Otherworldly Maine (30 page)

They waited. Jacobs slowly became aware that Sussmann was talking to him, but he couldn't hear what he was saying. Sussmann's mouth opened and closed. It wasn't important anyway. He'd never noticed before how unpleasant Sussmann's voice was, how rasping and shrill. Sussmann was ugly, too, shockingly ugly. He boiled with contamination and decay—he was a sack of putrescence. He was an abomination.

Dave Lucas was standing off to one side, his hands in his pockets, shoulders slumped, his face blank. He watched the excitement next door without expression, without interest. Everett turned and said something that Jacobs could not hear. Like Sussmann's, Everett's lips moved without sound. He had moved closer to Amy. They glanced uneasily around. They were abominations, too.

Jacobs stood with his arm around Carol; he didn't remember putting it there—it was seeking company on its own. He felt her shiver, and clutched her more tightly in response, directed by some small, distanced, horrified part of himself that was still rational—he knew it would do no good. There was a thing in the air tonight that was impossible to warm yourself against. It hated warmth, it swallowed it and buried it in ice. It was a wedge, driving them apart, isolating them all. He curled his hand around the back of Carol's neck. Something was pulsing through him in waves, building higher and stronger. He could feel Carol's pulse beating under her skin, under his fingers, so very close to the surface.

Across the street, a group of old people had gathered around the ambulance. They shuffled in the cold, hawking and spitting, clutching overcoats and nightgowns more tightly around them. The corpsmen reappeared, edging carefully down the stairs with the stretcher. The sheet was pulled up all the way, but it looked curiously flat and caved-in—if there was a body under there, it must have collapsed, crumbled like dust or ash. The crowd of old people parted to let the stretcher crew pass, then re-formed again, flowing like a heavy, sluggish liquid. Their faces were like leather or horn: hard, dead, dry, worn smooth. And
tired
. Intolerably, burdensomely tired. Their eyes glittered in their shriveled faces as they watched the stretcher go by. They looked uneasy and afraid, and yet there was an anticipation in their faces, an impatience, almost an envy, as they looked on death. Silence blossomed from a tiny seed in each of them, a total, primordial silence, from the time before there were words. It grew, consumed them, and merged to form a greater silence that spread out through the night in widening ripples.

The ambulance left.

In the hush that followed, they could hear sirens begin to wail all over town.

I
t was well along in the forenoon of a bitter winter's day. The town of Eastport, in the state of Maine, lay buried under a deep snow that was newly fallen. The customary bustle in the streets was wanting. One could look long distances down them and see nothing but a dead-white emptiness, with silence to match. Of course I do not mean that you could
see
the silence—no, you could only hear it. The sidewalks were merely long, deep ditches, with steep snow walls on either side. Here and there you might hear the faint, far scrape of a wooden shovel, and if you were quick enough you might catch a glimpse of a distant black figure stooping and disappearing in one of those ditches, and reappearing the next moment with a motion which you would know meant the heaving out of a shovelful of snow. But you needed to be quick, for that black figure would not linger, but would soon drop that shovel and scud for the house, thrashing itself with its arms to warm them. Yes, it was too venomously cold for snow-shovelers or anybody else to stay out long.

Presently the sky darkened; then the wind rose and began to blow in fitful, vigorous gusts, which sent clouds of powdery snow aloft, and straight ahead, and everywhere. Under the impulse of one of these gusts, great white drifts banked themselves like graves across the streets; a moment later another gust shifted them around the other way, driving a fine spray of snow from their sharp crests, as the gale drives the spume flakes from wave-crests at sea; a third gust swept that place as clean as your hand, if it saw fit. This was fooling, this was play; but each and all of the gusts dumped some snow into the sidewalk ditches, for that was business.

Alonzo Fitz Clarence was sitting in his snug and elegant little parlor, in a lovely blue silk dressing-gown, with cuffs and facings of crimson satin, elaborately quilted. The remains of his breakfast were before him, and the dainty and costly little table service added a harmonious charm to the grace, beauty, and richness of the fixed appointments of the room. A cheery fire was blazing on the hearth.

