Ruth Galloway (86 page)

She pictures the lighthouse. It's a real landmark on the North East Norfolk coast, commemorated in countless postcards and souvenirs. The tall red-and-white tower perched on a rock, seeming sometimes to rise straight out of the sea. Photos show it shrouded by mist on autumn mornings, almost hidden by crashing waves during winter storms and mirrored on a flat sea at the height of summer. The lighthouse is only a few hundred metres from the land but it is surrounded by rocks, making it almost impossible to reach except in calm weather. This is one of the reasons why the light is no longer in use. The main reason is that most ships nowadays are equipped with satellite navigation and have no need of picturesque lighthouses.

Ruth sighs and tries to get back to marking essays. She knows that she is behaving like a spoilt child, sulking because she's missing a day out. The trouble is that knowing doesn't make it easier to bear. She wants to go to the lighthouse,
but Sandra is away for the weekend and Shona is spending Saturday with Phil and his sons and there is no-one to look after Kate. Tatjana is out on Saturday with the people from UEA but Ruth would never dream of asking her to babysit. No, Ruth will just have to stay at home like a good mother. Maybe she can bake a cake or something.

She looks out of the window again, remembering the day that she saw Clara and Dieter embracing in the snow. Then, as if summoned by the earlier memory, she sees a blonde woman walking across the courtyard, her arms full of books. Clara. Without thinking about it, Ruth taps on the window. Clara looks up, smiles. Ruth beckons. She could do with a break, some company, a cup of coffee. It'll stop her thinking about the lighthouse, unbreakable codes, Saturday morning telly.

Clara looks cold and rather forlorn, wearing a scruffy waxed jacket that has clearly seen many years of dog walking. Her hair is lank and rather greasy and her face is pale. Ruth feels a sudden stab of sympathy. She hasn't given much thought to what Clara must be feeling, losing her lover, realising that, in fact, she never had him. At least Dieter's wife will have a funeral to attend, a grave to visit, all the status and sympathy accorded to a widow. Clara is left with nothing.

‘Do you fancy a coffee?' Ruth asks as Clara appears in the doorway. ‘We can go to the canteen or there's a machine that's not too bad.'

‘Machine will be fine,' says Clara. ‘I'm just returning some of Dieter's books to the library.' She puts the pile of books on Ruth's desk. Ruth can't resist looking at the titles – Second World War history mostly, one treatise on the dating of
bodies. Was Dieter doing his own forensic research then?

‘How are you?' Ruth asks. ‘This must be an awful time for you.'

Clara shrugs. ‘I've been better. I know it's stupid because I'd only known him a few weeks but I really loved him, and to think that someone would kill him … like that …' She puts her hand over her mouth.

‘It must be awful,' repeats Ruth inadequately. Clara burrows in her bag for a tissue and Ruth takes the opportunity to escape to the coffee machine. Clara probably wants a few minutes on her own, she tells herself.

When she returns with two steamy cups of coffee substitute, Clara seems a lot more composed. She tells Ruth quite calmly that Dieter's wife has flown his body back to Germany. ‘I didn't see her,' she says. ‘I don't think she knows anything about me.'

Did you know about her? wonders Ruth. But she doesn't say anything.

‘The hardest thing,' Clara goes on, ‘is not having anything to do. I haven't got a job. I'm not studying. All my friends have moved away. All I can do is take the dogs for walks, chat to Grandma, get in Mum's way in the kitchen. It's like being a teenager again.'

Maybe it's the word teenager that gives Ruth the idea. What do teenagers do to fill in the time? They take odd jobs, don't they? Washing cars, delivering papers … didn't Clara once say something about babysitting?

‘I'd love to,' says Clara, looking cheerful for the first time. ‘I'm not doing anything on Saturday afternoon. I'd love to look after Kate.'

‘I shouldn't be long,' says Ruth. ‘Nelson says the boat's leaving at two-thirty. I should be home by five at the latest.'

‘Boat?'

‘Yes, we're going out to the lighthouse. It's hard to explain but it's all linked to the bodies that we found in the cliffs.'

‘The lighthouse?' says Clara. ‘Dad owns it, I think.'

