Pictures at a Revolution (81 page)

Thoroughly Modern Millie

Thunderball

To Sir, with Love

Tolan, Michael

Toland, John

Tom Jones

Torn, Rip

Towne, Robert

Tracy, Louise

Tracy, Spencer

bows out of
The Cincinnati Kid

dies

and
Guess Who's Coming to Dinner

as posthumous 1967 Academy Award nominee

relationship with Katharine Hepburn

and
Ship of Fools

and Stanley Kramer

The Train

Truffaut, François

black and white films

and
Bonnie and Clyde

and
Fahrenheit

as filmmaker

interest in
Bonnie and Clyde
rekindled

Jules and Jim

and Leslie Caron

Levine's view

and New Sentimentality

recommends
Bonnie and Clyde
to Beatty

turns down
Bonnie and Clyde

view of Warren Beatty

visits set of
Mickey One

Trundy, Natalie

Turman, Lawrence

and book
The Graduate

and casting of
The Graduate

and
The Flim-Flam Man

The Graduate
financial crisis

pressured to wrap up
The Graduate

search for studio and screenwriter for
The Graduate

view of Embassy Pictures and Joe Levine

20th Century-Fox.
See also
Zanuck, Darryl F.; Zanuck, Richard

and 1963 Academy Awards

1967 Oscar contenders

and
Cleopatra

and
Doctor Dolittle

Fantastic Voyage

lawsuit over rights to Dolittle books

and
The Longest Day

need for more Bond-like movies

as “old guard” studio

and
The Sound of Music

and
What a Way to Go!

Two for the Road

2001: A Space Odyssey

United Artists and Arthur Penn

and
Bonnie and Clyde

and Columbia

and
In the Heat of the Night

and
Help!

and
The Honey Pot

and James Bond series

and
Lilies of the Field

and Mirisch Company

new-found interest in musicals

and Norman Jewison

response to success of
The Graduate

says no to
Bonnie and Clyde

and Sergio Leone movies

and
To Sir, with Love

and Stanley Kramer

studio ownership question

and Truffaut

and
West Side Story

and
What's New, Pussycat?

and
You Only Live Twice

Universal Studios

in 1960s

1967 Oscar contenders

and
Airport

and
Fahrenheit

new-found interest in musicals

and Norman Jewison

and Ross Hunter

and
Thoroughly Modern Millie

Ustinov, Peter

Vadim, Roger

Valenti, Jack

Valley of the Dolls

Van Dyke, Dick

Van Runkle, Theadora

A View from the Bridge
(play)

Visconti, Luchino

Voight, Jon

Volpone.
See The Honey Pot

Wagner, Robert F.

Wait Until Dark
(movie)

Wald, Jerry

Walker, Robert Jr.

Warhol, Andy

Warner, Jack

after
Bonnie and Clyde

and question of color
vs.
black and white

reaction to
Bonnie and Clyde

and Warren Beatty

Warner Brothers

1967 Oscar contenders

and Arthur Penn

and
Bonnie and Clyde

and
Camelot

and
Kaleidoscope

and
My Fair Lady

need for more Bond-like movies

new-found interest in musicals

as “old guard” studio

response to success of
The Graduate

studio ownership question

and Warren Beatty

and
Who's Afraid of Virginia Woolf?

Watkin, Larry

Wayne, John

Webb, Charles

Weld, Tuesday

Welles, Orson

Werner, Oskar

West Side Story

Wexler, Haskell

What a Way to Go!

What Ever Happened to Baby Jane?

What's New, Pussycat?

Who's Afraid of Virginia Woolf?

as box-office success

casting

considered one of best movies of 1966

filming

preproduction

and Production Code

Wilbourn, Phyllis

The Wild Angels

Wilde, Cornel

Wilder, Billy

Wilder, Gene

William Morris Agency.
See
Lastfogel, Abe

Williams, Tennessee

Willingham, Calder

Wilson, Elizabeth

Wilson, Scott

Winsten, Archer

Winston, Helen

Winters, Shelley

Wise, Robert

Wood, Natalie

Wright, Norton

background

famous meeting with Godard about
Bonnie and Clyde

option on
Bonnie and Clyde

Writers Guild

Wyler, William

Wynn, Keenan

York, Susannah

You Only Live Once
(1937 film noir)

You Only Live Twice
(James Bond movie)

Youngblood Hawke

You're a Big Boy Now

Zanuck, Darryl F.

and
Cleopatra

and
Doctor Dolittle

as Fox head

gives major responsibility to his son

and
The Longest Day

as “old Hollywood,”

Zanuck, Richard

and 1967 Fox lineup

after
Doctor Dolittle

and Arthur Jacobs

assumes major responsibility from his father

and
Doctor Dolittle

and
Doctor Dolittle's
Oscar nomination for Best Picture

forced out of 20th Century Fox

and Leslie Bricusse

previewing
Doctor Dolittle

and
The Sound of Music

view of
Bonnie and Clyde

Zarky, Norma

Zinberg, Leonard

Zinnemann, Fred

*
Woodfall was a British production company founded by Tony Richardson and John Osborne; between 1958 and 1963, it produced
Look Back in Anger, The Entertainer, Saturday Night and Sunday Morning, A Taste of Honey, The Loneliness of the Long Distance Runner
, and
Tom Jones.

*
Ford replaced her with Anne Bancroft.

*
Hal Ashby had a similar experience during production of
In the Heat of the Night
, when he went to see another Fox epic, John Huston's
The Bible.
“Great God in Heaven,” he wrote to Norman Jewison, “I hope we never kid ourselves into trying something like that.”

*
Ingmar Bergman was an admirer of Penn's work on
Bonnie and Clyde
, but he disapproved of Penn's decision to shoot in color. “There's a sensual erotic charm in color, when properly used,” he said. “…But I think color spoils a film like
Bonnie and Clyde.
That was a film, if any, which ought to have been shot…in coarse-grained black-and-white tones.” At the time of his remark, Bergman had not yet shot a color movie. (Bergman, quoted in
Bergman on Bergman
, by Stig Björkman, Torstenn Manns, and Jonas Sima, translated by Paul Britten Austin [New York: Touchstone/Simon & Schuster, 1973], p. 227.)

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