A furious gust of wind shook the windows, and a great wave of snow washed against them with a drenching sound, so to speak. The handsome young bachelor murmured:

"That means, no going out to-day. Well, I am content. But what to do for company? Mother is well enough, Aunt Susan is well enough; but these, like the poor, I have with me always. On so grim a day as this, one needs a new interest, a fresh element, to whet the dull edge of captivity. That was very neatly said, but it doesn't mean anything. One doesn't
want
the edge of captivity sharpened up, you know, but just the reverse.”

He glanced at his pretty French mantel-clock.

“That clock's wrong again. That clock hardly ever knows what time it is; and when it does know, it lies about it—which amounts to the same thing. Alfred!”

There was no answer.

“Alfred! . . . Good servant, but as uncertain as the clock.”

Alonzo touched an electric bell button in the wall. He waited a moment, then touched it again; waited a few moments more, and said:

“Battery out of order, no doubt. But now that I have started, I will find out what time it is.” He stepped to a speaking-tube in the wall, blew its whistle, and called, “Mother!” and repeated it twice.

“Well,
that's
no use. Mother's battery is out of order, too. Can't raise anybody down-stairs—that is plain.”

He sat down at a rosewood desk, leaned his chin on the left-hand edge of it and spoke, as if to the floor: “Aunt Susan!”

A low, pleasant voice answered, “Is that you, Alonzo?'

“Yes. I'm too lazy and comfortable to go downstairs; I am in extremity, and I can't seem to scare up any help.”

“Dear me, what is the matter?”

“Matter enough, I can tell you!”

“Oh, don't keep me in suspense, dear! What is it?”

“I want to know what time it is.”

“You abominable boy, what a turn you did give me! Is that all?”

“All—on my honor. Calm yourself. Tell me the time, and receive my blessing.”

“Just five minutes after nine. No charge—keep your blessing.”

“Thanks. It wouldn't have impoverished me, aunty, nor so enriched you that you could live without other means.”

He got up, murmuring, “Just five minutes after nine,” and faced his clock. “Ah,” said he, “you are doing better than usual. You are only thirty-four minutes wrong. Let me see . . . let me see. . . . Thirty-three and twenty-one are fifty-four; four times fifty-four are two hundred and thirty-six. One off, leaves two hundred and thirty-five. That's right.”

He turned the hands of his clock forward till they marked twenty-five minutes to one, and said, “Now see if you can't keep right for a while—else I'll raffle you!”

He sat down at the desk again, and said, “Aunt Susan!”

“Yes, dear.”

“Had breakfast?”

“Yes, indeed, an hour ago.”

“Busy?”

“No—except sewing. Why?”

“Got any company?”

“No, but I expect some at half past nine.”

“I wish
I
did. I'm lonesome. I want to talk to somebody.”

“Very well, talk to me.”

“But this is very private.”

“Don't be afraid—talk right along, there's nobody here but me.”

“I hardly know whether to venture or not, but—”

“But what? Oh, don't stop there! You
know
you can trust me, Alonzo—you know, you can.”

“I feel it, aunt, but this is very serious. It affects me deeply—me, and all the family—even the whole community.”

“Oh, Alonzo, tell me! I will never breathe a word of it. What
is
it?”

“Aunt, if I might dare—”

“Oh, please go on! I love you, and feel for you. Tell me all. Confide in me. What is it?”

“The weather!”

“Plague take the weather! I don't see how you can have the heart to serve me so, Lon.”

“There, there, aunty dear, I'm sorry; I am, on my honor. I won't do it again. Do you forgive me?”

“Yes, since you seem so sincere about it, though I know I oughtn't to. You will fool me again as soon as I have forgotten this time.”

“No, I won't, honor bright. But such weather, oh, such weather! You've
got
to keep your spirits up artificially. It is snowy, and blowy, and gusty, and bitter cold! How is the weather with you?”

“Warm and rainy and melancholy. The mourners go about the streets with their umbrellas running streams from the end of every whalebone. There's an elevated double pavement of umbrellas, stretching down the sides of the streets as far as I can see. I've got a fire for cheerfulness, and the windows open to keep cool. But it is vain, it is useless: nothing comes in but the balmy breath of December, with its burden of mocking odors from the flowers that possess the realm outside, and rejoice in their lawless profusion whilst the spirit of man is low, and flaunt their gaudy splendors in his face while his soul is clothed in sackcloth and ashes and his heart breaketh.”

