Authors: Ross Lockridge
âThe Republic has to relax, the Perfessor said, after its moral and military orgies. These are the brown decades. No doubt in a few years we'll get excited about your so-called great issues again. Meanwhile, we have the
Indianapolis News-Historian
to remind us that we're living in a new age, the age of the Modern Man, or perhaps still better, the Common Manâcommon because he's becoming commoner all the time and more and more like every other man. The reason for this is that through the free press and the blessings of literacy he shares the atrocities of mankind more fully with his fellows. The newspaper is the true epic of this modern Odysseus, the Common Man. He's the most exciting hero of all time. The world's his oyster, and he opens it every morning over his coffee. In the space of a few minutes, he lays the Atlantic Cable, wins and loses wars in Europe, abdicates thrones, treads a tightrope over Niagara, and rapes an unidentified woman on a deserted part of the New York waterfront. For this, he's lynched from the nearest limb and cured of impotence, baldness, old age, and the piles. His heroic form is carried in pomp and ceremony to the vault of the Vanderbilts in a casket that weighs a ton. Resurrected, he goes off a trestle at ninety miles an hour and around the world in sixty-nine days. He
lives a life of gilded ease on Fifth Avenue in New York and makes a pile on the stock market. Taking a vacation from respectability, he murders innocent bystanders with anarchist bombs and assassinates Presidents. The jungle fascinates him, and he buys a sun helmet and bustles off to Darkest Africa, where he emerges into a clearing, bland face smiling, hand outstretched, and greets himself, bland face smiling, hand outstretched, after living two years among the aborigines. Despite his emaciated condition, he has his chest measured for all the world to see, is admired for the bulge of his biceps and the size of his triceps, and wins the heavyweight boxing championship of the Cosmos. All this the Common Man accomplishes by the expenditure of a penny, while sitting squarely on his prosaic beam in the Main Street of Waycross, sucking on a five-cent cigar.
âMeanwhile, Mr. Shawnessy said, the real world goes on, the world of the only possible fact.
âWhat is this fact?
âA human life. That's the only thing that ever happens, whereas the
News-Historian,
like History, deals with something called the Event.
âWhat is this Event? the Perfessor said, cooperatively.
âThe Event is something that never happened. It's a convenient myth abstracted from the welter of human fact. Events happen only in the newspapers and history books. But life goes on being one human being at a time, who is trying to find that mythical republic in which he can live with honor and happiness.
âJust so, the Perfessor said, and thus the Republic's a lie and History's a lie and the newspaper's a great lie. Culture's an inherited lie with which we hide from the human beast that he's only an ape with nightmares. All the world's a lie, and all the men and women merely liars. And with these lies we divert and deceive ourselves while our life-stuff goes through its little fury of growth, orgasm, and decay. Confess, my boy, that there's nothing real but the nature of Nature.
âBut that's just the most primitive of all the lies.
âHow does one get out of your chamber of mirrors? the Perfessor said, smiling pleasantly.
âIt's better than your chamber of horrors, Mr. Shawnessy said, smiling pleasantly.
The Senator returned to his chair through a series of deep bows, proposing his backside to the Perfessor's contemplation.
âThirty years ago, the Perfessor went on, we all murdered and sang and whooped it up for Liberty and Union here in the U.S.A. But the Southern Negro's still a slave and the Northern Worker's still a slave. Gentlemen, we grow old in a land of greed and lust.
The Senator, settling himself solidly in his chair, cleared his throat and looked around to see if he was observed.
âGentlemen, it's perfectly true that the Southern Negro is still a slave.
He lowered his voice.
âAnd what of it? I always thought and still do that the South was morally in the right during the Civil War. As a political entity, the South had a right to be independent from the North, as much so as America did from England. As for slavery, Southerners believedâand by God, they were rightâthat the Negro was a being inferior to a white man as a horse is, though in lesser degree. They believed that because of his jungle background and his native physical and mental characteristics he wasn't a man in the same sense that the white man is a man. The proud people of the South wouldn't live on a basis of equality with these pitiful black brutes, because such equality would finally mean that Sambo's seed was as good as a white man's and could go where a white man's could. If Northerners had as many black men around them, they'd feel the same way. Before the War, the South had a system that kept the nigger in his place and yet took care of him. God knows, as a race, the nigger hasn't been any happier since. I tell you, morally and politically the South was right.
