Finally the door was opened by the tall sunburned chauffeur. He was dressed in undershirt and pants, and had a billiard cue in one fist.
"What do you want?" he demanded, and then, when he got another look at me: "It's you, is it? Well, what do you want?"
"I want to see Mr. Willsson."
"At four in the morning? Go on with you," and he started to close the door.
I put a foot against it. He looked from my foot to my face, hefted the billiard cue, and asked:
"You after getting your kneecap cracked?"
"I'm not playing," I insisted. "I've got to see the old man. Tell him."
"I don't have to tell him. He told me no later than this afternoon that if you come around he didn't want to see you."
"Yeah?" I took the four love letters out of my pocket, picked out the first and least idiotic of them, held it out to the chauffeur, and said: "Give him that and tell him I'm sitting on the steps with the rest of them. Tell him I'll sit here five minutes and then carry the rest of them to Tommy Robins of the Consolidated Press."
The chauffeur scowled at the letter, said, "To hell with Tommy Robins and his blind aunt!" took the letter, and closed the door.
Four minutes later he opened the door again and said:
"Inside, you."
I followed him upstairs to old Elihu's bedroom.
My client sat up in bed with his love letter crushed in one round pink fist, its envelope in the other.
His short white hair bristled. His round eyes were as much red as blue. The parallel lines of his mouth and chin almost touched. He was in a lovely humor.
As soon as he saw me he shouted:
"So after all your brave talking you had to conic back to the old pirate to have your neck saved, did you?"
I said I didn't anything of the sort. I said if he was going to talk like a sap he ought to lower his voice so the people in Los Angeles wouldn't learn what a sap he was.
The old boy let his voice out another notch, bellowing:
"Because you've stolen a letter or two that don't belong to you, you needn't think you-"
I put fingers in my ears. They didn't shut out the noise, but they insulted him into cutting the bellowing short.
I took the fingers out and said:
"Send the flunkey away so we can talk. You won't need him. I'm not going to hurt you."
He said, "Get out," to the chauffeur.
The chauffeur, looking at me without fondness, left us, closing the door.
Old Elihu gave me the rush act, demanding that I surrender the rest of the letters immediately, wanting to know loudly and profanely where I had got them, what I was doing with them, threatening me with this, that, and the other, but mostly just cursing me.
I didn't surrender the letters. I said:
"I took them from the man you hired to recover them. A tough break for you that he had to kill the girl."
Enough red went out of the old man's face to leave it normally pink. He worked his lips over his teeth, screwed up his eyes at me, and said:
"Is that the way you're going to play it?"
His voice came comparatively quiet from his chest. He had settled down to fight.
I pulled a chair over beside the bed, sat down, put as much amusement as I could in a grin, and said:
"That's one way."
He watched me, working his lips, saying nothing. I said:
"You're the damndest client I ever had. What do you do? You hire me to clean town, change your mind, run out on me, work against me until I begin to look like a winner, then get on the fence, and now when you think I'm licked again, you don't even want to let me in the house. Lucky for me I happened to run across those letters."
He said: "Blackmail."
I laughed and said:
"Listen who's naming it. All right, call it that." I tapped the edge of the bed with a forefinger. "I'm not licked, old top. I've won. You came crying to me that some naughty men had taken your little city away from you. Pete the Finn, Lew Yard, Whisper Thaler, and Noonan. Where are they now?
"Yard died Tuesday morning, Noonan the same night, Whisper Wednesday morning, and the Finn a little while ago. I'm giving your city back to you whether you want it or not. If that's blackmail, 0. K. Now here's what you're going to do. You're going to get hold of your mayor, I suppose the lousy village has got one, and you and he are going to phone the governor- Keep still until I get through.
"You're going to tell the governor that your city police have got out of hand, what with bootleggers sworn in as officers, and so on. You're going to ask him for help-the national guard would be best. I don't know how various ruckuses around town have come out, but I do know the big boys-the ones you were afraid of-are dead. The ones that had too much on you for you to stand up to them. There are plenty of busy young men working like hell right now, trying to get into the dead men's shoes. The more, the better. They'll make it easier for the white-collar soldiers to take hold while everything is disorganized. And none of the substitutes are likely to have enough on you to do much damage.
