Rage (8 page)

    "Say you're sorry," Grace said grimly. "Take it back."

    "You suck cocks! " Irma screamed from behind the barricade of her arms.

    "Okay," I said. "Let her have it, Irma. Last chance."

    This time Irma swung from the heels. I saw Grace's eyes squeeze into slits, saw the muscles of her neck tighten into cords. But the angle of her jaw caught most of the blow and her head shifted only slightly. Still, that whole side of her face was bright red, as if from sunburn.

    Irma's whole body jogged and jiggled with the force of her sobs, which seemed to come from a deep well in her that had never been tapped before.

    "You haven't got nothing," Grace said. "You ain't nothing. Just a fat, stinky pig is what you are. "

    "Hey, give it to her!" Billy Sawyer yelled. He slammed both fists down heavily on his desk. "Hey, pour it on!"

    "You ain't even got any friends, " Grace said, breathing hard. "Why do you even bother living?"

    Irma let out a thin, reedy wail.

    "All done," Grace said to me.

    "Okay," I said. "Give it to her."

    Grace drew back, and Irma screamed and went to her knees. "Don't h-h-hit me. Don't hit me no more! Don't you hit me-"

    "Say you're sorry."

    "I can't," she wept. "Don't you know I can't?"

    "You can. You better."

    There was no sound for a moment, but the vague buzz of the wall clock. Then Irma looked up, and Grace's hand came down fast, amazingly fast, making a small, ladylike splat against Irma's cheek. It sounded like a shot from a.22.

    Irma fell heavily on one hand, her curls hanging in her face. She drew in a huge, ragged breath and screamed, "Okay! All right! I'm sorry!"

    Grace stepped back, her mouth half-open and moist, breathing rapidly and shallowly. She raised her hands, palms out, in a curiously dove-like gesture, and pushed her hair away from her cheeks. Irma looked up at her dumbly, unbelievingly. She struggled to her knees again, and for a moment I thought she was going to offer a prayer to Grace. Then she began to weep.

    Grace looked at the class, then looked at me. Her breasts were very full, pushing at the soft fabric of her sweater.

    "My mother fucks," she said, "and I love her."

    The applause started somewhere in the back, maybe with Mike Gavin or Nancy Caskin. But it started and spread until they were all applauding, all but Ted Jones and Susan Brooks. Susan looked too overwhelmed to applaud. She was looking at Gracie Stanner shiningly.

    Irma knelt on the floor, her face in her hands. When the applause died (I had looked at Sandra Cross; she applauded very gently, as if in a dream), I said, "Stand up, Irma. "

    She looked at me wonderingly, her face streaked and shadowed and ravaged, as if she had been in a dream herself.

    "Leave her alone," Ted said, each word distinct.

    "Shut up," Harmon Jackson said. "Charlie is doing all right."

    Ted turned around in his seat and looked at him. But Harmon did not drop his eyes, as he might have done at another place, another time. They were both on the Student Council together-where Ted, of course, had always been the power.

    "Stand up, Irma," I said gently.

    "Are you going to shoot me?" she whispered.

    "You said you were sorry."

    "She made me say it. "

    "But I bet you are."

    Irma looked at me dumbly from beneath the madhouse of her toilet-paper-roll curls. "I've always been sorry," she said. "That's what makes it s-s-s-so hard to s-say."

    "Do you forgive her?" I asked Grace.

    "Huh?" Grace looked at me, a little dazed. "Oh. Yeah. Sure." She walked suddenly back to her seat and sat down, where she looked frowningly at her hands.

    "Irma?" I said.

    "What?" She was peering at me, doglike, truculent, fearful, pitiful.

    "Do you have something you want to say?"

    "I don't know."

    She stood up a little at a time. Her hands dangled strangely, as if she didn't know exactly what to do with them.

    "I think you do. "

    "You'll feel better when it's off your chest, Irma, " Tanis Gannon said. "I always do. "

    "Leave her alone, fa Chrissake," Dick Keene said from the back of the room.

    "I don't want to be let alone," Irma said suddenly. "I want to say it." She brushed back her hair defiantly. Her hands were not dove-like at all. "I'm not pretty. No one likes me. I never had a date. Everything she said is true. There." The words rushed out very fast, and she screwed up her face while she was saying them, as if she were taking nasty medicine.

    "Take a little care of yourself, " Tanis said. Then, looking embarrassed but still determined: "You know, wash, shave your legs and, uh, armpits. Look nice. I'm no raving beauty, but I don't stay home every weekend. You could do it."

    "I don't know how!"

    Some of the boys were beginning to look uneasy, but the girls were leaning forward. They looked sympathetic now, all of them. They had that confessions-at-the-pajama-party look that every male seems to know and dread.