âThis Republic, the Perfessor said, will never achieve anything resembling real equality until the mixture of the bloods is complete. It's too bad we don't all have a big black buck swinging from a branch of the family elmâwe'd all get over our pride of race. Really, the human beast'd be a lot happier and wiser if he returned to the morals of the Great Swamp. Let the seed go where it pleases. It's all only a little passion and the earth.
âI will say one thing, the Senator said. The hottest women in the world are those famous octoroons. During a brief sojourn in
New Orleans lately, I had occasion toâshall we sayâobserve some of them again. They have just enough black blood in 'em to make 'em boil.
âThe loveliest faces in the world, if it comes to that, the Perfessor said, are good old Anglo-Saxon mixed with nigger. You take that noble Northern look, and you taint it with the jungle. For this erotic masterpiece, we're indebted to the Old Southern Planter. I always thought he was well named. He planted. There was a lot of good black soil handy, and that fahn ole gemman put in a crop.
âI have a real fondness for the South, the Senator said. It gets into your blood.
The Perfessor raised his cane and recited:
âO subtle, musky, slumbrous clime!
O swart, hot land of pine and palm,
Of fig, peach, guava, orange, lime,
And terebinth and tropic balm!
Mr. Shawnessy, brooding and sad, lounged back in his chair and sipped through slow nostrils the black fragrance of his cigar.
Our thin smokes curl upon the summer air
Tracing a legend of an elder day.
Land of perennial summer woven with rivers, lost Eden of America, darkened with memory of a crime! I wandered in your old magnolia swamp and touched my face to one of your most sensual flowers. And a jovial, greatbearded God brooded above us watching. Lost pillars of a Southern paradise enshrined us where we sought a tree.
All this was long ago, the history of a lost republic. In sentimental vistas, we hid our nakedness for shame of old remembrance.
All this was long ago and far away, in the old Kentucky homeland of our soul, where 'tis summer and the darkies are gay, all this was on the river, down upon the river, way down upon the Mississippi River
the river brought him on its broadening flood. Days and nights, he and Susanna travelled in one of the big river boats south, a floating hotel paddled by a huge wheel. The boat's lobby sparkled with cutglass chandeliers. Carpets paved the floor with a soundless softness. Mirrors in mahogany frames swarmed with the images of a fashionable throng making the winter journey down the river.
It was a lazy, lavish voyage; yet there was a constant sense of danger.
From what?
It was hard to say. In part, from the yellow river and its snags, shallows, hidden bars, treacherous channels, shifting shores; in part from the leashed fury of the boilers roaring with pine fires in the boat's entrails; in part also from the glittering crowd that swarmed along the riverâgamblers, roustabouts, planters, Negroes, whores, fine ladies, soldiers, statesmen. These and a hundred other vivid types of humanity, most of them entirely new to Johnny Shawnessy, sought the river with a strange devotion. Down the Mississippi, the oldest highway of the Republic, these pilgrims travelled toward a sensual Canterbury. Its name was woven through all their conversations. And always this name meant exciting, sinful, dangerous, much desired.
It was at night that the boat carried Johnny Shawnessy and his wife Susanna into the harbor of New Orleans on the Mississippi Delta. Herds of boats, shrilling and baying, wallowed to their stalls. Down five miles of masts and funnels, light blazed from rows of floating windows. Orchestras played familiar Southern airs, and voices drifted across the water in nostalgic tunes.
As for the City, lying there on its silty bed, it winked, hovered, trembled, breathed, sighed, and stank. Mainly, it stank.
It stank of fish, tar, rum, cess, garbage, horse dung, human beings. It stank appallingly, and this stink as they neared the docks in the
windless night almost choked Johnny. He looked in embarrassment at his wife leaning against the rail, eagerly watching the levee. Was it possible that she wasn't aware of this stink? What about all these othersâhabitués of New Orleansâdidn't they smell this great stink? As for him, he never would be able to live in this stench. Even if he closed his nose to it, the mere thought of it would gag him.
