Read Pictures of Fidelman Online

Authors: Bernard Malamud

Pictures of Fidelman (3 page)

 
Fidelman postponed going to Florence. He reported his loss to the Questura, and though the police were polite and eager to help, they could do nothing for him. On the form on which the inspector noted the complaint, he listed the brief case as worth ten thousand lire, and for “valore del manoscritto” he drew a line. Fidelman, after giving the matter a good deal of thought, did not report Susskind, first, because he had absolutely no proof, for the desk clerk swore he had seen no stranger around in knickers; second, because he was afraid of the consequences for the refugee if he were written down “suspected thief” as well as “unlicensed peddler” and inveterate refugee. He tried instead to rewrite the chapter, which he felt sure he knew by heart, but when he sat down at the desk there were important thoughts, whole paragraphs, even pages that went blank in the mind. He considered sending to America for his notes for the chapter but they were in a barrel in his sister’s attic in Levittown, among many notes for other projects. The thought of Bessie, a mother of five, poking around in his things, and the work entailed in sorting the cards, then getting
them packaged and mailed to him across the ocean, wearied Fidelman unspeakably; he was certain she would send the wrong ones. He laid down his pen and went into the street, seeking Susskind. He searched for him in neighborhoods where he had seen him before, and though Fidelman spent hours looking, literally days, Susskind never appeared; or if he perhaps did, the sight of Fidelman caused him to vanish. And when the student inquired about him at the Israeli consulate, the clerk, a new man on the job, said he had no record of such a person or his lost passport; on the other hand, the refugee was known at the JDC, but by name and address only, an impossibility, Fidelman thought. They gave him a number to go to but the place had long since been torn down to make way for an apartment house.
Time went without work, without accomplishment. To put an end to this appalling waste Fidelman tried to force himself back into his routine research and picture viewing. He moved out of the hotel, which he now could not stand for the harm it had done him (leaving a telephone number and urging he be called if the slightest clue turned up), and he took a room in a small pensione near the Stazione and here had breakfast and supper rather than go out. He was much concerned with expenditures and carefully recorded them in a notebook he had acquired for the purpose. Nights, instead of wandering in the city, feasting himself on its beauty and mystery, he kept his eyes
glued to paper, sitting steadfastly at his desk in an attempt to re-create his initial chapter, because he was lost without a beginning. He had tried writing the second chapter from notes in his possession but it had come to nothing. Always Fidelman needed something solid behind him before he could advance, some worthwhile accomplishment upon which to build another. He worked late but his mood, or inspiration, or whatever it was, had deserted him, leaving him with growing anxiety, almost disorientation; of not knowing—it seemed to him for the first time in months —what he must do next, a feeling that was torture. Therefore he again took up his search for the refugee. He thought now that once he had settled it, knew that the man had or hadn’t stolen his chapter—whether he recovered it or not seemed at the moment immaterial—just the knowing of it would ease his mind and again he would feel like working, the crucial element.
Daily he combed the crowded streets, searching for Susskind wherever people peddled. On successive Sunday mornings he took the long ride to the Porta Portese market and hunted for hours among the piles of second-hand goods and junk lining the back streets, hoping his brief case would magically appear, though it never did. He visited the open market at Piazza Fontanella Borghese, and observed the ambulant vendors at Piazza Dante. He looked among fruit and vegetable stalls set up in the streets, whenever he
chanced upon them, and dawdled on busy street corners after dark, among beggars and fly-by-night peddlers. After the first cold snap at the end of October, when the chestnut sellers appeared throughout the city, huddled over pails of glowing coals, he sought in their faces the missing Susskind. Where in all of modern and ancient Rome was he? The man lived in the open air—he had to appear somewhere. Sometimes when riding in a bus or tram, Fidelman thought he had glimpsed somebody in a crowd, dressed in the refugee’s clothes, and he invariably got off to run after whoever it was—once a man standing in front of the Banco di Santo Spirito, gone when Fidelman breathlessly arrived; and another time he overtook a person in knickers but this one wore a monocle. Sir Ian Susskind?
In November it drearily rained. Fidelman wore a blue beret with his trench coat and a pair of black Italian shoes, smaller, despite their pointed toes, than his burly oxbloods which overheated his feet and whose color he detested. But instead of visiting museums he frequented movie houses, sitting in the cheapest seats and regretting the cost. He was, at odd hours in certain streets, several times solicited by prostitutes, some heartbreakingly pretty, one a slender, unhappy-looking girl with bags under her eyes whom he desired mightily, but Fidelman feared for his health. He had got to know the face of Rome and spoke Italian fairly fluently but his heart was burdened, and in his
blood raged a murderous hatred of the bandy-legged refugee—although there were times when he thought he might be wrong—so Fidelman more than once cursed him to perdition.
 
