Nightwork: Stories

Read Nightwork: Stories Online

Authors: Christine Schutt

Tags: #Fiction, #Romance, #Collections & Anthologies, #Short Stories (Single Author)

This Is a Borzoi Book Published by Alfred A. Knopf, Inc.

Copyright © 1996 by Christine Schutt
All rights reserved under International and Pan-American
Copyright Conventions.
Published in the United States by Alfred A. Knopf, Inc., New York, and simultaneously in Canada by Random House of Canada Limited, Toronto. Distributed by Random House, Inc., New York.

“The Summer After Barbara Claffey,” “You Drive,” “Good Night, Sweetheart,” “What Have You Been Doing?” “An Unseen Hand Passed over Their Bodies,” “Daywork,” “Teachers,” “See If You Can Lift Me,” “The Enchantment,” “Because I Could Not Stop for Death,” and “Giovanni and Giovanna” were first published in
The Quarterly.
“Religion” was published in
StoryQuarterly.
“His Chorus” was published in
The Alaska Quarterly
, and “Metropolis” was published in
The Mississippi Review.
“To Have and to Hold” originally appeared in the anthology
The Unmade Bed
, published by HarperCollins Publishers.

Library of Congress Cataloging-in-Publication Data
Schutt, Christine.
Nightwork : stories / by Christine Schutt.— 1st ed.
p. cm.
eISBN: 978-0-307-82820-0
1. Manners and customs—Fiction. I. Title.
PS3569.C55555N54    1996
813′.54—dc20    95-32033

v3.1

TO NICK AND WILL

CONTENTS

Cover
Title Page
Copyright
Dedication

You Drive

The Summer After Barbara Claffey

What Have You Been Doing?

Good Night, Sweetheart

Religion

Dead Men

Daywork

An Unseen Hand Passed over Their Bodies

The Enchantment

Metropolis

To Have and to Hold

Stephen, Michael, Patrick, John

See If You Can Lift Me

Teachers

Because I Could Not Stop for Death

His Chorus

Giovanni and Giovanna

About the Author

YOU DRIVE

S
he brought him what she had promised, and they did it in his car, on the top floor of the car park, looking down onto the black flat roofs of buildings, and she said, or she thought she said, “I like your skin,” when what she really liked was the color of her father’s skin, the mottled white of his arms and the clay color at the roots of the hairs along his arms. Long hair along his arms it was, hair bleached from sun and water—sun off the lake, and all that time he spent in water, summer to summer abrading the wild dry hair on his head, turning the ends of his hair, which was also red, and deeply so, quite white. “You look healthy,” she said to her father, and he did, in high color, but the skin on his face also seemed coarse to her—not boy’s skin, her father’s, not glossy, close-grained skin, but pitted and stubbled under all that
color, rashed along his jaw and neck, her father’s skin: rough. She touched him, and it was rough skin, his cheek. “Just testing,” she said, and smiled at her father. “Shaving,” she said. “I used to watch Mother’s guys at it.”

Her father said, “My youngest daughter still”; then he took hold of her hand and kissed it. He was quiet. Holding her hand against his leg and looking out at a roof where a fat woman waited for her dog, her father was quiet. “What a dirty place this is,” he said. “That poor dog is ashamed of himself.”

“Look at my hands,” she said. “I have seen lots of things,” she said, changing the sheets of incontinent patients on rounds made twice a night—all of them up, anyway, these old howlers, mean and balked and full of worry. The naked woman with her pocketbook is crying after baby while the farmer at the nurses’ station slaps the counter for a drink. “Where the fuck,” the farmer says over and over. “You should know this about me,” she said to her father. “I can take care of myself.”

“So tell me what you have seen,” her father said, and she told him about her mother and the guy with the criminal haircut. “Can you imagine?” she asked her father. Imagine the two of them, inviting her in after, turning over the pillows and fanning at their chests by lifting up the sheet. And there was more, she said, a lot more, but it was her father’s turn. “You promised,” she said. “The wife.”

“The wife,” he said.

The wife has see-through skin and grainy eyelids bruised by nature. When she wakes, there is all this sand between her lashes. Daughters, too, there are—brown and knobby daughters, dozens of them, Scotch-taping bangs and walking through the house in their underwear.

She told her father a girl had kissed her once, and not a girl really, but a woman, a teacher, a small, dark, trembly woman who followed all the games at school, running herself breathless up and down the playing field.

“How did it feel,” her father asked, “to kiss a woman?”

“I don’t remember,” she said. “The woman turned teacherly and took me by the shoulders.”

“You are such a show-off,” T said. “You are vain. You are braggy.”

She told her father about these girls she knew who were in love with each other. They let her watch them kiss at the lake after swimming. Their kissing was not so dry or hard-seeming as the kissing she remembered with her teacher, and she spoke of the blond abundance of the girl-girl curled outside a high-cut suit; but there was so much smoke in the car by then, she did not know if she imagined the square and heavy ends of her father’s fingers, or if she saw or had hold of his
fingers, of the whorled dead-white ends of his fingers, tips weighted as surely as a line, deep fishing, plummet of fat in the black-green water—what was that thing he said he caught? Lifted out of the water and beating against her as it had, the fish curling and uncurling in the heat of her hand, did it have a name?

“Tell me about your boyfriends,” her father said. Her father asked, “Who else besides the character who gets you this stuff?”

“Just the character,” she said, and she called the character T because she didn’t want to give him a name. A name could get them all in trouble. “T is just a hairless boy—doesn’t need to shave,” she said. Same age, but not her size. Smaller, prettier—T had a lean girl’s face, sharp angles, good bones. The hammocked skin underneath his eyes fluttered when he kissed. “I look,” she said.

