Renegade: Henry Miller and the Making of "Tropic of Cancer" (21 page)

Miller, Henry (father): background of,
58
; customers of,
86
-87; HM’s observations of,
81
,
89
,
222
n13; HM working with,
83
,
84
-87,
89
; and Old World culture,
65

Miller, June Mansfield (wife): belief in HM’s talent,
6
,
104
-5,
106
, iii-12 ,
115
; drug use of, iii ,
115
; European trip of 1928,
109
,
110
; fantasies of,
143
,
163
; financing HM’s Paris; trip,
116
,
122
,
123
,
138
,
142
; “gold-digging” of,
106
,
107
,
108
-9, iii,
112
,
123
; HM meeting,
99
-100,
103
-4; HM’s correspondence from Paris,
123
; as HM’s metaphor for America,
101
; as HM’s muse,
100
-104,
175
,
215
; HM’s relationship with,
7
,
12
,
100
,
104
,
106
-7,
108
,
115
-16,
142
-44,
164
,
166
,
175
,
216
,
223
-24n23; and HM’s writing as he talks,
154
; jobs of,
105
, iii,
112
,
123
; and Kronski,
107
-8,
112
-13 ,
224
n23; Nin’s relationship with,
164
,
166
-67,
224
n23 ,
224
n24; Paris visits to HM,
142
-44,
163
-64,
166
,
175
,
177
,
224
n23 ,
224
n24; physical appearance of,
100
,
102
-3 ,
166
,
224
n24; running speakeasy,
12
,
106
; separations from; HM,
107

Miller, Lauretta (sister),
58
,
60
,
63
-64,
67
,
76

Miller, Lee,
174

Miller, Louise Nieting (mother): background of,
58
; demands of,
60
-61 ,
63
-64,
76
,
81
,
83
,
84
;
and HM’s spirit of rebellion,
61
,
88
,
130
; and Old World culture,
65
; shame of,
107

Mills, Benjamin Fay,
82

Miro, Joan,
132
-33

Modernism,
46
,
129
,
132
,
135
-36,
157
,
182

Modern world, rottenness of,
134

Mommsen, Theodor,
59

Morton, Jelly Roll,
38
,
43

Mose, the Bowery B’hoy,
39
-40,
170

Murrel, John,
34

Nanavati, N. P.,
192

Natchez Trace,
34

New World: and discovery,
15
,
17
-18; and frontier,
29
; and lawlessness,
26
-27; and new man,
24
-25; obliteration of native cultures,
19
-20,
209
; Old World as HM’s new world,
117
,
213
; replica of Old World in,
19
,
25

Nichols, John,
151
,
191
,
223
n19

Nietzsche, Friedrich,
87

Nin, Anais: diary of,
164
,
166
,
175
; HM’s correspondence with,
167
; and HM’s Lawrence essay,
176
,
177
; as HM’s muse,
175
,
215
; HM’s relationship with,
164
-71,
173
,
174
-75,
215
-16,
217
,
224
n23; and HM’s relationship with June,
164
,
166
,
223
-24n23; on HM without writing,
169
-70; impression of June Miller,
166
,
224
n24; literary talent of,
174
; June Miller’s relationship with,
164
,
166
-67,
224
n23,
224
n24; opinion of HM’s writing,
164
-65,
175
,
177
,
178
; writing of,
216

Noailles, Marie-Laure de,
125
,
132

Obelisk Press,
5
,
173
,
180

Occult,
10
,
130

Ojeda, Alonso de,
18

Old World: and burlesque,
71
; culture of,
7
,
8
-9,
65
,
72
; and discovery,
15
; and HM’s German ethnicity,
57
; as HM’s new world,
117
,
213
; and HM’s wilderness,
128
; and HM’s writing,
156
; and law,
26
; New World as replica of,
19
,
25
; Twain on,
47
-48

Osborn, Richard,
145
-47,
150
,
158
,
161
,
164
,
165
,
191
,
211

Outlaws: and American folklore,
15
,
28
,
29
,
34
-35,
36
,
38
-39; HM’s self-characterization as,
9
,
12
,
79
,
128
,
221
n12; Twain as,
55

Owen, Matt,
62

Pachoutinksy, Eugene,
192

Paris, France: avant-garde of,
130
,
131
-35,
149
,
223
n16; and European trip of 1928,
110
,
121
; and film,
129
-30,
131
,
136
; HM’s attraction to,
91
-92; HM’s choice of comrades in,
136
; HM’s correspondence with June,
123
; HM’s desperate circumstances in,
6
-8,
137
-41,
143
,
151
,
152
,
156
,
157
,
162
-63; HM’s exile in,
7
-9,
14
,
17
,
59
; HM’s interaction with streetwalkers,
137
-38,
140
,
146
,
190
-91; HM’s lack of artistic contacts,
135
-36,
137
; HM’s solitude in,
123
-24; June Miller and Kronski in,
107
-8,
112
-13,
224
n23; June Miller’s financing of,
116
,
122
,
123
,
138
,
142
; June Miller’s visits,
142
-44,
163
-64,
166
,
175
,
177
,
224
n23,
224
n24; recovery from World War I,
125
-26

Paul, Johnny,
63

Peche Merle cave,
222
n14

Penn, William,
220
n3

Perkins, Maxwell,
182

Perlés, Alfred: HM living with,
139
-40,
145
,
160
-61,
163
,
171
; and HM’s work at
Chicago Tribune,
161,
162
,
167
and remembering,
9
; in
Tropic of Cancer,
191