    "Well… " Tanis began. Then she stopped and shook her head. "Come back here and sit down. "

    Pat Fitzgerald snickered. "Trade secrets?"

    "That's right."

    "Some trade," Corky Herald said. That got laughs. Irma Bates shuttled to the back of the room, where she, Tanis, Anne Lasky, and Susan Brooks started some sort of confabulation. Sylvia was talking softly with Grace, and Pig Pen's eyes were crawling avidly over both of them. Ted Jones was frowning at the air. George Yannick was carving something on the top of his desk and smoking a cigarette-he looked like any busy carpenter. Most of the other; were looking out the windows at the cops directing traffic and conferring in desperate-looking little huddles. I could pick out Don Grace, good old Tom Denver, and Jerry Kesserling, the traffic cop.

    A bell went off suddenly with a loud bray, making all of us jump. It made the cops outside jump, too. A couple of them pulled their guns.

    "Change-of-classes bell," Harmon said.

    I looked at the wall clock. It was 9:50. At 9:05 I had been sitting in my seat by the window, watching the squirrel. Now the squirrel was gone, good old Tom Denver was gone, and Mrs. Underwood was really gone. I thought it over and decided I was gone, too.

Chapter 21

    Three more state-police cars came, and also a number of citizens from town. The cops tried to shoo them away, with greater or lesser degrees of success. Mr. Frankel, owner and proprietor of Frankel's Jewelry Store & Camera Shop, drove up in his new Pontiac Firebird and jawed for quite a while with Jerry Kesserling. He pushed his horn-rimmed glasses up on his nose constantly as he talked. Jerry was trying to get rid of him, but Mr. Frankel wasn't having any of it. He was also Placerville's second selectman and a crony of Norman Jones, Ted's father.

    "My mother got me a ring in his store," Sarah Pasterne said, looking at Ted from the corner of her eye. "It greened my finger the first day."

    "My mother says he's a gyp," Tanis said.

    "Hey!" Pig Pen gulped. "There's my mother!"

    We all looked. Sure enough, there was Mrs. Dano talking with one of the state troopers, her slip hanging a quarter of an inch below the hem of her dress. She was one of those ladies who do fifty percent of their talking with their hands. They fluttered and whipped like flags, and it made me think of autumn Saturdays on the gridiron, somehow: holding… clipping… illegal tackle. I guess in this case you'd have to say it was illegal holding.

    We all knew her by sight as well as by reputation; she headed up a lot of PTA functions and was a member in good standing of the Mothers Club. Go out to a baked-bean supper to benefit the class trip, or to the Sadie Hawkins dance in the gym, or to the senior outing, and you'd be apt to find Mrs. Dano at the door, ready with the old glad hand, grinning like there was no tomorrow, and collecting bits of information the way frogs catch flies.

    Pig Pen shifted nervously in his seat, as if he might have to go to the bathroom.

    "Hey, Pen, your mudda's callin'," Jack Goldman intoned from the back of the room.

    "Let her call," Pig Pen muttered.

    The Pen had an older sister, Lilly Dano, who was a senior when we were all freshmen. She had a face that looked a lot like Pig Pen's, which made her nobody's candidate for Teen Queen. A hook-nosed junior named LaFollet St. Armand began squiring her about, and then knocked her up higher than a kite. LaFollet joined the Marines, where they presumably taught him the difference between his rifle and his gun-which was for shooting and which was for fun. Mrs. Dano appeared at no PTA functions for the next two months. Lilly was packed off to an aunt in Boxford, Massachusetts. Shortly after that, Mrs. Dano returned to the same old stand, grinning harder than ever. It's a small-town classic, friends.

    "She must be really worried about you," Carol Granger said.

    "Who cares?" Pig Pen asked indifferently. Sylvia Ragan smiled at him. Pig Pen blushed.

    Nobody said anything for a while. We watched the townspeople mill around beyond the bright yellow crash barricades that were going up. I saw some other mums and dads among them. I didn't see Sandra's mother and father, and I didn't see big Joe McKennedy. Hey, I didn't really expect he'd show up, anyway. Circuses have never been our style.

    A newsmobile from WGAN-TV pulled up. One of the guys got out, patting his process neatly into place, and jawed with a cop. The cop pointed across the road. The guy with the process went back to the newsmobile, and two more guys got out and started unloading camera equipment.

    "Anybody here got a transistor radio?" I asked.

    Three of them raised hands. Corky's was the biggest, a Sony twelve transistor that he carried in his briefcase. It got six bands, including TV, shortwave, and CB. He put it on his desk and turned it on. We were just in time for the ten-o'clock report:

    "Topping the headlines, a Placerville High School senior, Charles Everett Decker… "

    "Everett!" Somebody snickered.

