She wants to go back to them, he said.
She apparently does.
I know of a person who was like that, said Simon. They called him Kiowa Dutch. He was blond-haired completely. Nobody knew where he had been captured from, or when. He didn't either. I played for a dance there at Belknap when they brought him in. He got away from the Army fellows who were returning him and he is up there yet.
I think I heard about him, said the Captain. He drummed his fingers on his knee. You know, it is chilling, how their
minds change so completely. But I have taken on this task and I have to try.
Simon lifted his fiddle and ran the bow across the strings. His fingers, hard and coarse with joinery work, blunt at the tips, skipped on the strings and a tune emerged: “Virginia Belle.”
She bereft us when she left us, sweet Virginia Belle.
Then he stopped and said, Sorry. I can't help it. So yes. I will go and get Doris. He sat for a moment considering where Doris might be. Probably attending a lady named Everetson who was ill with a fever. A yawn overtook him and he lifted the back of the fiddle over his mouth the way nonfiddlers would cover a yawn with their hand. He said, Captain, you have taken on a heavy load here, I'm afraid. He tapped his fiddle bow on his shoe.
For an old man is what you mean.
Simon stood and then bent to his case, flipped a piece of waxed silk around his instrument, and laid it in the velvet. Click click he snapped the catches shut. He straightened.
Yes, for an old man is what I mean exactly.
THE CAPTAIN AND
Simon and Doris all hurried through the drizzle to the stand of bur oaks. Between their overhead of rust-colored leaves and the canopy and stretched side curtains, the wagon was dry enough. The girl had made them a supper of cornbread and bacon and coffee and was sitting cross-legged between the long seats like a Hindu yoga with it spread before her. In the lantern light the gold letters of
Curative Waters
shone brightly.
They ducked under the side-curtain awning.
Doris pulled off her dripping straw hat and said, Hello!
Johanna glanced at the Captain as if to ask if he, too, saw this
female apparition and then returned her gaze to Doris without saying a word.
Doris carried a small bundle. She unwrapped it and held it out to the girl with a bright smile. It was a doll with a china head and painted dark eyes. It wore a dress in a brown and green check and shawl and its shoes were painted black on china feet. Johanna reached out one dirty hand from under her blanket and took the doll by the foot. She held it around the body for a moment. It was like the
taina
sacred figure that was taken from its wrappings only at the Sun Dance. She looked searchingly into its eyes. Then she propped it against one of the side benches and opened both her hands to it and said something in Kiowa.
Hmm, said Simon. He stood under the stretched canvas and tousled his hair to shake off the wet. He had left his fiddle safe in his tiny room over the wagon maker's. He wore an old 1840s infantry coat with a high band collar. Its surface was a series of patches, some of which overlapped. My word. I believe she is
addressing
it. The fiddler held out his hands to the heat of the little stove, and worked his stiff fingers open and shut to loosen the joints.
Doris found the ironstone plates in the cook box. She said, she is like an elf. She is like a fairy person from the
glamorie.
They are not one thing or another. She laid out the plates wherever she could find room on the tailgate and on tops of boxes.
Simon regarded the light of his life with a solemn expression. Doris, he said, your Irish comes out at the strangest times.
Don't stare at her, said Doris. That is what she is.
She thinks it's an idol, said Simon. The Captain bent over the tailgate searching through his carpetbag and listened to them.
Aye, perhaps, said Doris. She shoveled food onto the plates and laid whatever utensil she could find on each one; the two forks, the camp knife, a serving spoon and then lifted her head to look at the girl; so alone, twice captured, carried away on the flood of the world. Doris's eyes burned suddenly with tears and she lifted the back of her hand to her eyes. But I think not. The doll is like herself, not real and not not-real. I make myself understood I hope. You can put her in any clothing and she remains as strange as she was before because she has been through two creations. Doris laid a plate before the girl. Doris's hair was Irish black with blue lights in it, a rare, true black. She was a small woman and her wrists were ropy with muscle and hard work. She said, To go through our first creation is a turning of the soul we hope toward the light, out of the animal world. God be with us. To go through another tears all the making of the first creation and sometimes it falls to bits. We fall into pieces. She is asking, Where is that rock of my creation?
The Captain took out shaving gear. He went to the far side and hung his mirror on a bolt end and shaved. He said, Miss Dillon, you know this how?
An Gorta Mor,
she said. In the famine children saw their parents die and then went to live with the people on the other side. In their minds they went. When they came back they were unfinished. They are forever falling. She shook out her wet, pinned-up skirt and watched as Johanna carefully ate pieces of bacon with her hands.
Well, I don't know what I can do about it. The Captain came back around, put away his gear, and sat on the flour keg. He
bent his long, elderly body with a light creaking of the spine and went through his newspapers. He had to make a living. This was intriguing but first he needed to hear the coins falling into the paint can; then he could listen to mysteries about unfinished children, trailing their griefs and ragged edges.
And the newspapers, they say nothing about this at all or about the poor at all, Doris said. There are great holes in your newspapers. Nobody sees them. God sees them.
The Captain ate his supper and then crossed his knife and fork on his plate and put the plate on the tailgate. Yes, I am sure He does. At any rate, she has to go back to her family. It's only my concern between here and Castroville.
Who are her people?
Germans.
Ah! Doris clapped both hands over her face for a moment and then dropped them in her lap. And so now that's three languages the child must know. She wiped her hands on flour sacking. Leave her with us, Captain. We will take her.
Simon stopped eating. He drew in his lower lip and raised both eyebrows in an expression of surprise.
Doris said, She is like my little sister that died.
Ahem, Doris, my dear, said Simon. And so we will be married next month with a child already.
Doris lifted her slim shoulders. The priest, she said, has seen everything.
The Captain thought,
The girl is trouble and contention wherever she goes, wherever she lands. No one wants her for herself. A redheaded stepchild destined for the washhouse.
Miss Dillon, that is generous of you but I must return her to her relatives as I said I would do, and for which I took a coin of fifty dollars in gold.
Simon's relief was plain in his face.
The girl shrank away into the interior, against the backrest, and hid in the thick
jorongo.