Point Counter Point (60 page)

‘Incredibly little blood,’ said Spandrell aloud.

At the sound of his calm voice Illidge violently started.

Spandrell withdrew his supporting foot. The dead face fell back with a little thump on to its side.

‘It’s a complete justification for Bishop Odo’s mace,’ he went on dispassionately. That he should find himself recalling, at this of all moments, the comical prancings of that conscientious churchman in the Bayeux tapestry—that too was part of the essential horror. The frivolousness of the human mind! The wandering irrelevance! Evil might have a certain dignity. But silliness…

Illidge heard him walk into the kitchen. There was the gradually sharpening note of water running into a pail. The tap was turned off; there were foot-falls; the bucket was set down with a metallic clink.

‘Luckily,’ Spandrell went on, in comment on his last remark. ‘Or else I don’t know what we should have done about the mess.’

Illidge listened with a strained and horrified attention to the sounds that came to him from the other side of the screen. A limp and meaty thud; was that an arm lifted and dropped? The sibilant sliding of a soft and heavy object across the floor. Then the splash of water, the homely noise of scrubbing. And at these sounds, so incomparably more horrible, more profoundly significant than any words, however brutal, however calmly cynical, that Spandrell could say, he felt a recrudesence of that sinking, that heart-fluttering faintness of the first minutes, when the dead man was lying there, still twitching, at his feet. He remembered, he lived over again those moments of breathless and sick anticipation before the horrible event. The noise of the car backing down the street; the gritty scrape of feet on the doorstep, and then the knock, and then a long, long silence of heart-beats and visceral creepings and imaginative forebodings, of justifying thoughts of revolution and the future, justifying hatred of oppression and the vileness of wealth. And at the same time ridiculous, incongruous recollections, as he crouched behind the screen, of those childish games of hide-and-seek on school-treat days, among the gorse and juniper bushes of the common. ‘One, two, three…’; the seekers covered their faces and began to count their hundred, aloud; the hiders scattered. You thrust yourself into a prickly bush, you lay in the bracken. Then came the shout of ‘ninety-nine, a hundred, Cooee!’; and the seekers were off, were after you. And the excitement was so painfully intense, as you crouched or squatted in your lair, peeping, listening for a chance to make a bolt for Home, that you felt an almost irrepressible desire to’do something,’ though something had been done, behind the junipers, only five minutes before. Absurd memories! And because absurd, dreadful! For the hundredth time he felt in his pocket to make sure that the bottle of chloroform was still there and safely corked. The second knock startlingly resounded and, with it, the whistle and that humorous call (you could
hear
, from the tone of his voice, that he was smiling) of ‘Friend!’ Behind his screen Midge had shuddered. ‘Friend!’ And remembering now, he shuddered again, more violently, with all the shame and horror and humiliation which he had had no time then to feel. No time; for before his mind could realize all the implications upon implications of that laughing call, the door had creaked on its hinges, there was the noise of feet on the boards, and Webley was shouting Elinor’s name. (Illidge suddenly found himself wondering if he had been in love with her.) ‘Elinor!’ There followed a silence; Webley had seen the note. Illidge had heard his breathing, only a foot or two away, on the other side of the screen. And then there was the rustle of a quick movement, the beginning of an exclamation and that sudden dry concussion, like the noise of a slap, but duller, deader and at the same time much louder. There followed a fraction of a second’s silence, then the noise of falling—not a single sound, but a series of noises spread over an appreciable period of time; the bony collapse of the knees, the scrape of shoes sliding away across the polished floor, the muffled thud of the body and arms, and the sharp hard rap of the head against the boards. ‘Quick!’ had come the sound of Spandrell’s voice, and he had darted out of his hidingplace. ‘Chloroform.’ Obediently, he had soaked the handkerchief, he had spread it over the twitching face….He shuddered again, he took another sip of brandy.

The sound of scrubbing was succeeded by the squelch of a wetted cloth.

‘There,’ said Spandrell, appearing round the screen. He was drying his hands on a duster. ‘And how’s the invalid?’ he added in the parody of a bedside manner, smiling ironically.

Illidge averted his face. The hatred flared up in him, expelling for the moment every other emotion. ‘I’m all right,’ he said curtly.

