Back in the house he scrawled four letters reading:
Arthur Jefferson is trying to pass the colour line. He is my cousin and should admit he is black like the rest of us. I am doing this for his own good.
He signed the letter
John Thomas Jefferson
and addressed three of the envelopes to Donald Gorse, the Mortons, and Mr. Henry Putnam.
This completed, he saw Mrs. Backus walking toward the boulevard and followed. "May I walk you?" he asked.
"Oh," she said. "All right."
"I missed your husband last night," he told her.
She glanced at him.
"I thought I'd join him bowling," Theodore said, "but I guess he was sick again."
"Sick?"
"I asked the man behind the counter at the alley and he said that Mr. Backus hadn't been coming in because he was sick."
"Oh," Mrs. Backus's voice was thinly stricken.
"Well, maybe next Friday," said Theodore.
Later, when he came back, he saw a panel truck in front of Henry Putnam's house. A man came out of the alley carrying a blanket-wrapped body which he laid in the truck. The Putnam boys were crying as they watched.
Arthur Jefferson answered the door. Theodore showed the letter to Jefferson and his wife. "It came this morning," he said.
"This is
monstrous!"
said Jefferson, reading it.
"Of
course
it is," said Theodore.
While they were talking, Jefferson looked through the window at the Putnam house across the street.
A little after six that morning he woke to the howl of sirens and felt the small house tremble at the heavy trucks passing by. Turning on his side, he yawned, and mumbled, "Goody."
"May I drive you to church?" asked Theodore.
"I-I don't believe I-I'm not… feeling too well," stumbled Mrs. Backus.
"Oh, I'm sorry," Theodore said. He saw the edges of some photographs protruding from her apron pocket.
As he left he saw the Mortons getting in their car, Bianca wordless, both Walters ill at ease. Up the street, a police car was parked in front of Arthur Jefferson's house.
Theodore went to church with Donald Gorse who said that Eleanor was feeling ill.
"I'm so sorry," Theodore said.
That afternoon, he spent a while at the Jefferson house helping clear away the charred debris of their back porch. When he saw the slashed rubber pool he drove immediately to a drug store and bought another one.
"But they love that pool," said Theodore, when Patty Jefferson protested. "You told me so yourself."
He winked at Arthur Jefferson but Jefferson was not communicative that afternoon.
Several minutes later, Theodore went outside and started pulling up the door to the garage. He saw the old man hurrying down his alley, the dog in his arms.
"What's wrong?" asked Theodore.
"Don't know," said Alston in a breathless, frightened voice. "He's hurt."
"Quickly!" said Theodore. "Into my car!"
He rushed Alston and the dog to the nearest veterinary, passing three stop signs and groaning when the old man held his hand up, palsiedly, and whimpered,
"Blood!"
For three hours Theodore sat in the veterinary's waiting room until the old man staggered forth, his face a greyish white.
"No,"
said Theodore, jumping to his feet.
He led the old man, weeping, to the car and drove him home. There, Alston said he'd rather be alone so Theodore left. Shortly afterward, the black and white police car rolled to a stop in front of Alston's house and the old man led the two officers past Theodore's house.
In a while, Theodore heard angry shouting up the street. It lasted quite a long time.
Eleanor Gorse nodded stiffly.
"I've brought you and your father a casserole," said Theodore, smiling, holding up a towel-wrapped dish. When she told him that her father was gone for the night, Theodore clucked and sighed as if he hadn't seen the old man drive away that afternoon.
"Well then," he said, proffering the dish, "for
you.
With my sincerest compliments."
Stepping off the porch he saw Arthur Jefferson and Henry Putnam standing under a street lamp down the block. While he watched, Arthur Jefferson struck the other man and, suddenly, they were brawling in the gutter. Theodore broke into a hurried run.
"But this is
terrible!"
he gasped, pulling the men apart.
"Stay out of this!" warned Jefferson, then, to Putnam, challenged, "You better tell me how that paint can got under your porch! The police may believe it was an accident I found that matchbook in my alley but I don't!"
"I'll tell you nothing," Putnam said, contemptuously. "
Coon."
"Coon! Oh, of course! You'd be the first to believe that, you stupid-!"
Five times Theodore stood between them. It wasn't until Jefferson had, accidentally, struck him on the nose that tension faded. Curtly, Jefferson apologized; then, with a murderous look at Putnam, left.
"Sorry he hit you," Putnam sympathized. "Damned nigger."
"Oh, surely you're mistaken," Theodore said, daubing at his nostrils. "Mr. Jefferson told me how afraid he was of people believing this talk. Because of the value of his two houses, you know."
"Two?" asked Putnam.
"Yes, he owns the vacant house next door to his," said Theodore. "I assumed you knew."
"No,"
said Putnam warily.
