Lucas had to think it over. Why not? "You're thinking outside the box," he said finally.
"She gets a wig, she gets some black clothes . . ."
"She's forty-five, or something like that. Everybody says the fairy is in her early twenties," Lucas said.
"Yeah, that's a question," Anson said. "Still, I wouldn't mind getting a peek in her wig drawer."
Lucas thought,
I'm right there.
He glanced sideways. The housekeeper was twenty feet away, poking a coat-hanger wire down the drain on the left side of the two-basin kitchen sink, her lips moving, as though she were trying to talk it into the garbage disposal. Paying no attention.
But how was he going to get into the bedroom? The housekeeper wouldn't be leaving for hours. And if he found anything, could he tell Anson? It'd be an illegal search and he didn't know Anson that well. "We'd need something," he said. "To get a warrant."
"Think of something," Anson said. Disappointed? "Did you get anything?"
Lucas told him about the missing fifty thousand dollars. "Looks like she just cashed the check, or signed it over to somebody. Or something. Anyway, it doesn't pop up in any of her accounts that I can find."
There was a silence of several seconds, then Anson said, "Fifty grand?"
"Yeah. The question is, what would she use it for? She doesn't seem like a gambler. Cocaine? Doesn't seem like that kind, either. Maybe . . . who knows, maybe she was buying photography equipment or computers or something. But Alyssa says
she
doesn't know, and she thinks that she would."
"So now what?"
"I'll get my financial guys to look into it. Maybe go back to the A1 tonight. People knew her there. See if she was throwing any money around, talking about anything."
"What about the photo kit?"
"Gotta think about that. Fax one to me, will you? I 'll look at it later."
Lucas headed back
to the BCA, with copies of the Fidelity documents made on Alyssa Austin's home-office copier. Give them to the accountants, he thought, and let them figure it out.
He'd parked, was out of the car, walking toward the door, head down, when Jenkins and Shrake came hustling out of the building, carrying vests.
He stopped. "Where're you going?"
"Antsy Toms is back in town," Shrake said.
"I'm coming," Lucas said. "Let me get my vest."
He ran inside, up the stairs, down to his office, threw the copies at his secretary, Carol, and blurted, "Give these to Dan Hall, find out who cashed the fifty-thousand-dollar check." She said, "What?" and he pulled his vest out from behind his file cabinets, shouted, "Dan Hall, find out about the check, the fifty grand."
"Where're you going?"
"Antsy Toms is back in town," he said, and he ran past her, down the hall and back down the stairs. Shrake was at the wheel of his personal Crown Vic, waiting in the street. Lucas climbed in the back.
"Where is he?"
"At his mom's house in Frogtown," Jenkins said, as Shrake jumped on the gas. "We own the guy who lives across the street. He's on his second continuance on coke charges. He's been going down to the cathedral, lighting candles, hoping that Antsy would show up so he could turn him in."
"He wouldn't be shittin' you?" Lucas asked.
Jenkins snorted. "He ain't gettin' a third continuance."
"Gotta stay cool," Lucas said. "Antsy's got more muscle than
Rocky II."
"And he's more fucked up than Rocky the Flying Squirrel," Shrake said. "I'm just praying he hasn't left."
"Is St. Paul on the way?" Lucas asked.
Long pause. Then Jenkins said, "I guess we forgot to call them."
"You morons," Lucas said.
Jenkins struggled, turned in his seat, and looked at Lucas: "Call them if you want, you yellow motherfucker."
They looked at each other for a minute, then Lucas said, "Whatever."
Shrake busted a red light turning onto University, and the Crown Vic took about three turns that the road didn't, and Lucas said, "I can't believe you went out and bought this piece of shit."
"Couldn't help myself," Shrake said. "The seats fit my ass."
"The experts rated it on Microsoft Network," Jenkins said over his shoulder.
"How'd they rate it?"
"Six out of ten," Jenkins said. Then he made a laugh sound that went like "bwa-hahahah," and Shrake said, "Fuck you," and then, "We're four blocks out."
