Once Upon a Winter's Night (42 page)

Read Once Upon a Winter's Night Online

Authors: Dennis L. McKiernan

Rounding a bend in the river, Camille saw a mill, its great waterwheel—if it could be called such—turning in time’s flow. She went on, the sun rising with each step, and by midmorn, she reached the building. Old it appeared, quite ancient, yet it seemed sturdy enough, and Camille could hear millstones grinding inside. She stepped past a bench sitting outside the open door and peered in. It seemed no one was there, yet the great bhurstones turned.
And then she remembered Skuld’s words:
“As grain is to stones that roll and grind,
Moments are crunched in the weft of time,
Seek the like and my sister you’ll find.”
“Oh, Scruff. Perhaps this is where we will find Skuld’s sister.”
Camille stepped inside. Great gears on axles groaned o’erhead, driven by the wheel, and they in turn drove the great bhurstones, though there was no grain to grind. All through the mill went Camille, past a wide opening looking out on the world, past another breach in the wall which opened out onto Time’s River where the lower part of the great waterwheel turned. On she went, looking this way and that; strangely, midmost, a skylight was affixed in the ceiling above, and a slanting beam of sunlight shone down, slowly creeping across the floor.
But Camille found no one in the mill, and no sign of loom or spinning wheel.
“Well, Scruff, we’ll wait here, for I am certain that’s what Lady Skuld’s words did mean.”
Camille stepped to the door and out to the bench, where she sat in the sunlight and waited.
Slowly the day grew onward, the golden orb gradually arcing toward the zenith.
Still Camille waited, and Scruff settled down on her shoulder, the wee sparrow content to simply bide.
And time edged past.
And just as the leading limb of the sun entered the zenith, Camille heard weeping from within.
“Allo!” called Camille, stepping inside. “Who is—?”
“Oh, please help me, please help me, I have lost the end of my thread, and if I do not quickly find it, woe betide the world, for that which is now will then not be.”
Past turning gears went Camille, to come upon a motherly woman, middle-aged she seemed, with pale yellow hair, and she was crawling on the floor before a loom, feeling about for her lost thread.
Once again a shaggy little man seemed to be ripping fabric away from the cloth beam and bearing it to the opening at the waterwheel and casting it into the flow.
As she had done with Skuld, Camille rushed forward to aid, even though here, too, the thread was invisible to her eyes. Camille dropped to her hands and knees beside the woman, Scruff scrambling to retain a perch. And as the wee sparrow chattered angrily at the hairy little man, Camille asked the woman, “Is it not lost in the tapestry?”
“Nay, the thread upon the weaving is well marked, but the feeding thread broke and fell.”
Feeling the way before her, Camille crawled toward the loom, and above Scruff’s irate chatter and the grinding of the axles and gears and stones, Camille thought she could hear the sound of one or two other looms, but they were nowhere to be seen.
Of a sudden—“I know!” cried Camille, and she sprang to her feet and stepped to the loom, and by feel she found where the thread left the golden shuttle, and she followed it to its end. “Here it is,” said Camille, and she handed it to the woman, who looked with golden eyes at Camille and smiled slyly and said, “Clever girl.”
In but an instant the woman had tied the thread on, and sat down at the loom, and it began frantically weaving, the spinning wheel at her side turning in synchronization, apparently spinning invisible thread out from the sunlight streaming in through a skylight above.
In that moment, the hairy little man growled and vanished.
“It is good to see Uncertainty gone,” said Camille.
“ ’Twas not Uncertainty, but his brother Turmoil, enemy of the present, and, just as is his brother, Turmoil, too, is an agent of Chaos.”
Camille looked at the loom, and to her surprise she could see a single, visible thread running across, various shimmering colors along its length, colors which changed with each clack of shuttle and slap of batten.
Camille also noted that carven in runes on the breastbeam was the name Verdandi.
“You, I take it, are Lady Verdandi?”
“Aye, and you are Lady Camille,” replied the woman, staring out the broad opening, as if viewing events beyond. “Now, hush, child, and let me weave. When I catch up, we can talk. In the meanwhile, break your noonfast.”
