Reliquary (18 page)

“I doubt it very much. Still, you’ll probably sleep better tonight than Squire Waxie will. ‘Uneasy lies the head that wears the crown,’ and all that.” He looked at D’Agosta with an amused expression. “So what’s next?”

“Oh, I’m still assigned to the case,” D’Agosta replied. “Exactly how, Waxie hasn’t bothered to say.”

“He probably doesn’t know himself. But I think we can ensure that you won’t be sitting idle.” Pendergast fell silent and D’Agosta leaned back in his chair, enjoying his cigar, content to let the silence spread out to fill the room.

“I was once in Florence,” Pendergast said at last.

“Oh, yeah? I was just in Italy. Took my son there last fall to see his great-grandmother.”

Pendergast nodded. “Did you visit the Pitti Palace?”

“Pity who?”

“It’s an art museum, actually. Quite exquisite. There’s an old medieval map painted as a fresco on one of its walls, done the year before Columbus discovered America.”

“No kidding.”

“In the place where the continent of America would later be found, the map is blank except for the words
Cui ci sono del mostri.

D’Agosta screwed up his face. “Here there are ...
mostri
. What’s that?”

“It means, ‘Here there be monsters.’ ”

“Monsters. Yeah. Jesus, I’ve forgotten my Italian. I used to speak it with my grandparents.”

Pendergast nodded. “Lieutenant, I want you to hazard a guess at something for me.”

“Shoot.”

“Guess the largest inhabited region on earth that remains unmapped.”

D’Agosta shrugged. “I don’t know. Milwaukee?”

Pendergast smiled mirthlessly. “No. And it’s not Outer Mongolia. Or the Antipodes. It’s underground New York.”

“You’re shitting me, right?”

“I am not ‘shitting you,’ as you so charmingly put it.” Pendergast shifted in his chair. “Vincent, underground New York reminds me of that map. in the Pitti Palace. It is truly unexplored territory. And it is, apparently, unimaginably vast. For example, there are almost a dozen stories’ worth of structures below Grand Central--not counting the sewers and storm drains. The levels below Penn Station go even deeper.”

“So you’ve been down,” D’Agosta said.

“Yes. After meeting with you and Sergeant Hayward. It was an exploratory journey, really. I wanted to get a sense of the environment, test my ability to move around and learn what I could. I was able to speak with a few of the underground dwellers. They told me much, and they hinted at even more.”

D’Agosta sat forward.” “Learn anything about the murders?”

Pendergast nodded. “Indirectly. But those who know the most are deeper underground than I dared go on my first descent. It takes a while to gain these people’s trust, and I have a long way to go. Especially now. You see, the underground homeless are terrified.” Pendergast turned his pale eyes toward D’Agosta. “From piecing together various whispered conversations, I’ve gathered that a mysterious group of people have colonized the underground. And most of the rumors don’t even use the word
people.
Supposedly, they are feral, cannibalistic, subhuman. And it is these beings who are responsible for the killings.”

There was a pause. D’Agosta stood and moved to the window, gazing out at the nocturnal cityscape of Manhattan. “You believe this?” he asked at last.

“I don’t know,” Pendergast replied. “I need to speak to Mephisto, the leader of the community beneath Columbus Circle. Many of the things he told the
Post
in that recent article ring disturbingly true. Unfortunately, he’s a difficult man to contact. He is distrustful of all outsiders and hates the authorities with a passion. But I feel he is the one person who can lead me where I have to go.”

D’Agosta’s lips twitched. “Need a partner?” he asked.

A small smile appeared on Pendergast’s face, then disappeared again. “It’s an extremely dangerous and lawless place. However, I will consider the offer. Fair enough?”

D’Agosta nodded.

“Good. Now, I suggest you go home and get some sleep.” Pendergast rose. “Although he doesn’t know it, friend Waxie is going to need all the help he can get.”

= 21 =

Simon Brambell zippered up his portfolio, humming “Macushla” to himself. He gassed a loving glance over the lab: the safety shower in the corner, the rows of chrome and steel instruments lined up neatly behind glass, winking at him in the subdued light. He was feeling enormously pleased with himself. Once again, he replayed in his head the scene of his little coup, in particular the impassive look on Frock’s face as he’d been speaking. Impassive, yet no doubt fuming inside. It made up for Frock’s little sneer of triumph over the strength of the bites. Though he worked for the city government, Brambell enjoyed the one-upmanship of academia as much as anybody.