One Friday night, as the first star glowed over the Tiber, Fidelman, walking aimlessly along the left riverbank, came upon a synagogue and wandered in among a crowd of Sephardim with Italianate faces. One by one they paused before a sink in an antechamber to dip their hands under a flowing faucet, then in the house of worship touched with loose fingers their brows, mouths, and breasts as they bowed to the Ark, Fidelman doing likewise. Where in the world am I? Three rabbis rose from a bench and the service began, a long prayer, sometimes chanted, sometimes accompanied by invisible organ music, but no Susskind anywhere. Fidelman sat at a desk-like pew in the last row where he could inspect the congregants yet keep an eye on the door. The synagogue was unheated and the cold rose like an exudation from the marble floor. The student’s freezing nose burned like a lit candle. He got up to go but the beadle, a stout man in a high hat and short caftan, wearing a long thick silver chain around his neck, fixed the student with his powerful left eye.
“From New York?” he inquired, slowly approaching.
Half the congregation turned to see who.
“State, not city,” answered Fidelman, nursing an active embarrassment for the attention he was attracting.
Taking advantage of a pause, he whispered, “Do you happen to know a man named Susskind? He wears knickers.”
“A relative?” The beadle gazed at him sadly.
“Not exactly.”
“My own son—killed in the Ardeatine Caves.” Tears stood forth in his eyes.
“Ah, for that I’m sorry.”
But the beadle had exhausted the subject. He wiped his wet lids with pudgy fingers and the curious Sephardim turned back to their prayer books.
“Which Susskind?” the beadle wanted to know.
“Shimon.”
He scratched his ear. “Look in the ghetto.”
“I looked.”
“Look again.”
The beadle walked slowly away and Fidelman sneaked out.
The ghetto lay behind the synagogue for several crooked well-packed blocks, encompassing aristocratic palazzi ruined by age and unbearable numbers, their discolored façades strung with lines of withered wet wash, the fountains in the piazzas, dirt-laden, dry. And dark stone tenements, built partly on centuries-old ghetto walls, inclined towards one another across narrow, cobblestoned streets. In and among the impoverished houses were the wholesale establishments of wealthy Jews, dark holes ending in jeweled interiors, silks and silver of all colors. In the mazed streets wandered
the present-day poor, Fidelman among them, oppressed by history although, he joked to himself, it added years to his life.
A white moon shone upon the ghetto, lighting it like dark day. Once he thought he saw a ghost he knew by sight, and hastily followed him through a thick stone passage to a blank wall where shone in white letters under a tiny electric bulb: VIETATO URINARE. Here was a smell but no Susskind.
For thirty lire the student bought a dwarfed blackened banana from a street vendor (not S) on a bicycle and stopped to eat. A crowd of ragazzi gathered to watch.
“Anybody here know Susskind, a refugee wearing knickers?” Fidelman announced, stooping to point with the banana where the pants went beneath the knees. He also made his legs a trifle bowed but nobody noticed.
There was no response until he had finished his fruit, then a thin-faced boy with brown liquescent eyes out of Murillo, piped: “He sometimes works in the Campo Verano, the Jewish section.”
There too? thought Fidelman. “Works in the cemetery?” he inquired. “With a shovel?”
“He prays for the dead,” the boy answered, “for a small fee.”
Fidelman bought him a quick banana and the others dispersed.
In the cemetery, deserted on the Sabbath—he should
have come Sunday—Fidelman went among the graves, reading legends on tombstones, many topped with small brass candelabra, whilst withered yellow chrysanthemums lay on the stone tablets of other graves, dropped stealthily, he imagined, on All Souls’ Day—a festival in another part of the cemetery—by renegade sons and daughters unable to bear the sight of their dead bereft of flowers whilst the crypts of the goyim were lit and in bloom. Many were burial places, he read on the stained stones, of those who, for one reason or another, had died in the late large war. Among them was an empty place, it said on a marble slab lying on the ground, for “My beloved father/ Betrayed by the damned Fascists/ Murdered at Auschwitz by the barbarous Nazis/
O Crimine Orribile.”
—But no Susskind.
 
