Ruth Galloway (65 page)

‘We've been to Disneyland Florida,' says Michelle, ‘when the girls were younger. It was great, wasn't it Harry?'

‘Grand.'

‘Well, time to go again without the kids,' says Ken. ‘Why should they have all the fun eh?'

Nelson regards him stonily. ‘Harry's a real workaholic,' says Michelle. ‘It's hard to get him to relax.'

‘Must be a stressful job, being a policeman,' says Lisa. She'd said the same thing, with variations, whenever his job was mentioned.

‘You could say that,' says Nelson.

‘Harry's had a tough year,' says Michelle, in a sympathetic undertone.

You could say that, too, thinks Nelson, as they finally leave the poolside restaurant and repair to the lounge for
coffee. Last year had produced two child-killers, at least three madmen and a curious relationship, the like of which he had never known before. Thinking about this relationship, Nelson stands up suddenly. ‘Going to stretch my legs,' he explains. ‘Might give Rebecca a quick call too.' Mobile phone reception is better in the open air.

Outside, Nelson walks around the pool twice, thinking of crimes with which he could charge Ken. Then he retreats into the darkness of the ‘Italian Terrace', a rather desolate area full of empty urns and artistically broken columns.

He clicks onto Names and scrolls down the Rs.

‘Hallo,' he says at last. ‘How are you doing?'

*

Dr Ruth Galloway is, in fact, doing rather badly. Phil, her Head of Department at the University of North Norfolk (UNN), had insisted on holding a planning meeting at five o'clock. As a result, Ruth was late at the childminder's for the third time that week. As she screeches to a halt in front of the terraced house in King's Lynn, she can't help thinking that her name is now on some mysterious blacklist of Bad Mothers. The childminder, a comfortable older woman called Sandra, found after much exhaustive interviewing and reference checking, is understanding. ‘Doesn't matter, love. I know how it is when you're working,' but Ruth still feels guilty. She never knows quite how to talk to Sandra. She's not exactly a friend but she's not a student or another academic either. She once heard one of the other mothers (Sandra looks after two other children) having a chat with Sandra in her kitchen, all about her husband and his untidiness, about her other children
refusing to do their homework or eat their greens. It sounded so friendly and comfortable, Ruth longed to join in. But she doesn't have a husband or any other children. And her job as a forensic archaeologist, specialising in long-dead bones, is hardly conducive to cosy kitchen chats.

As soon as four-month-old Kate sees Ruth, she starts to cry.

‘That always happens,' says Sandra. ‘It's relief at seeing Mum again.'

But as Ruth struggles to get Kate into her car seat, she can't detect any relief or even affection in her crying. If anything, she just sounds plain angry.

Kate was a big baby. Long rather than heavy. ‘Is your partner tall?' one of the midwives had asked, putting the red-faced bundle into Ruth's arms. Ruth was saved from having to answer by the arrival of her parents, hot-foot from Eltham, bearing flowers and a copy of
Baby's First Bible Stories
. Her mother was meant to have been with her during the birth but contractions had started during a Halloween party hosted by Ruth's friend and sometime druid, Cathbad.

Cathbad, wearing white robes to honour the good spirits, had accompanied Ruth to hospital. ‘First babies take ages,' he had assured her. ‘How do you know?' Ruth had shouted, rent by pain which seemed both unbearable and continuous. ‘I have had a daughter,' said Cathbad with dignity. ‘You didn't have her,' Ruth yelled, ‘your girlfriend did.' Cathbad had ignored Ruth's yelling, swearing, and assertions that she hated all men and him in particular. He had scattered herbs on her, walked around the bed muttering incantations, and finally had just held her hand.

‘She'll be hours yet,' said the midwives cheerfully. But Kate had been born at ten minutes past midnight, thus avoiding Halloween and arriving in time for All Saints' Day.

‘I don't hold with all that Catholic nonsense,' said her mother, when Ruth informed her of this fact. Ruth's parents were both Born Again Christians and considered that they alone of all denominations knew The Truth – a delusion which, as Ruth could have told them, they probably shared with every religious cult since the Assyrians first started burying bits of pottery alongside their ancestors, just to be on the safe side.

