Prince of Dharma (4 page)

And so the tradition of telling and retelling the Ramayana began. It is that tradition that Kamban, Tulsidas, Vyasa, and so many others were following. It is through the works of these bards through the ages that this great tale continues to exist among us. If it changes shape and structure, form and even content, it is because that is the nature of the story itself: it inspires the teller to bring fresh insights to each new version, bringing us ever closer to understanding Rama himself. 

This is why it must be told, and retold, an infinite number of times. 

By me. 

By you. 

By grandmothers to their grandchildren. 

By people everywhere, regardless of their identity. 

The first time I was told the Ramayana, it was on my grandfather’s knee. He was excessively fond of chewing tambaku paan and his breath was redolent of its aroma. Because I loved lions, he infused any number of lions in his Ramayana retellings—Rama fought lions, Sita fought them, I think even Manthara was cowed down by one at one point! My grandfather’s name, incidentally, was Ramchandra Banker. He died of throat cancer caused by his tobacco-chewing habit. But before his throat ceased working, he had passed on the tale to me. 

And now, I pass it on to you. If you desire, and only if, then read this book. I believe if you are ready to read it, the tale will call out to you, as it did to me. If that happens, you are in for a great treat. Know that the version of the Ramayana retold within these pages is a living, breathing, new-born avatar of the tale itself. Told by a living author in a living idiom. It is my humbleattempt to do for this great story what writers down the ages have done with it in their times. 

Maazi naroti 

In closing, I’d like to quote briefly from two venerable authors who have walked similar paths. 

The first is K.M. Munshi whose Krishnavatara series remains a benchmark of the genre of modern retellings of ancient tales. These lines are from Munshi’s own Introduction to the Bharatiya Vidya Bhavan edition of 1972: 

In the course of this adventure, I had often to depart from legend and myth, for such a reconstruction by a modern author must necessarily involve the exercise of whatever little imagination he has. I trust He will forgive me for the liberty I am taking, but I must write of Him as I see Him in my imagination. 

I could not have said it better. 

Yuganta, Iravati Karve’s landmark Sahitya Akademi Award-winning study of the Mahabharata, packs more valuable insights into its slender 220-page pocket-sized edition (Disha) than any ten encyclopaedias. In arguably the finest essay of the book, ‘Draupadi’, she includes this footnote: 

‘The discussion up to this point is based on the critical edition of the Mahabharata. What follows is my naroti [naroti = a dry coconut shell, i.e. a worthless thing. The word ‘naroti’ was first used in this sense by the poet Eknath].’ 

In the free musings of Karve’s mind, we learn more about Vyasa’s formidable epic than from most encyclopaedic theses. For only from free thought can come truly progressive ideas. 

In that spirit, I urge readers to consider my dried coconut shell reworking of the Ramayana in the same spirit. 

If anything in the following pages pleases you, thank those great forebears in whose giant footsteps I placed my own small feet. 

If any parts displease you, then please blame them on my inadequate talents, not on the tale. 

ASHOK K. BANKER 

Mumbai

April 2005

PRARAMBH

ONE

RAMA.

The blow-heat of rancid breath against his face, guttural whisper in his ear. He snapped awake. Sweat-drenched, fever-hot, bone-chilled, springing from his satin bed, barefoot on the cool redstone floor. Sword, now. A yard and a half of gleaming Kosala steel, never out of reach, a bolt of lightning in his fist. Soft rustle of the silken gold-embroidered loincloth around his tight abs. Naked feline grace. Taut young muscles, supple limbs, senses instantly attuned to the slightest hint of threat.

He scanned the moonlit expanse of his bedchamber with the sharpness of a panther with the scent of stag in its nostrils. Barely three seconds after rising from deep, dreamless sleep, he was ready to take on a dozen armed men. Or worse.

But the bedchamber was empty. The moon was full tonight and the room was caught in a silvery net, more than sufficient for his trained eyes to scan the princely apartment. Jewelled ornaments and regal furnishings gleamed richly in the silvered dimness. The far wall, some twenty yards from where he stood, showed him a pale imitation of his own reflection in an oval mirror framed in solid gold. He had heard enough descriptions of his appearance in kavyas composed by the royal bards to know what the mirror would have shown had the light been sufficient. A distinct dynastic resemblance, unmistakably related to one of those towering portraits of his illustrious ancestors adorning the walls of Suryavansha Hall. Classically handsome (the bards would sing), a fitting heir to the dynasty of the Sun. The reality was harder, leaner and more austere. His piercing brown eyes, as sharp and all-seeing as a kite-hawk’s thousand-yard gaze, scoured every square inch as he traversed the apartment with quick military precision, his movements graceful and flowing. Bedchamber, clear. Gymnasium, clear. Bathing chambers, clear. Enemy not sighted, repeat, not sighted.

Circuit complete. Return to bedchamber.

Breathing in the pranayam style, he executed a martial asana that was part attack and part spiritual discipline. In three breathtakingly graceful leaps, it took him to the veranda that ringed one side of the circular chamber. Sword slashing through the gossamer folds of the translucent drapes that could conceal an assassin. Turn, turn, breathe, slice, follow-through, recover, resume stance. Guru Vashishta had trained him superbly. A quad of assassins striking with two weapons apiece would have been hard-pressed to put a scratch on his lithe body.

The veranda was empty.

