Authors: Lorie Ann Grover
My head is above his.
“Now get back in bed,” he tells me,
“and I'll bring you some water.
You must be dehydrated.
I'm so sorry I didn't bring more water
for the hike.”
“It's okay.”
I crawl under the sheet
and rub my foot.
My toes aren't pulled apart
like a wishbone anymore.
Grandpa brings the water.
I gulp it down.
He slides both windows closed.
“Don't want you getting chilled.
Good night, love,” he says.
“Good night, Grandpa.”
Prunes again this morning.
I stare at the
bloated blobs
floating
in Grandpa's bowl.
He slurps them down.
I gobble up my low-fat breakfast bar.
My foot is a little sore
from the charley horse last night.
I massage it while I sit at the table.
“Thursday Bible study for me this morning,”
Grandpa says.
“Oh.”
“We have such a good group,
and the study is very intriguing aboutâ”
I zone out until I hear,
“You know you are welcome to come
and worship with me on Sundays.”
“Yeah. But it's just not for me, Grandpa.”
He straightens the place mat.
I'll tell him how I feel.
That's not talking back.
“Since Mom and Dad have never gone to church,
it would be really weird for me.
Remember we talked about it before?”
“Oh, yes. But I thought you might have
changed your mind.”
I shake my head.
“Well, I guess I'll be going then,” he says.
“Would you load the dishwasher?”
“Sure.” I smile to make it up to him.
He pats me on the back.
“Have a good class.”
“You too,” I say.
I push the dishwasher closed.
I don't have to go to church,
and he's not going to make me
feel guilty or anything.
I wipe the counter with the sponge
and squeeze the water into the sink.
Not one bit of guilt in me, Grandpa.
Liar.
I avoid Rosella while she changes
and go early to the empty barre room.
I rest my ankle on the top rung
and slide it
until I'm in a split.
I close my eyes,
and the stretch warms the back of my thigh.
“Hi, Clare.”
It's Elton.
“Hi.” I pull back up.
He stretches on the other side of the barre.
His leg slides clear to the end.
“You ready for auditions?” he asks.
I shrug. “I'm a little nervous.”
“You'll do great.” He slides back up.
I bend at the waist and hug my head
to my knees to hide my blushing.
“Thanks,” I finally answer,
and straighten.
“I was in City Ballet last year
with Margot,” he says.
“I know.”
“So, believe me.
You'll make it.”
I smile back at him.
We reach for the barre
and brush hands,
his dark,
mine pale.
I quickly straighten my skirt.
Plié, down and up.
The guys in class
seem nice enough.
Especially to each other.
This must be one place they can make friends.
Kids at their schools must be brutal
when they find out
the guys take ballet lessons.
I'm sure a lot are hassled about being gay.
Plié, down and up.
Tommy's the only irritating guy here.
He's actually eyeing Devin again.
Plié, down and up.
Nathan seems really sweet.
He's driven and focused to get better.
But Elton is by far the best.
In ballet and friendliness.
Overall, the guys are like the girls,
in that we are all here to do the same thing.
To learn to dance.
Maybe because the competition isn't so intense
for them,
they can be more relaxed.
Could I make friends with one of them
sometime?
Plié, down and up.
“And turn,” says Madame.
The rhythm of the music.
The rhythm of the traffic outside.
The rhythm of our feet
brushing the floor.
It feels good
to be in rhythm.
I wait behind Rosella
at the water fountain.
Her backbone pokes out each notch
like a row of tiny fists.
She wipes her lips and steps away.
“Hi,” I say.
She barely nods,
then joins her group on the floor.
I bend over the fountain
and drink deeply.
The cold contracts my chest
into a knot.
I sputter out the mouthful
and step away.
It's my group's turn.
I take the spot Rosella stood in
a second ago.
There's still a twist
in my chest.
I shoulder my bag
and cross the street
to the coffee shop.
I wait in the noisy line
and order a cup of tea.
The other customers' chatter
and the latte machine's hissing
cover me up
while I sit at the little table.
So Rosella ignored me the whole time,
but it feels so good
that Elton believes I'll make it
into the company.
I squeeze
the honey bear
tight around the waist
and swirl the gold stream
into my cup.
That's a sweet thought.
“Hi,” she says.
I don't breathe.
Dia sits down
across from me.
My wood stirrer
slips from my fingers
and sticks to the table.
“Hi,” pops out of me.
She looks so different
in street clothes
with her hair
down loose.
“I was walking
by the conservatory
and saw you come in here.”
“Oh,” I say.
“So, how was class?”
“Normal.”
We sit.
“Not like yesterday,
when Madame actually smiled,” I add.
“No way!” says Dia.
Now we both smile.
It feels great.
“So, how are you?” I finally ask.
“I don't know. Okay?”
She bites her thumbnail.
“You know what she said to me?”
“What?” I lean forward.
Dia looks at the ceiling.
“She said
I don't have a dancer's body.
That I should
redirect my efforts.
That I would be welcome
in the adult class.”
I gasp. “How humiliating!”
“Tell me about it.
Most of them are so lame,
they can hardly move across the floor.”
“So, what are you going to do?”
