Authors: Dante
Hawk.1979.1
Hawkins, Peter S., “Trespassing on the Word: God’s Book and Ours,”
Journal of the American Academy of Religion
47 (1979): 47–53.
Hawk.1991.1
Hawkins, Peter, “Watching Matelda,” in
The Poetry of Allusion: Virgil and Ovid in Dante’s “Commedia,”
ed. Rachel Jacoff and Jeffrey T. Schnapp (Stanford: Stanford University Press, 1991), pp. 181–201.
Hawk.1991.2
Hawkins, Peter, “Divide and Conquer: Augustine in the
Divine Comedy
,”
PMLA
106 (1991): 471–82.
Hawk.1995.1
Hawkins, Peter, “
Paradiso
XXI,” in
Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,”
ed. Tibor Wlassics (
Lectura Dantis [virginiana]
, 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 308–17.
Heil.1984.1
Heilbronn, Denise, “
Concentus musicus
: The Creaking Hinges of Dante’s Gate of Purgatory,”
Rivista di studi italiani
2 (1984): 1–15.
Heil.1984.2
Heilbronn, Denise, “Contrapuntal Imagery in
Paradiso
VIII,”
Italian Culture
5 (1984): 39–54.
Heil.1995.2
Heilbronn-Gaines, Denise, “
Paradiso
XVIII,” in
Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,”
ed. Tibor Wlassics (
Lectura Dantis [virginiana]
, 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 266–76.
Heil.2003.1
Heil, Andreas, “Die Milch der Musen,”
Antike und Abenland
49 (2003): 113–29.
Herz.1994.1
Herzmann, Ronald B., and Gary W. Towsley, “Squaring the Circle:
Paradiso
33 and the Poetics of Geometry,”
Traditio
49 (1994): 95–125.
Herz.2003.1
Herzmann, Ronald, “From Francis to Solomon: Eschatology in the Sun,” in
Dante for the New Millennium
, ed. Teodolinda Barolini and H. Wayne Storey (New York: Fordham University Press, 2003), pp. 320–33.
Hill.1982.1
Hill, Thomas D. “Adam’s Noon:
Paradiso
XXVI, 139–142,”
Dante Studies
100 (1982): 93–97.
Holl.1969.1
Hollander, Robert,
Allegory in Dante’s “Commedia”
(Princeton: Princeton University Press, 1969).
Holl.1974.1
Hollander, Robert, “
Vita Nuova
: Dante’s Perceptions of Beatrice,”
Dante Studies
92 (1974): 1–18.
Holl.1975.1
Hollander, Robert, “
Purgatorio
II: Cato’s Rebuke and Dante’s
scoglio
,”
Italica
52 (1975): 348–63.
Holl.1975.2
Hollander, Robert, “Literary Consciousness and the Consciousness of Literature,”
Sewanee Review
83 (1975): 115–27.
Holl.1976.1
Hollander, Robert, “Dante
Theologus-Poeta
,”
Dante Studies
94 (1976): 91–136.
Holl.1976.2
Hollander, Robert, “The Invocations of the
Commedia
,”
Yearbook of Italian Studies
3 (1976): 235–40.
Holl.1980.1
Hollander, Robert, “The Tragedy of Divination in
Inferno
XX,” in
Studies in Dante
(Ravenna: Longo, 1980), pp. 131–218.
Holl.1980.2
Hollander, Robert, “Babytalk in Dante’s
Commedia
,” in
Studies in Dante
(Ravenna: Longo, 1980), pp. 115–29.
Holl.1982.1
Hollander, Robert, “Dante’s ‘Book of the Dead’: A Note on
Inferno
XXIX, 57,”
Studi Danteschi
54 (1982): 31–51.
Holl.1983.1
Hollander, Robert,
Il Virgilio dantesco: tragedia nella “Commedia”
(Florence: Olschki, 1983).
Holl.1986.1
Hollander, Robert, and Albert Rossi, “Dante’s Republican Treasury,”
Dante Studies
104 (1986): 59–82.
Holl.1988.3
Hollander, Robert, “An Index of Hapax Legomena in Dante’s
Commedia
,”
Dante Studies
106 (1988): 81–110.
Holl.1989.1
Hollander, Robert, “Dante and the Martial Epic,”
Mediaevalia
12 (1989): 62–91.
Holl.1990.1
Hollander, Robert, “
Purgatorio
II: The New Song and the Old,”
Lectura Dantis [virginiana]
6 (1990): 28–45.
Holl.1992.1
Hollander, Robert,
Dante and Paul’s “five words with understanding
,” Occasional Papers, No. 1, Center for Medieval and Early Renaissance Texts and Studies (Binghamton, N.Y.: Medieval and Renaissance Texts and Studies, 1992).
Holl.1992.2
Hollander, Robert, “Dante and Cino da Pistoia,”
Dante Studies
110 (1992): 201–31.
Holl.1992.3
Holloway, Julia Bolton,
The Pilgrim and the Book
(New York: Peter Lang, 1992).