"Put it at the Taco Shed," Jenkins suggested.
"Somebody'll steal the tires," Shrake said.
"Not when they see us getting out of the car," Jenkins said. He reached between his legs and swung up a pump shotgun.
"Maybe we could rob the Taco Shed before we take Antsy," Lucas said.
"Not a bad idea," Jenkins said, "except that it's daylight."
A block from the Taco Shed, Jenkins called St. Paul and identified himself: "We've got a semi-confirmed tip that Antsy Toms is at his mother's house."
He gave them the details, and help was on the way. It'd get there only a minute or so too late, Lucas thought: as planned.
The Taco Shed was two houses sideways from Toms's mother's place. In addition to being Siggy's stupid younger brother, and occasional cocaine runner, Toms was a weight guy, a lifter, a bouncer,
a s
teroid freak, and a meth enthusiast. Three weeks earlier, stoned out of his mind, and tired of constant cop probes about his brother, he'd beaten a St. Paul cop unconscious, then pinned him on the floor and methodically kicked his balls until they turned to ravioli.
The cop's partner, a twenty-four-year-old woman named Les Cooper, had gotten into it, and Toms had picked her up by the short hair at the back of her head and whacked her face twice against a mahogany bar, crushing the bones around her eye sockets. She was the niece of a BCA agent who worked out of the Bemidji office.
Toms had always been a cruel, racist, child-beating, dope-taking freak, and had always walked . . . until now. He'd been hiding out ever since he'd beaten up the cops, but had been seen a couple times in western Wisconsin and north of the Twin Cities in St. Cloud, so they knew he was still around.
His real name, Lucas had once been told, was Antanas. From there, Antsy was a natural: maybe the name had made him what he was. Like Bugsy . . .
They made the Taco Shed parking lot and climbed out of the car, three large men wearing bulletproof vests. Shrake hit the locks and the car beeped at them and they ran across the lawn of the first house and then up the porch steps of the second house and Shrake kicked the door and they were inside and there was Antsy, standing in the middle of the living room with an old-fashioned princess phone in his hand.
Jenkins pointed the shotgun at him and screamed, "On the floor, you piece of shit," and Antsy threw the phone at Jenkins's head and spun and ran for the stairs. Jenkins ducked and pointed the shotgun, but shook his head and screamed, "Stop . . . wait, wait."
Antsy's mother, a large woman in blue Nike workout sweats, appeared in the kitchen doorway carrying a cutting board as though i
t w
ere a Ping-Pong paddle and she threw it overhand at Lucas, who ducked, and then Shrake was on the stairs going after Antsy and they heard a rumble and Antsy's mom yelled, "Not the organ," and an old Hammond electric organ flew down the stairs like a freight train and Shrake jumped down just in front of it.
As it crashed at the bottom of the stairs, they heard windows breaking upstairs and Lucas yelled, "He's going out the window," and Jenkins yelled, "I'm going up, you guys go out," and he pushed the shotgun out in front of him and took the stairs.
Shrake ran toward the front door and Lucas toward the back of the house, through the kitchen. Antsy's mom had run back into the kitchen after the organ crashed, and she pulled a butcher knife out of a drawer and blocked Lucas's route past the kitchen counter.
Lucas got in close, then punched her with a good right hand and she flew ass-over-teakettle under the breakfast table. Lucas went out the back door and around to the side, where he saw Shrake coming toward him. Antsy, appropriately dressed in a wife-beater shirt, jeans, and socks, with no shoes, had climbed out of a dormer window, hesitated on the edge of the roof, just above the gutter, thinking about jumping, twelve feet up.
Then the barrel of Jenkins's shotgun poked through a broken window and hit him between the shoulder blades, hard, and he tipped forward, tried to catch himself, swinging his hands in little circles, said, "Shit," and jumped off the roof and landed in the neighbor's hedge.