Three months had gone by since Fidelman’s arrival in Rome. Should he, he many times asked himself, leave the city and this foolish search? Why not off to Florence, and there, amid the art splendors of the world, be inspired to resume his work? But the loss of his first chapter was like a spell cast over him. There were times he scorned it as a man-made thing, like all such, replaceable; other times he feared it wasn’t the chapter per se, but that his volatile curiosity had become somehow entangled with Susskind’s personality—Had he repaid generosity by stealing a man’s life work? Was he so distorted? To satisfy himself, to know
man, Fidelman had to know, though at what a cost in precious time and effort. Sometimes he smiled wryly at all this; ridiculous, the chapter grieved him for itself only—the precious thing he had created then lost—especially when he got to thinking of the long diligent labor, how painstakingly he had built each idea, how cleverly mastered problems of order, form, how impressive the finished product, Giotto reborn! It broke the heart. What else, if after months he was here, still seeking?
And Fidehnan was unchangingly convinced that Susskind had taken it, or why would he still be hiding? He sighed much and gained weight. Mulling over his frustrated career, on the backs of envelopes containing unanswered letters from his sister Bessie he aimlessly sketched little angels flying. Once, studying his minuscule drawings, it occurred to him that he might someday return to painting but the thought was more painful than Fidelman could bear.
One bright morning in mid-December, after a good night’s sleep, his first in weeks, he vowed he would have another look at the Navicella and then be off to Florence. Shortly before noon he visited the porch of St. Peter’s, trying, from his remembrance of Giotto’s sketch, to see the mosaic as it had been before its many restorations. He hazarded a note or two in shaky handwriting, then left the church and was walking down the sweeping flight of stairs, when he beheld at the bottom—his heart misgave him, was he still seeing pictures,
a sneaky apostle added to the overloaded boatful?—ecco, Susskind! The refugee, in beret and long green G.I. raincoat, from under whose skirts showed his black-stockinged rooster’s ankles—indicating knickers going on above though hidden—was selling black and white rosaries to all who would buy. He held several strands of beads in one hand, while in the palm of the other a few gilded medallions glinted in the winter sun. Despite his outer clothing, Susskind looked, it must be said, unchanged, not a pound more of meat or muscle, the face though aged, ageless. Gazing at him, the student ground his teeth in remembrance. He was tempted quickly to hide, and unobserved, observe the thief; but his impatience, after the long unhappy search, was too much for him. With controlled trepidation he approached Susskind on his left as the refugee was busily engaged on the right, urging a sale of beads upon a woman drenched in black.
“Beads, rosaries, say your prayers with holy beads.”
“Greetings, Susskind,” Fidelman said, coming shakily down the stairs, dissembling the Unified Man, all peace and contentment. “One looks for you everywhere and finds you here. Wie gehts?”
Susskind, though his eyes flickered, showed no surprise to speak of. For a moment his expression seemed to say he had no idea who was this, had forgotten Fidelman’s existence, but then at last remembered—
somebody long ago from another country, whom you smiled on, then forgot.
“Still here?” he perhaps ironically joked.
“Still.” Fidelman was embarrassed at his voice slipping.

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