On the floor appeared utensils and a wooden trencher laden with steaming food: well-done beef slices and a stewed turnip along with a cup of rugged red wine and a great slab of coarse bread. Thereon as well was a small amount of oat grains. Smiling, Camille sat down and placed Scruff beside her and scattered the grain before him. And then she dug into the hot food, savoring every bite, for it had been many days since her last warm meal—rabbit over a campfire, eaten with Rondalo some thirty-four days ago, or mayhap but five days past, depending on how one counted the candlemarks along the River of Time. Unlike the meal provided by Skuld, this was food Camille was used to, for it was food of her time.
Even as Camille finished the last of the provender—the utensils and trencher to vanish—the frantic pace of weaving slowed.
“What do you weave, Lady Verdandi?”
“I fix on the tapestry that which is now: folks working in fields, folks shearing sheep, and other such. Would you like to see?”
Camille shook her head, and watched as Scruff pecked at something in the cracks of the floor, a beetle most likely. And she said, “I think that such sights are perhaps not meant for mortals, the viewing of events all the world over at the very moment they occur.”
Verdandi laughed, but she did not take her eyes from the opening. “My sister Skuld says that one day to come, folks will be able to see distant events even as they happen. How that can be, I know not, yet Skuld is seldom in error. I know, for I amend the tapestry of time for those things she did foresee but were changed by extraordinary effort.”
“Oh,” said Camille, “but I do hope I do not have to do so to find my Alain.”
“Child, you are already making such an effort, and I do hope you succeed, else the world will be the worse off.”
At this pronouncement Camille’s heart hammered wildly, for if the fate of the world were added to her quest for Alain, it would seem too much for a simple farm girl to bear.
To still her racing heart, Camille concentrated on the clack and slap and thud of the loom, its rhythm somehow soothing, the loom where, but for a single weft thread, an invisible tapestry grew. Finally, Camille said, “Would that I could see my love at this moment, even if he is the Bear. Do you weave such?”
“Mayhap, child. Mayhap.”
“Then let me ask what I came to ask: where lies a place east of the sun and west of the moon? Lady Skuld said you would know.”
“I believe, Camille, she sent you to me to ask, but she did not say I would know.”
“Well, Lady Verdandi,
do
you know where such a place is?”
Her golden gaze yet focused on the opening, Verdandi said, “You will have to ask my sister.”
Camille groaned. “The third sister?”
“Aye.”
“Downstream, I assume.”
“Indeed.”
Again, Camille groaned. “And here I was hoping to leave this flow. Just where downstream?”
“Let me ask you this,” said Verdandi, “what is the color of time?”
Camille sighed in exasperation, yet, just as she had humored Lady Skuld, so would she humor Verdandi. She took two breaths and exhaled slowly, then said, “Well, the Mists of Time whence the future comes were silvery, though the future itself seems to be an invisible color, at least to most of mankind, for most of us see it not. I suspect, though, that to you three who weave the tapestry of time, the color of the future must be quite plain to all your eyes.”
Verdandi smiled. “And what of the past? Has it a color?”
Camille turned up a hand. “If it does have a color, then to mankind it is perhaps the hue of shadows and moonlight, or mayhap the color of death, for it is buried beyond recall.”
Verdandi laughed and kept weaving and asked, “What of the present, then?”
Camille looked at the golden sunlight twisting down onto the spindle and being spun into invisible thread by the golden spinning wheel. Then she glanced at the thread on the tapestry aweave. Finally she said, “In spite of the golden sunlight and the many hues I can see on that single bit of weft, I would think that the color of the present must be the same as the color of a flash, since both exist for but this moment.”
Again Verdandi laughed and then said, “Urd will enjoy your company.”
“Urd?”
“My sister, and as you have rightly surmised, she lives downstream. To you she will seem much older than I, though to me she seems much younger.”
Camille nodded and said, “And where might I find this sister?—Other than just downstream?”
“Answer me this riddle,” said Verdandi. “Caught on the cusp of ago and to be and trapped forever in the eternal now, what am I?”