"Well, you see," said Theodore, "if people think Mr. Jefferson is a Negro, the value of his houses will go down."
"So will the values of all of them," said Putnam, glaring across the street. "That dirty, son-of-a-"
Theodore patted his shoulder. "How are your wife's parents enjoying their stay in New York?" he asked as if changing the subject.
"They're on their way back," said Putnam.
"Good," said Theodore.
He went home and read the funny papers for an hour. Then he went out.
It was a florid faced Eleanor Gorse who opened to his knock. Her bathrobe was disarrayed, her dark eyes feverish.
"May I get my dish?" asked Theodore politely.
She grunted, stepping back jerkily. His hand, in passing, brushed on hers. She twitched away as if he'd stabbed her.
"Ah, you've eaten it all," said Theodore, noticing the tiny residue of powder on the bottom of the dish. He turned. "When will your father return?" he asked.
Her body seemed to tense. "After midnight," she muttered.
Theodore stepped to the wall switch and cut off the light. He heard her gasp in the darkness. "No," she muttered.
"Is this what you want, Eleanor?" he asked, grabbing harshly.
Her embrace was a mindless, fiery swallow. There was nothing but ovening flesh beneath her robe.
Later, when she lay snoring satedly on the kitchen floor, Theodore retrieved the camera he'd left outside the door.
Drawing down the shades, he arranged Eleanor's limbs and took twelve exposures. Then he went home and washed the dish.
Before retiring, he dialled the phone.
"Western Union," he said. "I have a message for Mrs. Irma Putnam of 12070 Sylmar Street."
"That's me," she said.
"Both parents killed in auto collision this afternoon," said Theodore. "Await word regarding disposition of bodies. Chief of Police, Tulsa, Okla-"
At the other end of the line there was a strangled gasp, a thud; then Henry Putnam's cry of "Irma!" Theodore hung up.
After the ambulance had come and gone, he went outside and tore up thirty-five of Joseph Alston's ivy plants. He left, in the debris, another matchbook reading
Putnam's Wines and Liquors.
"I want money," he said. "These are my collateral." He threw down copies of the photographs and Eleanor recoiled, gagging. "Your father will receive a set of these tonight," he said, "unless I get two hundred dollars."
"But I-!"
"Tonight."
He left and drove downtown to the Jeremiah Osborne Realty office where he signed over, to Mr. George Jackson, the vacant house at 12069 Sylmar Street. He shook Mr. Jackson's hand.
"Don't you worry now," he comforted. "The people next door are black too."
When he returned home, there was a police car in front of the Backus house.
"What happened?" he asked Joseph Alston who was sitting quietly on his porch.
"Mrs. Backus," said the old man lifelessly. "She tried to kill Mrs. Ferrel."
"Is that right?" said Theodore.
That night, in his office, he made his entries on page 700 of the book.
Mrs. Ferrel dying of knife wounds in local hospital. Mrs. Backus in jail; suspects husband of adultery. J. Alston accused of dog poisoning, probably more. Putnam boys accused of shooting Alston's dog, ruining his lawn. Mrs. Putnam dead of heart attack. Mr. Putnam being sued for property destruction. Jeffersons thought to be black. McCanns and Mortons deadly enemies. Katherine McCann believed to have had relations with Walter Morton, Jr. Morton, Jr. being sent to school in Washington. Eleanor Gorse has hanged herself Job completed.
Time to move.
"Pretty, isn't it?" she said.
"Mmm-hmm."
"It's been a nice vacation."
"Yes, it has," he said.
Behind them, the screen door on the hotel porch opened and shut. Someone started down the gravel, path towards the lake. Jean glanced over her shoulder.
"Who is it?" asked Hal without turning.
"That man we saw in the dining room," she said.
In a few moments, the man stood nearby on the shoreline. He didn't speak or look at them. He stared across the lake at the distant woods.
"Should we talk to him?" whispered Jean.
"I don't know," he whispered back.
They looked at the lake again and Hal's arm slipped around her waist.
Suddenly the man asked:
"Do you hear them?"
"Sir?" said Hal.
The small man turned and looked at them. His eyes appeared to glitter in the moonlight.
"I asked if you heard them," he said.
There was a brief pause before Hal asked, "Who?"
"The crickets."
The two of them stood quietly. Then Jean cleared her throat. "Yes, they're nice," she said.
"Nice?"
The man turned away. After a moment, he turned back and came walking over to them.
"My name is John Morgan," he said.
"Hal and Jean Galloway," Hal told him and then there was an awkward silence.
"It's a lovely night," Jean offered.
"It would be if it weren't for them," said Mr. Morgan. "The crickets."
"Why don't you like them?" asked Jean.
Mr. Morgan seemed to listen for a moment, his face rigid. His gaunt throat moved. Then he forced a smile.
