Read Pictures at a Revolution Online
Authors: Mark Harris
Thoroughly Modern Millie
Thunderball
To Sir, with Love
Tolan, Michael
Toland, John
Tom Jones
Torn, Rip
Towne, Robert
Tracy, Louise
Tracy, Spencer
bows out of
The Cincinnati Kid
dies
and
Guess Who's Coming to Dinner
as posthumous 1967 Academy Award nominee
relationship with Katharine Hepburn
and
Ship of Fools
and Stanley Kramer
The Train
Truffaut, François
black and white films
and
Bonnie and Clyde
and
Fahrenheit
as filmmaker
interest in
Bonnie and Clyde
rekindled
Jules and Jim
and Leslie Caron
Levine's view
and New Sentimentality
recommends
Bonnie and Clyde
to Beatty
turns down
Bonnie and Clyde
view of Warren Beatty
visits set of
Mickey One
Trundy, Natalie
Turman, Lawrence
and book
The Graduate
and casting of
The Graduate
and
The Flim-Flam Man
The Graduate
financial crisis
pressured to wrap up
The Graduate
search for studio and screenwriter for
The Graduate
view of Embassy Pictures and Joe Levine
20th Century-Fox.
See also
Zanuck, Darryl F.; Zanuck, Richard
and 1963 Academy Awards
1967 Oscar contenders
and
Cleopatra
and
Doctor Dolittle
Fantastic Voyage
lawsuit over rights to Dolittle books
and
The Longest Day
need for more Bond-like movies
as “old guard” studio
and
The Sound of Music
and
What a Way to Go!
Two for the Road
2001: A Space Odyssey
United Artists and Arthur Penn
and
Bonnie and Clyde
and Columbia
and
In the Heat of the Night
and
Help!
and
The Honey Pot
and James Bond series
and
Lilies of the Field
and Mirisch Company
new-found interest in musicals
and Norman Jewison
response to success of
The Graduate
says no to
Bonnie and Clyde
and Sergio Leone movies
and
To Sir, with Love
and Stanley Kramer
studio ownership question
and Truffaut
and
West Side Story
and
What's New, Pussycat?
and
You Only Live Twice
Universal Studios
in 1960s
1967 Oscar contenders
and
Airport
and
Fahrenheit
new-found interest in musicals
and Norman Jewison
and Ross Hunter
and
Thoroughly Modern Millie
Ustinov, Peter
Vadim, Roger
Valenti, Jack
Valley of the Dolls
Van Dyke, Dick
Van Runkle, Theadora
A View from the Bridge
(play)
Visconti, Luchino
Voight, Jon
Volpone.
See The Honey Pot
Wagner, Robert F.
Wait Until Dark
(movie)
Wald, Jerry
Walker, Robert Jr.
Warhol, Andy
Warner, Jack
after
Bonnie and Clyde
and question of color
vs.
black and white
reaction to
Bonnie and Clyde
and Warren Beatty
Warner Brothers
1967 Oscar contenders
and Arthur Penn
and
Bonnie and Clyde
and
Camelot
and
Kaleidoscope
and
My Fair Lady
need for more Bond-like movies
new-found interest in musicals
as “old guard” studio
response to success of
The Graduate
studio ownership question
and Warren Beatty
and
Who's Afraid of Virginia Woolf?
Watkin, Larry
Wayne, John
Webb, Charles
Weld, Tuesday
Welles, Orson
Werner, Oskar
West Side Story
Wexler, Haskell
What a Way to Go!
What Ever Happened to Baby Jane?
What's New, Pussycat?
Who's Afraid of Virginia Woolf?
as box-office success
casting
considered one of best movies of 1966
filming
preproduction
and Production Code
Wilbourn, Phyllis
The Wild Angels
Wilde, Cornel
Wilder, Billy
Wilder, Gene
William Morris Agency.
See
Lastfogel, Abe
Williams, Tennessee
Willingham, Calder
Wilson, Elizabeth
Wilson, Scott
Winsten, Archer
Winston, Helen
Winters, Shelley
Wise, Robert
Wood, Natalie
Wright, Norton
background
famous meeting with Godard about
Bonnie and Clyde
option on
Bonnie and Clyde
Writers Guild
Wyler, William
Wynn, Keenan
York, Susannah
You Only Live Once
(1937 film noir)
You Only Live Twice
(James Bond movie)
Youngblood Hawke
You're a Big Boy Now
Zanuck, Darryl F.
and
Cleopatra
and
Doctor Dolittle
as Fox head
gives major responsibility to his son
and
The Longest Day
as “old Hollywood,”
Zanuck, Richard
and 1967 Fox lineup
after
Doctor Dolittle
and Arthur Jacobs
assumes major responsibility from his father
and
Doctor Dolittle
and
Doctor Dolittle's
Oscar nomination for Best Picture
forced out of 20th Century Fox
and Leslie Bricusse
previewing
Doctor Dolittle
and
The Sound of Music
view of
Bonnie and Clyde
Zarky, Norma
Zinberg, Leonard
Zinnemann, Fred
*
Woodfall was a British production company founded by Tony Richardson and John Osborne; between 1958 and 1963, it produced
Look Back in Anger, The Entertainer, Saturday Night and Sunday Morning, A Taste of Honey, The Loneliness of the Long Distance Runner
, and
Tom Jones.
*
Ford replaced her with Anne Bancroft.
*
Hal Ashby had a similar experience during production of
In the Heat of the Night
, when he went to see another Fox epic, John Huston's
The Bible.
“Great God in Heaven,” he wrote to Norman Jewison, “I hope we never kid ourselves into trying something like that.”
*
Ingmar Bergman was an admirer of Penn's work on
Bonnie and Clyde
, but he disapproved of Penn's decision to shoot in color. “There's a sensual erotic charm in color, when properly used,” he said. “â¦But I think color spoils a film like
Bonnie and Clyde.
That was a film, if any, which ought to have been shotâ¦in coarse-grained black-and-white tones.” At the time of his remark, Bergman had not yet shot a color movie. (Bergman, quoted in
Bergman on Bergman
, by Stig Björkman, Torstenn Manns, and Jonas Sima, translated by Paul Britten Austin [New York: Touchstone/Simon & Schuster, 1973], p. 227.)