Pastoral (6 page)

Read Pastoral Online

Authors: Andre Alexis

          Gift, let me put it by and begin again.
          Make me anew in the fire of your true love.
          Make me in the balm of your mercy. Teach me
          The divine art, forgiveness, that brings peace,
          And in peace let me know love again, new forged
          From the broken remnants of my ruined Self.
                         Amen.
     This prayer was not what she needed. The time would come for forgiveness and
rebuilding, but not yet. Not until she had settled matters for herself.
During his first months in town (with Lowther's guidance and, most often, his company), Father Pennant took to exploring the
fields and woods around Barrow: open fields, abandoned farms, fields lying
fallow. All of this walking and looking was done to familiarize himself with
the new world: shrews, deer mice, milkweed, monarch butterflies, deer flies,
horseflies, blackflies, dragonflies. He noted what he saw, where and when
things were seen, and he drew (precisely and beautifully) the flora and fauna
of the place. His forays brought him considerable pleasure, as well as
instilling the sense that he was getting to know the land at the same time as
he got to know the people who lived on it.
     In all of this, Lowther was a wonderful companion. He was a naturalist of
sorts, infallible when it came to birds and trees. He could, for instance, tell
most birds by their song, and it was a pleasure to walk with him, if only
because it greatly increased Father Pennant's awareness of the sounds this bright world made. Moreover, April and May
provided them with ideal weather: sunshine, light rain from time to time, cool
nights, more sunshine. The plants were nourished and thriving and it was
exquisite to go out on dew-wet mornings to explore the greening: weeds,
flowers, cow manure, sheep shit, the wet spoor of deer, coyotes and, in one
field, what looked to be the spoor of a bear, fresh.
     One day, when Lowther was unexpectedly called away and could not go with him to
the old Stephens place, he warmly insisted Father Pennant explore the abandoned
farm on his own. The farmhouse looked to be sturdy, though it smelled of wood
that had rotted. The barn was ready to collapse on itself, as if a great hand
had pressed down on it and burst its roof. Decades previously, the Stephenses
had planted apple trees in a modest, ordered grove: thirty trees in tight rows,
five by six. At a distance from the apple trees there were other trees
(willows, birches and maples), tall, yellowed grasses, thistles, buttercups and
an unexpected clump of purple lilac bushes that intoxicated with their perfume.
A brook, a tributary of the Thames, ran across the property: narrow, four feet
across, its waters clear as glass, its banks low and rounded to an overhang in
places. In and around the brook: turtles, frogs and small fish that swam like
living slivers of birch bark. Beyond the brook, a wide, open field, alive with
grasshoppers, crickets and mice.
     As it had done when he was beside the Queen, the water held Father Pennant's attention for a time. It ran pure and quick, looking like a strand of clear
muscle. And it seemed to Father Pennant as if he could have lifted the brook
out of its channel, as he would ligaments and fascia from an animal he had
dissected. What was it about the streams in this part of the world?
     Father Pennant stepped across the brook at its narrowest point and began to
explore the rest of the field. The land was so alive, it felt as if he could
have put a hand down into the tall weeds, without looking, and picked up a
living creature. And he was thinking how much he would have liked to hold a
deer mouse or a shrew in the palm of his hand when he heard a
click
 like the sound of a twig snapping and a cloud of gypsy moths rose from the
grasses.
     That in itself was strange. Gypsy moths usually ate tree leaves. They were the
last thing one would have expected to find in the tall grass. But stranger
still, the moths flew up as one and formed, with their wings and bodies, two
distinct shapes. First the moths aligned themselves in such a way as to create,
from Father Pennant's perspective, an elongated loop:

     There could be no mistaking this for a random configuration. Then, as if to
confirm that very thought – that they had purposely created a loop – the gypsy moths dispersed then regrouped to form a flawless circle:

