Nijinsky (47 page)

247
‘the highest form'
: Massine,
My Life in Ballet
, pp. 86–7.

247
‘two Nijinskys'
: Tamara Nijinsky,
Nijinsky and Romola
, p. 379.

247
‘Where the essential Nijinsky existed'
: Romola Nijinsky,
Nijinsky; and The last years of Nijinsky
, p. 114.

247
‘wrapped up … take place'
: Tamara Nijinsky,
Nijinsky and Romola
, p. 77.

248
‘Nijinsky alone … merriment below'
: Draper,
Music at Midnight
, p. 187.

248
‘You could never believe'
: Cocteau,
Journals
, p. 53.

248
‘Too familiar'
: Cocteau,
The Cock and the Harlequin
, p. 46.

249
‘I do not like'
: Nijinsky,
Nijinsky's Diary
, p. 128.

249
‘What kind of beauty'
: Buckle,
Nijinsky
, p. 298.

249
‘I could not agree'
: Nijinsky,
Nijinsky's Diary
, p. 103.

249
‘I want to prove'
: ibid., p. 42.

249
‘Now that … one else'
: N. Wright,
Rattigan's Nijinsky
(London, 2011), p. 42.

250
‘Absolutely everything he invented'
: Drummond (ed.),
Speaking of Diaghilev
, p. 114.

250
‘I would not hesitate'
: Rambert,
Quicksilver: The Autobiography of Marie Rambert
, p. 60.

250
Ninette de Valois
: Parker,
Nijinsky
, p. 10.

250
‘Had Niijinsky tried'
: Karsavina,
Theatre Street
, p. 151.

251
Come, come now
: a very loose paraphrase of Haskell,
Balletmania
, p. 47.

251
‘Ah! What poet'
: Francis de Moimandre's Introduction to G. Barbier,
Designs on the Dances of Vaslav Nijinsky
(London, 1913).

251
‘the greatest of stage artists'
: C. Van Vechten,
Music After the Great War
(New York, 1915), p. 77.

251
‘his dancing has the unbroken quality'
: Magriel,
Nijinsky, Pavlova, Duncan: Three Lives in Dance
, p. 7.

252
‘I have never seen'
: ibid., p. 65.

252
‘tiny, almost unnoticeable movements'
: L. M. Newman (ed.),
The Correspondence of Edward Gordon Craig and Count Harry Kessler
(London, 1995), p. 78.

252
‘Looking at him'
: Denby in Magriel,
Nijinsky, Pavlova, Duncan: Three Lives in Dance
, p. 20.

252
‘It was not only … melting tenderness'
: Beaumont, ‘Garland for Nijinsky' in
Ballet Annual 1950
, pp. 189–90.

253
‘He looks as if the body'
: Magriel,
Nijinsky, Pavlova, Duncan: Three Lives in Dance
, p. 21.

253
‘I do not see anything … on stage'
: ibid., pp. 20–21.

253
‘probably … some photographs'
: Nijinsky,
Nijinsky's Diary
, p. xliv.

254
‘can be interpreted'
: A. Croce,
New Yorker
review of Buckle's
Diaghilev
, 12 May 1980.

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