    "Shut up," Ted said curtly.

    Pat Fitzgerald stuck out his tongue.

    "… apparently went berserk early this morning and is now holding twenty-four classmates hostage in a classroom of that high school. One person, Peter Vance, thirty-seven, a history teacher at Placerville, is known dead. Another teacher, Mrs. Jean Underwood, also thirty-seven, is feared dead. Decker has commandeered the intercom system and has communicated twice with school authorities. The list of hostages is as follows… "

    He read down the class list as I had given it to Tom Denver. "I'm on the radio! " Nancy Caskin exclaimed when they reached her name. She blinked and smiled tentatively. Melvin Thomas whistled. Nancy colored and told him to shut up.

    "… and George Yannick. Frank Philbrick, head of the Maine State Police, has asked that all friends and family stay away from the scene. Decker is presumed dangerous, and Philbrick emphasized that nobody knows at this time what might set him off. 'We have to assume that the boy is still on a hair trigger,' Philbrick said."

    "Want to pull my trigger?" I asked Sylvia.

    "Is your safety on?" she asked right back, and the class roared. Anne Lasky laughed with her hands over her mouth, blushing a deep bright red. Ted Jones, our practicing party poop, scowled.

    "… Grace, Placerville's psychiatrist and guidance counselor, talked to Decker over the intercom system only minutes ago. Grace told reporters that Decker threatened to kill someone in the classroom if Grace did not leave the upstairs office immediately."

    "Liar!" Grace Stanner said musically. Irma jumped a little.

    "Who does he think he is?" Melvin asked angrily. "Does he think he can get away with that shit?"

    ". also said that he considers Decker to be a schizophrenic personality, possibly past the point of anything other than borderline rationality. Grace concluded his hurried remarks by saying: 'At this point, Charles Decker might conceivably do anything.' Police from the surrounding towns of… "

    "Whatta crocka shit!" Sylvia blared. "I'm gonna tell those guys what really went down with that guy when we get outta here! I'm gonna-"

    "Shut up and listen!" Dick Keene snapped at her.

    ". and Lewiston have been summoned to the scene. At this moment, according to Captain Philbrick, the situation is at an impasse. Decker has sworn to kill if tear gas is used, and with the lives of twenty-four children at stake… "

    "Children, " Pig Pen said suddenly. "Children this and children that. They stabbed you in the back, Charlie. Already. Children. Ha. Shit. What do they think is happening? I-"

    "He's saying something about-" Corky began.

    "Never mind. Turn it off, " I said. "This sounds more interesting. " I fixed the Pen with my best steely gaze. "What seems to be on yore mind, pal?"

    Pig Pen jerked his thumb at Irma. "She thinks she's got it bad," he said. "Her. Heh. " He laughed a sudden, erratic laugh. For no particular reason I could make out, he removed a pencil from his breast pocket and looked at it. It was a purple pencil.

    "Be-Bop pencil," Pig Pen said. "Cheapest pencils on the face of the earth, that's what I think. Can't sharpen 'em at all. Lead breaks. Every September since I started first grade Ma comes home from the Mammoth Mart with two hundred Be-Bop pencils in a plastic box. And I use 'em, Jesus."

    He snapped his purple pencil between his thumbs and stared at it. To tell the truth, I did think it looked like a pretty cheap pencil. I've always used the Eberhard Faber myself.

    "Ma, " Pig Pen said. "That's Ma for you. Two hundred Be-Bop pencils in a plastic box. You know what her big thing is? Besides all those shitty suppers where they give you a big plate of Hamburger Helper and a paper cup of orange Jell-O full of grated carrots? Huh? She enters contests. That's her hobby. Hundreds of contests. All the time. She subscribes to all the women's magazines and enters the sweepstakes. Why she likes Rinso for all her dainty things in twenty-five words or less. My sister had a kitten once, and Ma wouldn't even let her keep it. "

    "She the one who got pregnant?" Corky asked.

    "Wouldn't even let her keep it," Pig Pen said. "Drownded it in the bathtub when no one would take it. Lilly begged her to at least take it to the vet so it could have gas, and Ma said four bucks for gas was too much to spend on a worthless kitten. "

    "Oh, poor thing," Susan Brooks said.

    "I swear to God, she did it right in the bathtub. All those goddamn pencils. Will she buy me a new shirt? Huh? Maybe for my birthday. I say, 'Ma, you should hear what the kids call me. Ma, for Lord's sake.' I don't even get an allowance, she says she needs it for postage so she can enter her contests. A new shirt for my birthday and a shitload of Be-Bop pencils in a plastic box to take back to school. I tried to get a paper route once, and she put a stop to that. She said there were women of loose virtue who laid in wait for young boys after their husbands went to work. "

    "Oh, my Gawwd!" Sylvia bellowed.