Holl.1993.1
Hollander, Robert, “Le opere di Virgilio nella
Commedia
di Dante,” in
Dante e la “bella scola” della poesia: Autorità e sfida poetica
, ed. A. A. Iannucci (Ravenna: Longo, 1993), pp. 247–343.
Holl.1993.2
Hollander, Robert,
Dante’s Epistle to Cangrande
(Ann Arbor: University of Michigan Press, 1993).
Holl.1993.3
Hollander, Robert, “Dante and His Commentators,” in
The Cambridge Companion to Dante
, ed. R. Jacoff (Cambridge: Cambridge University Press, 1993), pp. 226–36.
Holl.1993.5
Hollander, Robert, “
Paradiso
XXX,”
Studi Danteschi
60 (1988 [=1993]): 1–33.
Holl.1993.7
Hollander, Robert, “Why Did Dante Write the
Comedy
?”
Dante Studies
111 (1993): 19–25.
Holl.1996.2
Hollander, Robert, “Dante’s Deployment of
Convivio
in the
Comedy
,”
Electronic Bulletin of the Dante Society of America
(October 1996).
Holl.1997.1
Hollander, Robert, “ ‘Al quale ha posto mano e cielo e terra’ (
Paradiso
25.2),”
Electronic Bulletin of the Dante Society of America
(January 1997).
Holl.1997.2
Hollander, Robert,
Boccaccio’s Dante and the Shaping Force of Satire
(Ann Arbor: University of Michigan Press, 1997).
Holl.1999.1
Hollander, Robert, “Dante’s ‘dolce stil novo’ and the
Comedy
,” in
Dante: mito e poesia; Atti del secondo Seminario dantesco internazionale
, ed. M. Picone and T. Crivelli (Florence: Cesati, 1999), pp. 263–81.
Holl.2001.1
Hollander, Robert,
Dante: A Life in Works
(New Haven: Yale University Press, 2001).
Holl.2003.1
Hollander, Robert, and Heather Russo, “
Purgatorio
33.43: Dante’s 515 and Virgil’s 333,”
Electronic Bulletin of the Dante Society of America
(March 2003).
Holl.2003.2
Hollander, Robert, “Dante’s Pride,” in
Studi sul canone letterario del Trecento: Per Michelangelo Picone
, ed. J. Bartuschat and L. Rossi (Ravenna: Longo, 2003), pp. 43–55.
Holl.2005.1
Hollander, Robert, “
Paradiso
4.14: Dante as Nebuchadnezzar?”
Electronic Bulletin of the Dante Society of America
(May 2005).
Holl.2005.2
Hollander, Robert, “The ‘miglior voci’ of
Paradiso
1.35,”
Electronic Bulletin of the Dante Society of America
(November 2005).
Holl.2006.1
Hollander, Robert, “
Paradiso
I.35–36: ‘con miglior voci / si pregherà perché Cirra risponda,’ ”
Letteratura italiana antica
7 (2006): 241–47.
Holl.2006.2
Hollander, Robert, “
Paradiso
24.13–21: St. Peter’s Companions,”
Electronic Bulletin of the Dante Society of America
(May 2006).
Hone.1994.1
Honess, Claire, “Expressing the Inexpressible: The Theme of Communication in the Heaven of Mars,”
Lectura Dantis [virginiana]
14–15 (spring-fall 1994): 42–60.
Hone.1997.1
Honess, Claire, “Communication and Participation in Dante’s
Commedia
,” in
In amicizia: Essays in Honour of Giulio Lepschy
, ed. Z.G. Baranski and L. Pertile (
The Italianist
17 [1997, special supplement]), pp. 127–45.
Hone.1997.2
Honess, Claire, “Feminine Virtues and Florentine Vices: Citizenship and Morality in
Paradiso
XV–XVII,” in
Dante and Governance
, ed. John Woodhouse (Oxford: Clarendon, 1997), pp. 102–20.
Iann.1976.1
Iannucci, A. A., “Ulysses’
folle volo
: the Burden of History,”
Medioevo romanzo
3 (1976): 410–45.
Iann.1979.1
Iannucci, Amilcare, “Beatrice in Limbo: A Metaphoric Harrowing of Hell,”
Dante Studies
97 (1979): 23–45.
Iann.1992.2
Iannucci, Amilcare, “Saturn in Dante,” in
Saturn: From Antiquity to the Renaissance
, ed. M. Ciavolella and A. A. Iannucci (Toronto: Dovehouse, 1992), pp. 51–67.
Iann.1995.2
Iannucci, Amilcare A., “
Paradiso
XXXI,” in
Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,”
ed. Tibor Wlassics (
Lectura Dantis [virginiana]
, 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 470–85.
Imba.1996.1
Imbach, Ruedi,
Dante, la philosophie et les laïcs
(Fribourg: Editions Universitaires, 1996).
Iori.1989.1
Iorio, Giovanni, “Il Canto XVIII,” in
“Paradiso”: Letture degli anni 1979–81
, ed. S. Zennaro (Rome: Bonacci, 1989), pp. 469–96.