Alonzo opened his lips to say, “You ought to print that, and get it framed,” but checked himself, for he heard his aunt speaking to someone else. He went and stood at the window and looked out upon the wintry prospect. The storm was driving the snow before it more furiously than ever; window-shutters were slamming and banging; a forlorn dog, with bowed head and tail withdrawn from service, was pressing his quaking body against a windward wall for shelter and protection; a young girl was plowing knee-deep through the drifts, with her face turned from the blast, and the cape of her waterproof blowing straight rearward over her head. Alonzo shuddered, and said with a sigh, “Better the slop, and the sultry rain, and even the insolent flowers, than this!”

He turned from the window, moved a step, and stopped in a listening attitude. The faint, sweet notes of a familiar song caught his ear. He remained there, with his head unconsciously bent forward, drinking in the melody, stirring neither hand nor foot, hardly breathing. There was a blemish in the execution of the song, but to Alonzo it seemed an added charm instead of a defect. This blemish consisted of a marked flatting of the third, fourth, fifth, sixth, and seventh notes of the refrain or chorus of the piece. When the music ended, Alonzo drew a deep breath, and said, “Ah, r never have heard ‘In the Sweet By-and-by' sung like that before!”

He stepped quickly to the desk, listened a moment, and said in a guarded, confidential voice, “Aunty, who is this divine singer?”

“She is the company I was expecting. Stays with me a month or two. I will introduce you. Miss—”

“For goodness' sake, wait a moment, Aunt Susan! You never stop to think what you are about!”

He flew to his bedchamber, and returned in a moment perceptibly changed in his outward appearance, and remarking, snappishly:

“Hang it, she would have introduced me to this angel in that sky-blue dressing-gown with red-hot lapels! Women never think, when they get agoing.”

He hastened and stood by the desk, and said eagerly, “Now, Aunty, I am ready,” and fell to smiling and bowing with all the persuasiveness and elegance that were in him.

“Very well. Miss Rosannah Ethelton, let me introduce to you my favorite nephew, Mr. Alonzo Fitz Clarence. There! You are both good people, and I like you; so I am going to trust you together while I attend to a few household affairs. Sit down, Rosannah; sit down, Alonzo. Good-by; I sha'n't be gone long.”

Alonzo had been bowing and smiling all the while, and motioning imaginary young ladies to sit down in imaginary chairs, but now he took a seat himself, mentally saying, “Oh, this is luck! Let the winds blow now, and the snow drive, and the heavens frown! Little I care!”

While these young people chat themselves into an acquaintanceship, let us take the liberty of inspecting the sweeter and fairer of the two. She sat alone, at her graceful ease, in a richly furnished apartment which was manifestly the private parlor of a refined and sensible lady, if signs and symbols may go for anything. For instance, by a low, comfortable chair stood a dainty, top-heavy workstand, whose summit was a fancifully embroidered shallow basket, with varicolored crewels, and other strings and odds and ends protruding from under the gaping lid and hanging down in negligent profusion. On the floor lay bright shreds of Turkey red, Prussian blue, and kindred fabrics, bits of ribbon, a spool or two, a pair of scissors, and a roll or so of tinted silken stuffs.

On a luxurious sofa, upholstered with some sort of soft Indian goods wrought in black and gold threads interwebbed with other threads not so pronounced in color, lay a great square of coarse white stuff, upon whose surface a rich bouquet of flowers was growing, under the deft cultivation of the crochet-needle. The household cat was asleep on this work of art. In a bay-window stood an easel with an unfinished picture on it, and a palette and brushes on a chair beside it. There were books everywhere: Robertson's Sermons, Tennyson, Moody and Sankey, Hawthorne,
Rab and His Friends
, cookbooks, prayer-books, pattern-books—and books about all kinds of odious and exasperating pottery, of course. There was a piano, with a deck-load of music, and more in a tender. There was a great plenty of pictures on the walls, on the shelves of the mantelpiece, and around generally; where coigns of vantage offered were statuettes, and quaint and pretty gimcracks, and rare and costly specimens of peculiarly devilish china. The bay-window gave upon a garden that was ablaze with foreign and domestic flowers and flowering shrubs.