Prague (59 page)

Read Prague Online

Authors: Arthur Phillips

 

John longed for Nadja's presence; he felt he would be able to pay better attention to Charles if only it were her on the stage, if only he knew the evening would end with just Ihe two of them, him walking her home. He had never walked her home before, and that seemed a pity. He savored an image of a new nightly tradition: At the gray, quiet close of her working nights, he would see her home and they would have tea or sherry and good conversation in her fire-lit parlor before he headed off to ... wherever. Nadja's apartment would be a treasury of her amazing life so beautifully, so fully lived: that unlikely scribbled catalog of books and records—creased, yellowed, but there in the pulp: photographs of all her people and places; letters in remarkable handwriting, from

 

fKUUUt
   
i
  
J/Y

 

eras when the mail came thrice daily; drawings of her. which she would handle with care but not worship, considering they had been sketched by hands of greatness, hands for whose other, more finished works museums fought one another like enraged children. On a shelf, mysterious souvenirs: a bullet casing; an ancient and curling identity card issued by some long since disbanded organization to some young man long since gray or gone; a rolled and tied citation from a government vanished from the earth. "Good night. John Price." she would say in her leathery foreign-movie-star voice, "or good morning, as the case may be." and they would kiss each other's cheeks at the door, and he would walk out into the dawn air and feel like he was in the right place, ready to go meet,.. whomever.

 

"But the size of the bid sort of retrospectively gives new meaning to everything that happened at dinner. You can see they're in a hurry, right? We've kept them waiting, thanks to Irnre. So now bid high, absorb whatever loss is necessary, because it's a landgrab. that's the order of the day." John noted his friend's wide-eyed excitement, all of his coolness steamed away by the warm liquor, and maybe even by the wailing squeals ricocheting off the stage. "Don't they have strippers here? Why do you come here so much?"

 

Of course, bully-buying media was a dangerous game. Buying newspapers wasn't like buying a cannery. Newspapers talk: Force one to sell (". . . getting you out of our way ...") and you might get two weeks of nasty abuse from the very object of your desire before you are able to consummate the deal and shut her up. And thus. Charles motored on tirelessly, here was an interesting detail: Median had started with Horvath before talking to all those other outlets Melchior had listed. 'And why does he want Horvath first?" Melchior had complimented Charles on getting good press and understanding its importance. "You get it yet? He wants Horvath first because of..."

 

"Yes. yes. because of you."

 

"No, child. Melchior wants Horvath first because"—Charles pinched John's check hard enough for John to make a noise—"of you, you little darling." Median would come one way or the other, but it was worth Melchior's time and money to try to do things in the right order. Median had chosen not to make a privatization bid for the Horvath Kiado because John had convinced Harvey had convinced Kyle had convinced Melchior that no foreigners could win a bid for something as highly symbolic as the press. And now Melchior respected the men who had held him at bay. And he wanted their assistance: Median's first acquisition in Hungary—and Austria—would occur under the soft.

 

330 1 ARTHUR PHILLIPS

 

flattering light of favorable news courtesy of Team Charles, rather than the uselessly hysterical strobe that greeted Melchior's first acquisition in Czechoslovakia, where a few self-righteous, apocalyptic editorials had led to actual protests, "a bunch of truly silly people lying on the ground in front of the offices of some punky underground newspaper, the sentimental editors of which didn't even realize they had jusl won life's lottery." // we are going to sell ourselves, sell our history to faceless moneyed men, why have we gone to all the trouble of rebelling, and of teaching ourselves to tell the truth no matter what the consequences? What can it mean when this organ chooses to surrender itself to the first brainless millionaire who offers us a little hard currency? Now that we are a free country and a poor country, what are we not wilhmj to sell? I only hope that my Czech brethren are wiser than the men who employ me and who...

