Red as Blood, or Tales from the Sisters Grimmer: Expanded Edition (8 page)

The evening of the banquet arrived. The family set off. Most of the servants sidled after. The prince had distributed largesse in the city; oxen roasted in the squares and the wine was free by royal order.

The house grew somber. In the deserted kitchen the fire went out.

By the hearth, a segment of gloom rose up.

The girl glanced around her, and she laughed softly and shook out her filthy hair. Of course, she knew as much as anyone, and more than most. This was to be her night, too.

A few minutes later she was in the garden beneath the old tower, standing over the young hazel tree which thrust up from the earth. It had become strong, the tree, despite the harsh winter. Now the girl nodded to it. She chanted under her breath. At length a pale light began to glow, far down near where the roots of the tree held to the ground. Out of the pale glow flew a thin black bird, which perched on the girl’s shoulder. Together, the girl and the bird passed into the old tower. High up, a fire blazed that no one had lit. A tub steamed with scented water that no one had drawn. Shapes that were not real and barely seen flitted about. Rare perfumes, the rustle of garments, the glint of gems as yet invisible filled and did not fill the restless air.

Need I describe further? No. You will have seen paintings which depict the attendance upon a witch of her familiar demons. How one bathes her, another anoints her, another brings clothes and ornaments. Perhaps you do not credit such things in any case. Never mind that. I will tell you what happened in the courtyard before the palace.

Many carriages and chariots had driven through the square, avoiding the roasting oxen, the barrels of wine, the cheering drunken citizens, and so through the gates into the courtyard. Just before ten o’clock (the hour, if you recall the clock, of the magician) a solitary carriage drove through the square and into the court. The people in the square gawped at the carriage and pressed forward to see who would step out of it, this latecomer. It was a remarkable vehicle that looked to be fashioned of solid gold, all but the domed roof that was transparent flashing crystal. Six black horses drew it. The coachman and postillions were clad in crimson, and strangely masked as curious beasts and reptiles. One of these beast-men now hopped down and opened the door of the carriage. Out came a woman’s figure in a cloak of white fur, and glided up the palace stair and in at the doors.

There was dancing in the ballroom. The whole chamber was bright and clamorous with music and the voices of men and women. There, between those two pillars, the prince sat in his chair, dark, courteous, seldom smiling. Here the musicians played, the deep-throated viol, the lively mandolin. And there the dancers moved up and down on the sea-green floor.

But the music and the dancers had just paused. The figures on the clock were themselves in motion. The hour of the magician was about to strike.

As it struck, through the doorway came the figure in the fur cloak. And, as if they must, every eye turned to her.

For an instant she stood there, all white, as though she had brought the winter snow back with her. And then she loosed the cloak from her shoulders, it slipped away, and she was all fire.

She wore a gown of apricot brocade embroidered thickly with gold. Her sleeves and the bodice of her gown were slashed over ivory satin sewn with large rosy pearls. Pearls, too, were wound in her hair that was the shade of antique burnished copper. She was so beautiful that when the clock was still, nobody spoke. She was so beautiful it was hard to look at her for very long.

The prince got up from his chair. He did not know he had. Now he started out across the floor, between the dancers, who parted silently to let him through. He went toward the girl in the doorway as if she drew him by a chain.

The prince had hardly ever acted without considering first what he did. Now he did not consider. He bowed to the girl.

“Madam,” he said. “You are welcome. Madam,” he said, “tell me who you are.”

She smiled.

“My rank,” she said. “Would you know that, my lord? It is similar to yours, or would be were I now mistress in my dead mother’s palace. But, unfortunately, an unscrupulous man caused the downfall of our house.”

“Misfortune indeed,” said the prince. “Tell me your name. Let me right the wrong done you.”

“You shall,” said the girl. “Trust me, you shall. For my name, I would rather keep it secret for the present. But you may call me, if you will, a pet name I have given myself—Ashella.”

“Ashella… But I see no ash about you,” said the prince, dazzled by her gleam, laughing a little, stiffly, for laughter was not his habit.