Jaco.1965.1
Jacomuzzi, Angelo, “ ‘L’imago al cerchio’: Nota sul canto XXXIII del
Paradiso
,” in his
L’imago al cerchio: Invenzione e visione nella “Divina Commedia”
(Milan: Silva, 1968 [1965]), pp. 5–27.
Jaco.1968.1
Jacomuzzi, Angelo, “ ‘Ond’io son fatto scriba,’ ” in his
L’imago al cerchio: Invenzione e visione nella “Divina Commedia”
(Milan: Silva, 1968), pp. 29–100.
Jaco.1980.1
Jacoff, Rachel, “The Post-Palinodic Smile:
Paradiso
VIII and IX,”
Dante Studies
98 (1980): 111–22.
Jaco.1985.1
Jacoff, Rachel, “Sacrifice and Empire: Thematic Analogies in San Vitale and the
Paradiso
,” in
Renaissance Studies in Honor of Craig Hugh Smyth
, ed. Andrew Morrogh et al. (Florence: Giunti Barbèra, 1985), pp. 317–32.
Jaco.1991.2
Jacoff, Rachel, “The Rape/Rapture of Europa:
Paradiso
27,” in
The Poetry of Allusion: Virgil and Ovid in Dante’s “Commedia,”
ed. Rachel Jacoff and Jeffrey T. Schnapp (Stanford: Stanford University Press, 1991), pp. 233–46, 294–95.
Jaco.1999.1
Jacoff, Rachel, “Dante and the Legend(s) of St. John,”
Dante Studies
117 (1999): 45–57.
Jaco.2000.1
Jacoff, Rachel, “ ‘Our Bodies, Our Selves’: The Body in the
Commedia
,” in
Sparks and Seeds: Medieval Literature and Its Afterlife (Essays in Honor of John Freccero)
, ed. Dana E. Stewart and Alison Cornish (Turnhout: Brepols, 2000), pp. 119–37.
Kant.1951.1
Kantorowicz, Ernst, “Dante’s ‘Two Suns,’ ” in
Semitic and Oriental Studies, a Volume Presented to William Potter on the Occasion of His Seventy-fifth Birthday, October 29, 1949
, ed. Walter J. Fischel (Berkeley: University of California Press, 1951), pp. 217–31.
Kant.1957.1
Kantorowicz, Ernst,
The King’s Two Bodies
(Princeton: Princeton University Press, 1957).
Kay.1983.1
Kay, Richard, “Astrology and Astronomy,” in
The “Divine Comedy” and the Encyclopedia of Arts and Sciences: Acta of the International Dante Symposium, 13–16 November 1983, Hunter College, New York
, ed. G. Di Scipio and A. Scaglione (Amsterdam: John Benjamins, 1988), pp. 147–62.
Kay.1994.2
Kay, Richard,
Dante’s Christian Astrology
(Philadelphia: University of Pennsylvania Press, 1994).
Kay.1998.1
Kay, Richard,
Dante’s “Monarchia,”
translated, with a commentary, by Richard Kay (Toronto: Pontifical Institute of Mediaeval Studies, 1998).
Kay.2002.1
Kay, Richard, “Vitruvius and Dante’s Giants,”
Dante Studies
120 (2002): 17–34.
Kay.2003.1
Kay, Richard, “Dante’s Empyrean and the Eye of God,”
Speculum
78 (2003): 37–65.
Kay.2003.2
Kay, Richard, “Unwintering January (Dante,
Paradiso
27.142–143),”
Modern Language Notes
118 (2003): 237–44.
Kirk.1978.1
Kirkpatrick, Robin,
Dante’s “Paradiso” and the Limits of Modern Criticism
(Cambridge: Cambridge University Press, 1978).
Kirk.1995.1
Kirkham, Victoria, “Dante’s Polysynchrony: A Perfectly Timed Entry into Eden,”
Filologia e critica
20 (1995): 329–52.
Klei.1986.2
Kleinhenz, Christopher, “Dante and the Bible: Intertextual Approaches to the
Divine Comedy
,”
Italica
63 (1986): 225–36.
Klei.1994.1
Kleiner, John,
Mismapping the Underworld: Daring and Error in Dante’s “Comedy”
(Stanford: Stanford University Press, 1994).
Klei.1995.1
Kleinhenz, Christopher, “
Paradiso
XXIII,” in
Dante’s “Divine Comedy,” Introductory Readings III: “Paradiso,”
ed. Tibor Wlassics (
Lectura Dantis [virginiana]
, 16–17, supplement, Charlottesville: University of Virginia, 1995), pp. 456–69.
Lans.1977.1
Lansing, Richard,
From Image to Idea: A Study of the Simile in Dante’s “Commedia”
(Ravenna: Longo, 1977).
Lans.2000.1
Lansing, Richard, ed.,
Dante Encyclopedia
(New York: Garland, 2000).
Lanz.1996.1
Lanza, Antonio, ed., Dante Alighieri,
La Commedia: Testo critico secondo i più antichi manoscritti fiorentini
, Nuova edizione (Anzio: De Rubeis, 1996).