 

Across the room, the bandleader, his giant hands cradling a tiny trumpet, mumbled some grateful farewell Magyar into the microphone, and Thelonious Monk's recording of 'April in Paris" rained from the speakers. The two friends stumbled through a very clumsy game of pool, and John was keenly aware of the snickers of better players waiting for the table. "Guys at this level"—Charles leaned on his cue and spoke while John shot—"don't waste their time over asset-by-asset valuation drudgery. They leave that for sparkling personalities like Kyle to deal with. Guys at the top just have the right instincts, and what doesn't work at first, they make work out of sheer force of will. You have to love that. He'll make Horvath profitable, faster than T can, just because of how big Median is. To make people feel they're asking you to act. So beautiful." Charles sat on the edge of the table. His feet dangled and he held the cue under his chin; a little blue chalk circled the tip of his nose. He had the face of a little boy looking forward to a baseball game, "Honestly. John. I'm not a sentimental guy, right? But it's rare, isn't it? To see something so beautiful, it's elegant." The point Charles had taken two hours to come to was that he needed John again, both for his typewriter and for talking to some of his press pals he'd made back when the Horvath deal had started. "Hubie was late to come here because he believed you. You're a talent of rare abilily. This is the start of a serious career for you. You have the ability to make things happen. Tbat puts you up above the mass of people. You can see things as they really are. People think the world and the newspapers are just full of all kinds of acts of God. But you understand the true meaning of events. You've proven you can control the mechanics of what other people think are forces of nature."

 

PRAGUE
 
1
 
331

 

It took John nearly three hours and several drinks to remember to ask, back at the bar, "What about Imre?" but by then Charles had already taken a cab back up Gellert Hill.

 

He sat alone at the far right end of the bar, Charles's words still singing ("like the Gulf War boys keep saying. Uon't get in if you don't know how you're going to get out"), and he gazed at the antiquated pay phone wrealhed in black-ink garlands of graffiti in three languages. His Ihoughts moved with liquorish fluidity: That's the phone Emily used once introduced her to Nddja wish Nddja never told me what she saw in her. And he asked the bartender where the pianist was.

 

"She died, man. Too bad—she was a good lady."

 

John sat still, waited for the stupid joke to give way to a serious answer, croaked, "Really?" heard ihe confirmation, nodded, chewed his slippery, rebellious lip, walked slowly away from the bar. He meant to walk to the bathroom, but before he was halfway across the room, he started to run.

 

SHE
 
WAS
  
BREATHING
  
A
  
LITTLE
  
HEAVILY;
 
THIS
  
DID
  
NOT
  
ESCAPE
 
THE
  
SWISS

 

doctor's notice. She insisted: He had squeezed her hand when she said his name.

 

"It is extraordinary unlikely, fraulein, at this moment of the progression, for such a turning and, while I know difficult as this is to be hearing, those who are not physicians are so often fooled by . . ." Krisztina Toldy closed her eyes light, shook her head, very slightly shuddered as if to shake from her neck and shoulders this doctor's snowy alpine manner, absolutely refused to listen to another word. She had no time for perverse disbelief. She had said Imre's name and at last Imre had responded; it was a simple truth.

 

But the doctor's uniform smile unfurled, tautly immobile over his closely trimmed, triangular black beard. From his great height, he looked down on the frenetic little woman as at a small girl with Father Christmas fantasies, and he tolerated himself to be led into the patient's room, to cradle the patient's limp hand, and to be hushed by an increasingly intense Krisztina while—each minute slower than the last—she chanted Tmre's name. He stood across the bed from her, slightly hunched, his translucent clipboard under one arm, keenly aware of the licking clock, his hand damp in that of the comatose man, and a measured dose of anger diluted his patience, drop by drop, repetition by rcpeti-

 

Ml
 
I
  
OKI HUH
 
PHILLlfi

 

tion of Imre... Imn>... "Now please to listen to me, fraulein. I must insist. I have in every way my sympathy for you, but Ilerr Horvath faces—mem Gott." And then, with sharpened attention, he waited in silence for several more minutes (now flitting by, where previously they had slouched), until he scribbled in German on his clipboard the observable facts: 22:20-22:35: patient responded to verbalization by producing hand pressure, feebly, 3x/.25 hour, each occasion immediately after enunciation of patient's name, right hand only. Krisztina bent over and gently kissed the sleeping forehead, caressed the contorted, silver-bearded face.