Camille glanced out at the waterwheel turning in the River of Time. “You are the Present.”
“And a present you shall have,” said Verdandi, tilting her head toward the loom. “My finest golden shuttle; take good care of it, and do not yield it to anyone except perhaps near the end, for then it may do you some good.”
“But, my lady, what if you need it?”
“I have others, my child, though not fashioned of gold; hence, you must take this one, else Faery itself might fall.”
Sighing, Camille stepped to the loom and when the thread came to an end, the shuttle flew into her hand, while another did take its place.
Camille turned back to Verdandi. “Again I ask, my lady, your sister Urd, where can I find her?”
With a flick of her eyes, Verdandi glanced at the skylight, where the sun passed above. And with her right hand she gestured downstream and intoned:
“Ebon is the Oblivion Sea,
A gape of darkness where all things
flee,
There binding time my sister will be.”
Again Verdandi glanced at the skylight above, and she said, “And this I will tell you as well: when you leave the banks of time’s flow, then you will lose the stream.”
And in that very moment the trailing limb of the sun exited from the zenith, and so vanished Verdandi and loom and spinning wheel all, leaving Camille and Scruff alone in the ancient mill.
And the river flowed and the wheel turned and the great bhurstones ground on.
30
Past
S
ome three and a quarter swift candlemark days after leaving the mill and continuing on downstream, at a candlemark dusk, Camille stopped and made camp, the second such stop she had made along the River of Time, and again she and Scruff rested through an ordinary night. When dawn came, she and Scruff broke fast, and then onward they pressed, swift days passing with every candlemark, blossoms fading, vanishing, splits fissuring the stave. Camille paused now and again to eat or drink and to feed her hungry and quite confused sparrow, for to the wee bird it seemed no sooner had day come than night and sleep quickly followed. Another fifteen and a half candlemarks passed, and Camille and Scruff spent another night acamp, stars slowly wheeling through the vault above, following a bright waxing moon some two days past half-full.
When morning came, once again Camille and Scruff took up the trek, and some ten candlemark days later, at a turn ahead, high stone bluffs loomed on either side of the river, a gorge through which the flow ran. Toward this ravine Camille went, the swift day growing with every step. As she drew nigh, the sun passed through the zenith, and Camille could see a dark opening in the near-most wall.
“Scruff, I believe yon is the place whither we are bound, for no doubt ’tis ‘a gape of darkness,’ and Verdandi did say:
“ ‘Ebon is the Oblivion Sea,
A gape of darkness where all things
flee,
There binding time my sister will be.’ ”
Toward this gape Camille went, and she came to where the shore turned to flat stone, as if all the soil had been scrubbed down to the primal bedrock itself. Along the stone she travelled, the swift sun trailing down the sky, its candlemark pace matching her strides. Finally, as the rapid day came to late afternoon, Camille threaded through a scatter of boulders to reach the breach in the sheer stone wall. She looked inward; a cavern receded into blackness beyond, and there was no sign of a weaver or a loom or a spinning wheel.
“Well, Scruff, just as we waited at the mill for Verdandi to appear, so shall we wait here for Urd. If I am wrong, then on the morrow we will go onward and hope to find another gape.”
And so they waited at the mouth of the cave, Camille and Scruff, as the sun gradually edged down the sky. A candlemark passed and then another, and finally the sun dipped into the horizon.
And still they waited. . . .
Time eked forward. . . .
Scruff scrambled into the high vest pocket, preparing to bed down for the oncoming night.
And the moment the last of the sun disappeared—
“Oh, help me, help me. I have lost my bobbin, and woe betide the world if I find it not, for history itself will be unraveled, and all will become undone,” wailed a white-haired crone, crawling around on the bedrock beside a golden spinning wheel near a silent loom.
And the loom itself held a great tapestry, completely visible to Camille, but instead of the fabric being wound about the cloth beam, the tapestry trailed from the loom and across the smooth stone and disappeared into the darkness of the cavern.
And there beside Camille at the mouth of the cave, a cursing, hairy little man struggled to pull great lengths of the tapestry out from the gape and toward the River of Time, for he would cast it in.

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