Her father kissed her, his dry lips slack against her own and soft. Gentle enough, this time; she could have looked, but she was shy: ready to move in what ways he moved, toward her or away, a lot depending on the things she brought him. That is what she thought at least, that is what she told him, but her father said, “No, no, no.”

Her father said, “My problem is, I’m tired.”

Another boy, another car, she used to let him feel her up just so long as she could sleep. “The night shift,” she said to her father, “is such a bitch. You’re always tired. I can’t talk,” she said, and she kissed her father. She opened her mouth to him and worried her hand
inside his coat and felt the warm damp of his shirt, the hard back and heat of her father. Here was no girl-boy, but heavy muscle and bone, soft, wide shoulders and something like breasts. She liked to push against and rub her face between her father’s breasts. She rubbed her face in him: lemons and gin and earth and smoke. His springy hair was in her teeth, everywhere springy, and fragrant and wet and tasting of nails. Yes, the metals in my mouth, she said, are singing.

She told T she couldn’t remember where she had parked her car.

That was why she was late, she told T. This was another time she couldn’t remember. They had driven around and around, she and her father, looking for the street. “Honest,” she said, but T didn’t believe her, and he put his hand in under her skirt to prove it.

T said, “You are so fucking easy to get at,” which she supposed was true, the way she dressed, the way she Velcroed shut, ready to unravel at a tab for a boy—any boy, or that was what T said. “I can see through your dress,” T said. “I know what you’ve been doing.”

Under the watchful eye of a man whose name she did not now remember, she took off her skinny bra. He only wanted to look, the man said, and touch her, just a little.

“You would like my mother,” she said to the man. “You should see my mother.”

“Should I be ashamed?” she asked her father. The lady and her dog were gone; only skin-colored fence acted guardrail on a road: no view.

“Of what?” he asked.

Third party to things, watching, scattering other women’s charms like seed and clucking in a backward shuffle was how she saw herself, asking, “Do you like that woman? Did you see her breasts?”

Her father said, “I like your breasts.”

Full snub-nosed breasts, nipples tightened to the size of quarters in the cold, she liked these breasts, too, and girls with boy chests and ribs showing through, which wasn’t the way she was made, or maybe it was—she wasn’t sure, even though she looked when she was being touched. She knew these feelings. The damp press and hurtful weight of a man’s head against her collar—beard, no beard—she had known this.

“Everyone else,” she told her father, “seems to have what I want.”

Her father said, “My daughters are the same.” Spoiled girls, they were using Daddy’s credit cards to clean beneath their nails, asking, Can we? Why don’t we? We should. Her father said, “I don’t think of you that way,” and he pressed the heel of his hand against
her hip as he might to push away, to push off, hard body arched, moving stiffly in the cold waters just off the rocks.

The summer houses were shut up for the winter. November, midday, and the black lake level against the yellow shore. “We could go there,” her father said, but they stayed put, in his car, and used the things she brought.

T said, “Even your mother wants it,” and she was surprised.

T said, “Oh, come on, everything you fucking do on that night-shift fucking job is crooked.”

“What do you do,” she asked her father, “when you are not with me?”

He said, “You don’t really want to know,” and he drove her to an unfinished place and pointed. “I have something to do with that.” She saw a building, girders, rags, nets, menacing vacancies. Her father pointed. “Nobody home,” he said, “but that’s not my job.” Rocking the car easy over the scrub-board road, raising dust, her father said, “We’ll never get this thing finished.”

Dust settling on the canvased shapes, Dumpsters and cinder block, the whole wild modern array of it—amazing.

“Amazing,” she said to her father, looking out the window and back at him: the whiteness of his collar against the blaze of neck, the creases darkened, almost
black. At his throat, he wore a tie knotted tight as a knuckle.

Maybe he draws the buildings; maybe he warehouses nails and joints, figure-eight pieces, metal supports. Who knows? The way her father palmed the wheel of his fat car, he might very well be a crook with a crook’s car, much like an office, plush and neutral, her father’s make, coppery glitter and paneling that might or might not be real wood. Black and gold buttons for everything; the music on the radio—never clearer. Only decide, decide, please. You pick, no you, was the way she was with her father, first word always
yes
to everything he asked about. Yes, I did. Yes, I will.

Yes when he surprised her, coming up almost to her house and pointing to a shut eye. “Do you believe my wife did this?” he asked, the good eye blinking and teary and strained. “Can you come out with me for just a while?” Yes.

Yes, Dad: The name warmed her every time she used it to his face, so that she rarely used this name—or any other to his face. Instead, she signaled him. She gave directions in the way she touched him, sometimes saying, “You” and “You” when she was tired and wanted to let him know she would, all he had to do was ask, but not tonight. Tonight she wasn’t feeling well.

“But yes,” she said to her father. She was always saying yes to her father, and only when she was away from him did she wonder. Does this make sense, my father? Driving all the way to her and home again and
to her again in a night, driving to where she worked and waiting for her in the lot until the morning—did her father make sense?

“Twice in a night, it happened,” she said to T. “I get confused.”

She said, “But I like what I am doing. I wanted to be in something hard. I wanted to be up all night.”

Other books

The Map of Chaos by Félix J. Palma
Suffocate by Xavier Neal
Terror Incognita by Jeffrey Thomas
The Sculptor by Gregory Funaro
EarthRise by William C. Dietz
Blindside by Coulter, Catherine
Take or Destroy! by John Harris
Officer Cain - Part One: Officer in Charge by D. J. Heart, Brett Horne