    "And contests. And PTA suppers. And chaperoning dances. Grabbing on to everybody. Sucking up to them and grinning."

    He looked at me and smiled the oddest smile I had seen all day. And that was going some.

    "You know what she said when Lilly had to go away? She said I'd have to sell my car. That old Dodge my uncle gave me when I got my driver's license. I said I wouldn't. I said Uncle Fred gave it to me and I was going to keep it. She said if I wouldn't sell it, she would. She'd signed all the papers, and legally it was hers. She said I wasn't going to get any girl pregnant in the back seat. Me. Get a girl pregnant in the back seat. That's what she said. "

    He brandished a broken pencil half. The lead poked out of the wood like a black bone. "Me. Hah. The last date I had was for the eighth-grade class picnic. I told Ma I wouldn't sell the Dodge. She said I would. I ended up selling it. I knew I would. I can't fight her. She always knows what to say. You start giving her a reason why you can't sell your car, and she says: 'Then how come you stay in the bathroom so long?' Right off the wall. You're talking about the car, and she's talking about the bathroom. Like you're doing something dirty in there. She grinds you. " He stared out the window. Mrs. Dano was no longer in sight. "She grinds and grinds and grinds, and she always beats you. Be-Bop pencils that break every time you try to sharpen them. That's how she beats you. That's how she grinds you down. And she's so mean and stupid, she drownded the kitty, just a little kitty, and she's so stupid that you know everybody laughs at her behind her back. So what does that make me? Littler and stupider. After a while you feel just like a little kitty that crawled into a plastic box full of Be-Bop pencils and got brought home by mistake." The room was dead quiet. Pig Pen had center stage. I don't think he knew it. He looked grubby and pissed off, fists clenched around his broken pencil halves. Outside, a cop had driven a police cruiser onto the lawn. He parked it parallel to the school, and a few more cops ran down behind it, presumably to do secret things. They had riot guns in their hands. "I don't think I'd mind if she snuffed it," Pig Pen said, grinning a small, horrified grin. "I wish I had your stick, Charlie. If I had your stick, I think I'd kill her myself. "

    "You're crazy, too," Ted said worriedly. "God, you're all going crazy right along with him. "

    "Don't be such a creep, Ted. " It was Carol Granger. In a way, it was surprising not to find her on Ted's side. I knew he had taken her out a few times before she started with her current steady, and bright establishment types usually stick together. Still, it had been she who had dropped him. To make a very clumsy analogy, I was beginning to suspect that Ted was to my classmates what Eisenhower must always have been to the dedicated liberals of the fifties-you had to like him, that style, that grin, that record, those good intentions, but there was something exasperating and a tiny bit slimy about him. You can see I'm fixated on Ted…

    Why not? I'm still trying to figure him out. Sometimes it seems that everything that happened on that long morning is just something I imagined, or some half-baked writer's fantasy. But it did happen. And sometimes, now, it seems to me that Ted was at the center of it all, not me. It seems that Ted goaded them all into people they were not… or into the people they really were. All I know for sure is that Carol was looking at him defiantly, not like a demure valedictorian-to-be due to speak on the problems of the black race. She looked angry and a wee bit cruel.

    When I think about the Eisenhower administration, I think about the U-2 incident. When I think about that funny morning, I think about the sweat patches that were slowly spreading under the arms of Ted's khaki shirt.

    "When they drag him off, they won't find anything but nut cases," Ted was saying. He looked mistrustfully at Pig Pen, who was glaring sweatily at the halves of his Be-Bop pencil as if they were the only things left in the world. His neck was grimy, but what the hell. Nobody was talking about his neck.

    "They grind you down, " he whispered. He threw the pencil halves on the floor. He looked at them, then looked up at me. His face was strange and grief-stunned. It made me uncomfortable. "They'll grind you down, too, Charlie. Wait and see if they don't. "

    There was an uncomfortable silence in the room. I was holding on to the pistol very tightly. Without thinking about it much, I took out the box of shells and put three of them in, filling the magazine again. The handgrip was sweaty. I suddenly realized I had been holding it by the barrel, pointing it at myself, not looking at them. No one had made a break. Ted was sort of hunched over his desk, hands gripping the edge, but he hadn't moved, except in his head. I suddenly thought that touching his skin would be like touching an alligator handbag. I wondered if Carol had ever kissed him, touched him. Probably had. The thought made me want to puke.