“Ash and cinders from a cold and bitter hearth,” said she. But she smiled again. “Now everyone is staring at us, my lord, and the musicians are impatient to begin again. Out of all these ladies, can it be you will lead me in the dance?”

“As long as you will dance,” he said, “you shall dance with me.”

And that is how it was.

There were many dances, slow and fast, whirling measures and gentle ones. And here and there, the prince and the maiden were parted. Always then he looked eagerly after her, sparing no regard for the other girls whose hands lay in his. It was not like him, he was usually so careful. But the other young men who danced on that floor, who clasped her fingers or her narrow waist in the dance, also gazed after her when she was gone. She danced, as she appeared, like fire. Though if you had asked those young men whether they would rather tie her to themselves, as the prince did, they would have been at a loss. For it is not easy to keep pace with fire.

The hour of the hag struck on the clock.

The prince grew weary of dancing with the girl and losing her in the dance to others and refinding her and losing her again.

Behind the curtains there is a tall window in the east wall that opens on the terrace above the garden. He drew her out there, into the spring night. He gave an order, and small tables were brought with delicacies and sweets and wine. He sat by her, watching every gesture she made, as if he would paint her portrait afterward.

In the ballroom, here, under the clock, the people murmured. But it was not quite the murmur you would expect, the scandalous murmur about a woman come from nowhere that the prince had made so much of. At the periphery of the ballroom, the silk merchant sat, pale as a ghost, thinking of a ghost, the living ghost of his true daughter. No one else recognized her. Only he. Some trick of the heart had enabled him to know her. He said nothing of it. As the step-sisters and wife gossiped with other wives and sisters, an awful foreboding weighed him down, sent him cold and dumb.

And now it is almost midnight, the moment when the page of the night turns over into day. Almost midnight, the hour when the figure of Death strikes the golden bell of the clock. And what will happen when the clock strikes? Your face announces that you know. Be patient; let us see if you do.

“I am being foolish,” said the prince to Ashella on the terrace. “But perhaps I am entitled to be foolish, just once in my life. What are you saying?” For the girl was speaking low beside him, and he could not catch her words.

“I am saying a spell to bind you to me,” she said.

“But I am already bound.”

“Be bound then. Never go free.”

“I do not wish it,” he said. He kissed her hands and he said, “I do not know you, but I will wed you. Is that proof your spell has worked? I will wed you, and get back for you the rights you have lost.”

“If it were only so simple,” said Ashella, smiling, smiling. “But the debt is too cruel. Justice requires a harsher payment.”

And then, in the ballroom, Death struck the first note on the golden bell.

The girl smiled and she said:

“I curse you in my mother’s name.”

The second stroke.

“I curse you in my own name.”

The third stroke.

“And in the name of those that your father slew.”

The fourth stroke.

“And in the name of my Master, who rules the world.”

As the fifth, the sixth, the seventh strokes pealed out, the prince stood nonplussed. At the eighth and the ninth strokes, the strength of the malediction seemed to curdle his blood. He shivered and his brain writhed. At the tenth stroke, he saw a change in the loveliness before him. She grew thinner, taller. At the eleventh stroke, he beheld a thing in a ragged black cowl and robe. It grinned at him. It was all grin below a triangle of sockets of nose and eyes. At the twelfth stroke, the prince saw Death and knew him.

In the ballroom, a hideous grinding noise, as the gears of the clock failed. Followed by a hollow booming, as the mechanism stopped entirely.

The conjuration of Death vanished from the terrace.

Only one thing was left behind. A woman’s shoe. A shoe no woman could ever have danced in. It was made of glass.

* * * *

Did you intend to protest about the shoe? Shall I finish the story, or would you rather I did not? It is not the ending you are familiar with. Yes, I perceive you understand that, now.

I will go quickly, then, for your carriage must soon be here. And there is not a great deal more to relate.