*

When Saturday comes, Ruth almost changes her mind. The sea is calm but the skies are heavy and overcast. Snow is forecast and there is an ominous yellow line on the horizon. But Clara appears promptly at one-thirty, full of plans for a fun afternoon with Kate, so Ruth has no choice but to put on her anorak and head out to the car. Clara stands at the window, waving, with Kate in her arms. For a moment, Ruth feels an almost overwhelming urge to rush back into the house, grab her baby and never let her go again. But, she reasons, she experiences a modified version of this urge every time she leaves Kate with Sandra. If she obeyed every irrational maternal impulse she'd never leave the house.

Ruth drives slowly along the coast road. Sometimes, in spring, you see groups of birdwatchers, binoculars in hand, trekking over the windblown grass in the hope of seeing a greenshank or a bar-tailed godwit. But, today, the Saltmarsh is deserted. There is a feeling of tension, almost expectancy, in the air. The grey-green reeds are sharply defined against the pale sky, a flock of snipe zigzags low over the road, water gleams between the ditches, dark and forbidding. Ruth turns on her car radio. Nothing like
Any Questions?
for driving away feelings of impending doom.

She is due to meet Nelson at Wyncham, along the coast
from Broughton. There is a jetty there and steps leading down to the beach. The police launch will come from Yarmouth and take them on the ten-minute trip to the lighthouse. As Ruth rounds the last bend, she sees the lighthouse rising starkly out of the grey sea. As she looks across the water, it seems to her that there is a flash of light from its high windows. Impossible; the light was taken away years ago, it is probably just a chance reflection. But Ruth feels uneasy. Why on earth did she ever want to go on this trip?

Nelson is waiting for her by the steps, accompanied by a man carrying what looks like a pneumatic drill. There is a third man too, someone short but very upright, bouncing on his toes as he looks out across the water. Can it really be … ? Yes it can. Ruth parks her car on the grass at the top of the cliff next to Nelson's Mercedes and an old-style Jaguar that looks as if it has been preserved in aspic. Trust Jack Hastings to buy British.

‘Ruth! You made it.' Nelson manages to give the impression that she's late though it is still only twenty past.

‘Hallo, Nelson, Mr Hastings.'

‘Jack, please.' Hastings is wearing a yellow sou'wester and seems full of bonhomie. ‘Fine day for a cruise,' he says as he leads the way down the wooden steps. The launch is waiting by the jetty. It's a lot smaller than Ruth expected.

‘Turns out Mr Hastings owns the lighthouse,' says Nelson. ‘Lock, stock and barrel.'

‘Only way to stop it being demolished,' says Hastings. ‘I couldn't let that happen. Valuable part of our maritime heritage. Not that the government cares, of course.'

‘What are you going to do with it?' asks Ruth. She is sure
she read somewhere about decommissioned lighthouses being turned into museums or even bed-and-breakfasts.

‘Do?' Hastings turns to look at her. ‘I'm not going to do anything. It's perfect as it is.'

Ruth looks across at the sleek stone tower that seems almost part of the rocks around it. She thinks she knows what Jack Hastings means. As she watches, the sun is once more reflected from the top windows – two flashes, like a signal.

Ruth wonders how much Nelson has told Jack Hastings about today's expedition. She is considering how to find out when Nelson says, rather repressively, ‘I've told Mr Hastings about your theory concerning the lighthouse.'

Ruth notes ‘your theory'. In other words, if the whole thing is a waste of time, it'll be Ruth's fault.

‘Jolly good fun,' Hastings says, over his shoulder. ‘Like something from an Arthur Ransome book.'

‘Let's get on with it,' says Nelson. ‘The tide'll turn in a minute.' They have had to wait until high tide so that most of the rocks will be under water. Nelson hates waiting for anything though time and tide, as Ruth could have told him, wait for no man.

A boatman in an RNLI jersey holds the craft steady as they clamber on board. It pitches alarmingly and, too late, Ruth remembers that, while she loves the sea, she hates boats.

From the shore the sea had looked completely flat, but as soon as they are away from the jetty, waves appear from nowhere and the little boat struggles against them. Ruth's stomach lurches in sympathy. Oh God, what if she's sick all
over Nelson? Hastings, clinging to the rail with one hand, seems to be enjoying himself.

‘Great fun!' he shouts, above the noise of the engine.

A wave crashes over the prow. Ruth cowers inside the little glass cabin. What will happen to Kate if she is drowned? She really must make a will.