‘Just taking it easy while I do the dirty work. Is that it?’ Spandrell threw the duster on to a chair and began to turn down his shirt cuffs.

In two hours the muscles of the heart contract and relax, contract again and relax only eight thousand times. The earth travels less than an eighth of a million miles along its orbit. And the prickly pear has had time to invade only another hundred acres of Australian territory. Two hours are as nothing. The time to listen to the Ninth Symphony and a couple of the posthumous quartets, to fly from London to Paris, to transfer a luncheon from the stomach to the small intestine, to read
Macbeth
, to die of snake bite or earn one-and-eightpence as a charwoman. No more. But to Illidge, as he sat waiting, with the dead body lying there behind the screen, waiting for the darkness, they seemed unending.

‘Are you an idiot? asked Spandrell, when he had suggested that they should go away at once and leave the thing lying there. ‘Or are you particularly anxious to die of hanging?’ The sneer, the cool ironic amusement were maddening to Illidge. ‘It would be found to-night when Philip came home.’

‘But Quarles hasn’t got a key,’ said Illidge.

‘Then to-morrow, as soon as he’d got hold of a locksmith. And three hours later, when Elinor had explained what she had done with the key, the police would be knocking at my door. And I promise you, they’d knock at yours very soon afterwards.’ He smiled at Illidge, who averted his eyes. ‘No,’ Spandrell went on, ‘Webley’s got to be taken away. And with his car standing outside, it’s child’s play, if we wait till after dark.’

‘But it won’t be dark for another two hours.’ Illidge’s voice was shrill with anger and complaint.

‘Well, what of it?’

‘Why…’ Illidge began and checked himself; he realized that if he was going to answer truthfully, he would have to say that he didn’t want to stay those two hours because he was frightened. ‘All right,’ he said. ‘Let’s stay.’ Spandrell picked up the silver cigarette box, opened and sniffed. ‘They smell very nice,’ he said. ‘Have one.’ He pushed the box across the table. ‘And there are lots of books. And the
Times
And the
New Statesman
. And the latest number of
Vogue
. It’s positively a dentist’s waiting-room. And we might even make ourselves a cup of tea.’ The time of waiting began. Heart-beat followed heart-beat. Each second the earth travelled twenty miles and the prickly pears covered another five rods of Australian ground. Behind the screen lay the body. Thousands upon thousands of millions of minute and diverse individuals had come together and the product of their mutual dependence, their mutual hostility had been a human life. Their total colony, their living hive had been a man. The hive was dead. But in the lingering warmth many of the component individuals still faintly lived; soon they also would have perished. And meanwhile, from the air, the invisible hosts of saprophytics had already begun their unresisted invasion. They would live among the dead cells, they would grow, and prodigiously multiply and in their growing and procreation all the chemical building of the body would be undone, all the intricacies and complications of its matter would be resolved, till by the time their work was finished a few pounds of carbon, a few quarts of water, some lime, a little phosphorus and sulphur, a pinch of iron and silicon, a handful of mixed salts—all scattered and recombined with the surrounding world—would be all that remained of Everard Webley’s ambition to rule and his love for Elinor, of his thoughts about politics and his recollections of childhood, of his fencing and good horsemanship, of that soft strong voice and that suddenly illuminating smile, of his admiration for Mantegna, his dislike of whiskey, his deliberately terrifying rages, his habit of stroking his chin, his belief in God, his incapacity to whistle a tune correctly, his unshakeable determinations and his knowledge of Russian.

Illidge turned over the advertisement pages of
Vogue
. A young lady in a fur coat priced at two hundred guineas was stepping into a motor car; on the opposite page another young lady in nothing but a towel was stepping out of a bath impregnated with Dr. Verbruggen’s Reducing Salts. There followed a still-life of scent bottles containing
Songe Negre
and the maker’s latest creation,
Relent d’Amour
. The names of Worth, Lanvin, Patou sprawled across three more pages. Then there was a picture of a young lady in a rubber reducing belt, looking at herself in the glass. A group of young ladies admired one another’s slumber wear from Crabb and Lushington’s lingerie department. Opposite them another young lady reclined on a couch at Madame Adrena’s Beauty Laboratory, while the hands of a masseuse stroked the menace of a double chin. Then followed a still-life of rolling pins and rubber strigils for rolling and rubbing away young ladies’ superfluous fat, and another still-life of jars and gallipots containing skin foods to protect their faces from the ravages of time and the weather.