"Allow me the pleasure of buying you a glass of wine," he said.
"Well-" Hal began.
"Please." There was a sudden urgency in Mr. Morgan's voice.
The dining hall was like a vast shadowy cavern. The only light came from the small lamp on their table which cast up formless shadows of them on the walls.
"Your health," said Mr. Morgan, raising his glass. The wine was dry and tart. It trickled in chilly drops down Jean's throat, making her shiver.
"So what about the crickets?" asked Hal.
Mr. Morgan put his glass down.
"I don't know whether I should tell you," he said. He looked at them carefully. Jean felt restive under his surveillance and reached out to take a sip from her glass.
Suddenly, with a movement so brusque that it made her hand twitch and spill some wine, Mr. Morgan drew a small, black notebook from his coat pocket. He put it on the table carefully.
"There," he said.
"What is it?" asked Hal.
"A code book," said Mr. Morgan.
They watched him pour more wine into his glass, then set down the bottle and the bottle's shadow on the table cloth. He picked up the glass and rolled its stem between his fingers.
"It's the code of the crickets," he said.
Jean shuddered. She didn't know why. There was nothing terrible about the words. It was the way Mr. Morgan had spoken them.
Mr. Morgan leaned forward, his eyes glowing in the lamplight.
"Listen," he said. "They aren't just making indiscriminate noises when they rub their wings together." He paused.
"They're sending messages,"
he said.
Jean felt as if she were a block of wood. The room seemed to shift balance around her, everything leaning towards her.
"Why are you telling us?" asked Hal.
"Because now I'm sure," said Mr. Morgan. He leaned in close. "Have you ever really listened to the crickets?" he asked. "I mean really? If you had you'd have heard a rhythm to their noises. A pace-a definite beat.
"I've listened," he said. "For seven years I've listened. And the more I listened the more I became convinced that their noise was a code; that they were sending messages in the night.
"Then-about a week ago-I suddenly heard the pattern. It's like a Morse code only, of course, the sounds are different."
Mr. Morgan stopped talking and looked at his black notebook.
"And there it is," he said. "After seven years of work, here it is. I've deciphered it."
His throat worked convulsively as he picked up his glass and emptied it with a swallow.
"Well-what are they saying?" Hal asked, awkwardly.
Mr. Morgan looked at him.
"Names," he said. "Look, I'll show you."
He reached into one of his pockets and drew out a stubby pencil. Tearing a blank page from his notebook, he started to write on it, muttering to himself.
"Pulse, pulse-silence-pulse, pulse, pulse-silence-pulse- silence-"
Hal and Jean looked at each other. Hal tried to smile but couldn't. Then they were looking back at the small man bent over the table, listening to the crickets and writing.
Mr. Morgan put down the pencil. "It will give you some idea," he said, holding out the sheet to them. They looked at it.
MARIE CADMAN, it read. JOHN JOSEPH ALSTER. SAMUEL-
"You see," said Mr. Morgan. "Names."
"Whose?" Jean had to ask it even though she didn't want to.
Mr. Morgan held the book in a clenching hand.
"The names of the dead,"
he answered.
Later that night, Jean climbed into bed with Hal and pressed close to him. "I'm cold," she murmured.
"You're scared."
"Aren't you?"
"Well," he said, "if I am, it isn't in the way you think."
"How's that?"
"I don't believe what he said. But he might be a dangerous man. That's what I'm afraid of."
"Where'd he get those names?"
"Maybe they're friends of his," he said. "Maybe he got them from tombstones. He might have just made them up." He grunted softly. "But I don't think the crickets told him," he said.
Jean snuggled against him.
"I'm glad you told him we were tired," she said. "I don't think I could have taken much more."
"Honey," he said, "here that nice little man was giving us the lowdown on crickets and you disparage him."
"Hal," she said, "I'll never be able to enjoy crickets for the rest of my life."
They lay close to each other and slept. And, outside in the still darkness, crickets rubbed their wings together until morning came.
Mr. Morgan came rapidly across the dining room and sat down at their table.
"I've been looking for you all day," he said. "You've got to help me."
Hal's mouth tightened. "Help you how?" he asked, putting down his fork.
"They know I'm on to them," said Mr. Morgan. "They're after me."
"Who, the crickets?" Hal asked, jadedly.
"I don't know," said Mr. Morgan. "Either them or-"
Jean held her knife and fork with rigid fingers. For some reason, she felt a chill creeping up her legs.
"Mr. Morgan." Hal was trying to sound patient.
"Understand me," Mr. Morgan pleaded. "The crickets are under the command of the dead. The dead send out these messages."
"Why?"
"They're compiling a list of all their names," said Mr. Morgan. "They keep sending the names through the crickets to let the others know."
"Why?"
repeated Hal.