Shaken and maybe hurt, he rolled onto his stomach and Shrake ran up and screamed, "Look out, look out," and punted Antsy in the teeth. Antsy was flopped over on his hands and knees, still in the hedge, which seemed to be some kind of prickly stuff, roses, maybe, and Shrake took the opportunity to kick him in the balls, hard, with a steel
-
toed brogan.
Antsy groaned and scrambled straight ahead, still tangled in the hedge, and Lucas vaulted the low chain-link fence around the neighbor's backyard and ran up as Antsy finally staggered to his feet, clutching at his crotch, blood bubbling out of his mouth, around his broken teeth. Lucas hit him as hard as he could right between the eyes.
Antsy went back in the hedge and this time didn't move. Jenkins came running out of the house and said, "Goddamnit, you didn't wait for me."
"He's a violent man," Lucas said, breathing hard, shaking out his hand.
But the movie wasn't over, quite.
Antsy's mom came out of the house, screaming, fat, Lithuanian, they'd heard, from the Old Country, hard lard, not soft, waving the butcher knife. "His mother made him what he is," Jenkins said, quoting a country song. Mom had fixed on Shrake, and charged him, and Jenkins swatted her in the face with the butt of the shotgun and she went down.
There were sirens, had been sirens, and then a uniformed St. Paul cop looked back around the house, saw them, ran up and said, "Whoa. Resisting arrest," and kicked Antsy in the ribs hard enough to knock him back out of the hedge. More steel-toed shoes.
St. Paul arrived in force, and they dragged Antsy out of the hedge and propped up his old lady, who started crying, and Antsy said, "You motherfuckers are gonna pay for this. We got more goddamn guns than you do and Siggy's coming back, you motherfuckers. You beat up our mom, you motherfuckers."
"I hope he's coming back," Jenkins said through his teeth. "That cocksucker will look good on the end of my shotgun."
Antsy spit blood at him, but missed, and the St. Paul cop said, "Maybe we oughta put a spit shield on him."
"What a buttwipe," Shrake said.
"Problem with a spit shield is, sometimes it covers their eyes so much that they can't see the car roof when they're getting in, and they just knock the shit out of themselves," Jenkins said.
"Siggy's gonna fix your asses," Antsy said, but he didn't spit again.
His mom said, "I didn't know Antsy was coming home, I didn't know, not my fault . . ."
Antsy said, "Shut the fuck up."
His mother was bleeding heavily from her nose, and the cops helped her up and started her toward the car. "You criminals," she mumbled. "You criminals . . ."
Lucas didn't get
back to the office until four-thirty. Carol, his secretary, looked at him and said, "You've been taking some exercise."
"Yeah." He felt pretty good, in fact, except that his right hand hurt.
The Tomses were both at Regions hospital in guarded condition, with a few broken bones and blunt trauma between them, and Antsy also had about a million tiny thorns sticking in him. "Don't know what we can do about that," a doc said. "Let them work their way out, I guess. Gonna itch like fire, though."
"We'll have to find a way to live with it," Shrake said.
"I got that
stuff from Dan Hall," Carol said. "He faxed a subpoena to Fidelity and they sent back a fax of the canceled check. Frances Austin had a checking account at Riverside State Bank."
"Huh." The Antsy episode had temporarily kicked the Austin case out of Lucas's frontal lobes. He wanted to go around and punch walls
,
and talk about the bust, and maybe have a couple of beers and kick cans down the street and laugh out loud.
"I got you a subpoena for her Riverside records," she said, and handed him a piece of paper with his own signature at the bottom. "They close at five. The records will be ready when you serve the subpoena."
Lucas looked at the paper, felt the high leaking out. "I think I should have been there . . . you know, to sign it?"
"You were, in spirit," she said.
The Riverside State Bank was not on the side of the river, but in one of St. Paul's downtown skyways, an obscure bank, one that you didn't think about. Lucas left his car on the street, got a bag of popcorn, and wound his way through the skyways, replaying the Antsy Toms fight in his head.
How did some people grow up to be pieces of shit? They didn't have to be--they just were. They liked it. What was the Kid Rock song? "Low Life"? Like that.