     They fluttered in formation for some time before falling to the ground.
     Father Pennant had never seen nor ever heard of anything like this. He was at
first puzzled, unable to quite believe what had happened. He had been surprised
by the first pattern the moths made (the loop), but he was, as time passed,
frightened by the circle they had formed. He could not help feeling that such a
perfect circle had some special meaning, a meaning meant for him alone, but he
couldn't for the life of him imagine what it might be. It was as if some being had
spoken to him in an extraordinary language and expected him to understand. But,
if so,
who
 had sent the insects to ‘speak' with him?
     No, there had to be something wrong with the moths. He looked about the field,
but though there had been quite a number of them, Father Pennant could find
none on the ground. Here was another puzzling thing: it wasn't possible for so many moths to vanish so quickly. Thinking that deer mice must
have eaten them all, he gave up his search for moths after half an hour,
disappointed. He drew what he had seen:
Lymantria dispar
, brownish-grey with a brown fringe at the bottom edge of its wings when the
wings were closed, its antennae like two delicate, minuscule feathers, its body
a narrow, umber cylinder with six thin white stripes that transversed it at
almost regular intervals. Perfectly common. They had been gypsy moths, no doubt
about it, despite the strangeness of their behaviour.
     Or had he been dreaming? He waved his right hand before his eyes. And saw it.
He cleared his throat and heard the sound. Aside from the fact that he had just
witnessed something unaccountable, he was – or felt he was – as normal as could be: a Catholic priest in Barrow at a time of year – mid-spring – when gypsy moths are about.
     As he always did when he was bewildered or thought about God's grandeur and mystery, he kneeled down to pray. He kneeled in the weeds, among
the insects and rodents, and prayed for enlightenment. What were his duties,
now that he had been given a vision?
     There was great comfort in prayer. It was not so much that he felt the presence
of God when he prayed, though he did at times feel His presence and that always
brought him peace. It was that kneeling – head bowed, fingers interwoven and held on his chest – immediately brought to his mind all the times he had surrendered to the mystery
that was the world and to the mystery that was God. Comfort came from the
continuity of submission. Kneeling, praying, he was himself at his most open
and at his most genuinely human: ignorant, hopeful, humble in the face of the
unknown.
     The man who had gone to the old Stephens field was, for a time, different from
the man who left it. The new Father Pennant was rattled and uncertain. On
entering the field, he'd believed he was getting to know the county and its people. Barrow and the land
around it had struck him as marvellously new, but not mysterious in any
metaphysical sense. The certainty that Barrow and Lambton County were ‘normal' was taken from him when he saw moths flying in a circle, a fluttering hoop
suspended in mid-air. But this uncertainty wasn't certain either. As the days passed, he grew less sure that he had seen the
moths in wilful pattern. The whole episode began to seem incredible and he was
relieved he'd chosen to keep details of the day to himself. Lowther would almost certainly
have thought him unstable.
     He might even have forgotten about the moths, but then, while collecting the
mail one day not long after his episode in the Stephenses' field, he found a postcard for Lowther. It was from Cartmel Priory, in England.
On the front was the picture of an old church. But on the back, where a
signature might have been, was a mark: a one inch by one inch square, with an
element that reminded him of the loop the moths had made:

     Father Pennant kept the postcard until evening when he and Lowther were at the
dining room table. Lowther had, as usual, prepared a lovely meal – white fish, olive bread, lemons, capers, a vinaigrette, a tossed salad. He
seemed slightly distracted, or perhaps more thoughtful, but it did not detract
from his duties. (The rectory would smell of the olive bread he'd made, for days.)
     – Lowther, said Father Pennant, a postcard came for you today. I hope you don't mind, but I was struck by this lovely woodcut on the back, so I hung on to it
for a bit. Do you know where the woodcut comes from?
     Lowther took the postcard.
     – Yes, he answered. This is from Heath, the man who was with me when we first
met. He was adopted, but a long time ago he found out his real family's descended from William Caxton, the owner of the first printing press in
England. That woodcut is Caxton's symbol.
     – Oh. It looked like a rune.
     – Nothing that exotic. Just a signature. You know, Heath and I have known each
other since grade school. And he's been using that woodcut for a long time. I don't even notice how it looks anymore. It is beautiful, though, isn't it?
     – What does he do for a living?
     – That's hard to say. He used to be a farmer. Then he worked for Massey Ferguson. Then
he made a lot of money selling a fertilizer he invented. He still farms a
little, but now, I think, he mostly invents things.
     – I'd like to meet him again, said Father Pennant. We never got a chance to talk.
     So it was that, three weeks after the incident with the moths and a week after
Heath Lambert had returned from the Lake District – where he'd been travelling – Father Pennant was in a house at the outskirts of Oil Springs waiting for
Lambert to come in from a back garden where he was gathering rhubarb leaves to
use in an insecticide.

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