Yet before long his nostrils had accepted it; and later he had to remind himself that this great human stink was there, always there, and that it would envelop everything he saw and did in New Orleans during the next few months.
âThere they are! Look, Johnny! Aren't they sweet!
The levee, as they approached it, was alight from lanterns and the boat's own blazing battery of windows. Among the many people waiting there for friends, relatives, and loved ones, Johnny saw a group of young men and women, perhaps a dozen in number, who at this distance looked oddly prim and stiff, bristling and fluttering with canes, hats, curls, ribbons, handkerchiefs. Their faces were all upturned, the women's in bonnets tied under chin; the men's under tall, dandy hats. These creatures nodded, waved, smiled in happy unison, jerking their chins.
âAren't they wonderful! Susanna shrieked. O, Johnny, you'll just
love
them! Hi Bobby! Dody! Barbara! Judy!
As they came nearer, Johnny became uneasily aware of their eyes, all fixed upon him with a brilliant intensity.
But as soon as he and Susanna had descended the gangplank, all these figurines dissolved into real people and overwhelmed the bridal pair with kisses, handshakes, backslaps, hugs, tears. Everyone was delighted to meet Johnny. Though Susanna had posted him ahead of time, so many young women gave him cousinly kisses that he could only distinguish Cousin Barbara Drake, a tall, languid blonde, who said in a voice mingling pleasure with surprise,
âMy! Isn't he nice!
and Cousin Dody Ransome, a plump brunette with big shy eyes, who said in a sweet voice,
âWhy, Sue, I'm
so
pleased with your new husband.
Of the men, he instantly picked out Dody's husband and Susanna's favorite relative, Robert Seymour Drake, with whom the honey-mooners
planned to pass most of their sojourn in New Orleans. Cousin Bobby, as Susanna called him, was in his middle twenties, a tall, lean man with a delightfully casual air. He had kind, handsome blue eyes and a dry, humorous mouth.
âSo this is the lucky man, Sue, Cousin Bobby said, holding Johnny by the shoulders at arms' length. Children, I'm downright proud of you.
Johnny instantly liked Cousin Bobby, and all the others too, for that matter, as they swarmed around him, drenching his ears in an accent musical and mannered almost to lewdness. At first, he felt that he could no more adjust himself to its barbarous exaggerations than he could to the great stench of New Orleans; but in a short time, the whole party had poured into barouches, and with a feeling of enchantment and abandonment Johnny was swallowed up into the malodorous night and the soft voices of Susanna's people.
Later it seemed to him that during his sojourn in the South, he had lived in the scenes of a new
Uncle Tom's Cabin,
starring in the principal role Mr. John Wickliff Shawnessy from Raintree County, Indiana. And indeed this life in which he steeped himself was a delightful, barbarous, cruel old melodrama which for some reason or other all the actors and the audience passionately believed in. Johnny himself was constantly alternating between wholehearted participation and amused aloofness during his time thereâand he was there a long time before he finally disentangled himself from that dark sweet land.
From December to the following August, he and his bride were entertained in New Orleans and the country up and down river. Those months were a procession of parties, balls, picnics, river excursions, and country week-ends. As Bobby Drake said when he ushered Johnny into his big winter mansion in New Orleans, a pile of brick, stucco, and iron reflecting the mongrel Spanish-French-English descent of New Orleans,
âSon, we'll try to show you a little of that famous Southern Hospitality.
The everblooming South showered warmth and fragrance on him from the beginning, beguiled him with beauty and leisure. You'll
love
it, honey, Susanna had said. And the truth was that he did love it. For young Johnny Shawnessy at the age of twenty-one was a rare
mixture of poet and moralist. Moralist, he stored his memories for another day. Poet, he drank the warm milk of this existence and tasted its dark, exquisitely flavored honey. He had the poet's insatiable appetite for life, and New Orleans and the downriver country were everything that Southern life wasâdistilled to a dark quintessence. He saw it all. He saw its chattering blend of races, Spanish, French, Creole, Indian, Negro, Anglo-Saxon, a welter of tongues, bloods, manners. The river had lured them down its broad stream, had carried them along with centuries of silt, and dumped them on the Delta.