He tucked the soft leather portfolio under his shoulder and once again cast his eyes about the laboratory. It was a wonderful laboratory, well designed and well equipped. He longed for something as elegant and comprehensive at the Medical Examiner’s office. It would never happen, he knew; the city was chronically short of money. If he didn’t find the detective work of forensic pathology so absorbing, he’d move to some well-endowed ivory tower in half a second.

He closed the door behind him softly, surprised as always by the emptiness of the corridor. He’d never seen a bunch so averse to working late as the Museum staff. Still, he didn’t mind the quiet. It was refreshing and different, just as the Museum’s smell of dust and old wood was so different from the stench of formalin and decay that pervaded the Medical Examiner’s office. He decided to take the long way out of the Museum, as he did every evening, through the Hall of Africa. He found the dioramas in that particular hall to be true works of art. And they looked especially good at such an advanced hour, the hall lights turned off, each diorama glowing with internal light like a window into another world.

He walked down the long corridor and, being averse to elevators, skipped down three flights of stairs. Passing beneath a metal archway, he found himself in the Hall of Ocean Life. Only the nocturnal lighting was on, and the hall looked dark and mysterious, quiet except for the ever-present clicks, groans, and creakings of the ancient fabric of the Museum.
Lovely,
he thought. This was the way to see the Museum, with all those horrid shrieking children and their braying teachers absent. He passed under the replica of a giant squid, through a brace of yellowed elephant tusks, and entered the Hall of Africa.

Midnight. He passed slowly through the hall, the herd of elephants at its center barely emerging from the darkness, the habitat groups arranged in a double tier around the walls on both sides of him. The gorilla group was his favorite, and he paused in front of it, pursing his lips, letting himself merge with the scene. It was so very real, and he wanted to enjoy it. Things would be wrapping up here very soon; his work was almost done. If he was right, this poor Bitterman fellow and the remains of Shasheen Walker would fall right into the pattern.

At last, he turned with a sigh under a low doorway, then down a stone corridor toward the Tower. He knew the story of the famous Tower: how in 1870 Endurance S. Flyte, railroad baron and third director of the NYMNH, had commissioned a monstrous, fortresslike addition to the original Museum building. It was to be modeled after the Welsh castle of Caernarvon, which Flyte had tried--unsuccessfully--to purchase for himself. Saner heads eventually prevailed, and Flyte was removed from office with only the central tower of his fortress completed. Now the cornerstone of the institution’s southwest facade, the six-sided Tower was used primarily to store the Museum’s endless collections. It was also, Brambell had heard, a favorite trysting place for the more ghoulish-minded of the Museum’s staff.

The dim, cathedral-like hall at the base of the Tower was empty, and Brambell’s footsteps echoed hollowly as he crossed the marble floor toward the staff exit. Nodding at the guard, he passed into the humid night air of Museum Drive. It was midnight, but the avenue beyond was still bustling with people and taxis.

He took a few steps, then looked back in admiration. No matter how many times he saw it, he’d never get tired of staring at that Tower. Rearing several hundred feet into the air, topped by fanglike crenelations, it threw a dark shadow as far south as 59th Street on cloudless days. Tonight, pale under the light of a waxing moon, it looked troubled, full of ghosts.

At last, with a sigh, he started forward again, turned the corner onto 81st, then walked west toward the Hudson and his modest apartment, once again humming under his breath. As he went, the street gradually took on a seedier character, and the number of pedestrians began to dwindle. But Brambell took no notice, walking briskly, inhaling the night air. There was a lovely breeze blowing in, crisp and sharp, ideal for a midsummer’s night. A bite of dinner, a quick washing-up, a toothful of Green Spot, and he’d be between the covers in an hour. As usual, he’d be up at 5:00
A.M.,
being one of those fortunate people who needed hardly any sleep. It was a great advantage to a medical examiner not to need sleep, especially one who wanted to get to the top of his profession. Brambell couldn’t begin to count the number of times he’d been the first on the scene of an important crime, simply by virtue of being awake when everybody else was fast asleep.