He checked his perimeter in a sweeping three-hundred-andsixty-degree arc that put him back precisely in his original position, and scanned over the ornately carved redwood balustrade, first checking topside then below. Above, the complex vaulting architecture of the mahal rose up in an ingeniously layered design that allowed efficient guard-watches without the royal residents ever seeing their vigilant protectors, out of their line of sight. But he had to be sure; the sense of mortal dread was too real, too powerful. He vaulted out on to the lip of the ledge that encircled the veranda, flicked the sword from one hand to the other, gripped the sculpted corner of the balustrade, then leaned out over a twenty-yard fall into darkness. In the bright wash of the purnima moon, he could see the helmeted heads and spear tips of the night-watch patrolling the south grounds, moving in perfect unison in the regular rhythmic four-count pattern of a normal chowkidari sweep. Ground level, clear. Topside, clear, all the way to the roof. Silvery gleam of the tip of a lance held in defensive position: roof watch on guard and alert.

Leap down to the veranda. Turn, arc sword in a sweeping action that clears the first circle of personal safety. Circle clear.

Hold stance. Sword blade flat on right shoulder. Cold steel on sleep-warm skin. Breathe. Exhale. Scan down. Move to the far end of the long veranda, twenty yards running the length of the princely chambers, covering the distance in a cheetah-swift instant. From here, he could see down to the western grounds, the distant front gates of the palace and the darkened length of Raghuvamsha Avenue beyond. Again, deserted, except for the night-watch, patrolling alertly even at this silent hour. Armour and sandalled feet clinking and tramping in precisely coordinated rhythms. Quads of four armed and armoured royal guards scouring every square yard in an endlessly overlapping pattern. Squares interwoven with squares interwoven with more squares, in a grid extending outwards in every direction. The grid extending to the seventh wall, the outermost defence of the greatest fortress city ever built by the Arya nations. Ayodhya the Unconquerable.

From the south, a gentle wind, carrying the scent of battle elephants, horses, camels, buffaloes, boar, deer, cow, fowl, a thick murky soup of animal odours. Source: the royal stables and stockyards behind the palace.

Somewhere in the still, silent night, a domesticated wolfhound baying uneasily, as if feeling the same sense of not-quite-rightness that stirred Rama’s hackles. An elephant trumpeting sleepily in response. A rooster clearing its throat, croaking once irritably, then lapsing into silence, stealing a last few moments of sleep before the imminent dawn.

He forced himself to stand down from the martial asana of full alertness, changing the pattern of his pranayam breathing, dialling down his biorhythm using yoga techniques. From battle readiness to mere watchfulness. There was no danger anywhere to be seen.

The night breeze was cool on his sweat-limned body, the air damp with the sweet mist of the river, barely thirty yards from where he stood. As eldest prince—by mere weeks, but eldest all the same—he had the corner suite in the maharaja’s palace, giving him a view of his beloved Sarayu. Even though coyly concealed by his father’s palace, he could smell her. That invigorating mineral tang of glacial flow, a smell that brought back memories of a childhood spent on its banks. The gentle murmur of the river helped him calm himself. His body released its tension in carefully graded stages. Warming down. Sweat cooling on his heated skin. Odour of the royal stables fading away as the wind changed, coming now from the north, carrying the frosty bite of the distant snow-capped peaks of the Himalayas and the delicate fragrance of nightqueen blossom, raat ki rani, from the palace gardens.

Your women ravished, your children enslaved, your city sacked and razed to ashes.

His eyes widened. Full alert instantly. Turn, turn, slash, clear first circle, second, third, turn, turn, slice, jab, breathe, always breathe. In moments, he had covered the seven circles of personal safety. If this had been a battlefield, a dozen men would lie dead or dying around him. Nothing could survive the seven-circle asana. Nothing human at least.

But still, there was nobody there. Neither man, beast, nor asura. What was going on here?

Then he felt it.

A foul presence, like the nostril-clogging stink of wild Southwoods boar five days rotted and worm-infested. Maggots seeping out of blood-encrusted orifices. Mulch and mildew. The raw, fetid stench of deep jungle.

He felt the heat of a living breath on his face, heard the rasping gravel of a voice in his ear. A voice like rock scraping across glass.
It isn’t my imagination. Someone—something—is here with me. Invisible, unseen, venomous as a stepped-on cobra.

You will watch your birth-mother savaged beyond recognition, your clan-mothers and sisters impregnated by my rakshasas, your father and brothers eaten while still alive, your race massacred, your proud cities pillaged and razed—

‘Who’s there? Show yourself, you coward! Face me and fight!’

—and when you think you can endure no more, when the horror is over and every living mortal is enslaved or converted to my cause, when you have suffered as much torture as any of your kind can endure and still live, then I shall snuff you out and start all over again. The samay chakra, your sacred wheel of time, will repeat the cycle of birth and suffering infinitely. You will wish you were in hell then, for even the underworld of Narak will seem a blessed escape from the living nightmare of mortal existence.

‘Damn you! Show your face!’

Boy. You still do not understand. See for yourself then. See the future and tremble.

And in a flash of blinding light, Rama was transported.

TWO

He stood in the Seers’s Tower, the highest point in Ayodhya. The stone tower rose like a sword in the sky, an awe-inspiring achievement of Arya architecture as well as a perfect lookout post. Such a tower existed in every Arya city from Gandahar to Ayodhya, to alert the citizens to an approaching enemy host. But it had been more than two decades since the Arya nations had tasted the bitter salt of war. And Ayodhya itself had not once in its proud history been under siege. Hence its title, Ayodhya, literally, the Unconquerable. Even the seven legendary seer-mages who had raised the tower with the mystical power of Brahman had not found reason to assemble within its impregnable walls for hundreds of years.