Mr. Morgan's hands trembled. "I don't know, I don't know," he said. "Maybe when there are enough names, when enough of them are ready, they'll-" His throat moved convulsively.
"They'll come back,"
he said.
After a moment, Hal asked, "What makes you think you're in any danger?"
"Because while I was writing down more names last night," said Mr. Morgan,
"they spelled out my name."
Hal broke the heavy silence.
"What can we do?" he asked in a voice that bordered on uneasiness.
"Stay with me," said Mr. Morgan, "so they can't get me."
Jean looked nervously at Hal.
"I won't bother you," said Mr. Morgan. "I won't even sit here, I'll sit across the room. Just so I can see you."
He stood up quickly and took out his notebook.
"Will you watch this?" he asked.
Before they could say another word, he left their table and walked across the dining room, weaving in and out among the white-clothed tables. About fifty feet from them, he sat down, facing them. They saw him reach forward and turn on the table lamp.
"What do we do now?" asked Jean.
"We'll stay here a little while," said Hal. "Nurse the bottle along. When it's empty, we'll go to bed."
"Do we have to stay?"
"Honey, who knows what's going on in that mind of his? I don't want to take any chances."
Jean closed her eyes and exhaled wearily. "What a way to polish off a vacation," she said.
Hal reached over and picked up the notebook. As he did, he became conscious of the crickets rasping outside. He flipped through the pages. They were arranged in alphabetical order, on each page three letters with their pulse equivalents.
"He's watching us," said Jean.
"Forget him."
Jean leaned over and looked at the notebook with him. Her eyes moved over the arrangements of dots and dashes.
"You think there's anything to this?" she asked.
"Let's hope not," said Hal.
He tried to listen to the crickets' noise and find some point of comparison with the notes. He couldn't. After several minutes, he shut the book.
When the wine bottle was empty, Hal stood. "Beddy-bye," he said.
Before Jean was on her feet, Mr. Morgan was halfway to their table. "You're leaving?" he asked.
"Mr. Morgan, it's almost eleven," Hal said. "We're tired. I'm sorry but we have to go to bed."
The small man stood wordless, looking from one to the other with pleading, hopeless eyes. He seemed about to speak, then his narrow shoulders slumped and his gaze dropped to the floor. They heard him swallowing.
"You'll take care of the book?" he asked.
"Don't you want it?"
"No." Mr. Morgan turned away. After a few paces, he stopped and glanced back across his shoulder. "Could you leave your door open so I can-call?"
"All right, Mr. Morgan," he said.
A faint smile twitched Mr. Morgan's lips.
"Thank you," he said and walked away.
It was after four when the screaming woke them. Hal felt Jean's fingers clutching at his arm as they both jolted to a sitting position, staring into the darkness.
"What is it?"
gasped Jean.
"I don't know." Hal threw off the covers and dropped his feet to the floor.
"Don't leave me!" said Jean.
"Come on then!"
The hall had a dim bulb burning overhead. Hal sprinted over the floorboards towards Mr. Morgan's room. The door to it was closed although it had been left open before. Hal banged his fist on it. "Mr. Morgan!" he called.
Inside the room, there was a sudden, rustling, crackling sound-like that of a million, wildly shaken tambourines. The noise made Hal's hand jerk back convulsively from the door knob.
"What's
that?"
Jean asked in a terrified whisper.
He didn't answer. They stood immobile, not knowing what to do. Then, inside, the noise stopped. Hal took a deep breath and pushed open the door.
The scream gagged in Jean's throat.
Lying in a pool of blood splotched moonlight was Mr. Morgan, his skin raked open as if by a thousand tiny razor blades. There was a gaping hole in the window screen.
Jean stood paralyzed, a fist pressed against her mouth while Hal moved to Mr. Morgan's side. He knelt down beside the motionless man and felt at Mr. Morgan's chest where the pyjama top had been sliced to ribbons. The faintest of heartbeats pulsed beneath his trembling fingers.
Mr. Morgan opened his eyes. Wide, staring eyes that recognized nothing, that looked right through Hal.
"P-H-I-L-I-P M-A-X-W-E-L-L." Mr. Morgan spelled out the name in a bubbling voice.
"M-A-R-Y G-A-B-R-I-E-L," spelled Mr. Morgan, eyes stark and glazed.
His chest lurched once. His eyes widened.
"J-O-H-N M-O-R-G-A-N," he spelled.
Then his eyes began focusing on Hal. There was a terrible rattling in his throat. As though the sounds were wrenched from him one by one by a power beyond his own, he spoke again.
"H-A-R-O-L-D G-A-L-L-O-W-A-Y," he spelled, "J-E-A-N G-A-L-L-O-W-A-Y"
Then they were alone with a dead man.
And outside in the night, a million crickets rubbed their wings together.