‘Revolting!’ Illidge said to himself as he turned the pages. ‘Criminal!’ And he cherished his indignation, he cultivated it. To be angry was a distraction, and at the same time a justification. Raging at plutocratic callousness and frivolity, he could half forget and half excuse to himself the horrible thing that had happened. Webley’s body was lying on the other side of the screen. But there were women who paid two hundred guineas for a fur coat. Two hundred guineas! His Uncle Joseph would have thought himself happy if he could have made as much in eighteen months of cobbling. And they bought scent at twentyfive shillings the quarter-pint. He remembered the time when his little brother Tom had had pneumonia after influenza. Ghastly! And when he was convalescent, the doctor had said he ought to go away to the sea for a few weeks. They hadn’t been able to afford it. Tom’s lungs had never been too strong after that. He worked in a motor factory now (making machines for those bitches in twohundred-guinea coats to sit in); Illidge had paid for him to go to a technical school—paid, he reflected, beating up his anger, that the boy might have the privilege of standing eight hours a day in front of a milling machine. The air of Manchester wasn’t doing Tom any good. There was no superfluous fat to be rolled off him, poor devil. Swinish guzzling! Why couldn’t they do a little useful work instead of squeegeeing their hams and bellies? That would take the fat off all right. If they worked as his mother had done…. She had no fat to rub off with rolling-pins, or sweat off under a rubber belt, or stew off in hot baths and brine. He thought indignantly of that endless dreary labour of housework. Day after day, year after year. Making beds, that they might be unmade. Cooking to fill bellies eternally empty. Washing up what the next meal was to make dirty again. Scrubbing the floor for muddy boots to defile. Darning and patching that yet more holes might be made. It was like the labouring of Sisyphus and the Danaids, hopeless and interminable—or would have been interminable (except by his mother’s death), if he hadn’t been able to send her those two pounds a week out of his salary. She could get a girl in now to help with the hardest work. But she still did more than enough to make rubber belts unnecessary. What a life! And in the world of fur coats and
Songe Negre
they complained of boredom and fatigue, they had to retire into nursing homes for rest cures. If they could lead
her
life for a bit! And perhaps they’d be made to, one of these days (he hoped so), even in England. Illidge thought with satisfaction of those ex-officers of the Tsar driving taxis and working in factories, those ex-countesses with their restaurants and cabarets and hat-shops; of all the ex-rich of Russia, all over the world, from Harbin and Shanghai to Rome and London and Berlin, bankrupt, humiliated, reduced to the slavish estate of the common people on whom they had once parasitically lived. That was good, that served them right. And perhaps it might happen here too. But they were strong here, the fat-reducers and the fur-coated; they were numerous, they were an organized army. But the army had lost its chief. He had got his packet. Embodied beastliness and plutocracy, he lay there behind the screen. But his mouth had been open and the muscles of his face, before the reeking handkerchief had covered it, had twitched grotesquely. Illidge shuddered. He looked again for indignant distraction and justification at the picture of the young lady in the twohundred-guinea fur, of the young lady stepping, naked but coyly towelled, out of her reducing bath. Strumpets and gluttons! They belonged to the class that Webley had fought to perpetuate. The champion of all that was vile and low. He had got what he deserved, he had…

‘Good Lord!’ exclaimed Spandrell suddenly, looking up from his book. The sound of his voice in the silence made Illidge start with an uncontrollable terror. ‘I’d absolutely forgotten. They get stiff, don’t they?’ He looked at Illidge. ‘Corpses, I mean.’

Illidge nodded: He drew a deep breath and steadied himself with an effort of will.

‘What about getting him into the car, then?’ He sprang up and walked quickly round the screen, out of sight. Illidge heard the latch of the house door rattling. He was seized with a sudden horrible terror: Spandrell was going to make off, leaving him locked in with the body.

‘Where are you going?’ he shouted and darted off in panic pursuit. ‘Where are you going?’ The door was open, Spandrell was not to be seen, and the thing lay on the floor, its face uncovered, open-mouthed and staring secretly, significantly, as though through spyholes, between half-closed eyelids. ‘Where are you going?’ Illidge’s voice had risen almost to a scream.