Picasso, Pablo,
132
,
136

Polis, Joe,
44

Post-Naturalism,
183

Pound, Ezra,
225
n27

Powys, John Cowper,
82

Prejudices,
6
,
9
,
13
,
69
-70,
72
,
109
,
112

Progress,
14
,
81
,
82
,
91
,
201
-2 .
See also
Economic advancement

Proust, Marcel,
9
,
136
,
148

Purdy, James,
185

Putnam, Samuel,
191

Quick, Tom,
32
,
33
,
220
n6

Radicalism,
10
,
80
,
82
,
130
,
133

Ramsay, Rob,
63

Rank, Otto,
178

Ray, Man,
136

Reardon, Lester,
63

Reed, John,
80

Rimbaud, Arthur,
128

Roche, Charlotte,
185

Root, Waverly,
127
-28,
187
,
222
n15

Rosset, Barney,
5
,
184
,
224
-25 n26

Rousseau, Henri,
133
-34

Rush, Benjamin,
23

Satie, Erik,
133
,
134
,
136

Schnellock, Emil: education of,
70
-71; European travel experience of,
6
-7,
91
-92; HM’s correspondence with,
3
,
8
,
14
,
122
-23,
129
-30,
135
,
138
,
142
-43,
147
-48,
151
-56,
160
-61,
171
,
177
-78,
186
; as HM’s friend,
3
,
6
,
69
,
91
; and HM’s talk,
92
-93,
97
,
154
; and HM’s trip to Paris,
6
-7,
117

Schnellock, Ned,
123
,
124

Schopenhauer, Arthur,
73
,
87

Schrank, Bertha,
191

Sedley, Bill,
36
-37

Selby, Hubert, Jr.,
184

Sexuality: and American literature,
41
; of burlesque,
42
,
71
-72; cultural shifts in treatment of,
184
; HM’s relationship with Chouteau,
75
,
168
; HM’s relationship with June Miller,
100
; HM’s relationship with Nin,
167
-69,
174
,
217
; HM’s relationship with Wickens,
87
-88; HM as sexual adventurer,
73
,
130
,
167
-68,
190
,
217
; and whorehouses,
4
-5,
74
-75,
79
,
80
,
190
-91

Shakespeare, William,
56

Shapiro, Karl,
221
n9

Six-day bike races,
10
,
140
,
146

Slaughterhouse: America as,
14
,
17
; of capitalism,
96
,
97
,
128

Slavery,
25
,
219
n2

Smith, Seba,
49

Sorgh, Hendrick Martensz,
133

Spengler, Oswald,
59
,
73
,
87
,
148
,
177

Steen, Jan Havicksz,
133

Stevens, Wallace,
209

Surrealism,
131
,
133
,
134
,
140
,
153
,
174
,
182

Talk: and American folklore,
28
,
31
,
46
,
52
-53,
78
-79,
155
,
220
n5; and HM’s inspiration,
94
,
222
n14; and HM’s sexuality,
168
; and HM’s tale spinning,
15
,
77
,
78
-80,
92
; and HM’s writing aspirations,
90
,
94
,
104
,
105
,
106
,
147
,
154
-55;
and monologists,
28
,
46
,
56
,
78
-79,
86
,
92
,
93
,
136
,
155
; and Schnel-lock’s friendship with HM,
92
-93,
97
,
154
; tall-talkers,
9
,
12
-13,
31
,
40
,
220
n5; and Twain,
46
,
50
,
52
-54,
55
,
56
,
222
n13; and unpredictability of HM’s talent,
93
-94

Tanner, John,
208

Tell, William,
33

Thoreau, Henry David,
44
-46,
49

Thorpe, Thomas Bangs,
32

Trade unionism,
10
,
80

Tresca, Carlo,
80
Tropic of Cancer
(Miller): American publication of,
5
,
184
,
217
,
221
n9; and anarchism,
172
; challenging nature of,
189
; and conditions of earthly existence,
201
-5,
208
,
210
,
212
,
225
n28; cover of,
179
-80; daring nature of,
184
-85,
197
; and essence of living,
186
-87; as event,
197
-98; and expatriate vignette,
195
-96; and Fraenkel’s death philosophy,
158
; HM finding voice in,
15
-16; HM looking back on writing of,
175
-76; and HM’s bravado,
3
-4; and HM’s literary reputation,
5
-6; HM’s reaction to publishing of,
178
-79,
215
; and HM’s relationship with Nin,
173
,
175
,
178
,
179
-80,
191
,
215
; and HM’s renegade status,
198
,
208
,
224
-25n26; HM’s revisions of,
176
,
178
,
179
,
197
; humor in,
15
,
191
-92,
198
-201; and June-Henry-Anais menage,
175
,
224
n23; legacy of,
216
; June Miller as muse,
100
,
175
; and missed opportunity of America,
17
,
213
; and narrator’s journey,
206
-9,
210
,
211
-13; outlawed status of,
198
,
210
,
224
-25 n26; and Parisian demimonde,
4
-5,
190
-91 ,
198
,
207
-8; Paris street scenes in,
194
-95,
207
; philosophical excursions in,
192
-94; portraits of HM’s companions in,
191
-92 ,
211
; Pound on,
225
n27; rawness of,
15
,
224
n25; singularity of voice,
223
n16; success of,
155
; and teaching in;
Dijon,
195
; tone of,
198
; vibrancy of,
188