The lighthouse is getting nearer. Close up it looks more derelict, rusty tears running down its sides. The rocks make it difficult to land. The launch pitches to and fro as the waves wash up over its sides. Ruth clamps her teeth together. Eventually, though, the skipper manages to get them close enough for his mate to jump ashore. He ties the boat onto the little landing jetty and stretches out a hand to help Ruth. Praying that she doesn't slip, she puts one foot on the side of the wildly rocking boat. Thank God she wore trainers. She manages an ungainly leap onto the rocks. It feels wonderful to be on solid ground.

Nelson jumps easily, he's surprisingly nimble for such a big man, but Hastings stumbles and nearly falls.

‘Careful,' says the crewman cheerfully. ‘If you fell in, we probably wouldn't be able to get you out again.'

An iron ladder leads from the jetty up to the lighthouse. Are these the steps referred to in the code? Ruth looks doubtfully at the rusty metal. How could anything be buried under here?

Nelson doesn't waste any time. He climbs the ladder, hand over hand, and disappears from view. Ruth follows, more slowly. She can hear Hastings behind her, breathing hard. The third man brings up the rear, struggling with the heavy drill.

Now they are standing looking up at the lighthouse
itself and Ruth sees that there are more steps, concrete slabs leading up to the heavily barred door. They all stand there in silence for a minute. Seagulls call plaintively from the surrounding rocks. Ruth thinks of stories of lighthouse keepers sent mad by loneliness and wild weather. Though they are not far from land, the shore is misty and uncertain. Easy to imagine yourself miles from the world.

There are nine steps. ‘Any idea if it's fourth step from the top or fourth step from the bottom?' asks Nelson, rather sardonically.

Ruth shakes her head, pulling her anorak tighter. It is colder than ever.

‘Let's try fourth from bottom,' says Nelson. ‘We need to get going before the weather gets any worse. Take it away, Charlie.'

The man puts on ear-muffs and points the drill at the fourth step. There is an explosion of noise. Dust fills the air and the seagulls fly away, cawing angrily.

The concrete breaks easily. Nelson doesn't wait for more. He kneels down and starts pulling away the rubble with his bare hands.

‘Is there anything there?' shouts Ruth.

‘I think … yes, there's a box.' He leans into the hole.

‘Hang on,' says Ruth, her forensic instincts outraged. ‘You can't do that. You have to plot the find, note exactly where it is.'

Nelson ignores her. He reaches and straightens up, holding something that looks like a steel container, about the size of a shoe box. It seems unaffected by its sojourn underground; the metal gleams dully in the muted sunshine.

‘What is it?' asks Ruth.

‘It looks like a radio case,' says Hastings. ‘I've seen one like it before. Survival radios, they were called. The boxes were stainless steel. My father had one in the war.'

Nelson shakes the box. Ruth winces.

‘There's something inside,' he says.

‘Is there a key?' asks Hastings.

‘I'm not buggering about looking for a key,' says Nelson. He drops the box onto the ground, grabs the drill and aims it at the lid.

‘Stop!' yells Ruth. ‘You might damage whatever's inside. And you should be wearing gloves.'

Nelson looks at her darkly but he puts down the drill and asks Charlie if he can borrow his protective gloves. Then he tries the lid. It opens.

‘Well, I'm blowed,' says Hastings. ‘It wasn't even locked.'

Ruth leans forward as Nelson lifts something from the box. It is black and round, rather like a miniature steering wheel.

‘What is it?' asks Ruth.

Again, it is Hastings who answers.

‘It's a ciné film.'

*

Jack Hastings invites them back to his house to screen the film. It turns out he has an old-fashioned projector. ‘I like old sixteen-millimetre films, it's a hobby of mine. Of course, you could have it converted to DVD but that would take time.'

Nelson hesitates. He knows he should take the film back to the station and have it converted but the excitement of finding it has made him reckless. He can't bear to wait
another second without knowing what is on the film so carefully hidden and so cunningly traced. It's almost as if Archie Whitcliffe is urging him on, congratulating him (okay, Ruth) for having cracked the code, for following the clues all the way from the dusty paperbacks to the steps of the lighthouse. Who hid the film, he wonders. Archie? Or Hugh, the lifeboatman?

‘The film might be damaged,' he says, ‘but I suppose we could try.'