"You're going to have the mayor, or the governor, whichever it comes under, suspend the whole Personville police department, and let the mailorder troops handle things till you can organize another. I'm told that the mayor and the governor are both pieces of your property. They'll do what you tell them. And that's what you're going to tell them. It can be done, and it's got to be done.
"Then you'll have your city back, all nice and clean and ready to go to the dogs again. If you don't do it, I'm going to turn these love letters of yours over to the newspaper buzzards, and I don't mean your Herald crew s-the press associations. I got the letters from Dawn. You'll have a lot of fun proving that you didn't hire him to recover them, and that he didn't kill the girl doing it. But the fun you'll have is nothing to the fun people will have reading these letters. They're hot. I haven't laughed so much over anything since the hogs ate my kid brother."
I stopped talking.
The old man was shaking, but there was no fear in his shaking. His face was purple again. He opened his mouth and roared:
"Publish them and be damned!"
I took them out of my pocket, dropped them on his bed, got up from my chair, put on my hat, and said:
"I'd give my right leg to be able to believe that the girl was killed by somebody you sent to get the letters. By God, I'd like to top off the job by sending you to the gallows!"
He didn't touch the letters. He said:
"You told me the truth about Thaler and Pete?"
"Yeah. But what difference does it make? You'll only be pushed around by somebody else."
He threw the bedclothes aside and swung his stocky pajamaed legs and pink feet over the edge of the bed.
"Have you got the guts," he barked, "to take the job I offered you once before-chief of police?"
"No. I lost my guts out fighting your fights while you were hiding in bed and thinking up new ways of disowning me. Find another wet nurse."
He glared at me. Then shrewd wrinkles came around his eyes.
He nodded his old head and said:
"You're afraid to take the job. So you did kill the girl?"
I heft him as I had left him the last time, saying, "Go to hell!" and walking out.
The chauffeur, still toting his billiard cue, still regarding me without fondness, met me on the ground floor and took me to the door, looking as if he hoped I would start something. I didn't. He slammed the door after me.
The street was gray with the beginning of daylight.
Up the street a black coupй stood under some trees. I couldn't see if anyone was in it. I played safe by walking in the opposite direction. The coupй moved after me.
There is nothing in running down streets with automobiles in pursuit. I stopped, facing this one. It came on. I took my hand away from my side when I saw Mickey Linehan's red face through the windshield.
He swung the door open for me to get in.
"I thought you might come up here," he said as I sat beside him, "but I was a second or two too late. I saw you go in, but was too far away to catch you."
"How'd you make out with the police?" I asked. "Better keep driving while we talk."
"I didn't know anything, couldn't guess anything, didn't have any idea of what you were working on, just happened to hit town and meet you. Old friends-that line. They were still trying when the riot broke. They had me in one of the little offices across from the assembly room. When the circus cut loose I back-windowed them."
"How'd the circus wind up?" I asked.
"The coppers shot hell out of them. They got the tip-off half an hour ahead of time, and had the whole neighborhood packed with specials. Seems it was a juicy row while it lasted-no duck soup for the coppers at that. Whisper's mob, I hear."
"Yeah. Reno and Pete the Finn tangled tonight. Hear anything about it?"
"Only that they'd had it."
"Reno killed Pete and ran into an ambush on the get-away. I don't know what happened after that. Seen Dick?"
"I went up to his hotel and was told he'd checked out to catch the evening train."
"I sent him back home," I explained. "He seemed to think I'd killed Dinah Brand. He was getting on my nerves with it."
"Well?"
"You mean, did I kill her? I don't know, Mickey. I'm trying to find out. Want to keep riding with me, or want to follow Dick back to the Coast?"
Mickey said:
"Don't get so cocky over one lousy murder that maybe didn't happen. But what the hell? You know you didn't lift her dough and pretties."
"Neither did the killer. They were still there after eight that morning, when I left. Dan Rolff was in and out between then and nine. He wouldn't have taken them. The- I've got it! The coppers that found the body- Shepp and Vanaman-got there at nine-thirty. Besides the jewelry and money, some letters old Willsson had written the girl were-must have been-taken. I found them later in Dawn's pocket. The two dicks disappeared just about then. See it?