The neighborhood looked even seedier now, but it was only a block to Broadway and its bustling bagel shops, bookstores, and delis. Brambell walked along the row of shabby brownstones, now subdivided into Single Room Occupancies and tiny apartments. A few harmless drunks lingered at the far corner.

As he reached the center of the block, he detected movement out of the corner of his eye: something in the dark well of the basement entrance of an abandoned walk-up. He hastened his step. There was an unusually foul odor wafting from the dark entrance, pungent even for New York. Hearing something moving swiftly along the sidewalk behind him now, he instinctually reached into his portfolio for the scalpel he always carried. His mouth tightened as his fingers closed on its cold ergonomie handle. He felt no real alarm; he’d been mugged once at gunpoint and twice at knifepoint, and he now knew exactly how to handle things. He drew the scalpel from the portfolio as he spun around, but there was nothing there: he looked around for a moment in surprise before an arm slid around his neck and dragged him into the darkness. He assumed, in a surprisingly detached sort of way, that it was an arm; it had to be an arm, yet it felt slippery and so very strong. Then, almost immediately, he felt a curious digging sensation just below his Adam’s apple. Yes, it was a most curious sensation, indeed.

= 22 =

Margo unlocked the door to the Forensic Anthropology laboratory, smugly pleased to find the room dark and empty. This was the first morning she’d managed to beat Dr. Brambell into work. Most mornings, he would be sitting on a lab stool when she arrived, sipping a cup of Museum coffee and arching his narrow eyebrows over the rim at her in greeting. He would then go on to point out that the Museum must percolate its coffee in secondhand formaldehyde borrowed from the Animal Conservation department. Other mornings, she would arrive to find Frock in before her as well, the two scientists bent over a table or a report, carrying on their usual argument in polite undertones.

She slung her carryall into a drawer and shrugged into her scrubs, stepping over to the window as she did so. The sun had broken over the Fifth Avenue buildings, bathing the magisterial frontage in hues of gold and copper. Below the window, the Park was waking up: mothers walking children toward the zoo, joggers trotting the long oval course around the Reservoir. Her eye moved southward, lighting at last on the purple bulk of Belvedere Castle, and she shuddered slightly as she stared into the dark wooded area at its rear where Nicholas Bitterman had met with violent death. His headless corpse, she knew, was due to arrive in their lab later that morning.

The door opened and Dr. Frock wheeled himself inside, a large silhouette against the dimness of the lab. As he came forward into the sunlight, Margo turned to wish him good morning. Seeing the expression on his face, she stopped short.

“Dr. Frock?” she asked. “Are you all right?”

He came toward her slowly, the normally ruddy face drawn and pale.

“There’s tragic news,” he said in a low voice. “I received a call very early this morning. Simon Brambell was murdered last night on his way home from the Museum.”

Margo frowned, drawing in her breath. “Simon Brambell?” she repeated, uncomprehending.

Frock rolled closer and took her hand. “I’m sorry to be the one to tell you, my dear,” he said. “This is all so horribly sudden.”

“But how?” Margo asked.

“It appears he was attacked on Eighty-first Street,” Frock said. “His throat was cut. Beyond that ...” Frock spread his hands, which Margo noticed were shaking with emotion.

It seemed unreal, like some kind of dream; she could not believe the man who had been standing in front of that huge screen the previous afternoon, manipulating the remote pointer like a samurai sword, was now dead.

Frock sighed. “Though you may not have known it, Margo, Simon and I didn’t always see eye to eye. We had our professional differences. But I always had great respect for the man. It’s a huge loss to the Medical Examiner’s office. And to our work, coming at this critical moment.”

“Our work,” echoed Margo automatically. She paused. “But who did it?”

“There were no witnesses.”

They remained motionless for a moment, Frock’s hand on hers, warm and gently reassuring. Then he slowly rolled away. “I don’t know who the ME’s office will give us as a replacement, if anyone,” he said. “But I think Simon would want us to continue in the spirit in which he began.” He rolled over to the far wall and switched on the theater lights, flooding the center of the room. “I’ve always found work the best antidote for grief.” He was silent for a long moment. Then he sighed, as if forcing himself to continue. “Would you mind removing Cadaver A from the refrigerator? I have a theory about a potential genetic anomaly that might have caused this deformity. Unless you would like the day off?” He raised his eyebrows.