When Ruth had looked down at her daughter's furious little face, she had been surprised by a rush of recognition. Whatever she had expected, it wasn't this. The books had talked about Mother Love, about euphoria and joyfulness and feeding on demand. Ruth was too exhausted to feel euphoric. She wasn't even sure if, at that moment, what she felt was love. All she felt was that she knew her baby: she wasn't a stranger, she was Ruth's daughter. That feeling carried her through the agonies of breast-feeding (nothing like the bucolic descriptions in the book), through the loneliness that engulfed her as soon as her parents had left, through the sleepless nights and zombie-like days that followed. She knew her baby. They were in this thing together.

Her mother had been pleased with the choice of name. ‘Short for Catherine, just like your Auntie Catherine in Thornton Heath'. ‘It's not short for anything,' Ruth had retorted, but she found that, increasingly, when she spoke, people tended not to hear. This was a shock for Ruth, who has been a university lecturer for all her working life. People
used to pay to listen to her. Now, unless she was talking specifically about the baby, her mouth simply opened and shut like one of those nodding dogs in cars.

Cathbad had also liked the name. ‘After Hecate, the witch goddess. Very powerful magic.' Her friend Max, an expert in Roman History, had made the same point. ‘Hecate was sometimes called the child nurse, you know.' Ruth did know, but Kate was not named after Hecate or Auntie Catherine or Santa Caterina of Siena (suggested by a Catholic priest of Ruth's acquaintance). She was simply Kate because Ruth liked the name. It was attractive without being twee, strong without being hard. You could hear it prefaced by Doctor or followed by MP. At the same time it was cute enough for a baby.

The future Dr Kate Galloway continues to yell in the back seat as Ruth makes for home. She lives outside King's Lynn, on the North Norfolk coast, not in one of the many picturesque seaside resorts but in an isolated cottage facing a desolate but beautiful stretch of land known as the Saltmarsh. ‘You won't be staying in that awful house after you have the baby, will you?' her mother had asked. ‘Why not?' Ruth had answered.

She loves the house, loves the view that stretches over the marshes into nothingness, loves the expanse of sky and the sound of the sea, loves the birds that darken the evening sky, their wings turned to pink by the setting sun. But she has to admit that the winter was hard. She spent Christmas with her parents in south London and was only too glad to leave, having had enough of praying before meals and listening to her sister-in-law talk about calories. But when
she and Kate were finally home, alone in the little house with the wind roaring in from the sea, she had felt a slight but none the less real stab of fear. They were on their own; they truly were in this thing together. Ruth's cottage is one of three but one house is empty and the other is owned by weekenders who visit less and less often now that their children have grown up. Her nearest neighbours are in the village, a mile away along a dark, exposed road raised up over the flat marshland, and the houses were mostly boarded up for the winter.

Throughout the whole of that January, Ruth and Kate scarcely left the house. Ruth was sustained by Radio 4 (the two episodes of
The Archers
were oases of delight in her day) and by watching Kate. She hadn't realised that a baby would change day by day. One day Kate could smile – she mostly smiled at Ruth's cat, Flint – the next gurgle, and on one joyous occasion she slept through the night. Soon she was greeting her mother with a whole-body wriggle and delighted waving of the legs. This probably saved Ruth's sanity.

When, in February, Cathbad arrived to celebrate Imbolc, the coming of Spring (slightly premature as there was still snow on the ground), he astounded Ruth by asking her when she was going to return to work. Her hermit-like existence had become her only reality; her world had shrunk to four walls and a computer screen. But when Cathbad mentioned work she realised how much she missed it. She missed her students and her colleagues but most of all she missed the archaeology, the painstaking sifting of evidence, the age-old puzzles of bones and soil, the delight in discovery.
Leaving Kate with her friend Shona, who seemed to have bought the whole of Toys R Us for the occasion, she went to see Phil. Then she came home, ordered some work clothes on-line (her pre-baby clothes had become mysteriously tight) and set about weaning Kate onto a bottle. This last task proved so difficult and emotional that it severely tested Ruth's new-found resolve. But she persevered, and by early March she was back at work.