Dia shrugs. “I guess I kind of knew
this was going to happen.
I started imagining it awhile ago.”
“Yeah?”
“Mmm hmm. I had time to get used to the idea.”
She tucks her bra strap back under her shirt.
“Mostly I'm going to hang out,
take it easy the rest of the summer.
Then maybe I'll try out for lacrosse.”
“That'd be fun,” I make myself say.
“Yeah. 'Cause there's no way I'd ever
go to that adult class.
What a bunch of losers.”
“Right.” I smooth my napkin.
“But won't you miss ballet?”
Dia flips her hair behind her shoulder.
“Maybe. But I'm ready to try other stuff.
I don't have
a choice.”
She pulls her chair closer.
“You know one thing?” she asks.
“What?”
“I still felt beautiful
when I danced.
All the way up to the last class.
Maybe I didn't look that great,
but I felt like I did.
Way down
deep inside.
You know what I mean?”
“Maybe,” I whisper.
Maybe that's another name
for being turned inside out.
Beautiful.
“Would you believe this is a
double tall mocha latte
with whole milk and whipped cream?”
“You are kidding.” I laugh. “That's a sin!”
“It's delicious!” She takes a big sip.
“Well, I better go.
I'm meeting my mom at the used bookstore.”
“I grew up in a bookstore,” I say.
“What do you mean?”
“My parents own the In Print bookstore
in Tacoma.”
“Cool.” She stands and pushes her chair in.
I wrap my hands around my teacup.
“Dia?”
“Yeah?”
“What did your mom say
after you worked so hard,
and it cost all that moneyâoh, never mind.
It's none of my business. Sorry.”
“No, it's okay.” She flips her hair again.
“We had a super long cry,
then talked about stuff
I've supposedly learned.
That kind of thing.
She really understood.”
“Oh.”
“It helped a little.
I mean,
everything
doesn't feel completely wasted.”
She stares out the window.
“Most of the time.
Well, I gotta go, Clare.
Good luck on Saturday.”
“Thanks.”
She pushes out the door.
I swallow the rest of my cool tea
and follow her.
I bet her mom
never used to say
dancing
was their dream.
“Bye,” I call
to Dia and her mom
on the opposite street corner.
They wave back.
I turn away
and hurry to Grandpa's.
He shouldn't be home yet
from his Bible study.
But just in case,
I don't want to worry him,
since I didn't call
and leave a message about staying later.
Oh. Dia's phone number.
I should get it
and call her sometime.
I sprint back to the corner,
but they're gone.
I shiver in the warm sun.
Oh, well.
Maybe it would have been weird
to ask for her number.
But it does seem like
if we aren't in class
we can talk.
Outside the conservatory
we are on the same side.
We could be friends
or something.
I beat Grandpa home.
My stomach is too jumpy for a snack,
so I yank my covers up on the bed
and stretch out
with some magazines.
I flip through the pages of ballet pictures.
Everyone looks the same.
The corps dancers
are a unit.
They are like one dancer,
each holding the exact same pose.
Same hair,
costumes,
height.
Same, same, same.
I flip the page.
A close-up of a soloist.
I cover her nose and mouth with my thumb
and look at her eyes.
There's too much makeup
to see how she really feels.
Beautiful?
Happy?
Does she love to dance?
She must.
The pain
has to be worth it.
I toss the magazine
and pick up the teen one
I checked out at Grandpa's little library.
“Cleavage: How to Get It”
“Dramatic Eye Shadow”
“Does He Think You're Seventeen?”
I flip through to the end.
Total obsession with breast size.
Page after page of fashion.
How weird that most girls
want to look older
every way possible.
Wow. How different can you get?
They want big breasts.
They want cleavage
and want to show it.
Why does it matter so much?
Because that's what guys notice?
Please.
What a load of garbage.
I have the opposite pressure.
I need to stay flat.
Nothing can interrupt your line in ballet.
Like a C-cup size.
Poor Dia.
She definitely looked different
from everyone else.
But is that so bad?
Why do we all have to look
like we're eleven?
Most of the time,
we look like little boys
partnered with men.
Why does it have to be like that?
Is the line so important?
Why can't we be the way we are,
not how a magazine or dance company says?
Am I believing a load of garbage too?
My poster is curling up again.
I reach and press
the corner of Baryshnikov to the wall.
It sticks for a few seconds,
then pops up again.
“Stay.” I push harder.
This time it does.
But for how long?
The sticky stuff isn't worth much.
Maybe some tape
right across the edge would work.
I'll get some later.
“Hello?”
“In the kitchen, Grandpa.”
I take the bags of groceries from him.
“I was getting worried about you.”
“I'm sorry. I needed to do some shopping.”
He rummages through the medicine cupboard
and pulls down his pills.
I pack the freezer with our dinners.
He swallows his medicine
with some water.
“And I stopped at the clinic.”
I shut the freezer. “Is everything okay?”
“Yes.” He sets his empty glass in the sink.
“They wanted to check my blood pressure.”
“Oh.”
“And how is
your
blood pressure, love,
considering auditions are a day away?”
“All right. I haven't been very hungry though.”
“Nerves.”