One Good Turn
Copyright © 2006 by Kate Atkinson
All rights reserved.
Little, Brown and Company
Hachette Book Group USA
237 Park Avenue, New York, NY 10017
Visit our Web site at
First eBook Edition: October 2006
ISBN: 978-0-7595-6883-9
Contents
Also by Kate Atkinson
Dedication
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Chapter 48
Chapter 49
Chapter 50
Chapter 51
Chapter 52
Chapter 53
Chapter 54
Chapter 55
Chapter 56
Chapter 57
Chapter 58
Chapter 59
Acknowledgments
About the Author
ALSO BY KATE ATKINSON
Case Histories
Not the End of the World
Emotionally Weird
Human Croquet
Behind the Scenes at the Museum
For Debbie, Glynis, Judith, Lynn, Penny, Sheila, and Tessa.
For the way we were and for the way we are
.
Male parta, male dilabuntur
.
(What is dishonorably got is dishonorably squandered.)
—C
ICERO
,
Philippic II, 27
H
e was lost. He wasn’t used to being lost. He was the kind of man who drew up plans and then executed them efficiently, but now everything was conspiring against him in ways he decided he couldn’t have foreseen. He had been stuck in a jam on the A1 for two mind-numbing hours so that it was already past the middle of the morning when he arrived in Edinburgh. Then he’d gone adrift on a one-way system and been thwarted by a road that had been closed because of a burst water main. It had been raining, steadily and unforgivingly, on the drive north and had only begun to ease off as he hit the outskirts of town. The rain had in no way deterred the crowds—it had never occurred to him that Edinburgh was in the middle of the Festival and that there would be carnival hordes of people milling around as if the end of a war had just been declared. The closest he had previously got to the Edinburgh Festival was when he accidentally turned on
Late Night Review
and saw a bunch of middle-class wankers discussing some pretentious piece of fringe theater.
He ended up in the dirty heart of the city, on a street that somehow seemed to be on a lower level than the rest of the town, a blackened urban ravine. The rain had left the cobbles slick and greasy, and he had to drive cautiously because the street was teeming with people, haphazardly crossing over or standing in little knots in the middle of the road, as if no one had told them that roads were for cars and pavements were for pedestrians. A queue snaked the length of the street—people waiting to get into what looked like a bomb hole in the wall but which announced itself as
FRINGE VENUE
164 on a large placard outside the door.
The name on the driver’s license in his wallet was Paul Bradley. “Paul Bradley” was a nicely forgettable name. He was several degrees of separation away from his real name now, a name that no longer felt as if it had ever belonged to him. When he wasn’t working, he often (but not always) went by the name “Ray.” Nice and simple. Ray of light, Ray of darkness. Ray of sunshine, Ray of night. He liked slipping between identities, sliding through the cracks. The rental Peugeot he was driving felt just right, not a flashy macho machine but the kind of car an ordinary guy would drive. An ordinary guy like Paul Bradley. If anyone asked him what he did, what Paul Bradley did, he would say, “Boring stuff. I’m just a desk jockey, pushing papers around in an accounts department.”
He was trying to drive and at the same time decipher his
A-Z of Edinburgh
to work out how to escape this hellish street, when someone stepped in front of the car. It was a type he loathed—a young, dark-haired guy with thick, black-framed spectacles, two days of stubble, and a fag hanging out of his mouth, there were hundreds of them in London, all trying to look like French existentialists from the sixties. He’d bet that not one of them had ever opened a book on philosophy. He’d read the lot—Plato, Kant, Hegel—even thought about getting a degree someday.
He braked hard and didn’t hit the spectacles guy, just made him give a little jump, like a bullfighter avoiding the bull. The guy was furious, waving his fag around, shouting, raising a finger to him. Charmless, devoid of manners—were his parents proud of the job they’d done? He hated smoking, it was a disgusting habit, hated guys who gave you the finger and screamed,
“Spin on it,”
saliva flying out of their filthy, nicotine-stained mouths.