 

"it's WONDERFUL, THAT'S WONDERFUL, Krisztina. I'm absolutely thrilled. Please call me as soon as there's anything else to report. I'll be in this evening. And by all means I'll tell everyone here the happy news." He hung up. Her enthusiasm was not uninfectious. "These spreads here," he said to the young Australian, both of them working late, with their neckties pulled into loose F*s, "are foreign-language sales of the Hungarian-classics catalog, by country. Obviously not a gold mine, but a low-cost and reliably renewable—"

 

"STILL, ONE MUST M Ai NTAi N a realist view of the roll of events," the physician said, injecting a health-giving dose of Swissimism. He was able to perceive, with the clear-sightedness for which his colleagues had long esteemed him, that this unbalanced young lady could easily fall victim to hyperemotional responses if the patient did not immediately leap from the bed and dance for her. This image amused him, and he hoisted his smile both for his own pleasure and to soothe her overexcitement.

 

••WATCH OUT, WORLD EVIL, 'Cause Here Comes Hungary!"—John's two-part consideration of the Hungarian contribution to the Gulf War coalition—had him traveling steadily for several days. He had not quite exhausted his dwindling reserves of irony; he noticed the incongruity of his surroundings to the internal monologues he could only turn off temporarily and with great difficulty. "I'm a Pathetic, LScntimental Idiot," for example, blared so loudly as he sat in the waiting room of the newly minted press relations officer of the Hungarian Army headquarters that it may as well have been on a public address system. "She Was One of the Rare People Who Know How to Live" belted out its kitschy libretto a day later in a military camp as a press aide guided him from underheated building to underheated building. "What Kind of Freak Bawls for an Hour in a Hungarian Toilet Stall?" gave the first of its several performances

 

PRAGUE
 
1 333

 

to the rhythmic shoop-pop-bang accompaniment of mortar practice on a snow-dusted, wind-blasted plain halfway between Papa and Sopron. Typing up the first installment of "Watch Out. World Evil..." back in the BudapesTodaij office was delayed by a particularly insistent, richly appointed revival of "I'm a Pathetic, Etc." At noon the next day, he impatiently, quasi-bilingually interrogated three Blue Jazz employees before he found one who could give him Nadja's home address. "She Was One of the, Etc." murmured a subdued reprise as he walked back and forth past her apartment building that afternoon, the next morning, and the afternoon after that, ridiculously unable to enter or knock on the flaking paint of the little door cut into the gigantic old carriage entry. Astonished at his gaping absence of nerve, he retreated to Nicky's. She was the only person he could imagine accompanying him. no matter how many weeks since last they saw each other.

 

A CURVED PLASTIC RAKE scraped along the sole of his foot and then returned to its special felt case in the doctor's jacket pocket. There were controlled experiments involving series of loud noises and voices saying different words at different volumes. Long gusts of paprikas-scented breath swept his face. Pins prodded his toes, gently at first, then ferociously after the doctor had left the room, and Krisztina drove the pins with enough force to bring little beads of reel blood to the thick, textured surfaces of his pale yellow feet. When left alone, she held his hand and chanted his name, with little more inflection than a regular churchgoer for whom the meaning of it all has begun to slip away. A special machine propped open his eyelids, then allowed them, with an almost soothing hum, to descend into repose. A specialist shared the news that recent research had suggested, in certain cases not entirely dissimilar to that of Herr . . . Herr (embarrassed clipboard examination)... Herr Hortha here, that it would seem perhaps there is some thinking that a well-positioned and very mild electrical stimulus could perhaps have a salutary effect. Krisztina declined to electrocute her hero on such lukewarm testimony. A very kind English nurse suggested that music to which the gentleman had been partial whilst awake might very well be the thing to hurry events along a bit; she had seen it work jolly well before. And so a small compact disc player and a CD of some traditional Gypsy music (both gladly paid for by Charles) were duly summoned and did indeed produce, to Krisztina's careful eye. a sporadic and tiny contraclion of the right cheek as well as at least two grade-2 squeezes of the right hand, but then nothing. And then late—very late—one evening, with the television playing loudly

Other books

One Part Human by Viola Grace
Recipe for Murder by Carolyn Keene
Pretty Twisted by Gina Blaxill
Predator's Claim by Rosanna Leo
The Apartment by Debbie Macomber
The People in the Park by Margaree King Mitchell
Make Them Pay by Graham Ison
The Untold by Courtney Collins