The prince lost his mind. Partly from what he had seen, partly from the spells the young witch had netted him in. He could think of nothing but the girl who had named herself Ashella. He raved that Death had borne her away but he would recover her from Death. She had left the glass shoe as token of her love. He must discover her with the aid of the shoe. Whomsoever the shoe fitted would be Ashella. For there was this added complication, that Death might hide her actual appearance. None had seen the girl before. She had disappeared like smoke. The one infallible test was the shoe. That was why she had left it for him.

His ministers would have reasoned with the prince, but he was past reason. His intellect had collapsed as totally as only a profound intellect can. A lunatic, he rode about the city. He struck out at those who argued with him. On a particular occasion, drawing a dagger, he killed, not apparently noticing what he did. His demand was explicit. Every woman, young or old, maid or married, must come forth from her home, must put her foot into the shoe of glass. They came. They had no choice. Some approached in terror, some weeping. Even the aged beggar women obliged, and they cackled, enjoying the sight of royalty gone mad. One alone did not come.

Now it is not illogical that out of the hundreds of women whose feet were put into the shoe, a single woman might have been found that the shoe fitted. But this did not happen. Nor did the situation alter, despite a lurid fable that some, tickled by the idea of wedding the prince, cut off their toes that the shoe might fit them. And if they did, it was to no avail, for still the shoe did not.

Is it really surprising? The shoe was sorcerous. It constantly changed itself, its shape, its size, in order that no foot, save one, could ever be got into it.

Summer spread across the land. The city took on its golden summer glaze, its fetid summer smell.

What had been a whisper of intrigue, swelled into a steady distant thunder. Plots were being hatched.

One day, the silk merchant was brought, trembling and grey of face, to the prince. The merchant’s dumbness had broken. He had unburdened himself of his fear at confession, but the priest had not proved honest. In the dawn, men had knocked on the door of the merchant’s house. Now he stumbled to the chair of the prince.

Both looked twice their years, but, if anything, the prince looked the elder. He did not lift his eyes. Over and over in his hands he turned the glass shoe.

The merchant, stumbling too in his speech, told the tale of his first wife and his daughter. He told everything, leaving out no detail. He did not even omit the end: that since the night of the banquet the girl had been absent from his house, taking nothing with her—save a young hazel from the garden beneath the tower.

The prince leapt from his chair.

His clothes were filthy and unkempt. His face was smeared with sweat and dust…it resembled, momentarily, another face.

Without guard or attendant, the prince ran through the city toward the merchant’s house, and on the road, the intriguers waylaid and slew him. As he fell, the glass shoe dropped from his hands, and shattered in a thousand fragments.

There is little else worth mentioning.

Those who usurped the city were villains and not merely that, but fools. Within a year, external enemies were at the gates. A year more, and the city had been sacked, half burnt out, ruined. The manner in which you find it now, is somewhat better than it was then. And it is not now anything for a man to be proud of. As you were quick to note, many here earn a miserable existence by conducting visitors about the streets, the palace, showing them the dregs of the city’s past.

Which was not a request, in fact, for you to give me money. Throw some from your carriage window if your conscience bothers you. My own wants are few.

No, I have no further news of the girl, Ashella, the witch. A devotee of Satanas, she has doubtless worked plentiful woe in the world. And a witch is long-lived. Even so, she will die eventually. None escapes Death. Then you may pity her, if you like. Those who serve the gentleman below—who can guess what their final lot will be? But I am very sorry the story did not please you. It is not, maybe, a happy choice before a journey.

And there is your carriage at last.

What? Ah, no, I shall stay here in the ballroom where you came on me. I have often paused here through the years. It is the clock. It has a certain—what shall I call it—power, to draw me back.

I am not trying to unnerve you. Why should you suppose that? Because of my knowledge of the city, of the story? You think that I am implying that I myself am Death? Now you laugh. Yes, it is absurd. Observe the twelfth figure on the clock. Is he not as you have always heard Death described? And am I in the least like that twelfth figure?

Although, of course, the story was not as you have heard it, either.