*

For years Ruth has been a fan of
Woman's Hour
but it is only now that she begins to see the point of all those features about ‘juggling' and the impossibility of ‘having it all'. With a little application, it was perfectly possible to put adequate childcare provisions in place. What she hadn't bargained for were the emotions. She felt terrible about leaving Kate, yet when she entered her office for the first time, her own office with her name on the door, she felt a relief so strong that she almost cried (and Ruth doesn't, on the whole, do tears). If she is late to pick up Kate, she feels guilty of almost every crime against humanity. She longs to be with her baby, but when she is she's assailed by a feeling almost of panic. Will she ever escape or will she be trapped in the mother world forever?

Now, she parks her rusty car outside her cottage. The security light comes on, illuminating the overgrown garden and the scrub bushes blown flat by the wind. Kate has fallen asleep and, though this means she probably now won't sleep again before midnight, Ruth is grateful. She carries the car seat into the house and places it in the middle of the sitting room. Flint comes up and sniffs Kate's face. Ruth carries
him away. Her mother is full of stories about cats sitting on babies and suffocating them but Flint's attitude so far has been one of detached friendliness and Ruth relies too much on his companionship to suspect him of sinister motives. She feeds him, makes tea and toast for herself and prepares to enjoy an hour's peace.

The phone rings as soon as she has sat down. It is Nelson.

‘Hallo. How are you doing?'

‘I'm fine. Where are you ringing from? Are you back?'

A hollow laugh. ‘No, I'm still here in bloody Lanzarote listening to the most boring man in the world talk about hard drives.'

‘Sounds like fun.'

‘You've no idea.'

There is an expensive international pause.

‘How's Katie?'

‘Kate.'

Impatient grunt. ‘Is she okay?'

‘She's fine. She's sleeping.' From where she is sitting Ruth can see Kate's little chest rising and falling. Though she no longer checks every ten minutes to see if her daughter is breathing, she still does it every hour.

‘How's the childminder? Working out all right?'

‘Jesus. You ran a police check on her. Twice.'

‘Things can get past those checks.'

‘She's fine. Not a murderer or a child molester. Fine.'

There is another silence while they both think of people who turned out to be not quite what they seemed. Ruth has assisted the police on two murder cases, both involving children.

‘I'll be home tomorrow.'

But Ruth knows that home does not mean home to her.

‘It's very cold in Norfolk,' she says, dampeningly.

‘Christ Almighty. It's always cold in bloody Norfolk.'

He rings off and Ruth sits on the sofa thinking complicated and uncomfortable thoughts. When Trace rings and tell her that they have discovered a mass grave at Broughton Sea's End, it's a relief as much as anything.

The next day is Saturday, and at low tide Ruth, Ted and Trace walk along the beach to Broughton Sea's End. Kate has been left with Sandra for the morning. ‘It's no trouble,' said Sandra but Ruth feels that it is. Weekdays are all right because that is the arrangement but weekends are an imposition. Ruth also has an absolute dread of asking for favours. She hates ringing up and saying, in that special wheedling voice, ‘Can I ask … would you mind … you've saved my life … you're a star.' She'd rather cut the crap and do the thing herself but, as she's finding out, being a working mother means asking for favours. She stumps across the sand in a bad mood.

It is a grey morning. The mist still lingers inland, but at the edge of the sea the air is cold and clear. It's hard going, walking over pebbles and rocks encrusted with tiny, sharp mussel shells. Ted is almost unforgivably breezy for a man who hasn't had a drink yet. He exclaims at unusual rock formations, finds a piece of fool's gold and a coin, worn completely smooth by the sea. He throws floundering crabs back into the water and writes his name in the sand. Trace
walks in silence, occasionally taking notes. Ruth finds this rather irritating but she is grateful not to have to make small talk.

As they round the headland, Sea's End House towers above them, grey against the grey sky. With the rest of the coastline hidden by fog, it seems to float out into the sea like a doomed ocean liner, lights blazing as it heads towards the ice-floe.

‘Welcome to the end of the line,' says Ted, with undiminished good humour.

Ruth looks up at the cliffs. The stone is sandy, soft and crumbly at the edges where it has been eaten away in bitesized chunks. ‘Sandstone,' she says.