He felt the bump, about the same force as hitting a badger or a fox on a dark night, except it came from behind, pushing him forward. It was just as well the spectacles guy had performed his little
paso doble
and gotten out of the way or he would have been pancaked. He looked in the rearview mirror. A blue Honda Civic, the driver climbing out—a big guy with slabs of weight-lifter muscle, gym-fit rather than survival-fit, he wouldn’t have been able to last three months in the jungle or the desert the way that Ray could have. He wouldn’t have lasted a day. He was wearing driving gloves, ugly black leather ones with knuckle holes. He had a dog in the back of the car, a beefy rottweiler, exactly the dog you would have guessed a guy like that would have. The man was a walking cliché. The dog was having a seizure in the back, spraying saliva all over the window, its claws scrabbling on the glass. The dog didn’t worry him too much. He knew how to kill dogs.
Ray got out of the car and walked round to the back bumper to inspect the damage. The Honda driver started yelling at him, “You stupid fucking
twat
, what did you think you were
doing
?” English. Ray tried to think of something to say that would be nonconfrontational, that would calm the guy down—you could see he was a pressure cooker waiting to blow,
wanting
to blow, bouncing on his feet like an out-of-condition heavyweight. Ray adopted a neutral stance, a neutral expression, but then he heard the crowd give a little collective “Aah” of horror and he registered the baseball bat that had suddenly appeared in the guy’s hand out of nowhere and thought,
Shit
.
That was the last thought he had for several seconds. When he was able to think again he was sprawled on the street, holding the side of his head where the guy had cracked him. He heard the sound of broken glass, the bastard was putting in every window in his car now. He tried, unsuccessfully, to struggle to his feet but only managed to get to a kneeling position as if he were at prayer, and now the guy was advancing with the bat lifted, feeling the heft of it in his hand, ready to swing for a home run on his skull. Ray put an arm up to defend himself, made himself even more dizzy by doing that, and, sinking back onto the cobbles, thought,
Jesus, is this it?
He’d given up, he’d actually given up—something he’d never done before—when someone stepped out of the crowd, wielding something square and black that he threw at the Honda guy, clipping him on the shoulder and sending him reeling.
He blacked out again for a few seconds, and when he came to there were a couple of policewomen hunkered down beside him, one of them saying, “Just take it easy, sir,” the other one on her radio calling for an ambulance. It was the first time in his life that he’d been glad to see the police.
M
artin had never done anything like that in his life before. He didn’t even kill flies in the house, instead he patiently stalked them, trapping them with a glass and a plate before letting them free. The meek shall inherit the earth. He was fifty and had never knowingly committed an act of violence against another living creature, although sometimes he thought that might have more to do with cowardice than pacifism.
He had stood in the queue, waiting for someone else to intervene in the scene unfolding before them, but the crowd was in audience mode, like promenaders at a particularly brutal piece of theater, and they had no intention of spoiling the entertainment. Even Martin had wondered at first if it was another show—a faux-impromptu piece intended either to shock or to reveal our immunity to being shocked because we lived in a global media community where we had become passive voyeurs of violence (and so on). That was the line of thought running through the detached, intellectual part of his brain. His primitive brain, on the other hand, was thinking,
Oh fuck, this is horrible, really horrible, please make the bad man go away
. He wasn’t surprised to hear his father’s voice in his head
(“Pull yourself together, Martin”)
. His father had been dead for many years, but Martin often still heard the bellow and yell of his parade-ground tones. When the Honda driver finished breaking the windows of the silver Peugeot and walked toward the driver, brandishing his weapon and preparing himself for a final victory blow, Martin realized that the man on the ground was probably going to die, was probably going to be
killed
by the crazed man with the bat, right there in front of them, unless someone did something, and, instinctively, without thinking about it at all—because if he’d thought about it he might not have done it—he slipped his bag off his shoulder and swung it, hammer-throw fashion, at the head of the insane Honda driver.