"When Shepp and Vanaman found the girl dead they looted the joint before they turned in the alarm. Old Willsson being a millionaire, his letters looked good to them, so they took them along with the other valuables, and turned them-the letters-over to the shyster to peddle back to Elihu. But Dawn was killed before he could do anything on that end. I took the letters. Shepp and Vanaman, whether they did or didn't know that the letters were not found in the dead man's possession, got cold feet. They were afraid the letters would be traced to them. They had the money and jewelry. They lit out."
"Sounds fair enough," Mickey agreed, "but it don't seem to put any fingers on any murderers."
"It clears the way some. We'll try to clear it some more. See if you can find Porter Street and an old warehouse called Redman. The way I got it, Rolff killed Whisper there, walked up to him and stabbed him with the ice pick he had found in the girl. If he did it that way, then Whisper hadn't killed her. Or he would have been expecting something of the sort, and wouldn't have let the lunger get that close to him. I'd like to look at their remains and check up."
"Porter's over beyond King," Mickey said. "We'll try the south end first. It's nearer and more likely to have warehouses. Where do you set this Rolff guy?"
"Out. If he killed Whisper for killing the girl, that marks him off. Besides, she had bruises on her wrist and cheek, and he wasn't strong enough to rough her. My notion is that he left the hospital, spent the night God knows where, showed up at the girl's house after I left that morning, let himself in with his key, found her, decided Whisper had done the trick, took the sticker out of her, and went hunting Whisper."
"So?" Mickey said. "Now where do you get the idea that you might be the boy who put it over?"
"Stop it," I said grouchily as we turned into Porter Street. "Let's find our warehouse."
Presently I spotted a big square rusty-red building set in the center of a weedy lot. Disuse stuck out all over lot and building. It had the look of a likely candidate.
"Pull up at the next corner," I said. "That looks like the dump. You stick with the heap while I scout it."
I walked two unnecessary blocks so I could come into the lot behind the building. I crossed the lot carefully, not sneaking, but not making any noises I could avoid.
I tried the back door cautiously. It was locked, of course. I moved over to a window, tried to look in, couldn't because of gloom and dirt, tried the window, and couldn't budge it.
I went to the next window with the same luck. I rounded the corner of the building and began working my way along the north side. The first window had me beaten. The second went up slowly with my push, and didn't make much noise doing it.
Across the inside of the window frame, from top to bottom, boards were nailed. They looked solid and strong from where I stood.
I cursed them, and remembered hopefully that the window hadn't made much noise when I raised it. I climbed up on the sill, put a hand against the boards, and tried them gently.
They gave.
I put more weight behind my hand. The boards went away from the left side of the frame, showing me a row of shiny nail points.
I pushed them back farther, looked past them, saw nothing but darkness, heard nothing.
With my gun in my right fist, I stepped over the sill, down into the building. Another step to the left put me out of the window's gray light.
I switched my gun to my left hand and used my right to push the boards back over the window.
A full minute of breathless listening got me nothing. Holding my gun-arm tight to my side, I began exploring the joint. Nothing but the floor came under my feet as I inch-by-inched them forward. My groping left hand felt nothing until it touched a rough wall. I seemed to have crossed a room that was empty.
I moved along the wall, hunting for a door. Half a dozen of my undersized steps brought me to one. I leaned an ear against it, and heard no sound.
I found the knob, turned it softly, eased the door back.
Something swished.
I did four things all together: let go the knob, jumped, pulled trigger, and had my left arm walloped with something hard and heavy as a tombstone.
The flare of my gun showed me nothing. It never does, though it's easy to think you've seen things. Not knowing what else to do, I fired again, and once more.
An old man's voice pleaded:
"Don't do that, partner. You don't have to do that."
I said: "Make a light."
A match spluttered on the floor, kindled, and put flickering yellow light on a battered face. It was an old face of the useless, characterless sort that goes well with park benches. He was sitting on the floor, his stringy legs sprawled far apart. He didn't seem hurt anywhere. A table-leg lay beside him.
"Get up and make a light," I ordered, "and keep matches burning until you've done it."
He struck another match, sheltered it carefully with his hands as he got up, crossed the room, and lit a candle on a three-legged table.
I followed him, keeping close. My left arm was numb or I would have taken hold of him for safety.
"What are you doing here?" I asked when the candle was burning.
I didn't need his answer. One end of the room was filled with wooden cases piled six high, branded Perfection Maple Syrup.
While the old man explained that as God was his keeper he didn't know nothing about it, that all he knew was that a man named Yates had two days ago hired him as night watchman, and if anything was wrong he was as innocent as innocent, I pulled part of the top off one case.
The bottles inside had Canadian Club labels that looked as if they had been printed with a rubber stamp.
I left the cases and, driving the old man in front of me with the candle, searched the building. As I expected, I found nothing to indicate that this was the warehouse Whisper had occupied.
By the time we got back to the room that held the liquor my left arm was strong enough to lift a bottle. I put it in my pocket and gave the old man some advice:
"Better clear out. You were hired to take the place of some of the men Pete the Finn turned into special coppers. But Pete's dead now and his racket has gone blooey."
When I climbed out the window the old man was standing in front of the cases, looking at them with greedy eyes while he counted on his fingers.
"Well?" Mickey asked when I returned to him and his coupй.
I took out the bottle of anything but Canadian Club, pulled the cork, passed it to him, and then put a shot into my own system.
He asked, "Well?" again.
I said: "Let's try to find the old Redman warehouse."
He said: "You're going to ruin yourself some time telling people too much," and started the ear moving.
Three blocks farther up the street we saw a faded sign, Redman Company. The building under the sign was long, low, and narrow, with corrugated iron roof and few windows.
"We'll leave the boat around the corner," I said. "And you'll go with me this time. I didn't have a whole lot of fun by myself last trip."
When we climbed out of the coupй, an alley ahead promised a path to the warehouse's rear. We took it.
A few people were wandering through the streets, but it was still too early for the factories that filled most of this part of town to come to life.
At the rear of our building we found something interesting. The back door was closed. Its edge, and the edge of the frame, close to the lock, were scarred. Somebody had worked there with a jimmy.
Mickey tried the door. It was unlocked. Six inches at a time, with pauses between, lie pushed it far enough back to let us squeeze in.
When we squeezed in we could hear a voice. We couldn't make out what the voice was saying. All we could hear was the faint rumble of a distant man's voice, with a suggestion of quarrelsomeness in it.
Mickey pointed a thumb at the door's scar and whispered.
"Not coppers."
I took two steps inside, keeping my weight on my rubber heels. Mickey followed, breathing down the back of my neck.
Ted Wright had told me Whisper's hiding place was in the back, upstairs. The distant rumbling voice could have been coming from there.
I twisted my face around to Mickey and asked:
"Flashlight?"
He put it in my left hand. I had my gun in my right. We crept forward.
The door, still a foot open, let in enough light to show us the way across this room to a doorless doorway. The other side of the doorway was black.
I flicked the light across the blackness, found a door, shut off the light, and went forward. The next squirt of light showed us steps leading up.
We went up the steps as if we were afraid they would break under our feet.
The rumbling voice had stopped. There was something else in the air. I didn't know what. Maybe a voice not quite loud enough to be heard, if that means anything.
I had counted nine steps when a voice spoke clearly above us. It said:
"Sure, I killed the bitch."
A gun said something, the same thing four times, roaring like a i6inch rifle under the iron roof.
The first voice said: "All right."
By that time Mickey and I had put the rest of the steps behind us, had shoved a door out of the way, and were trying to pull Reno Starkey's hands away from Whisper's throat.
It was a tough job and a useless one. Whisper was dead.
Reno recognized me and let his hands go limp.
His eyes were as dull, his horse face as wooden, as ever.
Mickey carried the dead gambler to the cot that stood in one end of the room, spreading him on it.
The room, apparently once an office, had two windows. In their light I could see a body stowed under the cot-Dan Rolff. A Colt's service automatic lay in the middle of the floor.
Reno bent his shoulders, swaying.
"Hurt?" I asked.
"He put all four in me," he said calmly, bending to press both forearms against his lower body.
"Get a doe," I told Mickey.
"No good," Reno said. "I got no more belly left than Peter Collins."
I pulled a folding chair over and sat him down on it, so he could lean forward and hold himself together. Mickey ran out and down the stairs.
"Did you know he wasn't croaked?" Reno asked.
"No. I gave it to you the way I got it from Ted Wright."
"Ted left too soon," he said. "I was leary of something like that, and came to make sure. He trapped me pretty, playing dead till I was under the gun." He stared dully at Whisper's corpse. "Game at that, damn him. Dead, but wouldn't lay down, bandaging hisself, laying here waiting by hisself." He smiled, the only smile I had ever seen him use. "But he's just meat and not much of it now."
His voice was thickening. A little red puddle formed under the edge of his chair. I was afraid to touch him. Only the pressure of his arms, and his bent-forward position, were keeping him from falling apart.
He stared at the puddle and asked:
"How the hell did you figure you didn't croak her?"
"I had to take it out in hoping I hadn't, till just now," I said. "I had you pegged for it, but couldn't be sure. I was all hopped up that night, and had a lot of dreams, with bells ringing and voices calling, and a lot of stuff like that. I got an idea maybe it wasn't straight dreaming so much as hop-head nightmares stirred up by things that were happening around me.
"When I woke up, the lights were out. I didn't think I killed her, turned off the light, and went back to take hold of the ice pick. But it could have happened other ways. You knew I was there that night. You gave me my alibi without stalling. That got me thinking. Dawn tried blackmailing me after he heard Helen Albury's story. The police, after hearing her story, tied you, Whisper, Rolff and me together. I found Dawn dead after seeing O'Marra half a block away. It hooked like the shyster had tried blackmailing you. That and the police tying us together started me thinking the police had as much on the rest of you as on me. What they had on me was that Helen Albury had seen me go in or out or both that night. It was a good guess they had the same on tile rest of you. There were reasons for counting Whisper and Rolff out. That left you- and me. But why you killed her's got me puzzled."
"I bet you," he said, watching the red puddle grow on the floor. "It was her own damned fault. She calls me up, tells me Whisper's coming to see her, and says if I get there first I can bushwhack him. I'd like that. I go over there, stick around, but he don't show."
He stopped, pretending interest in the shape the red puddle was taking. I knew pain had stopped him, but I knew lie would go on talking as soon as he got himself in hand. He meant to die as he had lived, inside the same tough shell. Talking could be torture, but he wouldn't stop on that account, not while anybody was there to see him. He was Reno Starkey who could take anything the world had without batting an eye, and he would play it out that way to the end.
"I got tired of waiting," he went on after a moment. "I hit her door and asked how come. She takes me in, telling me there's nobody there. I'm doubtful, but she swears she's alone, and we go hack in the kitchen. Knowing her, I'm beginning to think maybe it's me and not Whisper that's being trapped."
Mickey came in, telling us he had phoned for an ambulance.
Reno used the interruption to rest his voice, and then continued with his story:
"Later, I find that Whisper did phone her he was coming, and got there before me. You were coked. She was afraid to let him in, so he beat it. She don't tell me that, scared I'll go and leave her. You're hopped and she wants protection against Whisper coming back. I don't know none of that then. I'm leary that I've walked into something, knowing her. I think I'll take hold of her and slap the truth out of her. I try it, and she grabs the pick and screams. When she squawks, I hear a man's feet hitting the floor. The trap's sprung, I think."
He spoke slower, taking more time and pains to turn each word out calmly and deliberately, as talking became harder. His voice had become blurred, but if he knew it he pretended he didn't.
"I don't mean to be the only one that's hurt. I twist the pick out of her hand and stick it in her. You gallop out, coked to the edges, charging at the whole world with both eyes shut. She tumbles into you. You go down, roll around till your hand hits the butt of the pick. Holding on to that, you go to sleep, peaceful as she is. I see it then, what I've done. But hell! she's croaked. There's nothing to do about it. I turn off the lights and go home. When you-"
A tired looking ambulance crew-Poisonville gave them plenty of work-brought a litter into the room, ending Reno's tale. I was glad of it. I had all the information I wanted, and sitting there listening to and watching him talk himself to death wasn't pleasant.